May 14, 2026 · 1 hr 1 min · 22 segments
Jo and Rob head back to school to explore the chaotic and iconic 2007 classic ‘Skins.’ Intro (0:00) The ‘Euphoria’ Comparison (5:09) Did They Really Understand Teenagers? (6:52) First Impressions (9:14) Where Were the Adults? (13:43) Love Triangles (15:27) How Far Should Teen Shows Go? (17:22) Why Casting Real Teens Mattered (20:18) Inside the Writers’ Room (22:31) Growing Up on Screen (29:26) The Cast (34:41) Future Stars (40:13) The Cost of Pushing Boundaries (53:17) Outro (57:58) Hosts: Joanna Robinson and Rob Mahoney Producers: Devon Renaldo and Kai Grady Additional Production Support: Justin Sayles, Jacob Cornett, and Chris Thomas ...
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[upbeat music] Hello, welcome back to the Prestige TV Podcast Feed.
I'm Jonah Robinson.
I'm Rob Mahoney.
We're here with a very special episode of the Prestige Television Podcast.
We're doing a look back at a couple high school shows that we were thinking about in relation to our coverage of Euphoria season three, and today we're talking about Skins UK.
Very important clarification.
Crucially, Skins UK.
We're not doing, like, a series over look.
We are not-
I wish
... uh, completely mental and watched seven seasons of a television show for one episode of a podcast.
But we're here mostly to talk about the pilot episode, so series one, episode one of, of UK Skins, titled Tony-
Mm-hmm
... after Tony Stonem.
The titular role.
[laughs] Uh, the Skins himself, Nick Hoult.
[laughs] Mr.
Skins.
Mr.
Skins, Nick Hoult.
And we're just gonna talk about sort of, um, the impact of the show at the time.
Uh, it...
There's been a lot of chatter recently, um, where people have been saying, like, Skins UK was the original Euphoria.
Yeah.
But I think you could make that argument about a lot of teen shows because the general cycle of, of teen showdom is that a new show comes along and people go, "Gasp."
I know.
"What? Teens are doing this? Is this okay?" And then rinse and repeat over the generations.
It's almost like being a teenager is about rebellion.
What? [laughs]
Who knew?
I mean, this goes back to, like, there was, like, Peyton Place back in, like, you know, uh, Splendor in the Grass in the '60s.
Like, there, this has been a, a tale as old as time-
Yeah
...
in terms of, like, what are the teens up to? Um, Skins UK was a show that, um, I watched, not originally when it was airing, but a little bit later, I think as part of my, like, Nick Hoult completionist phase.
But, but-
What, what was your entry point? What really grabbed you by the Hoult?
By the Hoult? [laughs] Thanks so much.
[laughs]
Like, into my Hoult fandom or into-
Yeah
...
Skins?
Like, well, what, what did you first see him, and then you're like, "Oh, I wanna, I wanna see what that guy has been up to?"
Well, I, uh, I saw, um, About a Boy.
Yeah.
His, like, debut-
Of course
...
when he was a kiddo, and I loved that, you know.
I, I was a huge, uh, Nick Hornby fan.
I love Hugh Grant.
I love that movie.
He's so good in it, too.
He is so good in it.
And then I didn't see Skins-
Mm
...
but then I saw A Single Man, which came out after Skins, and which, in which he plays, like, um, a young, gay, pink mohair sweater-wearing sex pot, and I was like, "What happened to the boy from About a Boy?"
[laughs]
And I missed this sort of crucial bridging, uh, Skins phase.
So I did eventually go back.
I, I have to imagine the reason I went back to check in on Skins was because it is the origin story for, uh, Joe Dempsie and Hannah Murray, who are two big Game of Thrones actors.
Yes.
And so I was just sort of like...
And then I realized Dev Patel was in it, and Daniel Kaluuya.
Like, there's-
It's crazy
...
so, so this is part of what we wanted to talk about, is that teen shows as these breeding grounds-
Right
... for future stars and, and all the rest.
Uh, this is your first foray-
It is
... into Skins UK.
How was your experience, Rob?
I had an awesome time.
Yeah?
Uh, I would love to watch more of this show.
I mean, I knew it by reputation-
Right
...
in exactly the way you described.
I think the combination of, oh, this is a very, like, edgy teenage show.
Mm-hmm.
That reputation preceded it, but also the idea that it was this, like, talent scouting factory for basically a whole generation of British actors.
Right.
And so in both of those ways, it is extremely Euphoria, but as you say, it's, that's kind of a, a generational transition point for a lot of these sorts of series.
Some more than others.
You know, when we, we thought initially about doing a month-long series and we were gonna do four different shows.
Mm-hmm.
And we were trying to pick shows that had either future Oscar winners or Oscar nominees in them, so Dawson's Creek-
Yep, Freaks and Geeks
... uh, qualifies.
Freaks and Geeks is definitely in the mix.
Um, and Normal People is something that we had talked about considering doing.
But, um, we landed on Skins, and then we're gonna do Friday Night Lights just because Skins is the most Euphoria-adjacent-
Mm-hmm
...
I think, and then Friday Night Lights is just so us core, ringer core-
Yes
... you know, at the end of the day.
It's also, Friday Night Lights, not to step on that pod too much-
Yeah
...
but almost like a, a failed attempt at this sort of ensemble launch pad.
Like, there's people in Friday Night Lights who really pop, a couple singular stars, but they're not necessarily who you ex- who you'd expect.
Yeah.
And there isn't, like, the broad success I think of, in this case, like, some of the generations of Skins.
Uh, so stay tuned, Taylor Kitsch.
We're gonna talk about your career eventually.
Um, so this is a, a description of Skins UK from a 2011 Guardian article about sort of one of the later seasons coming back.
"Wild house parties, vats of booze, drugs and angst, and a never-ending quest for sex.
Escapades that left some parents predictably outraged and their kids equally predictably thrilled." So I kinda wanted to talk to you, uh, about sort of why teen dramas, or in the case of Skins, like a dramedy, um, are eternally sort of, uh, hooky-
Yeah
... for audiences.
I think titillation is a huge part of it, right?
Gotta be.
Um, and then alongside that titillation, there's the, the gasp fear controversy that comes.
I r- I, I don't remember if I talked about this on the pod, but-I was at the Euphoria premiere-premiere, which was at the Austin Television Festival, uh, years ago.
They debuted it there.
It was the opening night show.
Um, Zendaya was there and a couple other cast members, and the Q&A session afterwards was just parents walking up to the mic and going, "Dear God, what is this thing?" You know, "Do you expect my child to watch this?" And then there were actually a couple quite young people in the audience because they were Zendaya fans.
Yeah.
And so, like, a kid walked up to the microphone.
Zendaya was so mortified-
Oh, no. [laughs]
... that one of her kid fans was there, and then she was like, "Who's your parent? Why did your parent let you be here?"
[laughs]
So you know, there's this, there's this, uh, parents don't want you watching it-
Yes
... and so the kids, of course, even more so wanna watch it.
And my first experience with that was I remember in fifth grade I transferred to a new school, and I was, uh, you know, didn't know anyone, and I was meeting people.
And this one girl was trying to sort of, like, connect with me, and she was like, "Do you watch 90210?" And I was like, "90210? We're in fifth grade.
No." And she was like, "Okay, lame." And then I knew that I had to watch 90210-
Yeah
...
in order to, like, be able to talk to people, even though I was in fifth grade at the time.
Um, but so you get this, this titillation, this privileged peek inside a world of, of teenagers that, you know, especially if the show has any kind of reputation for getting it right-
Right
... which Skins UK definitely did, and we'll talk about why.
Um, here's what the Parents Television Council said about Skins.
Quote, "The most dangerous programme," and that's programme with two Ms and an E at the end 'cause we're in the UK.
Naturally.
"The most dangerous programme that has ever been foisted on your children."
Foisted.
Who was, who was foisted? What was foisted?
How old...
You were a teen in 2007.
I was.
Do you, did you feel represented by the depiction of teenagers in this show?
I mean, this isn't my lifestyle per se.
Okay.
But it is a lifestyle.
Yeah, but did you recognize people-
Oh-
... you went to school with?
... completely.
Okay.
