Jul 16, 2026 · 1 hr 25 min · 14 segments
Chris and Andy talk about the trailers for Tony Gilroy’s ‘Behemoth!’ (10:51) and Ryan Murphy’s adaptation of Bret Easton Ellis’s novel ‘The Shards’ (16:26). Then they reveal their favorite shows of the year so far, including everything from ‘Industry’ and ‘The Pitt’ to ‘A Knight of the Seven Kingdoms’ and ‘Beef,' and they reflect on the year in television up until this point (20:09). Later, The Watch: After Dark (0:00). Subscribe to the [Ringer TV YouTube channel](https://www.youtube.com/@Ringer-TV) here for full episodes of The Watch and so much more! Hosts: Chris Ryan and Andy Greenwald Producers: Kaya McMullen and Kai Grady Studio Production: Sarah Reddy Learn more about your ad choices. Visit [podcastchoices.com/adchoices](https://podcastchoices.com/adchoices)
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[percussive music] I need support staff to clear the room.
Stand up and walk, now.
Hello, and welcome to The Watch.
My name is Chris Ryan.
I am an editor at theringer.com, and joining me in the studio, tearfully singing Talk Tonight instead of Wonderwall-
Mm
... it's Andy Greenwald.
It's terrible.
It's not coming home.
It turns out-
[laughs]
...
it is not coming home.
Yeah.
Thank you for having me on the Bill Simmons Podcast, Chris.
I appreciate it.
Yeah.
I, uh-
It's nice to be here
...
I, I guess I, I, I should say, I, I got to host the Bill Simmons Podcast yesterday.
Uh, I had Ian Wright and Anthony DeBundo and Sean Fennessy on.
We talked about the England-Argentina match.
We talked about The Odyssey.
DeBundo and Ian Wright had a lot of thoughts on The Odyssey, and Sean Fennessy-
Did they? [laughs]
Yeah.
[laughs] And Sean Fennessy thought Donostukle was a coward.
[laughs]
The great Zag.
Yeah.
I...
First of all, congratulations.
Thanks, man.
It's no small achievement.
It's a great podcast.
It is.
Um, would you like a constructive note?
Sure.
I just think-
Did you listen?
I s- I started it.
Oh, yeah?
Yeah.
[laughs]
No, it's good.
It's, it's...
Listen, it's good.
[laughs]
It's good.
My note, though, is the next time that he gives you the keys to his choice ride, I think you gotta be a little bit more like the parking garage attendants in Ferris Bueller's Day Off.
So you think I played it too safe?
I think you gotta open it up.
You know what I mean?
Do...
When you say that-
Yeah
... do you mean I needed to open it up, like me personally, and just start going like, "Bing bong, it's Wayne Jenkins," or do you think-
[laughs]
Like, is it Morning Zoo-it-up, or do you think-
Oh
...
the guests were too conservative?
No, no, no.
I just think...
First of all, great question, great phrasing.
Yeah.
You would've done numbers if you had done CR's Side Talk.
[laughs]
Um, I don't know.
I just feel like I want...
You did bring some of yourself to it, clearly.
Because you brought soccer and you brought Sean Fennessy.
And The Odyssey.
Yeah, I like that.
You like that stuff.
Yeah.
Um, I'm just trying to think of, like, maybe some more personal, like a deep dive into Len Deighton's, like, later works.
So you wanted to be included is what you're saying.
No, no, you wouldn't talk to me.
Yeah.
You would talk to, like-
Yeah
...
Len Deighton's son, Ben Deighton or something.
I just don't-
You know what I mean?
Here's the thing y- you gotta learn about being political in this world, is-
This is...
Yes, yes, yeah
... you and me, we're the, we're the primary, but when you get to Bill, it's the general, and you gotta pivot to the center a little bit.
[laughs]
Oh, right.
Because I'm running to your left.
[laughs]
That's totally right.
Yeah.
When you get to the general-
That's when I turn into Haley Stevens.
[laughs]
[laughs] Totally true.
My heads will get that one.
It's totally right.
When the shit heads.
Okay.
Well, I thought you did a great job.
Thanks.
No, thank you.
And that is exciting.
And we have a lot to talk about.
Did you actually listen? I can't tell.
I started it, but then I was sitting in my car-
[laughs]
... and I was gonna, like, crush more of it on, like, 4X.
Oh, yeah.
And then you saw me sitting in my car in the parking lot.
And I was like, "What's up, man?" And-
Well, no, you did the thing you usually do, which is check if I'm weeping, which was cool.
[laughs]
I wasn't.
Yeah.
[laughs] Can you imagine if every day you're like, "Is he gonna be crying again?"
"Is that fucker crying again?" Uh, Andy, what a day on the podcast today.
Yeah.
Because, uh, we'll do some Watch After Dark about our weekend in Philly and our-
[laughs]
... experience, uh, with the World Cup as it comes to a conclusion.
That, that's all coming at the end? Oh, man, I'm chomping at the bit.
If you wanna do it now, the-
No, no, but-
...
After Dark can be in the morning
... tell the people, I think that's gonna happen for most of America.
For now, you're still the co-host here, so you can, you can make the decisions, too.
[laughs]
Isn't After Dark gonna be the norm for most of America once daylight savings time becomes permanent? Did you read about this?
I did read about this.
That's-
I mean, I've, I've been reading the news this whole, this whole month.
Yeah.
No wonder you're so cheerful.
Okay.
[laughs]
Finish, finish the rundown.
