Jul 14, 2026 · 50 min · 14 segments
Chris is joined by Joanna Robinson to talk about Apple’s surprising Emmy turnout, the Outstanding Drama Series nominations, the state of comedy, and more takeaways from this year’s slate of Emmy nominations (2:50). Then they talk about the surprising lack of summer TV and the potential reasons behind it (20:27). Later, they discuss ‘House of the Dragon’ Season 3, Episode 4 (32:16). Subscribe to the [Ringer TV YouTube channel](https://www.youtube.com/@Ringer-TV) here for full episodes of The Watch and so much more! Host: Chris Ryan Guest: Joanna Robinson Producers: Kaya McMullen and Kai Grady Additional Video Supervision: Sarah Reddy Learn more about your ad choices. Visit [podcastchoices.com/adchoices](https://podcastchoices.com/adchoices)
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[Instrumental music playing] I need support staff to clear the room.
Stand up and walk, now.
Hello, and welcome to The Watch.
My name is Chris Ryan.
I am an editor at theringer.com.
Joining me in the studio, Bringer of Her Parmander-
[laughs]
... it's Joya Robinson.
Chris Ryan, what a, what a joy, what a delight.
What's going on?
We missed you so much on Talk of Thrones this week.
I...
You did an able-bodied job-
Mm
... replicating my, my-
Did I?
... my aura.
[laughs]
I thought the A's hat was incredible.
Great.
Black CR is definitely-
[laughs]
... a character that y- either me or Van can experiment with.
Um.
Um, yeah.
Which one do you pick?
I think Van.
Yeah, okay.
[laughs]
[laughs] Uh, we are here on Monday.
Uh, it's Odyssey week, it's World Cup week.
Yeah.
The World Cup semis Tuesday, Wednesday, and then the final on Sunday.
I know.
But there's still television to talk about.
Is it coming home? What do you think?
I think that the English national team will beat Argentina.
I don't think-
Really?
... that they will be to win the final, though.
Okay.
Unless there's, like, m- five injuries in the Spain-France match.
You think it's Spain-England? Is that your guess?
I have Spain winning it before the tournament-
Right.
Okay
...
so I suppose I should just stick with my prediction.
Why not?
Um, you have gotten swept up in World Cup fever.
It's, uh, it's the monoculture.
I love it.
Yeah.
There's also just, like...
It's, it's a really narrative-rich tournament, you know?
Mm-hmm.
And there's lots of, like...
You can watch it and just be like, "Great game," or you can watch it and be like, "Now I need to find out everything about the guy who got sent off from Switzerland for simulation."
And I did.
Yeah.
[laughs] Well, yeah.
It said mistaken identity on the-
I know.
[laughs]
... [laughs] on the caption, and I was like, "What's happening here?" [laughs]
Um, I wanted to talk to you about a couple things today, where I wanna chat with you a little bit about the Emmys.
Andy, uh, able, ably monologued about it-
Great
... on, on Thursday or Friday, and he also had Matt and Ben from Star City on to discuss that show, uh, which I thought was extraordinary in its first season and really hope it comes back.
I think Andy and I will talk more in depth about that on Thursday, but I wanted to ask you about the Emmys.
Yeah.
I wanted to talk to you a little bit about kinda coming out of the Emmys what we have for the rest of the summer, which is really-
Bleak
... not very much.
Bleak.
Uh, and then we could do a little bit of a Dragon check-in, 'cause obviously, you know, you-
Yeah
... are extensively breaking it down both on Sunday nights and with Mal tomorrow.
But-
But I, I need the episode f- for thoughts from you.
Yeah.
And I also just think it's like we're about midway through or midway-ish-
Yeah
... and I think it's a good time to do, uh, a ch- a check.
I, I did some man on the street reporting, uh, in Philadelphia, and people were surprised at our a- adoration for three-
Really?
... episode three, but generally think this season is awesome.
Okay.
But they were like the moody think piece where-
Yeah, they were like-
... we're not really into it
... there's not enough dragons in that one.
Got it.
I want, I want, I want battles.
I want princes to die-
Yeah
... and-
I want-
... ships to burn
... innocent shepherds ignited.
Right.
Uh, burnt to a crisp.
So let's talk a little bit about the Emmys before we get into the specific shows.
I am, uh, on the record as saying I don't really think the Emmys have the same value as the Oscars, obviously.
I mean, I don't, I don't think that they do, and that I am a little bit annoyed at the amount of gymnastics the TV industry seems to be doing for the Emmys and for the-
Scheduling-wise
...
Emmy, Emmy eligibility window.
Yeah.
Yeah.
Um, or a show like Industry, which didn't quite, you know-
I know
... come up against the prime, prime window, I don't think.
But, um-
But then stuff like The Gilded Age or Pluribus, you know?
Which now seem to be, like, kind of...
I can see those shows being kind of almost grandfathered in, like stamp that every year, you know?
Gilded Age, yeah.
For sure.
Yeah.
Uh, as somebody who follows the Oscars quite closely-
I do
... um, what's your, like, vibe on the Emmys? What's your, what's your...
How do you feel about the Emmys?
Uh, well so the, the value I see in the O- Oscars, I will say, is, uh, the winners help determine what kind of stories get made, right?
Mm-hmm.
Do you think that there's no correlation between Emmy wins and what kind of stories get made?
What an awesome question.
I don't.
Okay.
I think that there can be moments in TV, whether it's Lost or Homeland, where you can feel executives turn around and say, "Where's my version of that?"
Yeah.
And while those shows, I think, were recognized for Emmys p- pretty heavily at various points in their runs, I don't...
Was Lost an Emmy show?
Lost early.
Early on.
First season, I believe.
Um, I don't really get the impression that that's driving, like, the sort of data-rich algorithmic-
Right
... streaming programming these days.
But I do think that one of the ways in which these streamers have bought their way into Hollywood in general-
Mm-hmm
... is to go nuts for, for awards.
This is my first, uh, FYC season in Los Angeles, so I'm getting to experience it a little differently and see, like, a bit more of that, of that money and-
Yeah
... how it's spent.
And thinking about Apple specifically, which, um, wasn't the hot...
You know, didn't get the most nominees out of the various platforms, but performed quite well in the Emmy nominations this year.
Their model right now, which is a, a huge money loser, right?
Mm-hmm.
Uh-
We assume, but yeah.
[laughs]
Seems as, as such.
I, I think the, I think they would report if there was profitability for-
Yeah, I don't-
...