I think this is the thing, like if you wanna be real about it, yes, the, the heightened style of Euphoria or sometimes of Skins or-
Mm-hmm
...
Friday Night Lights, like, doesn't map one-to-one on the teenage experience.
But it's like let's not pretend this stuff isn't happening.
Right.
And it's one thing to portray things accurately and then to stylize them and then to accentuate them, but I think part of the reason those teen dramas work is the same reason, like, young adult fiction works is like this is a period of life in which you feel things so intensely-
Yes
... and to such dramatic extremes.
And it's like what if every character on the show was operating on those, like, complete peaks and valleys-
Right
... all the time emotionally while doing the titillating things that are gonna draw viewers in? It's like that's just a good formula for melodrama.
Yeah.
Yeah, and I think for teens in terms of that sort of you're feeling everything, everything feels enormous to you.
Mm-hmm.
That's why, A, why stories that are set in a supernatural world where, like, the, the puberty feelings that are your feelings sometimes are life and death.
That's why Buffy the Vampire Slayer-
Sure
... works so well or, you know, The Hunger Games, et cetera, et cetera.
Um, but then in a teen drama, um, your problems are taken seriously.
Your problems are the most impor- important problems-
Right
... of this show, of this world.
Uh, and we'll talk about the parents and how they're depicted on these shows, but I, I think that's interesting.
So yeah, conversation starters about, like, are the kids all right? Are the kids actually doing this? I think especially it's really interesting going back and reading about the debut of Friday Night Lights in 2006 and the debut of Skins in 2007.
[laughs] The word MySpace is thrown around a lot as this sort of, like, burgeoning era of social media.
Yes.
And now with social media, of course, we have much more access to, like, what the teens are, quote-unquote, actually doing.
But for a while it was up to these often wildly inaccurate but sometimes accurate peeks inside of mainstream media of sort of like this is what your kids are up to.
Right.
Just FYI, this is what they do.
And, and again, there's the horror for the adults, the celebration from the kids, and then when they get it wildly wrong, like Dawson's Creek does, there's just sort of...
I love Dawson's Creek, but, like, which gets mentioned in this, uh, Skins pilot.
But, like, the whole point of Dawson's Creek was, like, no kid actually talks like that-
Yes
...
though at the end of the day.
All right.
What was your first impression of this episode? How did, how did it work for you?
Really enjoyed it.
Yeah.
I mean, it's just a straight, like, sex comedy-
Mm-hmm
... setup.
Yeah.
Um, it was I think more outright a comedy than I was-
Yes
... expecting it to be.
And I, I think you're right to point out that it's not just drama.
Like, it is a dramedy through and through.
There are serious moments, but everything is undercut.
It's impossible to extricate, like, British sense of humor from a show like this-
Right
... and an episode like this.
So I really loved it.
And you can already see, too, in a Euphoria sense the, like, character-centric episode.
Like, we're gonna, we're gonna take you through the point of view of Tony, and yeah, we're gonna transition and hand off, and you're gonna see plenty of other characters.
But it was very familiar in that way, too.
Right.
This is the Tony episode.
Um, I...
So rewatching the pilot, I was, I, I was thinking about you a lot because I was like, "Okay, Rob is watching this for the first time."
Yeah.
Is he gonna be like, "Why did you pick this show?" Or, "Why do people like this show?"
No.
I wasn't sure-
Yeah
... how it would land with you in, in 2026, um, nearly 20 years later.
Um, but, uh, and then I watched the second episode.
We're not gonna talk about it in detail, but the second episode is the Cassie episode.
Mm-hmm.
And Hannah Murray as Cassie I think is the real hook for me for that show.
Fascinating character.
As much as I'm, like, a Holt head, like, Cassie kind of is that show for me-
Mm-hmm
... especially, like, in the, in the first two series, which is that generation.
And so her episode, which is a bit more, uh, surreal and all these...
I was like, "That's, that's what really got me in." 'Cause I think my recollection is I watched the first episode and I was like, "This is fascinating just to see how young these future stars are," and all these other things.
But the Cassie episode, uh, is, is really what hooked me in.
So these episodes are, uh, on Hulu.
Yeah.
So you can just watch them if you haven't-
Very funny they watch this on Disney+, by the way.
Yeah.
[laughs] There you go, or on Disney+ at the end of the day.
Is there, like, a teen pilot formula that you're identifying across some of these shows?
shows?I think there's a couple of different formulas that-
Yeah
...
these shows draw on.
Usually often, and I think this is one area where Skins deviates, is my experience with these shows is, like, the school is a foundational structural device.
Hmm.
And we're barely in school for this first episode.
I imagine that that changes, right? That they, they probably spend more time in school at various points in the season or the show.
I would say on and off.
Yeah.
It sort of depends.
Um, and, and I think one of the hooks of Skins, I think the description, one of the descriptions I read was sort of like, uh, you know, they booze, they do drugs, blah, blah, blah-
Mm-hmm
... and then they get it for their A-levels.
Ah.
And sort of like the whole thing about Tony in this episode, and as you'll discover some of his other friends, is like they're actually good students.
Yeah.
Uh, this is very, like, Cruel Intentions, right? So it's sort of like these aren't the privileged upper class students.
We meet some of those, uh, students inside of this first episode.
Don't you dare track mud on that pile carpet.
[laughs] But you bring your friends.
[laughs]
Um, like, that's not who we're talking about.
But, uh, that combination of you don't have to be...
Just because you do drugs and alcohol and, and care about sex doesn't mean you're a burnout necessarily.
Yes.
And so that combination I think feels a little, uh, extra special and titillating in this world.
Very much so.
Yeah.
And I think how do you introduce that sort of cast of characters-
Mm-hmm
... and both their potential and also the behavior that they get up to without having that school setting? And this is where, like, this is a very of its time sort of I'm gonna call around to all of my friends to round them up for this party.
Right.
I love that device, and it...
Honestly, like it feels dated in a sort of flip phone way but not in the rallying the troops way.
Right.
Uh, and so I think that part feels very teen drama to me.
But without the school, like, being in a school gives you a great place.
Like, quickly establish a main character.
Right.
Give you, like, the cliques and the hierarchy and that sense of, like, place-
Yeah
... and understanding of how everything fits together.
It also lets you introduce potential foils in a way that doesn't feel too contrived, right? Like, there's rivals, there's bullies, there's jocks, there's whatever.
The closest we get to that is, like, Tony's run-in with this, like, pompous French teacher, uh, at the school he doesn't even go to.
Right, right, right.
Yeah.
Uh, so it's like that's kind of the closest we get to it 'cause otherwise it is just, like, a one crazy night literally bookended by Tony's neighbor changing in her mirror or in her window, like, before and after the next day.
That's a real, uh, through line.
Euphoria doesn't really have it.
Um, but that's a real through line of teen dramas of a certain era, which is just sort of like what adult is having an inappropriate soc- sexual relationship with a child-
Yeah
... or at least, like, undressing for them at the end of the day or at the beginning of the day.
I think that's really, uh, an interesting part of all of this.
Um, I think when we think about the way in which the parents are depicted in these various shows, I think it's really telling.
Uh, we'll talk about sort of the adults at the center of Front Lights 'cause it's a very different construction.
But here parents are idiots-
Yeah
... or neglectful.
Teachers are idiots or inappropriate.
Yes.
There are no adults.
There is an adult who shows up in the Cassie episode that is, like, kind and thoughtful and all this sort of stuff like that.
But, but in terms of, like, the parents are most often defined by their absence and what the kids can do while they're gone.
Right.
So there are no anchors or guiding lights, and that's an interesting thing when you think about a teen drama because oftentimes in these teen shows you do introduce the parents.
In the first season you, you meet a lot of the parents, and then often they sort of fade into the background.
Like, the, the key example is 90210 where Jim and Cindy Walsh, who are Brandon and Brenda's parents, like, move to Japan in a later season.
But everyone lives in their house.
[laughs]
Everyone just moves...
And the same thing happens in Buffy.
Everyone just, like, moves-
Yeah
... into the Summers house.
Like that-
Just what happens
... house is an important setting, but the parents-
Well, the set's already built, so [laughs]
... become increa- increasingly irrelevant as we go on.
Yeah.
And Skins is like what if they're irrelevant from the beginning really?
Yeah.