I'm, I'm in a good mood.
I know, because-
And I'll tell you why.
Yeah.
Because today we're gonna do the best TV of the year so far.
Okay.
Um, we've reached this sort of like...
You know, obviously it's quite late in July.
It's an odd time to be doing the best TV of the first half of the year, uh, because it's, more than half of the year is over.
But, uh, now that we got all the Emmy shows kind of out of our system and under the wire to be, uh, considered for-
Yeah
... awards consideration, and we have hit a little bit of a dead zone where, you know, you've got House of the Dragon still running.
Um, people may be catching up on things like The Agency, uh, Cape Fear wrapping up, and then kinda not a lot other than, like, Ted Lasso, um, the Will Ferrell show, The Hawk.
Mm-hmm.
You know, I talked about this with Joanna, but, like, the, the... they're, they are taking, taking July and August off out here in Hollyweird.
And I wanted to just kind of put a marker on, like, okay, what do we think? W- what's the best of what we've gotten so far and whether we think-
I think it's good
... it's a good year.
Um, there may be some surprise entries in there of shows that we have not had a chance to really discuss that deeply.
Oh.
Oh, right, you wanna fold that into this, 'cause there's a show in particular I wanna talk about.
Well, we can do it-
But it's on, it's on my list
... you, we can do it.
I, I know that you have a comprehensive notes app that c- covers your entire wor- life.
Uh-
Yes
... and if you would like to structure this show on the fly, we can.
You know?
Sure.
Bananas.
[laughs]
Ground turkey, olive oil.
Clean glasses.
[laughs]
S- and then some notes about The Rise of Alamo on Euphoria season three.
Yeah.
[laughs] Um, but yeah, I've...
We can do, we can do World Cup and, and Philly r- right now if you want.
No, let's do...
Okay, so let's do World Cup at the end because we do have a lot to talk about.
Um, obviously I am wearing a shirt to support, uh, La Furia Roja.
[laughs]
España Which has been my team from the beginning
It would be fucking elite-
Yeah
...
if you immediately changed [laughs] your entire vibe was like, it was like the tiki taka.
It always has been.
Yeah.
I don't use large plates at home ever.
Only pequeno.
Uh-
Do you like a tinned fish?
Yeah.
Yeah.
Sure.
Who d- who doesn't, right?
Uh, I'm not allowed to have tinned fish in my house really.
What?
Yeah.
My wife doesn't like the smell.
So you're, so you go outside like an alley cat to your-
No, I just don't eat tinned fish at, at all.
I mean, like I, I, I don't really dabble, yeah.
Oh.
Come through.
[laughs]
We'll crack a couple tins.
Like when I'm in England and they're like, "Tinnies on the train," I thought they meant like some beautiful-
Oh.
[laughs]
...
Portuguese squid, you know?
Are you popular on trains in England?
So popular.
Well, breakfast is more hard-boiled egg season.
Yeah.
You know what I mean? Uh, okay, we'll do that at the end.
But I did wanna say that we had a, a lovely brief encounter, much like the film-
Yeah
...
in Philadelphia this weekend, where we watched England's last win.
Victory, yeah.
And it was, uh, it's great to see you.
Yeah, England, Norway, we w- we watched at Bad Brother, and, uh, it was awesome.
What a vibe.
Can I just-- I feel like this is, this is important for the listeners to understand that like, so I, I, I flew across the country.
I went straight from the airport to Bad Brother, and to walk into this wonderful public house, crowded, and I spotted you at the end of the bar, and you're chatting with Nick, who's awesome, is the owner.
And, and now I know what it's like to be friends with Norm and walk into Cheers.
Well, Norm was a little bit antisocial.
Okay.
[laughs]
So you are well-buttered Norm.
Yeah.
Like super popular and chatty.
Like Norm was like, "I don't wanna talk to anybody.
I just want giant mugs of beer before so I can avoid going home to my wife."
You're resisting what I'm trying to say here.
I understand what you're trying to-
Which is that you are the, the king of these Fairmount streets, and it was very cool to be basking in your aura, frankly-
It, it, it-
... just for a short time
...
it was a great place to watch the game, and I appreciate you being there.
Um, and then I went out and saw my buddies, uh, from this band called The Shyness Clinic-
Mm-hmm
They got their band back together for the first time-
That's so cool
...
in like more than 25 years.
And, uh, it was incredible to see them.
They played at the Yuki Hall.
They played New York and Boston as well, and it was awesome to see them.
Those are great guys.
Do you think we should bring back our late '90s zine that we talked about making?
I think the, this is the zine.
This literally is.
It is literally the zine.
Can I-- So you went and you saw a great show, great friends.
Um, I brought my older daughter to visit my, my aging parents, and the one thing that I was eager to tell you was I was sort of hopeful that there might be some, some new opportunities for cross-cultural dialogue.
Mm-hmm.
Because my daughter had been, uh, in New York with her other grandparents, who took her to see Ragtime-
Oh, yeah
...
the musical that is back on Broadway.
And, uh-
It's Doctorow season.
So I, you know, my father has strong opinions about musicals and Doctorow.
[laughs]
So I mentioned that she had seen the musical, and my father went on a, I would say, quite repetitive rant about how only in this recent iteration of the show at Lincoln Center has The New York Times given it its due.
[laughs]
The New York Times had it out for that show-
[laughs]
... a fine show.
While he kind of just sort of really dug in on that point, I noticed on the bookshelf, like he does have obviously many books, but like-
Every issue of The New York Times ever.