Apple
... they're, even their most popular show-
Right
... like Ted Lasso, for instance, I don't, I don't think would m- be a drop in the bucket compared to, like, a Taylor Sheridan show personally.
I don't, but it's not even just numbers, it's just, like, money in, money out.
Like, you know-
Yeah
...
they, they don't have, uh, ads, and they pour billions of dollars into, like billion with a B-
Yeah
... into their content.
So it's almost like a, if you look at, like, Apple and Amazon, these are just sort of like, "Oh, and we have a streamer," you know?
Yes.
We make all of our money on our devices, or we make all of our money with people buy- buying toilet paper in Amazon's case, and then also we have a streamer because Tim Cook and Jeff Bezos want to be part of the Hollywood.
Yeah.
And so, like, Tim Cook, let's say specifically with Apple, wanting to, like, be at the Emmys and be part of the Emmy conversation, obviously Tim Cook's about to not be the chief-
Mm-hmm
... over there, but Tim Cook wanting to be part of that Hollywood conversation means that Apple is chasing a certain kind of show, which means that the Apple lineup to me right now looks a bit like what HBO did, uh-
Yes
... a while ago, you know?
Yeah, where it took the lessons that HBO taught and said, "Okay," like, what's the more, I don't wanna say vanilla, but what's a safer version of this?
Absol- I mean, safer I would agree with.
Yeah.
Uh, I would even agree with vanilla, honestly.
Yeah.
But, like, uh, and there are Apple shows that both of us really love.
Of course, yeah.
Of, of course.
But, like, um, and that star model that they have, but, but as HBO is doing this interesting pivot, and obviously HBO got the highest number of-
Mm-hmm
...
Emmy nominations, so it's not like it's slouching around.
But, like, they're doing this IP pivot, you know, that's part of their new model and stuff like that.
Going through a merger, yeah.
Yeah.
So Apple has an opportunity, and I feel like in the conversations that I've had with people inside of the industry, Apple is chewing up a lot of space in the conversation.
Yeah.
And I-
I would also say for as much as that they're taking a little bit of the space from HBO, they're filling the vacuum that Netflix seems to have left by more or less pivoting-
Mm-hmm
... away from prestige awards driven TV fare.
I think every year they still have a couple of movies that they splash around for.
Do you think it was Apple winning the Oscar for CODA, and Netflix is just like, "Fuck it."
Fuck this.
[laughs]
[laughs] We've been trying for years.
I don't know.
I, I, I will be very interested to see where this conversation is this time next year and where especially the, the movies on Netflix conversation is for this time next year.
But I, I do feel like Netflix, while still having two or three, like, very notable releases a year-
Yeah
... for our purposes-
Yeah
... it's fewer and farther in between where I'm like, there's a Netflix show that we need to talk about.
What is the latest you've heard about this idea that there might be an Adolescence season two?
I have not heard that.
Yeah.
Yeah.
That's, that's in the conversation, and I'm just like-
With the same characters-
No
... or just, like, riffing on, like-
I think it-
... similar themes
... might be anthology.
Okay.
Uh, but that sort of shocked me, uh, a bit.
But, you know, it's like one of the biggest hits they've ever had.
Yeah.
I mean, on one hand, I can kinda see why.
I mean, they basically, because of when they released it, went on an 18-month award jag for it.
Yeah.
So it's, like, clearly something that has just been anointed.
Uh, you know, Jack Thorne, I can't believe he has the time.
Uh, but Stephen Graham, if he can squeeze that in after Heat 2, all the, all power to him.
Yeah.
[laughs]
Um, I wanted to ask you about, uh, the Outstanding Drama nominations-
Mm
... because that was, let me just call it, the noms up here really quickly, because that was one-
Where you threw your computer across the room?
I didn't throw anything.
I, I, I was like, this is sort of what I imagined was gonna happen.
You know, there are shows here that I have not gotten a chance to watch or have fallen behind on, so, like, Diplomat, um, my, Phoebe, my wife, loves that show.
I have not gotten to see beyond season one, I think.
I was a little surprised that The Diplomat was here.
Yeah.
I, I know that it's, as it's become increasingly like West Wing methadone-
Yeah
... you know, as they just, like, bring more and more cast members from The West Wing on, like, I, I understand that it's maybe feeling a bit, but it, it's so soapy to me in a way that I was surprised that it's here.
Yeah.
And then Gilded Age, I think I've, I've loved at various points.
I find it eminently watchable-
Mm
... and entertaining.
But those two are at the top, and then you've got Knight of the Seven Kingdoms, Paradise, season two Andy and I talked about with amusement, but I don't think was as good as the first season.
And I wanted to say-
Yeah
...
I was gonna ask you, like, you know, is there any, like, I'd trade this for that-
Yeah
...
in the Outstanding Drama that you can think of?
Easy.
Easy.
Your Friends and Neighbors, it's preposterous that this is here, despite what I just said about Apple.
Yeah.
Like, I think that show is terrible, and I'm-
Yeah.
[laughs]
... confused why it's here.
Um, so, like, Industry is the biggest snub obviously.
Yeah.
Um, I'll come correct on the watch and, and honor your god, which is Industry.
[laughs]
But also, like, you know, this season of Industry was incredible.
Yeah.
And it's, I, I know that Andy, I, I'm not sure if Andy hit this when he did his pod, but I, Andy illuminated to me over the weekend when I saw him, he was just kinda like, "That's just not something..." Like, the voting bloc is conservative in so much as, like, they're not gonna go for an overly bleak, nihilistic, fast-talking British, like-
Maybe
... coke drama.
I, you know, but I, I th- I, I would definitely, I would go as far as to trade off Slow Horses for Industry.
Like, I would get rid of one of my darlings if, for it.
Sure.
Yeah.
And then The Lowdown I would put in here-
Yes
... before I would put The Diplomat or Paradise, with love and respect.
Like, or I'm not really into The Gilded Age personally, but, like, The Pit being here, Pluribus being here, those two feel incredibly important that they're here.
And I'm happy for Knight of the Seven Kingdoms.
And I'm, I'm, like, thrilled-
Yeah
... for Knight of the Seven Kingdoms.
I'm, I was a little surprised that it, that it didn't get, like, a single acting nom.
If, if they were, like, considering it in this category-
Yeah
... that it didn't get a single acting nom, but maybe that's, like, a, a season two choice.
I guess my other question, and, and, you know, you and I are not Emmy scholars, but, like, is something with Industry a bit more like- If they weren't on board from the very beginning with the show, they don't love to get in on it-
Yeah
...
in a later season.