They're just buffoons, you know?
But this is a rite of passage for a teen show, right? It's almost like in a horror movie you have to have the moment where it's like, "Oh, we don't have cell reception-"
Yes.
Yeah, yeah, yeah.
"... to justify the plot."
Right.
Like, you have to show the parents are asleep at the wheel-
Mm-hmm
...
in order to say, "Where are the consequences? Where is the oversight? Why are these kids allowed to, like-"
Right
... "run around all night and steal a car and drive it into a river?" It's because no one is really paying attention to them, at least with any actual detail.
As you pointed out, this is essentially a sex comedy plot.
But what we do get here in this first episode and does seem very key to these teen stories is a love triangle.
Yes.
Right? So we've got Michelle and Tony and Sid, and Cassie if you wanna make it a, a, a rectangle of some kind.
Um-
A rhombus
... how, how important do love triangles feel to teen drama?
[laughs]
Why, why do you think this is here?
I mean, they have to be there.
Yeah.
It's- I think it's just, like, a natural pull.
It's such an easy narrative device.
Yeah.
I think something we see here is it's a great one to introduce and then back burner, right?
Mm.
It's a thing that can be a running subplot through the episodes but doesn't have to drive the story all the time.
And so I mean, who hasn't been at some point involved in a triangle of a kind? It's, it's such a relatable experience.
When you, uh, perhaps have been involved in a love triangle of some kind-
Allegedly
... allegedly, did you take upwards of 50 photos of one girl and just scroll through them on your flip phone?
Including, like, no, not even head.
[laughs]
Just, just body shots.
Yeah, yeah, yeah.
And then scroll through on a bus.
While a man breathes over your shoulder and also looks at them?
That's just normal behavior.
Great stuff.
Great stuff.
At least in the UK.
Did anything surprise you about this episode?
I th- I wasn't really too surprised.
I think even knowing it's a provocative show, I will say the full frontal duvet cover-
Yeah
... was like, okay.
This feels...
Right.
And so just kind of getting that, like, very stark visual out of the gate was a little surprising.
But then once you settle in, it is kind of just a mid to late 2000s sort of sex comedy plot.
One that probably would not be written even in this way today.
Like, Euphoria crosses a lot of lines and walks a lot of lines, but the, like, we need to get this girl stoned out of her mind so that she'll have sex with you, I just don't know that that's being written today.
Which is such a weird-Part because Cassie shows up and she's just sort of game-
She's game, yeah
... from the jump.
She wants to organize jars-
Yeah.
[laughs]
... and have sex if, if that's what you're up for.
Absolutely.
Um, this is, this is how her various OCDs manifest themselves.
I will say the one other thing that surprised me almost from a content perspective, and this is where I'd be curious to keep watching and see Cassie's episode in particular, the way that, that her eating disorder is introduced-
Yes
... and talked about.
Yes.
I did find, I, I wanna say pleasantly surprised, surprising based on this episode alone.
I have no context for where it goes or what happens or how it's handled, but it's like, it's so casual and almost thrown away that it's jarring.
It's like, I think so many of these teen shows fall into we have to have very serious conversations about these sorts of things as they come up, and this is like a character beat that we're navigating over the course of the episode.
But the show never bogs down to have the serious talk about it.
Cassie's eating disorder, I think, is the most des- defining characteristic of her-
Yes
... of her, uh, experience through the show.
And she's sort of in and out of treat- I, I think you would find it less of like a footnote of, part of her character-
Gotcha
... and more of a, an anchor of her character.
It's, it's not even that it's a footnote.
It's just more like they introduce it without belaboring the point-
Yeah
... and almost like treat it as a bit.
You know, it's like-
Oh, yeah, no, they, they make jokes about it-
Completely
... throughout.
And, and that's part of Skins, um, the, the joy of Skins is how, like, irrelev- irreverent it is-
Yes
...
in terms of these very serious issues.
And to your point, there are other teen shows where if someone has an eating disorder, that is like-
Yeah
...
the serious issue of, uh, the week.
And in this case, it's something that Cassie is going to struggle with her entire run on the show, uh, along with other mental health concerns.
But the fact that you've got someone here who has, uh, m- mental health issues that she's struggling with, um, you've got teens from all different like cultural backgrounds.
You've got a queer teen.
You've got Tony.
It does- it's not, uh, dealt with in the pilot here, but Tony is...
Uh, the term they used at the time was polysexual, which is not really a term we, we really use anymore.
But essentially, he's pansexual.
Yeah.
And so, like, that, you know, this, uh, this attractive, manipulative, uh, smart teenager who will sleep with anyone because sex is like power and that's of interest to him is a new character inside of the-
Yeah
...
the teen drama or comedy world.
And like, eh, uh, an odd character to anchor your POV, uh, in your first episode.
And even at the center of a tone like this, which is a sex comedy-
Right
... to have a Tony Stonem at the center of it is interesting, I think, so.
See, you say it's a new character, and I, I agree broadly.
But there are hints of that, like, Ryan Phillippe and Cruel Intentions-
No, it's-
... sorta thing here
... it's definitely Ryan Phillippe and Cruel Intentions, but it's, but Cruel Intentions is like, it's different in a movie versus a TV show-
Very, yes
...
I feel like, you know? And, um, and, and, and also, like, Reese Witherspoon's character is sort of supposed to be your POV inside-
Mm-hmm
... of Cruel Intentions to a certain degree.
But, um, on the, on the most convincing, least convincing.
So this will come more into play with Friday Night Lights because there are some real 20-somethings in that show, and this was sort of a running joke through 90210 into Dawson's Creek, et cetera, et cetera, of like, who are these 20-something, sometimes 30-somethings playing teenagers? Um, in Skins UK, it's teenagers.
Literal teenagers.
Not just teenagers in the cast, but teenagers in the writing room, and we'll talk about that in a little bit.
We're not here to call out anyone for being too old for the role necessarily.
But who feels like most identifi- fiably like a, an actual teenager to you in this, uh, pilot episode?
I feel like it's gotta be Dev Patel.
Okay, tell me.
I just think he has, like, a I haven't quite grown into my limbs kind of physicality-
Yeah, yeah
... that is so impossible for, like, an adult actor to mimic in any way.
Yeah.
There's just, that's one of those things.
You can try to have the mannerisms of a teen.
You can try to talk like a teen.
You just can't have that lack of coordination like a teen.
Yeah.
And Dev Patel is really embodying that for me in this episode.
And how much of that is informed by you knowing what a stone cold fox Dev Patel turns into?
I mean, we've seen the before and afters-
Yeah.
[laughs]
... of all these people, really.
Absolutely.
Absolutely.
I think to a certain degree, and this, this is a common...
Like, I was, I was sort of thinking across many teen shows, and I kinda came up with the same archetype.
And I think it's just because those are the kinds of guys that I was friends with in high school, but your Sids.
Like-
Yeah
...
Mike Bailey, uh, who I think was 18.
Um, but Sid, the sort of, like, nerdy friend.
That, that rings really true to me-
Yes
... to my, like, experience growing up.
So yeah.
I also think, like, the fact that they are teenagers, I would have to think is a huge part of the pearl-clutching experience of this show.
No, of course.
Because it's such a different thing when you are seeing 20-something actors, and this is a reason why they're often cast in those roles.
Right.
I think there's two considerations.
One, productions of TV shows and even movies can be so long.
You don't wanna risk somebody has, like, a huge growth spurt or changes dramatically physically over the course-
Mm-hmm
... of your show or movie.
But also just when you show people actual teenagers doing very sexual things in particular, some people just lose their minds.
Absolutely.
And I'm not even saying they're wrong.
Particularly when you put yourself in the position of like, oh, an adult wrote a thing for this 15-year-old girl to do on screen, and now-
Right
... she's, like, nude.
It gets, it gets weird very quickly.
So let's talk about the writers' room.
So this, this is, this is some of the ways in which we bump up against, uh, poor phrasing, Euphoria, is that, like, Sam Levinson-
Yeah
... an adult man, is, you know, writing all the episodes.
And, uh, using his own life experience inside of, uh, addiction, but just sort of writing for all of these teenagers, especially these young women.
And in these, uh, you know, if you watch this latest episode of Euphoria, like, incredibly sexual, uh, content.