[laughs]
Tab cross indexed for Frank Rich's wrong opinions.
[laughs]
I went to the bookshelf, and I pulled down what turned out to be a first edition of E.L. Doctorow's 1975 novel, Ragtime-
Yeah
... that sponsored, uh, sponsor, inspired this musical.
And I was like, to my daughter, I was like, "Look, you know, look, triangles of literature," or whatever.
And the first thing that I realized was the problem, she took the book, she was interested.
Yeah.
She turned to the back cover, and '70s hardcovers, as you remember, the au- author photo often-
[laughs]
... is the entire back.
Yeah.
So it's fucking Ed Doctorow.
Yeah.
[laughs]
Jim Henson ass corduroy and beard, full bald pate, just looking like, "Yeah, I wrote this shit, and I'll do it again next year." So immediately she was like, "I don't know about this."
Right.
She flipped through it.
And this is by the way, on the way over, she was like, "Maybe I'll read the book.
It's so interesting, American history, all this."
Yeah.
I was like, "Yeah, yeah, yeah."
'Cause it's, it's all happening.
We're vibing.
Maybe one-
Let's fucking watch Ken Burns' Civil War together.
[laughs]
Maybe one day you'll have a podcast.
Yeah.
[laughs]
And, uh, so she, she sort of looked through and then like put it aside, and I was like, "Huh, I guess she didn't wanna really delve into the classic." So I opened it up [laughs] and like, you, you forget.
You know, we're from a different era, different generation.
And the beginning of chapter two, uh, and I'm, I'm, I'm slightly misquoting here, but I believe the beginning of chapter two is, [clears throat] "Mother and father were displeased that Houdini's visit had interrupted their coitus." [laughs]
[laughs]
Like that's really what literature was.
Yeah, for sure.
Yeah.
I mean, like you get to like three-page descriptions of-
Yeah
... a phallus by John Updike, and you-
Oh, yeah
... you find out some stuff, things about yourself as a reader.
What's exciting with Updike is you're not sure whose phallus it is until-
[laughs]
... like the third paragraph.
Yeah.
It's a lot of guys playing basketball.
[laughs]
Exactly.
The steam room was quite large back then.
So is he talking about others?
Yeah.
Is it a mirror situation? So, you know, culture moves on.
It's all right.
[laughs] I have a couple of things about culture to ask you about before we get to our list.
Great.
Uh, number one, um, one of the central creatives, uh, at the foundation of this podcast-
Mm.
Someone whose work we return to over and over again, Tony Gilroy-
Yes
... whose words, uh, s- they function as like the intro to this podcast.
When you hear Stand Up and Walk, that's obviously from, uh, The Bourne Legacy, Edward Norton in, in the crisis suite.
Um, he's got a new movie coming out.
It's his first, uh, theatrical feature since- Clayton, right?
It's The Bourne Legacy.
It's The Bourne Legacy, right?
Yeah.
Excuse me.
Um-
Are we going to have to replace the opening of this podcast with Pedro Pascal being like, "I've always loved the cello"?
[laughs]
Do you think that would give the same kinda-
I think we would have-
... gravitas
...
even, even more f- l- uh, deeper completion rates.
[laughs]
I mean, look, this is, this is, this is The Ringer's number one Yale doctor podcast already.
[laughs] I'm sure Brian Curtis is like, "Well-"
That's actually true
... yeah
... he's coming for our crown.
Um, but I was wondering if you'd saw the Behemoth trailer.
This is-
I did
... his film about a, um, a classical musician who plays in film...
I- in orchestras, but also primarily in-
Film scores
... on film scores.
Yeah.
And the, that cellist is played by Pedro Pascal, as Andy mentioned.
Um, also starring in the film, Ava Victor, uh, Will Arnett-
Mm-hmm
... and Olivia Wilde-
Yeah
... who we just saw in The Invite.
What did you make of, uh, of the teaser? 'Cause it is very much teaser.
I think there's like three lines of dialogue in it.
I think that it is a...
Look, you already said it.
We are deeply in the tank for Uncle Tony.
Uh, we're very excited about this movie.
We've had the chance to talk to him about it.
He is very excited and passionate about this project, um, and very bullish on how it was turning out when we, when we heard from him.
And I love that Searchlight was like, "Yes, we see your vision here."
Mm-hmm.
"We understand that this is not, uh, canonically part of the Reed Richards expanded universe-
[laughs]
... and yet we are still going to release it into theaters."
[laughs]
And they're steering into h- It, it appears that in the marketing that they are steering into what the movie is, which is a very, very kind of heady, emotional, psychological, not exactly thriller, but drama that makes music and also like a deep, deep love of movies and how movies used to get made, which is very autobiographical for Tony-
Sure
... whose father, Frank, is a famous writer for the stage and screen.
Um, I thought, look...
I thought...
I, I think the marketing looks up to the task, which was-
Yes
... exciting to see.
It'll probably...
It, it...
I imagine Fox Searchlight, it's probably gonna be a fall, late fall, like awards season release.
I would hope.
I, it's, it's scheduled for December, which gives it-
Oh, good
... runway to be in a festival-
Good
...
I would imagine.
Um, I defer to Bill Simmons' podcast guest, Sean Fennessy-
[laughs]
... for that bit of info.
Did he drop any of that yesterday?
I feel like I insulted you a little bit.
[laughs]
Not at, not at all.
You would not want me talking about The Odyssey on a podcast-
Why? 'Cause you-
... listened to by millions.
