Sep 29, 2026 · 1 hr 3 min · 13 segments
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Giovanni RibisiGuest
Elliot James LangridgeHost
And, you know, it's funny because when I get on a soapbox like that, I feel like I'm thinking about like three people in my mind, personal friends that I know.
no yeah no fair enough and it is funny how these budgets have just gone mental and you know without being too downbeat but you know the cinema at the moment and the box office is all over the place these films that people think are going to do so well and then they don't make their money back and it's it's kind of a mad we're in a bit of a mad place at the moment

Yeah, and then you spend $150 or $200 million on a movie and it flops and people get, you know, clam up.

And I think it was that one guy, I forget the name, the writer-director who, at the last Academy Awards that I heard about, where he got up on stage, he said, instead of spending $200 million on one movie, why don't you spend $10 million on 20 movies? And yeah, I mean, I guess it would be interesting and good to get back to that.

And also, you know, I really do believe these fluctuations, and this is gonna sound ridiculous and almost like a conspiracy theorist, but I really do believe that film and celluloid play a big part of that.

I'm of the generation where Most of my career was done on film and there was just that you know before cell phones became the most prevalent thing on us and you know when the cameras were rolling it wasn't a sacred thing for the actors, but it was a sacred focus for the director and for whoever else the cinematographer and and everybody would corral at the end of the day and watch dailies of the scenes they had shot the day before.

And it was just a different feeling now, where as opposed to, you know, if you have 18 days to make two hours of content there's no that's a that's a hard 18 days on anybody
yeah but the beautiful thing is after those 18 days you made a movie like that's amazing that is yeah that's true

yeah but but or or yes you made a movie and but oftentimes you feel like you made a schedule and it becomes like what yeah I mean sorry don't get me wrong there are incredible movies that have been made I mean maybe Tangerine was made in 18 I don't know you know so yeah
yeah no that's no i mean i i myself am an actor as well and i've only ever really done low budget british movies so i know all about the 18 days that is yeah that's where i live um and it and it can be long six day you know six days a week and it can be it can be rough so i'm right there with you man um i don't know so much about the hollywood movies i'm trying to get there but

And, you know, it's funny because when I get on a soapbox like that, I feel like I'm thinking about like three people in my mind, personal friends that I know.
no yeah no fair enough and it is funny how these budgets have just gone mental and you know without being too downbeat but you know the cinema at the moment and the box office is all over the place these films that people think are going to do so well and then they don't make their money back and it's it's kind of a mad we're in a bit of a mad place at the moment

Yeah, and then you spend $150 or $200 million on a movie and it flops and people get, you know, clam up.

And I think it was that one guy, I forget the name, the writer-director who, at the last Academy Awards that I heard about, where he got up on stage, he said, instead of spending $200 million on one movie, why don't you spend $10 million on 20 movies? And yeah, I mean, I guess it would be interesting and good to get back to that.

And also, you know, I really do believe these fluctuations, and this is gonna sound ridiculous and almost like a conspiracy theorist, but I really do believe that film and celluloid play a big part of that.

I'm of the generation where Most of my career was done on film and there was just that you know before cell phones became the most prevalent thing on us and you know when the cameras were rolling it wasn't a sacred thing for the actors, but it was a sacred focus for the director and for whoever else the cinematographer and and everybody would corral at the end of the day and watch dailies of the scenes they had shot the day before.

And it was just a different feeling now, where as opposed to, you know, if you have 18 days to make two hours of content there's no that's a that's a hard 18 days on anybody
yeah but the beautiful thing is after those 18 days you made a movie like that's amazing that is yeah that's true

yeah but but or or yes you made a movie and but oftentimes you feel like you made a schedule and it becomes like what yeah I mean sorry don't get me wrong there are incredible movies that have been made I mean maybe Tangerine was made in 18 I don't know you know so yeah
yeah no that's no i mean i i myself am an actor as well and i've only ever really done low budget british movies so i know all about the 18 days that is yeah that's where i live um and it and it can be long six day you know six days a week and it can be it can be rough so i'm right there with you man um i don't know so much about the hollywood movies i'm trying to get there but
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