For Skins, which was created by a father-son team, which I think is quite interesting-
A family affair
...
they hi- the average age in the writers' room was 22 years old, and they hired literal teenagers.
Daniel Kaluuya, who shows up as a character, Posh Kenneth, uh, was on the writing, uh-... team.
He wrote, he was sort of like a teen consultant in the first season, and then wrote two of the episodes in the second season, series if you prefer.
Um, this is an interview from him in 2008.
Quote, "I'd always been on the writing team from series one, but on series one I was a contributor, which was when they bring young people in and they give their opinion on the scripts and what rang true and what didn't.
I co-wrote an unseen," like a, an episode that didn't make it to air, "for series one, and when series two came along they offered me a chance to write an episode," and he actually wrote two.
Um, and he's, he's never a main character on the show but he's very funny.
You don't see him in the pilot but he is like a very funny, great presence on the show.
Future Oscar winner, Daniel Kaluuya.
But it's very rare, obviously, and, and I don't think it's been quite repeated in the same way, for you to not only hire young writers but to bring in teenage consultants.
Yes.
I remember Winnie Holzman, uh, the creator of My So-Called Life, uh, which was also, uh, very well-regarded for capturing the way that teens actually talked at the time, et cetera.
She just went around and talked to teens-
Yeah
... and wrote down how they spoke and what they said and what their concerns were.
She checked in with her teen cast and she would take stories from their lives and put it into the script and stuff like that.
But, but everyone was always so dazzled by the wh- how did you do this? How did you capture the way that teens talk? So she's like, "Well, I talked to teens." And, uh [laughs]-
Okay.
[laughs] What, what a novel idea
...
Skins UK hired teens.
Yes.
Uh, you know, I have some questions about the labor laws about that, but, uh, you know, I guess if you're 18 that, that works, but.
Many, many questions about the laws and practices-
Yeah
...
in the making of this show.
Yeah, yeah, yeah.
What do you think?
I, I do think there's one of these things though where the idea of making your characters sound like teens-
Mm-hmm
...
in theory is great, and you want that authenticity, and you want that sense that like this feels real.
The problem is, and I say this not to alienate any of our nonexistent teen listeners, 'cause let's be real about it, they're not listening to this podcast, you don't really wanna listen to teenagers talk for 10 hours as much as you think you do.
And so it's like it's c- it needs to be sculpted and shaped and stylized and narrativized in a way, but without losing the heart of what makes it feel authentic.
Speak for yourself, Rob.
Um.
[laughs]
[laughs] I, I promise you, you do not.
What's interesting about the, the teen hooky-ness of it all is like I was reading some articles, uh, from UK publications at the time about how Skins was received when it first aired.
And not just that sort of pearl-clutching parents council quote that I read, read, but how they had captured their audience before they even premiered.
And what they did is they utilized MySpace in a m- in a significant way.
Uh, you know, in, in the same way that, you know, publishers are hoping BookTok will, you know, get you interested in their book before it comes out.
Tales old as time.
But MySpace being such a new way to connect directly to-
Yes
... your demograph- your specific demographic-
And cheaply
... that you're going for, right? And so, uh, this is a quote from a Guardian article.
A Guardian article that's called Are You Gonna Roll Up for Skins? 'Cause skins is UK slang for rolling papers, right?
Right.
So that's the name of the show is like, is a, is a drug associated-
Did you, did you point at the screen when we got the title drop in this episode?
I heard Ron Howard say, "Hey, that's the name of the show." [laughs]
[laughs]
Um, but, uh, this is what the Guardian article written in 2007 says.
"The first episode is yet to be aired, but Channel 4 has already bombarded us with racy trailers of attractive, attractive adolescents copping off and puking up.
I'm hooked and desperate to know if Skins will finally fill the eternal void in television schedules for a realistic representation of teenage life." And then, "A MySpace page for the show has generated huge hype online, which is essential if you're gonna attract and keep today's tech-savvy teens.
Clever competitions have also done their bit for marketing machine, offering you, the viewer, the chance to get a song in a scene, style the cast, and design the logo." So they did a real like for us by a sort of a teen experience here.
You get drugs in the first episode, naked adult neighbors-
Yep
... we're hitting on teachers.
Um, you know, uh-
We're trying to lose our virginity
We're, we're doing our best.
Um, I mean, and it worked.
It was a hit.
It does work.
It, it, it had a hu- it got terrible reviews.
Uh, Euphoria's like, same.
Yeah.
Terrible reviews on the merits or on like the content pearl-clutching?
On the merits.
Yeah.
On the merits.
And I like watching it, I think if I watched that first episode as an adult TV critic-
Mm-hmm
...
I would be like, "What, what is this? I'm not that interested."
Mm.
You know? Like, I don't think the acting is tremendous in the first episode.
You know, there's, there's just a lot, you know, like I, I could see...
Hopefully I, I wouldn't do this, but I could see myself as like if I'm like, "I write for The Guardian,"
[laughs]
"... and I don't think this is up to snuff."
[laughs]
Like I, I could see that.
But it was, you know, it got a huge audience.
Yeah.
And it has only grown in estimation and become sort of this cult classic, uh, status.
You know, as opposed when we'll talk about Friday Night Lights, Friday Night Lights was a critical darling from the jump.
Right.
But not necessarily a hit with teenagers, I would say.
Well, speak for yourself.
I mean, the Rob Mahoneys of the world were tuning in, but maybe not [laughs]
Maybe not-
Not like other teens, Rob, you know?
Oh, wow.
Thank you so much.
You know? So, um-
I, I would like to think, and I would say my overall impression from this episode is like there's something cooking here.
Yeah.
This is not a finished formula.
You're right about the acting, like there's some really spotty moments.
It ha-
It's wild because Nick Holt is so good.
Right.
And I'm like, "This is maybe his worst acting ever." He's still so fun-
Yes
... to watch.
Yeah.
And, and like the charisma of it you buy.
Yeah.
Like you buy that this guy could walk into a room and reel off some show tunes and like all of the girls are trying to get him to go to the party.
100%.
That part is very believable.
Yeah, yeah.
But yeah, he's, he is reaching and grasping for control of this character.
Yeah.
And he doesn't have it yet.
But I think that's what makes some of these teen shows so appealing is like it's not just the young characters, it's young performers-
Yes
... and you're seeing them reckon with their own power.
Yeah, and especially in retrospect when you see what they've later become.
You're just sort of like this is so fun-
Yeah
... to watch them, uh, take their first sort of shaky steps.
One question you had for me-
Yeah
... especially because you've only watched the first episode of Skins, is as we're grappling with Euphoria season three, the post-high school years-
Yes
... of this show, how do these teen shows handle their cast growing older? And Friday Night LightsDid a similar version of this, but what Skins UK did, which was felt revolutionary at the time, is they cycled the cast out every two years.
So-
Again, uh, the, the restraint of television in the UK.
[laughs]
We, we just simply could not.
We- we're not capable of that.
You meet in the first episode, and this is part of, I think, part of the extreme titillation of the first episode is, like, Tony's getting up to antics.
His younger sister is getting up to something even more.
Yeah.
She's been out all night, all of her makeup is smudged off.
They have a routine of getting her back into the house.
That was incredible big brother-ing.
It really was.
He's 16.
She's, like, 14, so that's the sort of-
Okay, maybe terrible big brother-ing.
[laughs] That's more like-
Depends on your perspective
... our, you know, loyal big brother-ing, right?
For sure.
Uh, real, real, like, Ferris Bueller energy going on here.
Um, but so Effy Stonem, his sister, is sort of the anchor of-
Yes
...
the second generation.
So you've got Tony Stonem and his friends the first two seasons.
Effy and her friends are the second generation.
And then they did a third generation.
And in the second generation, like, Kaya Scodelario as Effy Stonem is, you know, Kaya has gone on to, to do other things.
Jack O'Connell is in the second generation.
Wild.
You've got some, like, great, great people who popped in the second generation.
Yeah.
Third generation didn't really hit as much, and so the final, like, seventh series of Skins is a series of specials checking in with Cassie, um, Effy, and Jack O'Connell's character, Cook.
Yeah.