Because I haven't seen it [laughs] and don't really have a take.
Did you read it?
In school, yeah.
Did you guys read The Odyssey in school?
Oh, well, we were both at Quaker schools, but some were a little more rigorous, I guess-
Well, I was, I was a-
... than others in terms of-
... a three-sport athlete, so [laughs] you know-
[laughs]
... did not a lot of time for Cyclops.
Did, did you pay for nerds?
The only Cyclops I acknowledged was that umpire behind me, am I right?
[laughs] It's good.
Did you pay s- for some nerd to do the papers for you?
[laughs] No. I'm, I was probably the nerd doing the papers.
[laughs]
Did you...
But did you actually read The Odyssey?
I believe I read The Odyssey in, in college, in college.
Oh.
But, but for fun.
No way.
No. [laughs]
No, no.
Come on.
I'm just trying to steer into the bit.
Well, there's that moment there where I was reading, like, the letters of Robert Lowell and Elizabeth Bishop-
[laughs]
...
but I was like, "This is gonna be such a lucrative life for myself." [laughs]
[laughs] I can really...
If you squint, you can see the path towards profitability.
Yeah.
30 years later, I'm just like, "Yeah, Dr. Holto was really bad in Domestic Disturbance." [laughs]
[laughs] Bing bong.
Um-
Good stuff
...
there was a, another, uh, trailer that I wanted to ask you about.
D-
But I don't know if you've actually seen it.
Wait.
Last Behemoth take.
Oh, sure.
I did have another question.
So do you feel like this...
Is, is this a heat check moment for Will Arnett dramatic actor? Do you, do you...
When you see Will-
I mean, is it, isn't, is this thing on? Is the heat check, right?
Well-
We've now, we've now entered the hot zone.
Do you think?
I don't even know what that term would be.
It's like when you let a heat check shooter just keep shooting.
Right.
So I, my, my, my point was that, like, he is-
I guess that's like Cam Thomas, you know, who's now out of the league.
[laughs] You're just like, "Just keep-"
Well-
"... keep chucking it up there, man.
You got it." [laughs]
Unlike Will, unlike, uh, Will Arnett, Cam Thomas does not have a podcast to fall back on.
He easily could, though.
Do you think?
Yeah.
Do you think the NBA needs more ex-player podcasts?
[laughs] Just as much as they do Will Arnett podcasts, yeah.
That's the take you should have used on Bill.
Um-
I, I just wondered if like...
I, I thought it was interesting that...
And I think Olivia Wilde, you and I both think was incredible in The Invite.
Yes.
Um, so I'm excited to see her acting in this movie, and I think it's int- He cast people, you know...
It is a very, like, 2025...
I don't think...
Tony doesn't work like this, but in terms of studios, like, green-lighting people, I think coming into t- like being 2025, being like, "Oh, Will Arnett's probably gonna get an Oscar nomination for Is This Thing On?" Pedro Pascal is gonna be in the number one movie of the year, Fantastic Four.
Well, they both replaced other actors on this movie.
That's true.
So, uh, Pedro Pascal replaced Oscar Isaac, who was initially attached, and then Will Arnett came in for David Harbour.
Right.
So, so Moon Knight and Red Guardian were originally gonna be in it.
Yeah.
And we ended up with Mr.
Fantastic and Job.
Yeah.
Okay.
Win.
I have a question for you that I did not prepare you for, so I don't know if you have an answer.
I'll take some coffee.
Have one sip.
Mm.
Mm.
Will, will we...
I'll, I'll use, I'll use we.
Yeah.
Will we be breaking our Ryan Murphy fast-
Oh, our embargo
... to check out The Shards, his adaptation of Bret Easton Ellis' novel?
I'm so glad you asked this question.
Yes.
Yes, we will.
Yes, we will.
Did you watch the trailer?
I didn't, actually.
Okay.
How is it?
I...
It does- it did not scream Bret Easton Ellis to me.
Did it scream Ryan Murphy?
More than that.
Interesting.
More than Bret Easton Ellis.
I think that there are, like...
The Bret Easton Ellis of it came through in the voiceover narration about what these characters like to do, which is hump and do coke.
Get after it.
Yeah.
[laughs]
Uh-huh.
But I haven't read The Shards.
Is it any good?
I didn't finish The Shards.
Okay.
I was...
I went back to, you know-
Okay
... poet- epic poetry.
Um, uh, speaking-
[laughs]
That actually is not the- If you're putting your arms around my collegiate experience, reading experience, it really did toggle between Bret Easton Ellis and-
And Homer? [laughs]
[laughs] Right.
Um, I am a big fan of Bret Easton Ellis' novels, and sometimes apologist of his novels.
Oh, okay.
And I usually have had the, the, the get up and go to finish them, even the weaker ones.
I couldn't do it with The Shards.
Um-
What would you say is the best?
Uh, I- best-
What's your favorite?
Rules of Attraction.
I love Rules of Attraction.
Um, and the movie's pretty good, too.
But, um, it, it-
What's ...
Did he do one where it's like ...
No, that's, I ke- I sometimes get m- like mid to late McInerney and mid to l- like-
Yeah, yeah, yeah
... uh, confused.
But is th- which one's set, had one set in Japan?
Oh, that's, that ...
You mean, you're talking about, uh, McInerney's second novel, Ransom?
[laughs] Yeah.