I would have to go back and look at how Breaking Bad developed into the Emmy juggernaut-
Oh, okay
... that it became.
And a lot of that, I think, was driven by Cranston and his performance.
But was-
And the Netflix bump
...
Breaking Bad a or, a first season Emmys thing?
I don't think so, and I think, uh, I mean, it, that just became undeniable in a way that Industry-
Yeah
... unfortunately isn't.
Industry is, like, a smaller, like, in terms of numbers, right?
Yeah.
I was trying to think of something w- would be, like, aspirational for Industry now going into its final season.
Yeah.
So it's a little bit beyond the point.
But maybe a better comp would be Saul.
Sure.
Where I don't think that that had a lot of recognition early on, but then started to towards the end.
And there is, there was a bit for a time a sort of like, "It's time for Jon Hamm."
Mm-hmm.
You know, "It's time for Kyle Chandler," or something.
You know what I mean? Like, um, it's time for Matthew Rhys with The Americans.
Sure.
You know, so...
Uh, but I think that has more to do with performance than, like, they like...
What, what the Emmys like to do, the TV Academy like to do, is rubber stamp a show from the beginning and then just sort of-
Give it-
... stick with it
... an award for five years.
Yeah.
Yeah.
So we've saw that with, obviously, West Wing.
We saw that with Modern Family.
Sure.
Like, you know, there are, there are historic runs that shows go on.
I was actually, like, sort of dovetails nicely into n- the next thing I wanted to ask you about, which was a show that we obviously both adored and covered extensively was Widows Bay.
Kind of a late-breaking show in so much-
Yeah
... as I think it was still running when voting, when the window closed at least, or-
Yes
... you know, so, like, a couple of those episodes technically wouldn't be-
I think they could only deliver the first episode.
I wanna...
It's, like, something-
Oh
... like, really, um, narrow, I think.
Like, highly technical about that?
Yeah, yeah, yeah, yeah.
Do you think then that A, is it, like, a, is it a runaway train, or is it, like, a nice pleasantly surprised? Like, is...
'Cause Widows Bay- Bay by far among people I talk to is the most beloved new show of the year.
Yes.
And so I didn't know whether that-
New, yes
... would necessarily translate to, to voting.
Um, I, I wasn't surprised that it got nominated.
I was not surprised that Matthew, Matthew Rhys getting nominated felt like a, a lock to me.
Him getting double nominated is fascinating.
Yeah.
Um, Cato Flynn I was, like, pretty sure, but, like, Dale Dickey getting nominated I think is, that's when you, you get really excited for a show.
Yeah, and Nick Offerman, Gilpin getting guest nods.
You know? Yeah.
Yeah.
Like, when, when they start to dominate in the guest category, you know, the, the White Lotus phenomena or the Pit phenomenon where it's just sort of, like, how many actors from this show can we sort of-
Are there three or four, uh, supporting actress in The Pit?
I think there's four, but not Isabella Rosselini-
From the-
... for some, for some reason.
Yeah.
Yeah.
And so it's just sort of like that, uh, when you start to nominate sort of down the cast list-
Yeah
... that's why, that's when it's not just sort of like, oh, a shiny new thing fluke.
Yes
... uh, hugely nominated.
But if I were so certain that, like, you know, Jean Smart was again gonna win and, and et cetera, et cetera, I w- I would put a little bit more oomph behind my campaign.
Yeah.
And do you-
Only, Only Murders is one of those where, like, I th- they decided early on Only Murders-
And they've just-
And they're just sort of like-
They really want Steve Martin and Martin Short-
Yeah
... to come to the ceremony.
They're like, "Here, here it is."
But if, if you'd asked me three months ago or two months ago, I would've just been like, "Yeah, this is Hacks victory lap," and like-
Right
...
the sort of great bear war is over, and, you know, that Hacks won and can write-
They won that whisper campaign of, "Is this really a comedy?" [laughs]
Yeah, it wasn't that much of a whisper.
It was shouting.
The shout campaign.
Yeah.
Yeah, yeah, yeah.
Um, but I, I do wonder whether or not the sheer excitement around Widows Bay, around something new, around something tonally a little bit different from stuff that's come out maybe over the last couple of years is, is, like, significant enough to push it.
I think that there will be...
It's not gonna be, like, a clean sweep for Hacks, I don't think.
I, uh, I would love to see that.
I would love to see more division.
But, like, if it's, if it's parceled out a bit more...
Like, Jean Smart should get her umpteenth Emmy.
Sure.
She should get it.
So should Hannah Einbinder, but I would not be upset if, like, a Kate O'Flynn who just, like, came out of nowhere absolutely crushed it, everyone is obsessed with her.
Like, that would just be really fun.
Yeah.
And, like, sort of like a handing off of the baton of just sort of like, like, Hacks is bowing out.
Widows Bay is fresh and brand new.
I also kinda want this to happen for Widows Bay because it doesn't feel like it's going to be ready until, I mean, at, at the very least late next year, I would imagine.
Wouldn't it be fun if it was a Halloween show?
It would be.
I, I...
But she's just starting to write it, I think.
Kate-
Yes.
Yeah.
I think that's true, but also isn't it true that she's, like, had at least had, like, ideas-
You're probably right
...
in the tank for a long time? I think you're probably right, but I am trying to be optimistic about shows coming back, and this idea of, like, the, the Pit-ification, uh, I guess is what we're calling it.
Yes.
But, like, how excited are we, two people who talk a lot about television, that next January if all goes according to plan, we get another season of Night of the Seven Kingdoms, and we get The Pit-
Yes
... starting its m- several month run.
Yes.
And it's just sort of like those are two great shows at the top of the year that we can feel confident.
And we could get Task relatively soon after that.
That would be thrilling.
I guess.
No, probably not until, like, s- summer, I would imagine.
It would be a great summer show.
Yeah.
All that quarry.
Yeah.
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Limited time offer
You know, the limited series has been, uh, a, a category in flux-
Mm-hmm
...
I would say.
Uh, this, there's no White Lotus this year to dominate it, I suppose.
Mm-hmm.
But Shogun moving out of limited, didn't it move out of in limited anthology into outstanding drama the year that-
Yes
...
it won, and its return is, I suppose, still imminent, but, like, I don't know when.
Yeah, they're still filming, I believe, so-
Next
... like next year?
Next year.
Yeah.