So, like, a, like, two-parters dedicated to those characters to sort of, like, how are they doing in adult life? And I think if those sort of, like, how is Cassie doing in her 20s, how is Effy doing in her 20s, if those had hit better than they did, Skins might have, you know, branched off-
Pivoted into a different thing
... into that or something like that.
Yeah.
There was an idea of maybe doing a Skins movie, but instead they did this sort of, like, wrap-up season.
Yeah.
But that's as close as they get to sort of Euphoria series, uh, season three-
Mm-hmm
... is this, like, s- season seven, let's check in with some popular characters-
Yes
... and see how they're doing.
Also not dissimilar to the Euphoria specials, too.
Right, right, exactly.
And so, again, Friday Night Lights did something similar where they're trying to, like, cycle in new teens as, as we get older, but this is the question that plagues all teen dramas-
Yeah
... is, like, how do you keep the, that crucial framework of high school?
Yes.
And, you know, the, the answer for Skins UK is we didn't bother, and we just brought in new, new kids, new crops.
You know?
Which I really respect.
Yeah.
And it, it does take a lot of scouting and understanding of, like, how do you repopulate this cast and rewriting interesting characters.
You understand fully why shows don't do this, because it's really hard, and it takes a lot of work.
But when you can pull it off, and it seems like, at least for one turnover, Skins really did-
Yeah
...
I mean, that's, that's something you just have to admire.
If you are a sort of a generation three, a third-generation Skins lover and you're offended, uh, prestigeTV@spotify.com. You can let me know how wrong I am.
I would love to hear it.
[laughs]
I mean, obviously I didn't watch this, uh, as it was airing.
I'm not in the UK, so there are very ways, there are many ways in which I am not at all-
I mean, spiritually you are.
[laughs] Mentally-
[laughs]
... emotionally.
Um, but there are many ways in which I am, like, you know, and I'm the wrong generation, like, not the authority on, on the Skins fandom, so I'm not pretending to be.
But the, from afar, this is sort of my, uh, understanding of what happened.
Can I read a couple, uh, quotes from reviews of-
I think we need them after hearing-
...
Skins
...
the parents council.
Yeah.
I, I need more of it.
Uh, this is from The Guardian, and this is just a review of, of the first couple episodes of the first season.
"If this is designed to emphasize how truly realistic Tony et al are, the effect has been slightly muted by the decision to cast as the college lot," and they're, they're sixth form, they're 16 through 18 year olds, "actors who could give Prince William elu- elocution lessons.
They're as irritating as real teenagers, I'll give them that."
[laughs]
So you and The Guardian TV reviewer-
There we go
...
both hate teenagers is, is what we're, we're getting here.
I think I am an age where I'm supposed to hate teenagers.
Yeah, fair enough.
[laughs] It's weird if you don't.
You know?
Uh, and then this is what The Times, uh, wrote.
Uh, "The script is good at capturing that mix of wanton self-absorption and vulnerability that makes parents want to wring their kids' necks-"
Mm-hmm.
"... and hug them at the same time.
The series' primary aim is to entertain rather than raise issues with a helpline number at the end," unlike Euphoria.
Uh, "More importantly, it shows heart rather than a blink-and-whatever cynicism that makes it worth watching for the Space Invaders generation as well as the MySpacers." So, um, that's sort of the check-in.
And I mean, w- what is so revolution about, revolutionary about Skins is what was going on in UK, UK television at the time, because teen dramas, uh, were much more of an American thing than they were, uh, a UK TV thing.
And, and UK TV was, uh, you know, far fewer options for what you're watching.
There are far fewer channels.
A lot of them are, you know, BBC channels, et cetera, et cetera.
We're firmly in the grip of reality, of the reality television explosion.
And, uh, Shameless was a show that existed, but by and large, the depictions of teens were much, like, far stodgier than this.
And this felt realistic even though watching it now, you're sort of like, "This doesn't feel like a docudrama" or anything like that.
Not exactly.
Yeah.
It's, it's put on.
Yeah.
But it's put on in a way where, yeah, there's a germ of truth-
Yeah
... and then we're gonna create a TV show around it.
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You wanna talk about the cast? Uh, we've already talked about 'em a bit.
Do you wanna go through the murderer's row of talent here?
It's frankly unbelievable.
Yeah.
Uh, I mean, for one, just like landing Nicholas Hoult as one of the leads of your show-
Right
... from a broad casting search.
And it seems like this was, like basically an open casting call that they just rolled teenage actors through and tried to pick out the best of the litter.
The fact that you can get a lineup and pick out Nicholas Hoult at this point in his life is just tremendous fucking work.
You're a Hoult head too, right?
Of course.
What's your, the height of your Hoult, uh, fandom?
I'm trying to think.
I mean-
You're a real beast in the X-Men movies kinda guy, right? [laughs]
I'm not, not a, not a beast, nor am I of that era of X-Men.
Uh, I think The Great might be like the peak of his powers so far.
Oh, so good.
He, he channels like a very specific kind of like very irritating quality-
Yeah
... that all of the best Nicholas Hoult performances have.
And look, I love the Fury Roads and I even love like, like Warm Bodies.
Like, I think he, he can play sensitive very well.
Yeah.
But he can also play like full of himself in a way that-
Yeah
...
Tony has, and I think a lot of his characters do.
And he just like, he like in Nos4a2 just like hits that register.
You know, like he understands how to get there, stay there, be freaked out and manic enough, but also like incredibly grating in a pleasant way.
I just wanna underscore, uh, my Hoult loyalty is such that, uh, when our pal and colleague Sean Fennessey was shit-talking Nick Hoult, I made him the display photo for our group chat that talks about movies.
You did.
And he's still there.
No one has taken him down.
He's, Nick Hoult is still as Lex Luthor.
Was, was he being shit-talked? I, I feel like to, to, not to, you know, defend Sean too much, but I feel like it was just a, a mutual understanding that like, this guy's playing a lot of cucks right now.
[laughs]
You know?
So-
These are the roles that he has chosen for himself.
[laughs]
Tom, don't betray me on this podcast by defending Sean Fennessey's-
I'm sorry
... cuck take about Nick Hoult.
Is Tony Soprano a cu- Well, anyway.
Not yet.
Soon you'll find out.
[laughs]
Maybe, maybe by the end, he will be.
But yeah, I think like the benefits of doing this sort of casting call are just like so apparent.
Yeah.
And of having like a, a diverse cast that doesn't feel like a college brochure-
Right
... that's been, like, planned for diversity.
Right.
Uh, you just...
I mean, if you, if you wanna cast your teen show with a jock out of Central Casting, you're gonna get jock out of Central Casting energy-
Right
...
when it's time to actually say the lines.
And these do feel like real kids performing, but like the, the real kid part of it, you kinda can't take out of them.
Yeah, I mean, I think you're right to single out Dev Patel and his, like, extreme gangliness inside of, uh, these early, uh, these first two seasons.
Um-
I want more of him in this episode, but him trying to have a big gay night out and then it-
Yeah
...
it blowing up in his face is al- That's honestly a great place to start.
I also love...
I, I also think Joe Dempsie's really, really good-
Yeah
... uh, as Chris.
I'm a b- I'm a big fan of Joe Dempsie on this show.
But Hannah Murray is, is really the standout for me.
And like, um, she hasn't, obviously has, had as big a career as Dev or Daniel or Nick.
Yes.
Um, but Cassie is just such an indelible teenage character to me and, um, and I just think she has something so special inside of...
There is this sort of like manic pixie dream girl, uh, you know, energy to her, but something just-
It's, it's a little different
... it's, it's, it's daffier than that.
Yeah.
And it's just, like, really watchable.
I think she's so incredible and I-
I'm with you
...
I real- I mean, she's written a lot about her...
I think she recently published a memoir where she's talked about some of her own, like, mental health struggles and stuff like that, and how that's impacted her acting life.
Um, and so I'm not, I'm not, um, surprised that she hasn't had a bigger career given the aspects of her personal life that she has, has shared very publicly.
But, um, I wish, uh, for her-
Yeah
... to have more.
Um, because it's sort of a thankless role on Thrones and it doesn't really, um, highlight-
Yes
... uh, with all due respect to Gilly, doesn't really highlight what she's capable of here in Skins.
But I would say even in Game of Thrones, some of that is there.