Which, in which an incredibly handsome guy named, like, Mack Jack Inerney, like, goes to Japan to, like, study the purity of karate at a dojo, [laughs] and, like, sleep with women? We used to be a proper country, okay? Are we allowed to say that?
[laughs]
That book is so insane, and it has 100% just been memory holed.
Do you think if we pitched that to Paramount Plus right now, we would get green-lit?
Paramount's the studio that's interested.
Yeah.
[laughs]
I'll tell you that much.
Um, so, a- all this is to say, the, my f- the, really, I think maybe the only Ryan Murphy project that I've really enjoyed was the OJ-
Yeah
...
American Crime Story OJ season.
And we-
I liked the, I liked w- what I, I think I f- I think I finished, I liked the Versace one, too.
Oh yeah, that was ...
Okay, so but particularly I thought the OJ one, and to, and to a, a different degree, the, the Versace one.
I just thought that was a perfect combination of subject matter and artist, or, or story and storyteller, because the OJ story is tawdry, and I think Ryan Murphy is a poet laureate of particular s- particular flavor of, like, California tawdry.
Mm-hmm.
So I think the marriage of him with Bret Easton Ellis is a, potentially a really good one.
Like, in the sense that they, I think would operate well together.
Yeah.
So I am interested.
Okay.
Well, th- that'll be something new and fresh for us, and we, we could use a refresh.
It also has your preferred Homer, Homer Gear.
It's got Homer Gear and Kaya Gerber, am I right?
Two of your favorites who just did it on their own.
[laughs]
You know what I mean? Just, like-
Look, as a nepo, I can't really blame them.
[laughs] It's true.
You know?
It's true.
[laughs] Do you guys have a meeting-
Right
... that you go to?
"Hey, Kaya.
What's up?"
[laughs]
"Cool.
What are you reading?"
She's got a copy of your dad's, like, 1981 video guide open.
[laughs]
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And we're live on match day as Doug reaches for a buffalo wing.
He's got it.
Oh, and he's going for a can of Pepsi too.
What a finish.
There's no doubt about it.
It just tastes better.
Match days deserve Pepsi.
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Okay, so do you wanna call this the best shows of the year, or do you wanna call it our favorite shows of the year? Here's the thing that-
Right
...
I've been struggling with, Andy.
Okay.
The unknowability of the totality of television, you know?
Hmm.
And also maybe, maybe not wanting to know everything.
And the-
Hmm
... you know, 'cause it's like, it's like I think that there are gonna be some things that get left out here.
There are gonna be some things that we didn't finish.
From, from this list that we're gonna-
Yeah
... offer up?
I mean, I think you could, you could make arguments that some things should be get in, should get in there.
But I have, I have felt more challenged this year than usual by-
Hmm
... staying on top of, like, everything that's relevant in television.
Do you have, like, a list of, not to put you on the spot, but do you have, like, a woulda, couldas list? Like, things that you kind of hoped you'd hope to engage with, or things that you feel remiss? Because I'll tell you one thing, my conscience is clear.
Is it?
Crystal.
You don't care?
No, I didn't say I don't care, but, like, I, I, I, hit me if you have some because I'm curious.
I don't.
I mean, like, it's like Riot Girls, like the Sally-
Oh, yeah
... yeah, you know?
Okay.
Like, I feel bad for not seeing that.
Like, w- we've been criminally behind on or really ignorant of Dark Winds.
Uh, I really only watched the first few episodes of Interview with a Vampire, so I'm not prepared for, like, the vampire list stat.
Right.
Like, things like that where I know that there are things of people I really respect their opinion and love, and I just haven't caught up on it.
And I think probably they look at us and they're like, "Damn, those guys like Star City a lot."
It's, it's true.
Yeah.
What about, um, maybe we'll get to it when we finally can get to it, but I do find, I do find what's happened to that show The Gold so interesting in that we really, really, really loved the first season of it.
They made a second season of it, which was released in the UK last year, and I believe is now coming to our shores via PBS Masterpiece or something in the fall.
I have to tell you something.
That is so specific.
Last night I had a couple glasses r- of rosé.
No shame in it.
Uh, and, um-
This was after you recorded the, the Bill Simmons podcast?
Yes, it was after.
Uh, and then I, I- Tucked into bed because I knew I had to come in here and chat with you.
[laughs] You need, you need to rest for that.
And I am about midway through London Falling, the Patrick Radden Keefe book.
Oh, yeah.
And right as I was, like, getting into bed, the fucking, the gold case comes up in the book.
No.
And I was just like, "The fucking streams are crossing.
Let's go."
Did you sit bolt upright in bed?
Yes.
Yes.
[laughs]
Was Phoebe alarmed?
No. [laughs]
That's cool.
Yeah, I was like, "This is what it's all about, man."
I'm just tr- I'm just trying to think, though, of any example of something that was relatively available, like the season, Season 1.
Uh-huh.
And now it's like you have to s- it's like, "Oh, I, I used to get this product at Albertson's or Acme or whatever your local supermarket is, but now it's only available by bespoke delivery from like-
Sure
...
the tinned fish shop, you know, outside of Sevilla."
I, honestly, it's almost, I almost wish we could go back to, like, going to, like, websites like Iraqgoals.net to watch-
That was you, dude
... that was me.
That was my spot.
[laughs]
[laughs] Iraqgoals.net, just so you could-
'Cause that's where I used to watch, like, live-streamed soccer.
That's also where you were like, "Have you ever heard of a show called Black Mirror?"
Yeah.
And I was like, "No.
Is it in the UK?" And you were like, "Not yet."