And then Task announcing that it was going to be a continuing series-
Mm-hmm
... rather than a limited series tweaks this s- limited series category.
And I do wonder if Task would've walked this if it had just been like a one-off, like Mare style, although, you know, with Julianne Nicholson coming, now everything is-
How excited are you?
Now everything is an ongoing series.
[laughs]
I'm very excited.
Is Love Story just gonna walk this category because of its popularity? What do you think is gonna happen here?
I would have said possibly yes, except he didn't get nominated.
Oh, yeah.
And that's, I mean, I think sort of deservingly so.
But I would, I, I would love for like Constance Zimmer to win for that show.
I did not love that show at all.
Um, but I thought there were a couple great performances.
Um, I liked Beef season 2 a lot more than a lot of people did-
Sure
...
so you know, and it got-
I like Beef season 2 a lot
...
it got pretty well nominated as well.
Um, but yeah, it's a very funky year for that category.
Yeah, I can't tell, I can't get a feel for the DTF, uh, fandom-
Mm
... or the d- the feeling of DTF among the awards block-
Yeah
...
the comm- the voting block
But Bateman is always like a real power player-
Sure
...
in the award space.
And he's running for Black Rabbit, I think-
Yeah
...
in some, one of those categories.
But I, I was, I was struck by, you know, when we were talking about it, and Andy and I were a little bit dismissive I admit, but it was just like the passion with which people responded to us being like, "No, you've gotta keep giving it a chance.
You've gotta-"
DTF.
"... keep giving it..." Yeah, DTF.
We got so many emails.
Yeah.
"Why aren't you covering DTF? What's wrong with you?"
Yeah.
So.
And I think Steve Conrad has like a really dedicated fan base, but this went beyond that.
I think this, this really caught on with some people.
Mm-hmm.
You mentioned Beef.
Beast in Me I think could also be a surprise here.
Um-
People liked that.
Yeah.
Yeah.
I thought it was entertaining.
Like with a lot of limited series, especially a Netflix limited series, I'm like, there are episodes I really liked.
Yeah.
You know? Like if you put Claire Danes and Matthew Rhys in a room and let them cook for an episode, that's great.
And then elsewise you're like, I mean, I'm going through this with Cape Fear right now, but like, why, you're like, why is this many episodes?
Why, why is this happening to me? [laughs]
[laughs] Why isn't this a movie?
Um.
Riz Ahmed getting nominated for Bait, I, I was really happy to see that-
That was cool
... because I really liked that show, and that was just like a huge passion project for a performer that I really like.
So.
Yeah, I was very happy to see him in the, in the Digger trailer.
Mm-hmm.
Um, seemingly really understanding the assignment maybe even more than some of the other people in that movie.
Uh, I was curious where your head was at now that we've kind of gotten out on the other side of the Emmy eligibility calendar, part of the calendar-
Yeah
... and now we're entering into this-
Yeah, yeah
... sort of summer.
And I don't know why I have this association over the last 10 years, like really for the almost the entire time I've been doing the pod with Andy, that summer's busy, that Game of Thrones is on, or, you know-
Mm
... there's, there's a couple of shows on during the summer that keep people really occupied.
And then the, the, that there is more of like this 12-month TV calendar, and now I almost feel like we are reverting back to pre-streaming-
Yeah, remember when there was no summer TV?
TV is a September to May-
Yeah
... activity.
Uh, and, and the summers are essentially a ghost, ghost town.
Yeah.
It kinda feels like that's where we're going again.
It's, I mean, as the whole thing is swinging back to, uh, as like didn't Netflix just announce that they're introducing like channels?
Always on channels.
Yeah.
Yeah.
I mean, we're just trying to reinvent the thing-
Yeah
... that we fled from in the first place.
My understanding is that part of that is as these very streamers move from subscribers at any cost to, "Fuck, we actually have to make a profit"-
Mm-hmm
... um, that's changing their sort of throw anything at the wall and see if it sticks, which goes back to your question about limited series.
Yeah.
Because, um, w- what I've heard is that- Nobody wants a limited series anymore, right? Um, because you can't, you can't build a library off of a limited series-
No
... uh, you can't get that, like, sort of second season pop off a limited series, all this sort of stuff.
And so it's, it's not profitable.
It w- it was all the rage.
And, and when it was in its heyday, like when, you know, you and I at different outlets were covering True Detective and Fargo-
Mm-hmm
... and all the rest, and, and I think you and I as-
And, like, The Night Of or whatever.
Yeah, yeah.
Yeah.
And I think you and I as fans of, um, the British TV models, I, I mean, I'll just speak for myself, I got r- I was like, "Yeah, do what British TV does so well."
Yes.
But it's not, uh, turning...
It's, uh, it's almost like British TV is on a government model.
Um, they're-
[laughs]
... they're not turning a profit, right? And so they're just sort of like, "Okay, this is too expensive."
Well, it's now, and when you look at...
I, 'cause when I was looking at what's coming out this summer-
Yeah
... and there's a couple of Apple, specifically Apple, bringing over British-made-
Mm
... uh, s- series.
And there's been some talk in British media about, like, is the BBC or the, are w- is our television industry essentially a feeder system for Hollywood now?
Apple and Netflix? Interesting.
Um, which I'm sure is profitable for the, you know, 'cause they, they are not dealing with the same economic model that the American film television industry are.
But I don't know.
I mean, I think that on z- one hand, I kind of welcome the break of there not being, like, an always-
Yeah
... like, 12 month a year constant rush of TV shows.
But I now almost think they've over-corrected and there's, like, a huge-
I think there's just-
... dead zone here for somebody to be like, "Why don't we put this here?"
An opportunity.
Yeah.
Yeah.
Um, like in the next couple of weeks, this is what's coming out soon, I mean, from what I could tell.
And that's why we're covering Cape Fear.
[laughs]
Exactly, yeah.
That's why we spent 10 weeks doing Star City.
Uh, eight weeks.
Uh, Lucky, Ted Lasso, those are Apple summer shows.
Mm-hmm.
Lucky and Ted Lasso.
And then Slow Horses comes out in September, but Slow Horses at this point is, like, you've either got season tickets or you don't.
Yeah.
Like, Netflix has The Hawk, which has been on the stove for a while.
It's the Will Ferrell golf-
Yes
... comedy that, uh, Ramy Youssef had been involved with and now has different, uh-
Yeah
... s-
And can't throw a rock in this town without hitting a billboard for it.
Exactly.
Yeah.