Mm-hmm.
There's like, there is a warmth and a generosity of performance.
Mm.
Not of just like the character that I'm like-
Yeah, yeah
... that's just a person I wanna see in a lot of different contexts bouncing off of all sorts of different actors.
And I mean, that usually is the answer, right? When you're looking at a clear talent where their career hasn't quite gone the way you would expect.
It's like they've got stuff going on in their lives, they've got a lot to navigate in addition to all the professional, like, trials and tribulations-
Yeah
... that everyone else does.
I would've liked a different life for her in, in terms of her acting career.
With Joe Dempsie, it did occur to me, Skins, Game of Thrones, Doctor Who, is that the Brit Triple Crown?
That is a Brit Triple Crown.
I think there are a couple other-
I, that-
Like EastEnders-
Yes
... is like a thing you can do.
Um, I don't know.
There's some other options, but-
I don't mean in terms of glamour.
I just mean in terms of like-
No, no, no
... it's hitting very, three very specific-
Well, I'm not saying EastEnders is less glamour.
[laughs]
Fair.
Fair.I think he could show up on Taskmaster.
That's a thing that we care a lot about.
That's the peak.
Right? Uh, has he done a, a, a literary adaptation-
Mm
... like an Austen or a Dickens, something you could do? Chris Hemmings-
Call you when he's done a costume drama, is what you're saying.
I mean, what is Thrones if not a costume drama to a certain degree?
Fair.
But yeah, call me when you put on a cravat, Joe Dempsie.
Question we were asking, because Daniel Kaluuya is, again, a fairly minor character inside of these, uh, seasons.
Right.
Really fun, but fairly minor.
Um, but is the Oscar winner, like, out of, uh, this cast.
Yes.
And so a question you were asking me, actually, as it pertains to Friday Night Lights, but we'll talk about that cast.
But you were like, "Who is the Jesse Plemons? Like, who is the minor person in this cast in Euphoria?"
Mm-hmm.
"Who is gonna pop years down the line?" And it's not Sydney Sweeney or Jacob Elordi or Zendaya.
Right.
It's someone we didn't see coming.
I talk about this all the time, like Bradley Cooper on Alias.
Yeah.
Like, you know, like fifth build on Alias [laughs] and like popped.
This happens all the time, that, like, a background actor-
Yes
... or, or like a fifth build or whatever will pop.
So do you have...
I have my answer, but do you have an answer of, like, who in Euphoria...
I mean, maybe as Maddy's-
Yeah
... number one boy, you're, you're gonna stump for Alexa Demie.
I mean, I really hope.
Yeah.
But she's almost too prominent for I think what we're talking about.
I agree.
Like, Landry in Friday Night Lights is a very likable character who becomes more prominent as the show goes on.
Just 'cause Plemons is so good.
Yeah, it was just-
Yeah
... kind of like a force of will-
Yeah
... and gravitational pull.
Yeah.
But I, yeah, I don't, I don't know that Euphoria has one.
And granted, I'm not sure many people in shows and movies have a Jesse Plemons in them just, like, hanging out in the background.
And this is where I, my answer to you was Austin Abrams.
Yes.
Who's not in season three, got really backgrounded in season two until he, like, showed up in the play and got a time to shine.
Mm.
But, like, I really loved him from the start on Euphoria playing Ethan.
Um, he's, he's showed up in, like, a, a few things, but his, his career is really taking off.
Weapons, uh, he was fantastic in.
Um, and then he's gonna be in the new Resident Evil.
He's the lead in the new Resident Evil.
I mean, huge, huge moment-
Yeah
... and year for him in that particular regard.
I, I think he's...
I love Austin Abrams, especially when he showed up in Weapons as this, like, uh, you know, drug addict, like, ne'er-do-well whatever.
Um, that's how you describe him, ne'er-do-well.
[laughs]
Um, [laughs] he's emotionally in the UK all the time.
But, um, he, uh...
I was like, "This is a role that Timothee Chalamet thinks he's too big to take."
Mm.
And he is.
Yeah.
But Austin Abrams is like, "I'll take it."
There's a vacuum.
"And I'll do it."
There, there's a Tim-
And Timmy, Timmy's, like, just doing Dune and Marty Supreme now.
Yeah.
Give me those Timmy roles from, like, five years ago and I'll do them, you know?
You're saying Timmy is broken through the ceiling, and all of the other Timmys are just like, "Can, can we climb up through here?"
But I think he's gonna be, like, alpha second wave Timmy.
I could see it.
I mean, he, he does have some of the same appeal, like ve- slightly different energy.
Mm-hmm.
Look, I'm very excited to see him in Resident Evil.
I also did note that, uh, Kaya Scodelario was in a...
I don't know if you saw her Resi- the Resident Evil movie she was in.
No.
It's, like, hor- horrendously bad.
Um-
The Pirates of the Caribbean that she was in?
I mean, she, she seems to have a tough run of it.
She's made some choices.
She's made some choices, and I haven't seen the later Skins stuff that you mentioned and, but you can even tell from this pilot, it's like-
Oh yeah, she's great
... that's a character that I'm like, "I do wanna spend more time with-"
Yeah
... "and understand what her whole deal is." But yeah, it's [laughs]...
Uh, do, do not watch the Resident Evil movie that she appears in as Claire Redfield.
It's, it's not good.
She was really good in, uh, The Gentlemen, the Netflix show that came out, um, is ongoing, but she is the, the female lead of that.
And that was like, when she showed up in that, um, the Guy Ritchie show with Eoin James, et cetera, um, I was like, "Oh, finally," something that she, like, for her to show what she can do-
Yeah
... with love and respect to the Maze Runner franchise.
But, like, this is the thing is, like-
Is, do you have love and respect for the Maze Runner franchise?
I don't.
Well, then why are we giving it?
I-
Why are we just handing it away?
[laughs] I just-
Jo, I want more for you than just f- you to give your love all willy-nilly-
Here's-
... to the Maze Runner.
Here's the problem with the Maze Runner franchise.
As, as we're talking about sort of launching pads for teens, I love Dylan O'Brien.
Yes.
Dylan O'Brien comes out of Teen Wolf and he does, like, the Maze Runner franchise.
Kaya does the Maze Runner franchise.
Mm-hmm.
Thomas Brodie-Sangster does the Maze Runner franchise.
Like, it should have been the Hunger Games for, the Twilight for these very talented kid...
Like, they cast it well, and it just never-
Yeah
... hit the way that some of these other teen franchises can hit.
And so just, like, Dylan O'Brien has been in, like, a weird holding pattern for a long point in his career, and, like, is finally, I think, uh, you know, blowing up.
Send Help is, uh, on Hulu if you wanna watch it.
I, I actually did catch up on it.
Yeah, yeah.
I'm very excited.
I think you would really enjoy it.
But, like, Kaya had been waiting and, and, and, uh, The Gentlemen was a, was a good start, but she deserves even more.
But I mean, these actors often do need those sorts of platforms.
And I'm not, like-
Right
... from a professional standpoint, as a young actor-
With-
... getting in a giant franchise like the Maze Runner or getting in a-
With hate and disrespect to the Maze Runner in your heart.
Yes.
But it, it's very popular.
It makes a lot of money.
It's-
It's hugely popular books.
Yes.
You know, like, on paper it felt like-
People are gonna show up
... a great decision.
Yeah, yeah, yeah.
And, and that's where you develop those relationships with those actors.
It's like the first time I saw Austin Abrams was in Paper Towns, which is not a very good adaptation of a book that I've never read.
Um-
I was about to say, you seem like a real John Green guy, but then I remembered you're not a novel guy at all.
I'm not a novel guy, but-
But you are a John Green guy
...
I do appreciate John Green's perspec-
Yeah
...
I enjoy his podcasting work.
Yeah.
I enjoy his perspective on the world.
Yeah.
My main takeaway from watching that movie was like, how did they get two Nat Wolfs in this?
Yeah.
And that's kind of, that's the, the Chalamet Austin Abrams lane.
It's true.
It's true.
He did, he did double Nat Wolf in that.
Yeah, I mean, Austin Abrams did, uh, Dash & Lily on, on Netflix, which was, like, a very mu- I don't know.
I, I'm really, I have my eye on him.
Yeah.