[laughs]
It's only on this website.
No, I, it was like, basically, you had to, like, download episodes of Black Mirror off of BBC from ser- like torrents and stuff.
But-
Is the statute of limitations clear on that, do you think?
They can come for me if they want, but-
That's what I like to hear
...
I, I could think o- uh, there, I could think of a few defense attorneys who would take my case up.
Okay.
Well, I think this is also smart because I think we've learned in recent elections that, like, Gen Z voters, they don't really care.
What they care about is how you own it.
[laughs]
You know what I mean? Like, own your problematic past, or posts-
[laughs]
... as the case may be for you.
Um, how do you wanna do our, our best of here?
What did you do? What did...
I mean, did you make 10?
I have a long list of 17 shows.
Oh, damn.
Uh, I have a numbered list of 10.
I have a numbered list of 10.
I bet we have tons of overlap-
10
... as listeners of the podcast would suggest.
Well, I was wondering, I, you know, ordinarily I would count us down.
Yeah.
But I think that it might be a little bit more interesting if we sort of said we stipulate that these are the top five, which I think would probably be for both of us-
Yeah
...
the same things.
Would you like to tell me your top five?
Of course, I'm looking at it and I'm like, "Who wrote this list?"
I'll tell you what my f- top five is while you think about yours.
What's weird about my list, 'cause we, we were discussing before we started, like, how I use the Notes app, is that my list is, like, The Pit, almonds.
You know what I mean? Like, it-
Almonds is a great show.
[laughs]
Almonds are really good for you.
Uh, okay, yeah, why don't you go.
And, and as far as I know, not s- sm- like, smothered in parasites.
As far as you know.
Yeah.
Uh, number one, I have Widows Bay.
Me too.
Number two, I have Industry.
Okay.
Number three, I have Star City.
That's my number three too.
Yeah.
Number four, I have The Pit.
Wow, okay.
[laughs]
What, is that okay?
Yeah, we're Spider-Man meme right now.
And number five, I have Knight of the Seven Kingdoms.
Okay, we are exactly the same boy, except, uh, at number two instead of Industry, I have Beef.
Is Industry in your top five?
Top five, no.
Top 10, yes.
Interesting.
Yeah.
Okay.
I am who I...
I'm, I'm being consistent.
Um, I, is there, is there, i- is Widows Bay recency bias? Is it, uh, the, it's the shiny new car on the lot? What, what is it-
I-
... that makes it the number one show for us so far?
I think that, um, it's a combination of all the things we love best about TV.
I think that it's, without question, we...
I, I know this is true for me, but I think it's true for us collectively in the podcast, we really get excited about something that is getting everyone excited.
We get excited about the potential for surprise, even in this over-indexed media landscape.
We get excited about the, the, the, it's a very pure old-fashioned kind of joy of sharing the good news that there is something-
Sure
... really wonderful out there that you can discover and adopt, and the week-to-week release of Widows Bay reminded me of the week-to-week release of The Pit season one.
It did remind me of, like, those first beautiful few weeks five years ago or four years ago when The Pit, uh, sorry, when The Bear dropped.
Mm-hmm.
Um, so that collective euphoria is definitely part of it.
Sure.
But the other thing about it was no show that's been out this year so far brought me, A, as much joy, but also just made me so deeply, deeply impressed-
Okay
...
in the sense of, like, the, the, the aesthetic a- and, uh, writerly and producorial and directorial achievement of it was just at such a high bar that it just, it just made me very happy.
Yeah.
I, I think that there is always gonna be an extra 10% of, of juice that comes out of-
Mm-hmm
... being like, wow, new people, new characters, uh, actors who I'm familiar with in different roles-
Mm-hmm
... like, getting to express themselves in different ways.
And I think the totality, the realization of the world that, that Katie Dippold and Hiro Murai, uh, brought to us was just, just astonishing.
You know, they came on the show, we talked about that.
I, I, I kinda had, like, a moment of revelation when Hiro was talking about, you know, putting...
Working with Katie to build out the visual world of that show and, y- you know, and I often w- I think get seduced by the, by camera movement or, you know, you know, expressive lighting or w- whatever I think the, are the tools of the director or the ways that a director might sign their name.
And to hear him talking about, you know, set design, production design, costume design-
Mm-hmm
... um, building out, like, a thematic and consistent kind of way to just see this whole thing, that to me is direction, you know?
Yeah.
And, and Katie is obviously, like, the creator of the show and, and a, and a brilliant writer, and I think brought her sensibility of kind of the Mike Schur sitcom era-
Mm-hmm
... and molded it with some of the best elements of, not mystery box television, but genre television.
Absolutely.
I couldn't agree more.
Um, for me, Industry took the biggest swings, took the most chances, um, broke the most hearts, bloodied the most noses Ruin the most bank accounts.
You know, like it was...
I think I just will just n- never, ever look at this show as anything less than among the best things-
Mm-hmm
... that have come out this decade, and what it's done with the characters.
I think once we get done with it next year and take a step back and see, like, can you fucking believe when you go back to episode one and you see, um, Yasmin and Harper on their first days at Pure Point-
Mm-hmm
... where we leave them, and especially where we left them in this previous season, it's an unbelievable journey.
It is.
Um, and it, it still feels plausible.
It still feels real.
It still feels very, very current.
Um, and it's, it's thrilling to look at, and it's thrilling to, to watch.
Separate and apart from, you know, I, I thought the season was incredible and had incredible highs and also had some, to my mind, lows.