Um, and the only other thing that jumped out at me aside from Tires Season 3 was-
[laughs]
... uh, the Bombing of Pan Am 103, which I think only appeals to us because of the cast.
Ed Norton
...
Eddie Marsan, Peter Mullan, Merritt Wever-
Ugh
... uh, and Patrick J. Adams.
Ugh.
What a lineup.
Yeah.
But it looks like a very, very procedural, like, TikTok of this tragedy.
And I don't really know, like, like, how much ground...
I- there was already a Lockerbie miniseries, I think, that was on Peacock-
Yeah, yeah, yeah
... with Colin Firth, like a year or two ago.
That's what I saw for them.
It's also six episodes, which may be a bit long, uh, for that story, but I, I don't remember.
Uh-
Because it should be a movie.
[laughs]
Yes.
Yeah, probably.
Um-
We love television-
Yeah
...
but so many of these things should be movies.
Uh, Paramount, basically Lioness Season 3, which-
But that's for you
... obviously I'm very excited about, but that's it for them.
Say thank you, Paramount.
[laughs]
Thank you, thank you D- Daddy David-
[laughs]
... for serving me.
FX has The Shards.
Yeah.
Ryan Murphy's adaptation of Bret Easton Ellis' novel.
Yeah.
HBO's got Lanterns.
Unless I'm, unless I have missed something.
No.
Absolutely not.
And those are-
Luckily-
...
The Shards and Lanterns and Adults and a bunch of that stuff is, like, later in August.
Yeah, exactly.
Um, a- and it's not like they got out of the way for something.
Did they get out of the way of The Odyssey? I don't know until they were like-
The World Cup?
The World Cup
Like, I don't know.
I've no, I've n- I don't, I've not experienced a summer like this in a long time in terms of, like, looking at what to cover and being completely baffled.
I would love to know the algorithm of, like, this is why we have to put 10 shows out on Apple in two months, but then one or two shows for June, for late June, July, and, and the beginning of August.
But I mean, they did, you know, they had Maximum Pleasure Guaranteed, Cape Fear, Lucky-
Star City, yeah
... you know, Star City.
I'm sorry.
That's okay, no. [laughs]
Uh, Star City.
But I did watch the first episode of Star City.
Did you like it?
I told you I would.
I did really like it, but I was also like, "Oh, this is made in a lab for you."
She...
Yes.
[laughs]
So I understood why.
Um-
It's Russian Andor.
[laughs]
Yeah, exactly.
[laughs] I was, I was like, "Oh, it's the life of, lives of others.
Great."
[laughs]
Um, I had a g- I had a great time.
Um, The Shards I'm, I'm fascinated by.
I'm fascinated by this YA show swing-
Mm-hmm
... that's happening that Apple apparently doesn't want anything to do with, but Amazon is leaning all the way in.
Oh my God, yeah.
Right? Like, they're like, "This is our brand now."
The, all I hear is people humping.
[laughs]
Not me involved, but like-
Right
... coming out of-
Phoebe, Phoebe watching.
[laughs]
[laughs] Yeah, off the television, yeah.
Young people humping.
But yeah, it's, it's, it's-
She's a hockey player and she's this, and yeah, I'm just like, "Okay." Like, "Let's, let's give it a shot."
[laughs] I suppose.
Um, I, yeah, I don't know what to tell you.
Like, it's fascinating.
But, but what I will say to all the people who run streamers who are listening to this podcast, what an opportunity you have next summer-
Mm-hmm
... to absolutely own the space if you want to.
Yeah, I mean-
The runway is clear
... it'll be, I, I can't tell the way Sean kinda has a feel for production cycles, release schedule cycles on the big picture and, like, what's happening in Hollywood and why people are clearing out this weekend but coming hard for this weekend and whether or not something that ha- cut- is August the new dump Youary kinda thing? I don't really have a feel for that.
I would imagine these companies are pretty sophisticated at this point.
They must have data that suggests, like-
Well-
... let's steer clear of late July, everybody's gone.
But I don't, I don't know.
Possibly, but also I think it goes back to that whole, like, you know, and this is what Sean was talking about a lot recently on The Big Pick, where, where it's just like, uh, pe- audiences will no longer just eat crap.
Mm-hmm.
Right? They, they have had a decade plus of crap, of like w- we made whatever and we're gonna throw it at the wall and see what sticks.
And I, they're getting tired of it.
Yeah.
And they want things that are actually good, and that is slowing down.
That is slowing down the entire...
I mean, we're, are w- we're in post-peak TV now, right? We're in c- a contraction era.
Very much so.
I feel like we're in something of a A swoon.
Yeah.
I think, I think between, I think between, like, the feeling that something is gonna change with the merger-
Yes
...
I think getting out from under, like, the ex- extraordinary spending, but also, like, the weird, like, arms race that happened between all these upstart streamers.
Mm-hmm.
I think everybody is kind of like, there's a l- a kind of show that people are happy to have on, but don't really feel the need to talk about, or at least they don't talk about it to me.
Like, people don't come up to me to talk about All Her Fault.
People don't, you know what I mean?
Right.
But, like, th- so that means, does that mean the battle is won, but we have to win the war differently, do you know?
Well, I, I guess it depends on what's your goal.
Like, is the goal to have something like Widows Bay that feels like actual, the closest thing we have to a watercooler show-
Mm
...
in the last couple of months? Is the goal just for everybody to, like, make money and keep people blively entertained-
Mm-hmm
... a la It's 1986 and my stories are on, and-
Right
... you know, if that's the case, like, that's why Chloe Sevigny's in Five Star Weekend, you know?
[laughs]
'Cause she's like, "It's a good paycheck.
My mom gets to watch it." Like-
Yeah
... people enjoy this stuff.
Like...
Is it, Netflix s- most of all is confusing to me 'cause, like, once again, we don't have Nielsen ratings, really-
Mm
... on these, in these places to track things.
We have to take their word for it in certain things, and every time I open up the Netflix homepage and look at the top 10 of what everyone is watching, and I'm like, "But people aren't talking about this."
Yeah.
You know?
Well, 'cause they're also watching it completely on their own schedule, in their own-
On their own schedule, but, like, but ba- also second screening, barely watching.
Right.
It's just noise that's on, you know? And so it's not permeating in any kind of way, and so that doesn't lend itself to the longevity or the loyalty that something like The Pit will-
Yeah
... or, uh, otherwise, so.
Mm.