I think he's gonna do big things.
I really do.
Well, if, if we take this alumni group for Skins-
Mm-hmm
...
I agree with you, like Daniel Kaluuya is an incredible talent.
Again, someone who I also just wish was in even more stuff than he's already in.
Right.
And he's in quite a bit.
But between Hoult, Kaluuya, Dev Patel, Jack O'ConnellWhen we're looking back at this generation of actors in 30 years, who do you think is, like, the standout, if there is one, of that group? 'Cause they're all still quite young.
Absolutely.
Um, so if I had to pick one right now in 2026-
Yeah
... it's Jack O'Connell.
Yeah, I mean, he's having quite a year.
If I have to, like, speak truth to my heart, it's Nick Hoult, but I just have a lot of loyalty to Nick Hoult.
I support him in all of his endeavors.
I can't be mad about that.
What's your, what's your-
You're, you are a Lex Luthor person.
I love Dev, I love Dev Patel.
He's so-
Like, I love Dev Patel.
He's making some baffling choices.
Yes.
But, like...
And I'm with the internet that's like, "Dev Patel, make a rom-com." Like, absolutely.
That would be wonderful.
Dev Patel should have been Heathcliff in Wuthering Heights.
Mm-hmm.
I would have loved that.
Like, there's, there's a lot that Dev Patel is not doing that I would like to see him do, but I'll just rewatch The Green Knight in the meantime and have a good time.
I will rewatch it every day for the rest of my life.
Yeah.
[laughs] Absolutely.
And have a wonderful-
Yeah
... have a wonderful moment.
Yeah.
That's, that's kinda what he needs, is, like, Nick Hoult and Daniel Kaluuya have worked with, and I would say Jack O'Connell too, like, some very impressive visual directors.
Yeah.
Dev Patel has had some of that experience, but also, like, caught some of them on their worst days in terms of-
Yeah
...
some of the movies they've made.
His own vehicle for himself, like, you get the motivation behind it and what he was trying to do with Monkey Man, but-
I really wanted that to go, and it just didn't.
I was, we-
It's a hard thing to do
...
Mallory and I were s- we went to the premiere at South By and-
Yeah
... we were just sort of like...
And the whole room was just, like, vibrating with excitement.
And then we watched the movie and we were like...
Yeah.
"The bones are here."
[laughs]
"The idea is here." And watched Dev ta- like, Dev got on stage and talked about, like, the way in which he practically killed himself in order to make that movie.
He's like, "And then I nearly lost a finger."
Yeah.
"And then I did this." And I was like, "Dev Patel, don't kill yourself.
We need you.
And please don't kill yourself for Monkey Man, of all things."
Yes.
So yeah.
But he can be quite dashing in A Green Knight, if also kind of a failure in his way in that movie.
Mm.
But I also like him in the sort of, like, in over his head, kind of neurotic, like, newsroom-style roles, too.
Yeah.
Like, I think he can play all sides of that spectrum-
Yeah
...
in a way where I just don't understand why he's not one of the biggest deals on the planet even right now.
This is why one of my on- like, few graphic tees I own is Dev Patel Summer, because I'm, like-
It never ends
... a huge Dev fan.
On the Jack O'Connell front, I will say, like, the first... 'Cause I'd had not seen him in Skins.
The first thing that he did that caught my attention was Starred Up, which is an incredible, uh, like, prison movie.
And I think for people who watched him on Skins to watch him do this incredibly adult, like, uh, harrowing, violent sort of film was, was a huge deal.
But for him to do that, um, to do...
Talking about literary adaptations, Dev has done a Dickens.
Yeah.
And Jack O'Connell has done Lady Chatterley's Lover, and he's fantastic in that.
That, that deserved way more attention than it got.
You know, and then now he's in this sort of, like, Sinners 28 years later, uh, you know, is gonna do a Godzilla and Kong movie, Ill Advised.
When has that ever been a good idea?
D- okay, don't turn your nose up at Godzilla versus Kong.
We respect both Godzilla and Kong-
It's not versus
... on this podcast.
It's, like, Godzilla x Kong.
Well, now they're not exactly enemies.
[laughs]
I don't know if you caught up with the last movie, but, like, there was another ice Godzilla-
Well-
... and an ice Kong, and-
What?
Oh, yeah, it's a whole thing.
Are you serious?
Yeah, it's, it's, it's a, it's a real adventure.
It's very...
Joe, there is an extended sequence-
[laughs] Thank you
...
in the Godzilla versus Kong sequel-
Okay
...
in which Dan Stevens has to be basically a giant dentist for King Kong.
Like, that's a plot point in the movie.
Someday we'll, we'll have our reckoning with Dan Stevens and what's going on there.
That's not the problem.
Is it not?
Godzilla versus Kong, he is amazing in, and they're, they're genuinely very fun movies.
So I, you know, I, I support that.
Okay, so it's Godzilla x Kong, like, with, alongside Kong.
Right.
The New Empire-
Yeah
... is the 2024 one that you're, like-
That's the one with the ice guys, yeah
... is that you're, like, really into.
Uh-
I think both of the first two are good, for the record.
Okay.
Um, great.
Good to know that this is your-
[laughs]
[laughs] This is your garbage cinema.
Charles Dickens eats shit-
This is your garbage cinema
...
but Godzilla and Kong can, can come play.
So this is Godzilla, uh, and Kong Supernova-
Yeah
... is what we're talking.
And they've got Caitlin Dever-
Yep
...
Dan Stevens, Jack O'Connell, Delroy Lindo, Sam Neill, and Matthew Modine.
Uh, okay.
Where's the problem here?
I have a lot of problems.
A Quiet Place Part III, Jack O'Connell is also doing.
I have some questions about it.
And then, um, Ink.
I, I'm just...
I'm really rooting for all of these Skins, uh, kids, but I think Jack O'Connell just, like, really has some, some juice, and he's got some real momentum right now, so.
He's got, he's got a lot of fire under him in terms of his career-
Yeah
...
in a way that Daniel Kaluuya did and has at various points.
But it seems like he's made some trade-offs and some choices as far as what he wants to be doing with his life.
I, I think this is partially, like...
From the interviews that I've read, this is partially, like, his choice to sort of, "I don't wanna be as much-"
Yeah
...
the height of that, the heat of, like, the height of-
Very.
I mean, Get Out, Black Panther.
Yeah.
Like, that era's a, that's a lot.
A lot to handle.
Yes.
And so he's just sort of like, "Let's just calm down."
Let me be Spider-Punk, you know?
He's so good at that.
[laughs]
It's amazing.
Where's my Spider-Punk movie?
How, how similar is Spider-Punk to...
I guess it's quite different than Posh-
Posh Kenneth
...
Posh Kenneth, you know?
Very different.
Night and day.
Very, very, very different energies.
Night and day.
What do you want for Nick Hoult, and why doesn't he have an Oscar yet?
What do I want? I mean, I am, I am eager about the Superman sequel and the idea of him, him having, like, an even juicier-
Superman x Lex.
Right.
[laughs]
Not v Lex.
[laughs]
Shaky alliances.
I mean, we love a shaky alliance.
Weren't you the one who were, like...
You were reporting that your parents are watching Young Sherlock?
They are watching Young Sherlock.
And you were really upset to learn that Sherlock and Moriarty are friends.
You don't have to, you don't have to air me out.
[laughs]
[laughs]
It's just like, if you're gonna make a Young Sherlock show, guess what? They're gonna be, they're gonna be teenage friends.
Yeah.
Um, Superman and, and Lex have been friends on Smallville, but I'd love-
Yes
... to see them be friends again.
I was, I was in the trenches with Smallville, but I'm happy to say that Nick Hoult is, is one of the best Lex representations we've had on screen.
Oh, really?
I think he, I think he's been very good.
Uh, so I, I am looking forward to that sequel.
I don't know what the small-scale project I want for him is, 'cause he has tried a lot of stuff.
Yeah.
He has, he has dabbled in many genres, many types of parts.
He's not in Werewolf, is he?
he?Uh, I don't think so.
Okay.
I think he did Nosferatu and packed up his leather satchel and went on his way.
Um-
But the cravats.
[laughs]
The cravat.
[laughs]
What are you supposed to do with all those cravats?