Um, so it's in my top 10 but not in my top five.
But I think the way that I think about the show and the thing that fills me with the most excitement about the show, and this is recency bias, but I think Mickey and Conrad would appreciate this, is when you watch as much World Cup as I've been watching-
[laughs]
... for the last few weeks, as we all have hopefully, you know, especially when you get-
As you s- supported [laughs] Rojas.
Well, I, I'm listening purely in the Catalan feed.
Yeah.
[laughs]
Um, the, uh, my favorite thing is when the English announcers are calling the matches, and, like, someone just immediately dribbles and shoots over the crossbar, and they're like, "You'd like to see a bit more cleverness, a bit more invention, a bit more optimism there," you know, when whoever-
Yeah
... has the ball.
And that's what I think about when I think about Industry, where I'm like, okay, they, they've, they've, they've got the ball.
They never fail to try something.
No, they do not try to defend a one-nothing lead.
They do not park the bus.
Nope.
They do not even have a-
And they could.
You could do y- yet another-
Yes
... season of, of crazy inv- investments over here at Pure Point and Eric swinging his bat on the floor, you know? Like...
They do not have an emergency brake-
No
... on the vehicle that they're driving, and what, what do we root for- [laughs]
Yeah
... you know, when we watch things? So I think that's unique and thrilling.
Uh, we didn't get to talk about the Starcity finale together.
Excuse me, beef erasure.
Well, I was just...
I don't know.
I will go to Starcity.
I just want to say-
Sorry
...
I'm acting like you were a vegan.
[laughs] Yeah, go ahead, go ahead and talk about beef.
No, I just, I just want to say again, like, I, my admiration for this season has only grown.
Oh, right, Industry's not in your top five.
Yeah, yeah.
My bad.
Yeah.
Yeah.
I just think that Lee Jung-sun, Sunny, who, who created the show, like, is using contemporary television at such an elite level, and what I mean by that is, like, the Netflix model and the Netflix largesse and the auteur showrunner model to make something, a- and, like, the celebrity star machine in terms of who he's casting and who he has access to, and, like, Finneas is doing the, the music.
Uh, but to do it, to make something that is so, such a tightrope walk of, um, of farce and searing emotional social drama that's about right now and the way that we live through screens and internationally all at once, I fi- I find, I find thrilling.
I just thought that show was incredible.
Yeah.
It's in my l- it's on my-
It's on your long list
... top 10, yeah.
But it's not, it's not in, it's not in my top five.
I'm glad we didn't...
I'm glad though you were g- I did wanna talk Starcity 'cause we didn't get to talk about the finale.
Your thoughts are not on the record.
They're, they're not.
Uh, I think the, my, my big takeaway was, like, the extent to which that functions as both a, a series and a season finale, you know?
Hmm.
Um, I think obviously there's final moments that suggest, like, you know, the story going forward, and obviously there's a timeline that, uh, For All Mankind has laid out with several of the characters from Starcity that suggests story to, to be told-
Yeah
...
yet to be told.
I really, really, really, really want a second season.
I would love to see it.
Um, but, you know, if you were just gonna do, like, a, a short novella about, you know, the, the Soviet side of this story, this would be the perfect one.
But don't you think there is too much...
I know that you want it, so I'm not asking you to be devil's advocate here, but, like, because the show so brilliantly privileged the inner emotional life of characters versus sh- you know, the Narcos, Wikipedia, f- even Fake History model of-
Mm-hmm
... just showing us cogs in the larger machine-
Yeah
... that, like, there's almost too much still left on the table to feel good about a resolu- like, I think, I, I, I want it.
I know you're not arguing otherwise, but, like, I want the second season not because I need to know what happened with the Venus program-
Yeah
...
but more, like, these particular people at this moment in this fake history, uh, what happened to them?
Yeah.
I wanna see what happens with Anastasia and Sasha.
'Cause-
I wanna see what happens with Irina.
Yeah, a- absolutely
I, I also wanna say because I got to talk to the showrunners Matt and Ben, but I didn't, I don't think I get to talk too much specifically without them, and I did see someone saying, you know, the usual like, "Oh, we just, we glaze the shows that the showrunners come on to talk about," and I don't-
It's, it goes the opposite way, guys.
[laughs] We glaze the shows and then we ask the showrunner to come on.
Because that makes us interested in talking to them.
Yeah.
[laughs]
I wanna be really clear about something.
Like, I didn't, we didn't invite them on and then I watched the finale and then was like, "Oh, I guess I'll just dance around some stuff." Like, I fucking love that when it came down to the decision to do we make the single most emotionally compelling finale possible, or do we listen to the bright boys in the science consulting department and say like, "Oh, actually, Anastasia probably couldn't jump from orbit-
Right
... and land in Finland to rescue her arranged-
And then drive a truck
... marriage husband.
Yeah.
They said, "Fuck logic.
We're going with our heart here."
Yeah.
[laughs]
Like, that's what was interesting to me.
And so you could talk all you want about how the show does not have fealty to the historical record of Finlandization, where Finland sent people back who tried to come over from the Soviet Union, or you could just be like, "That's so sick," and it suits the characters.
But wouldn't also the whole maybe Finland's, like, relationship to Finlandization be different if Russia, if the Soviets had gotten to the moon f- I mean, it, can't they explain anything away by having this ripple effect coming off of their moon landing?
Also, if you genuinely watch that show and you're like, "This would be better if it was closer to the historical record or to the logistics of orbital space travel," then- I don't know, touch grass nerd.