Like, I think that people's television viewing habits have changed so profoundly, and they've gotten so wise, like, you know, Fantasy avoiding Andor spoilers for, like, a year and a half is stunning to me.
Yeah.
That he was able to be like, "Man, season two of Andor was incredible," and I was like-
Have you heard of it? [laughs]
... you didn't, you didn't know what happened?
Yeah.
You didn't hear about, like, that big part?
Yeah, yeah, yeah.
And that's a guy who's really online, so I'm, I think people have gotten pretty good at being like, "I'll bookmark this and get to it when I wanna get to it."
Yeah, and then what you have to cr- I mean, whatever.
I'm n- I'm just telling them to make old-fashioned television as I always do, but, like, you have to create an urgent, a sense of urgency.
Yeah.
And, like, what I hear so often from our listeners is, and this is, this is very as much true for House of R as anything else, is, like, uh, I wanna wait until the season's over and hear what everyone thinks whether or not they thought it was good before I even start it.
Yeah.
'Cause is this gonna fall off a cliff?
I think-
Am I gonna start something and it's gonna fall off a cliff, and I feel like I invested all this time and I wasted my time? So I'll just wait till everyone watches all of Lanterns before, for example, or Spider Noir or whatever it is, uh, and, and start it, and then they either don't get to it, or everyone's watching at their own speed.
Yeah.
That'll be really fascinating 'cause, like, also, like, will people be like, "Okay, I've seen all The Pit's tricks?"
Sure.
You know what I mean? Like-
Possibly
... uh-
But, like, if you make it through the soft, the potential sophomore slump, which The Pit did not experience, then it just becomes a show-
Mm-hmm
... everyone, increasingly everyone watches?
Right.
I mean, like, that, that's why we-
Remember television?
Yeah, I mean, but I think that-
[laughs]
... like, that's why s- a show like Succession is, like, more of a, a, a miracle than it is commonplace.
Right.
You know what I mean? That the show builds and builds and builds, is able to consistently surprise people with things that happen on screen that still feel very much part of the fabric of the story it's telling.
Right, narratively.
Yeah, yeah, yeah.
But feel like I gotta go home and watch Succession tonight because I don't want people to be making poor on the floor jokes at the office, and I don't know-
Yeah
... what they're talking about.
Bleak summer, but we still have Ho- House of the Dragon for a couple more weeks.
Hot D, baby.
Uh, I did not share my, my feelings with you on, um, on Talk of the Thrones.
I thought this was, like, a really good episode.
I think not quite as, I didn't f- have the same feeling for it-
As three
... that I did about three.
This was a real, like, damn, ravens really be flying everywhere.
[laughs]
Because there was a lot of, like, "A raven has told me that this is happening," and I'm like, "These ravens," like, kind of almost like emails, you know? [laughs]
Remember how last week you're like, "Why are people flying their dragons everywhere?" And this week you're like, "Ravens."
Yeah.
[laughs]
Yeah.
They should fly everywhere.
Um, you know, this was, I guess in some ways, like, a James Norton showcase episode.
That's 100% what it was.
And we also really, we got to see Daeron.
I, I liked, up until, like, even the frame before he was like, "Daeron, come here," you're like, "That's Daeron."
Yeah.
"I know that's Daeron.
You can't trick me twice."
When, when, uh, your guy Brasso from Andor, Leon Roxton, walks in-
Yeah
... he's like, "My prince."
Yes.
You know? Like-
That was cool.
Yeah.
We wound up talking largely about James Norton's character, Ormund Hightower, and Daeron Targaryen-
Yeah
... and their, and their...
I just think it's really exciting in the third season of a show that I've always quite liked to get characters that feel so urgent and exciting and new.
Yes.
I am deeply emotionally invested in Daeron Targaryen for some reason.
Ooh.
Like, I, I just think...
Did you, did you watch Bly Manor at all on Netflix?
No.
Okay.
Is that D- is Daeron on Bly Manor?
That kid, that kid was on Bly Manor, and he played, like, a-
Wait, the Flanagan thing?
Yeah.
I must have.
I mean, I've seen, I think I've seen all the Flanagan shows.
It was the second, it was the second one after Hill House.
Oh, yeah, yeah.
I saw that.
Yeah.
Yeah.
So there's two kids in that show, and he was one of them, and they get, like, possessed-
No way
... by a ghost at-
Yeah, of course
... a certain point, and they're so scary.
Yeah.
Yeah, the, like, Turn of the Screw, Henry James sort of thing.
And so he's so, he was so creepy and so good in that.
And he's gonna be Link in the Zelda movie, which I have some questions about as well.
Oh.
But, like, this kid is someone to watch, and I just find him really, uh I, he's fantastic.
And, and that character is a character we don't really have, haven't had on House of the Dragon, is a mu- feels much more like a Thrones character than a House of the Dragon character.
I was gonna ask about that because the Ormund-Daeron stuff felt very well-written, but in a way that didn't feel entirely tethered to, like, text.
You know what's interesting is that episode was written by David Hancock, who you called out last season, uh, who was on The Crown.
Oh, yeah.
Yeah, yeah.
And you called out, uh, last season as, like, an elevation in the language-
Yes
... and stuff like that.
And so I do think it's interesting that they brought him on for this, and he'll be on another episode this season, but brought him back to really, really introdu- introduce us to this kind of Crown-esque-
Mm-hmm
... storyline over here in Tumbleton.
Yeah.
I thought it, you know, for as repulsive as Ormund is, articulating like some anti-Targaryen sentiment-
Mm-hmm
...
in a, in a way that sort of would've, would fit with highborn Westerosi people, where-
Yeah
... they're just like, "I can't believe we're all dying because these incestuous maniacs-"
Yeah
... "are burning each o- everybody."
Yeah.
Um, although he also has some other, hotter, hotter takes [laughs]
Yeah
... about it.
[laughs]
Yeah.
He does.
No, I mean, I think it's interesting because I don't know what this says about me, something that the House- House of the Dragon has always offered up to us is a complicated conflict where there are good points made on both sides.
Mm-hmm.
Yeah.
And there isn't...
You know, you've always been Team Green, but there isn't supposed to be, like, a dyed-in-the-wool villain and a, a, a clear hero.
Yeah.
That's the...
It's trying to give you something emotionally complex.
And then all of a sudden, like, Ormund Hightower shows up, like, a villain, a real villain shows up, and I'm really...
And then maybe I'm just like, I'm just really excited.
Yes.
And I'm like, oh, no, do I need basic, like, good versus evil in order to feel a certain way about Westeros? I don't know.