He was in the J.R.R. Tolkien biopic, Tolkien, that nobody watched.
Okay.
So there is that.
He did do that.
He is in a project that I'm excited about, and you don't give a shit about-
Hmm
... which is the David Leitch film, How to Rob a Bank.
Nick Hoult, Anna Sawai, Zoe Kravitz-
I mean, dude-
...
Bryce
... look, David Leitch knows how to sap the life out of his talented cast.
Like, that is something-
Pete Davidson is also here
... that he has the power to do.
[laughs]
I'm excited.
I'm excited for that.
Yeah, I don't, I don't think that one's gonna work, but-
How dare you? You love Anna Sawai.
You're gonna show up.
Love Anna Sawai.
I love, I love Zoe Kravitz.
I love the entire cast that you listed, but, like, what are we doing with David Leitch? Come on.
He's also in...
He's also the star of, uh, Tom Ford's, uh...
You know, I, I mentioned A Single Man-
Yes
... which is a Tom Ford film that I love and own on physical media and will watch a million times.
Um-
And yet, and yet you're not a Nocturnal Animals person.
Remember how betrayed you were to find out that I was not?
I, I really thought we were gonna be on that island together.
We were-
But you abandoned me.
You were all alone.
[laughs]
You ruined me.
Just you and young Moriarty together forever.
[laughs]
Um, but yeah, this is a Tom Ford film, Cry to Heaven, based on a, a 1982 Anne Rice, so, like, peak cocaine Anne Rice-
Yeah
... era.
I think this is gonna be great.
I think anything that is somebody's peak cocaine era is-
Yeah
... great Nicholas Hoult material.
Nick Hoult and Nocturnal Animals' own golden globe winner, Aaron Taylor- Taylor-Johnson.
Let's go.
All right.
Sounds great.
Anything else you want to say? We've kind of, uh, gone far afield, but anything else you want to say about Skins?
Well, I mean, I do think we, we at least need to acknowledge some of the ways that all of this stuff about like, "Oh, this is controversial.
Oh, this is boundary pushing.
This is edgy," and it's like, also a lot of the performers, especially the women who were on the show, were like, "This made me deeply uncomfortable to do, especially in retrospect."
Hmm.
I mean, it's not great.
Um, and it, it...
This is the thing, where it's like you want to make a teen show where the characters feel like they have a lot of autonomy, right?
Yeah.
And I, like...
I think this is an area where Euphoria feels to me...
I'm not behind the scenes, I don't see everything going on with the production.
Feels slightly different.
You hear conversations about, like, oh, Sydney Sweeney said she wanted to draw the line here, and so they did, and they took out these scenes.
They changed these plot lines.
They, they cut out some of the nudity, even though that may seem ridiculous to think about-
Yeah
...
when you watch Euphoria.
Sydney Sweeney has drawn lines, 11/10.
Believe it or not, they, they did take things out of Euphoria.
But the idea that these, again, very teenage performers were on a show in which they were dictated, like...
And, and the women have said, like, "I showed up to set on day one," and they're like, "The first thing you're shooting is a sex scene," at a point in time where there was really no oversight about this kind of stuff.
Like, it does feel a little gross.
Something that Daniel Caltagirone said in that interview that I was reading, um, where he talked...
He said they did not give the cast the scripts until, like, right before-
Hmm
...
they shot, and I was like, "But why?" [laughs]
Yeah.
But why, you know?
That's the thing.
If it's, if it's for that reason, so that, like, young, uh, impressionable, at the beginning of their career-
Right
... actors can't protest.
Can't get in the room and say, "No."
Yeah, yeah.
And I think, like, young actors, like, I don't want to take away, like, their choices.
Sure.
Like, they get to make those calls.
I think a lot of young actors are game for a lot of different things, but you have to give them a chance to prepare for it and to...
Like, physically, emotionally, in terms of their character and their work.
There's just, like, little stuff about the background of the show that in reading it I'm like...
Like, like April Pearson, who plays Michelle-
Yeah
... posted this thing where she literally was looking at the script for this episode, right? Like, looking back at the, the script for the pilot, and the way Michelle is described in the script is, quote, "Jailbait beautiful, wearing a tiny skirt and top," and it's like, I, I understand very different time and place.
Like, different things were kind of flying under the radar in a lot of different respects, but, like, that's just gross in any time.
That, that being part of the show I think is unfortunate and inextricable, and also part of the shock value of the whole thing as far as, like, yeah, these are real teenagers who-
Yeah
...
I also want to note, I think a big part of this is the difference in the age of consent in the UK versus here and what adulthood means and is.
There's, like, this, this gray area of, like, yes, you are technically 16 years old, and thus in the UK you are an adult, and you can do and show things on TV as a result of that that just, like, would not really happen here.
Right.
Uh, but also, are you an adult in every other sense of that word? It's just...
It's, it's a little, it's a little too gray for me at times.
I think this is a good opportunity for us to shout out, uh, one of the other shows that we were thinking of doing, which is Normal People-
Yeah
... which when you watch this show and any of the... and, and Euphoria for that matter, like, I think the, you know, s- like, sexiest, steamiest of all of those is Normal People, a show that was done with extreme care-
Yes
... and, you know, intimacy coordination at every step of the way.
And those young actors have talked about the way in which even though this was a, like, first project for them-
Right
...
they were treated with the utmost respect, and it's just sort of like...
And then they generated, like, a thing that got a lot of people through COVID, you know?
Yeah.
And so it c- it can be done without this disgusting, uh, aspect to it, you know?
Even just with the bare minimum considerations.
Right.
I know we've kind of gone around the bend on the whole intimacy coordinator conversation, and different performers and different people feel so differently-
Yeah
... about what is... what should be necessary in that room.
Sure.
Whatever you feel is necessary, Skins didn't have it.
Nope.
I can assure you [laughs] based on reading about that.
Not even the option of it.
Nope.
No.
All right.
Uh, anything else you want to talk about?
I think we covered most of it.
I mean, I- again, all of that said, I still am very interested in watching more of the show and understanding more of these characters.
It's just, I'm, I am clutching my pearls just like everyone else, I guess.
It's a rite of passage, Rob.
You're officially old now.
Welcome.
[laughs]
Um, we will be back with more Euphoria, of course, um, live on Sunday nights.
Live, not really, but, uh, instant-
Live to tape
... instant-ish reactions-
Yeah
... on Sunday nights.
Um, the panic is there.
The discomfort of watching that show with your coworkers is there.
Please tune in to find out.
I mean, that's really the most Euphoria experience possible.
It's like how do you go into a weird, vulnerable sexual place in a room with a bunch of people you work with?
[laughs]
That's just what it is.
That's Sunday nights here-
[laughs]
... at Sycamore Studios.
Um, and then we'll be covering more Widow's Bay-
Mm-hmm
... coming up.
Episode four of Widow's Bay is an absolute banger, so I'm really excited for us to cover that.
And then we'll be checking in with Friday Night Lights at the end of the month.
Texas forever, Rob.
What a lineup.
I mean, what are we doing?
[laughs]
Just enjoying ourselves.
Who's programming this thing?
thing?Um, thank you to Dev, our very own Dev.
Not Patel, it's Dev Ronaldo Summer-
That's true
... as far as I'm concerned.
Every summer.
Uh, and get the shirts made.
Uh, thanks to Jacob who is here.
Uh, thank you to everyone.
Uh, thank you to Kai Grady who is not here, but here always in spirit.
Thank you to Rob Mahoney.
Thank you, Joe.
Thank you to the traumatized teens of the United Kingdom.
Thanks to the flip phone.
Yeah.
[laughs] Thank you to thank you to 10 to 12 layered tank tops.
Oh, yeah.
Yeah.
[laughs]
Thank you to the overworked flat irons.
We appreciate you, Myspace.
They need a rest.
Tom from Myspace, you're my friend forever.
Bye.
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Rep number 10004.
“Let’s address the uncomfortable then-now gap.”
“How did production ethics really differ?”
“Here’s a stark example from the script.”
“Authenticity only works when sculpted thoughtfully.”
“The core engine of teen shows explained.”
“How Skins sourced its authenticity differently.”
“Critics and teens rarely agree—here’s proof.”
“The magic of early, imperfect star turns.”