Yeah, they did some really nice fake-outs in this episode.
I thought Ormund, him bringing back the, uh, uh...
Hugh Hammer's brother-in-law
...
Hugh Hammer's brother-in-law.
Exactly.
Also from Andor.
Yeah.
Yeah, that's right.
And, uh, executing him.
Yeah.
Or having Daeron pop his cherry.
Yeah.
Ex- execution cherry.
I also thought that the Daemon-Rhaena scene was quite good.
Yeah.
Um, and gave that character, like, a slightly different pitch to throw.
Mm-hmm.
Which I thought was, was welcome.
Yeah.
You know, Daemon is, is the, my... one among my favorite reasons for watching the show, and Matt Smith's performance.
But having him just be like, "God," like, "what do I have to do to save this girl's life?"
Mm-hmm.
Uh, a- and was just an excellent scene and an excellent, like, piece of plot mechanics, I thought.
I think this season is already so much better than season two.
And I'm curious to see if we feel like we continue to climb.
Yes.
Or, you know, I don't know what the...
Like, even the people who reviewed this season I think only got the first four episodes.
Yeah.
So I don't know what the back half is gonna do.
It's, it...
I, I saw on Vulture, Vulture's recap-
Mm-hmm
... foregrounded the, like, I was told there would be battles sentiment.
It was kinda like, I thought after last season and all the throat-clearing, like, we were gonna get some real, like-
Mm-hmm
...
some action.
And I think that will inevitably be the second half of the season.
Mm-hmm.
I don't know how much longer we're gonna have to wait, but...
I mean-
It's weird 'cause it's like I, I, I do know what's going to happen.
Yeah.
Um...
You, you read the wikis.
I read the wikis.
Yeah.
[laughs]
You, you know? And so I'm-
You love a wiki
...
I'm kind of, like...
It's, it's funny to not have any kind of, like, mystery to it, but also, like, a lot of anticipation for, for s- some of these sequences that I think are coming up.
But what's interesting about wiki reading or even Fire & Blood reading is that it doesn't...
You know, like, there's so little content in episodes three and four that are from the book.
Yeah.
You know? And so, you know, our whole shtick of, like, let's explain what happened in the book versus the show, you have to, like, sorta think outside the box in terms of how you cover it.
And that's exciting for us 'cause we don't know.
We know what happens, but we don't really know how it happens.
And I can't wait to find out.
Do you think that... 'Cause, you know, we have House of the Dragon, we're gonna get another season of that.
Uh, we have, uh, young Egg on Knight of the Seven Kingdoms.
Yeah.
Although not really full-blown maniac Targaryen yet.
And we might have Aegon's c- conquest-
Conquest
... as a movie.
Yeah.
If I had told you, uh, 15 years ago-
15, okay
... well, however long ago-
Mm-hmm
...
when Thrones debuted, 10, 15 years ago, that the Thrones project would be so Targaryen based-
Hmm
... would you have been like, "That makes sense because that's what a lot of the text is about"?
Well, no, only because George hadn't, uh, published Fire & Blood at that point.
Okay.
And hadn't made it clear that, like, Targaryen history was something that he was interested in.
He had done Dunk and Egg, but, like, Dunk and Egg doesn't feel like a Targaryen story-
No, no
... at all.
And then he had written...
He, he wrote this, like, wiki-esque book, um, you know, like a reference book almost, that has some of the Targaryen history in it.
But, like, leaning into Fire & Blood, that being the only thing he's published since-
Ah, yeah
...
the Dance of Dragons, which is insane.
[laughs]
Gives them the best material to adapt, you know what I mean?
Is there other, like, Stark or Lannister or-
Yeah.
Well, they were supposed to do the, like, Corlys conquering the world show.
That's right.
Um, there's a, like, a Nymeria show.
The...
Like, there's, there's been a lot of shows that they've floated.
But, like, my understanding, immediately after Thrones ended, uh, there were people who wanted to do Dunk and Egg right away.
Mm-hmm.
And HBO said, "We want dragons." So if you're gonna have dragons, you gotta have Targaryens, so that's where we are.
That's a...
I mean, I, I would love it if there was, like, another thing in development that was maybe a little bit less-
Oh, yeah
... blonde.
Well, you know, I think What really excites me about Duncan Idwal working as well, uh, Knight of the Seven Kingdoms working as well as it did, and getting Emmy nominated is, like, th- the possibility of the powers that be at HBO thinking, "Okay, where else in Westeros can we go?"
Yeah.
That feels a little smaller, but more approachable and exciting for people.
And there's this, uh, you know, there's this play debuting, um, in Stratford I wanna say?
Oh.
Or is it Oxford? I can't remember.
They're doing a stage show called The Mad King, which, so that's Targaryen related.
More Targaryen related, yeah.
But it's about, uh, the tourney at Harrenhal, which is, like, kinda what kicked off the whole Robert's Rebellion war.
But, like, that's kind of, even though it's called The Mad King, not really a Targaryen story.
Yeah.
And so that's, like, pretty exciting that they're exploring that.
I wonder... [sighs]
Do you wanna go with Mallory and me to go see it?
Sure.
Okay, great.
In w- in England?
Yeah.
I'll do anything in England.
Great.
Yeah.
Uh, and-
That's what I was told
...
I wonder whether or not... [sighs] I'm, I'm very curious to know, 'cause, like, you know, I, to the extent that I can tell, I think House of the Dragon is very well r- like, lots of people are watching it.
Yes.
I- you know, I'm always fascinated as I, as I see people greet the Avengers Doomsday concept art, which may or may not be official or whatever it was-
Mm-hmm
... with sort of, like, "Oh, okay, yeah." And reactions to the Russos' quotes and stuff like that being like, "You guys aren't done with this movie yet? This is coming out [laughs] in like two months."
Yeah.
Uh-
What does that tell you?
W- well, I wonder whether Thrones will ever go the way of, like, its, you know, it had its moment, and then it goes, or is this, like, how durable is this storytelling if George doesn't finish the books and/or suggests something that happens-
Well-
... after Jon Snow goes north?
Unlike Mar- like, what's your, what's your counter? So, so Marvel, you're like it had its moment, and now it's sort of running on fumes to a certain degree.
Yeah, I mean-
Although I'm very excited for the Paul Bettany Vision show.
[laughs]
Um, personally.
And also Wonder Man got a, got a great Emmy nomination.
Yahya Abdul-Mateen, yeah.
Yah- Yahya, he's amazing in that show.
Yes.
That was fantastic.
But I won't disagree that Marvel's running on fumes right now.
But, like, what's the world that ha- you know, Star Wars endured in its own way.
Like, so is it just we need a g- a galaxy to, a galaxy far, far away to play with? A Westeros, a galaxy far, far away-
Yeah, I think there's-
... a Middle Earth, something like that
... always going to be a fascination.
I mean, I think that you, we probably look back on this time period and be like, Dune was also quite dominant for i- eight years or however long it's gonna be.
Mm-hmm.
Or actually, more like five or six years, right?
Yeah, pretty fast clip.
Um, you know, there, there are different pieces of IP that reign supreme at any given moment.
I think one thing that's marked a lot of these things is that they have to go away for a while for people to miss them, and that's something that I don't think that the people who own the rights to these things are willing to do.
Right, anymore.
They like-
They're used to b- used to.
Yeah.
But, like, well, I think, okay, so here's what I think the problem with Marvel versus, a problem with Marvel-
Okay
... versus, uh, Westeros, is that Marvel's intention is for everything to click together in place.
Mm-hmm.
And so that means despite them saying, "Oh, Black Panther is so different," or, "This is so," you know, or, "Dr.
Strange is a horror," or something like that, there's a, you know, homogenous nature to Marvel that, that the Westeros space shows don't have to have.
Mm-hmm.
And so the best example of that is Knight of the Seven Kingdoms, which does feel extremely tonally different-
Yeah
...
if not formally, not f- well, formally different than, than, uh, Thrones did.
Hot D is trying to be more Thrones-like.
Yes.
Yes.
You know?
I mean, I, it's, there's also, like, something fascinating about the fact that for a lot of these stories or a lot of these franchises, they do have, like, a demarcated, like, "This, and this is when the story ends." Like-
Hmm
... not only is Thrones not finished, but we have an idea.
We, we know, like, they won.
The [laughs] you know-
One of the-
... like, the [laughs]
One of my favorite reactions to the episode two of this season of Hot D when Rhaenyra, you know, takes the King's Landing.
Yeah.
They're like, "All this for Bran to wind up on the throne?" [laughs]
[laughs]
You know, like, all of this fuss and then Bran's gonna sit on the throne?
Yeah.
So, but it, but I don't, you know, obviously Hot D is not as, um, uh, big as Thrones was at, at its peak.
Knight of the Seven Kingdoms is much beloved, but also a much smaller show.
Mm-hmm.
So definitely the ending of Thrones and House of the Dragon season one not, not quite scratching that itch for people, has shrunk the...
It's not like the audience has grown.
It, it has contracted.
Yes.
But I, but it's still, like, a very healthy audience, you know?
Oh, yeah.
And I think the, like, one thing I sometimes don't really understand until I, like, leave Los Angeles is how many people out there are like, "Oh, I've read those books like 10 times."
Yeah.
Like, you know, I, I know you and Mallory have, but I-
[laughs]
... don't know sometimes, like-
Now you know her tab
...
when I'm at a bar-
Yeah
... and somebody's like, "Well, I've, I've read, I've read it.
I might just reread it to get ready for this," or whatever.
Right.
You know what I mean? Like, it's, it is, it is a fandom that is pretty profound.
It's true, but, like, that was also true of Wheel of Time.
Sure.
And then that just didn't stick.
Sure.
You know what I mean?
Yeah.
Yeah.
I mean, Dune is almost the inversion of Marvel because they were like, "We have a filmmaker who's very special."
Yeah.
"And because of that filmmaker, this cast will do it."
Well-
"And we are gonna make this happen in a very condensed period of time."
Right.
But also Denis is like, I'm, is, is not saying, "I'm gonna adapt every Dune book."
No.
He's like, "I'm doing the first two."
Yes.
"And then we're done."
Yes.
"That's what we're doing.
We're doing a trilogy."
Yeah.
And, and will Warner Brothers say okay? Well, they did, right?
Yeah.
We got the Bene Gesserit show, which did not work.
[laughs]
You know? So.
Um, are you excited for Dune 3?
Hugely excited.
Yeah.
I'm excited.
And I mean, I, I love, I love The Odyssey, and we're gonna cover it extensively on House of R. You're gonna cover it on the Big Pick.
Sure.
You know?
Yeah.
So I think the O- I think Project Hail Mary, The Odyssey, and Dune 3 being, like, the one, two, three of this y- tentpoles of this year is good news for quality sort of-
Yeah
... genre adaptation.
Yeah, but they, uh, increasingly seem to be big screen, you know?
I-
It's just-
I know
... it's just been a minute since, I mean, like, even, I was trying to think of, like, any...
I don't even think there is a Star Wars TV show, live action TV show.
Is Ahsoka doing another season?
Yes.
Okay.
Is that this year or next year?
I th- next year.
It's definitely next year.
Yeah.
Is there another one in, like, in the works?
Well, yeah, 'cause, like, there's no Star Trek project in the works.
Right.
There's no Doctor Who.
Like, this is, I think, the first time in, uh, I don't know, 50 years that there isn't either a Doctor Who or a Star Trek project in the works.
Interesting.
Yeah.
It's a big, weird time.
I hope nothing, like, really bad happened the last time that [laughs] that, that occurred.
[laughs] Right.
Um, Joni, thank you so much for joining me.
Oh my God, what a thrill.
Delight.
Uh, thanks to Kaya and Kai and Sarah.
Uh, we'll be back on Thursday with Andy covering a bunch of stuff that we missed.
Uh, everybody have a wonderful World Cup semifinals.
Any predictions?
I'm gonna go Argentina-Spain.
That's what I think.
Okay.
But you're the ex- that's whatever you want to say.
These are, these are the best four teams in the world.
Right.
And I think that this is, like, really, really tight on both sides.
Yeah.
Yeah.
But it was interesting, the Argentina-Swiss game.
Like, s- they had some momentum.
They, like-
They did
...
they were sweating.
They did.
You know?
I, the, Big Gianni came in and was just like, "That's, we got, we gotta get these guys outta here."
Yeah.
"I can't have the Swiss in the semifinals."
[laughs]
Uh, we'll talk to you guys on Thursday.
[upbeat music]
“Next, they discuss Apple's Oscar ripple effect”
“First, Joanna unloads on baffling Emmy picks”
“Let's examine if Emmys actually shape storytelling”
“Later, why audiences refuse mediocre television now”
“Finally, needing villains to feel stakes today”