No, the other-
Like, watch TV
...
I, I, I don't even know who we're talking to, but the entire act, the entire show is an act of suspension of disbelief.
Yes.
It's Soviet-
Yeah
... speaking in colloquial English, and at points, like, acting-
Do you-
... way more like English people than probably Soviets do-
Have, have you heard-
...
Russians do
... we often s- small sample size this, but, like, have you, do you have any anecdotal experience in your life of people being like, "Oh, should I check that out," and then liking it despite having some skepticism?
Star City specifically?
Yeah, yeah, yeah.
Um, yes.
You've converted some people?
Yes.
Good.
Yeah.
We, we, we, we, we converted Tracy Letts.
Oh, yeah.
I mean, I don't think he was skeptical.
I just think he was like, "I'd n- I would never have thought to check this out were it not for your enthusiasm," so.
How come he doesn't wanna be third chair of this podcast?
I think you-
I police this side of the table too fiercely?
I think that there's room for one big, big personality on that side of the table.
I would be interested to see the vibe between you two.
Uh, we get along.
Yeah.
No, you get along great, but I think, like-
Yeah
...
I'm Chris Paul, man.
Everybody gets a shot.
You know?
Okay.
I don't need, I don't need to say what I think of-
Famously beloved teammate, Chris Paul.
[laughs]
Just celebrated in every locker room he's ever been in.
Great.
He just demands a lot.
[laughs]
He gets it.
The Pit, I guess I've, uh, diminished here because of its consistency.
I-
Yeah
... you know, I've, I got excited about Windows Bay.
I get excited about Star City.
I think Industry just took me places that I never would've guessed it would've-
Mm-hmm
... at the beginning of the season.
The Pit essentially iterated on its first season, did the very wise thing of not having, it didn't have a mass shooting.
It didn't have, like, a mass casualty event.
Right.
It was just like this was a very hard day.
This is about doctors needing their own medicine.
You know, I know, I thought it was, I thought it was remarkable, and especially as it, the last few episodes I thought were extraordinary.
Yeah.
Um, I, it, it's, it's no criticism that it's at fourth here.
Mm-hmm.
It's just where it wound up.
Was it at fourth for you?
Yeah.
We had the same top five except for one.
And Night of the Seven Kingdoms, I, I would love to know if there was any influence on this season of House of the Dragon by-
Yeah
...
Night of the Seven Kingdoms.
I'm sure that's not how TV production works, where I'm sure they were basically done House of the Dragon by the time Night of the Seven Kingdoms was airing.
Uh, I think they overlap.
They don't film in the same place.
No.
Um, House of the Dragon films at, uh, my beloved Leavesden Studios [laughs] near scenic Watford, England.
Yeah.
And, um, I think, I think Night of the Seven Kingdoms was back in Belfast, if I'm not mistaken.
Yeah.
Um, I actually think, and I, I haven't rewatched since it aired earlier in the year, but I feel like Night of the Seven Kingdoms, despite getting Emmy attention and being nominated for Best Drama Series in its first season, is almost underrated, and I feel even more impressed by its achievement in the light of this season of House of the Dragon.
I'm not trying to, like, rage bait or pit them against each other.
Yeah.
But the-
It's just you and me, man.
You don't-
But-
Don't, don't worry about them
...
but now Tracy's listening, and he's, like, leaning in.
You know what I mean?
[laughs]
Um, and I want to, I want him to respect this take.
Um, we didn't really talk about it.
It's totally fine.
Um, I don't have a lot to add to the conversation about this week's House of the Dragon episode, but I was noticing the way that it feels in ways good and frankly bad that the show has so clearly ventured out beyond, um, the pier, so to speak.
Like, whether it's the lack of George Martin, or whether it's the, uh, like a, a more-
You mean off the text?
Not just the text-
Okay
...
but just, like, the s-
'Cause it's, it's still relatively, like-
The, the-
... close to it, yeah
...
I, I just have no...
Like, taking the, making the aesthetic decision to do the Rhaenyra, uh, POV episode-
Yeah
... was a bold swing that I didn't know was in its playbook, and that was exciting to see, and we were joking too, like, casting, um, uh, casting what's his name? The American guy, uh, Dan.
I keep wanting to say, like, Dan Fogert- Fogelberg as, um-
Fogler
...
Fogler.
Sorry, yes, as Torrhen, uh, the new Master of Coin.
Yeah.
Like, these are some, these feel like aesthetic choices that are outside of what I would have expected, or-
It certainly breaks from the orthodoxy of the first two seasons
... or, or kind of the template that was set by Game of Thrones.
And remember, one of the weirdest things about House of the Dragon is that, like, it has the same theme music.
It is so intent on telling you, "It's Sunday.
Remember what it feels like? Let's get back to that." This week's episode was fucking interminable, but it also had, like-
[laughs]
...
these moments...
Jesus Christ.
But, like, I turned it on after England, and it was just, like, watching those last 10 minutes again for two hours.
There's the scenes inside of Tumbleton where it's just like, oh, Martha Stewart's Westeros, where the color palette is totally different, and I have wanted things like that on the show.
Yeah.
But it feels so, like...
The, I understand why often production design on Westerosi shows have been conservative because it is hard to say, "We've always done it this way, but what if we did this?" It is challenging.
Sure.
Knight of the Seven Kingdoms felt effortless in the way it was like, "No, no, it's gonna be this now." And I'm not saying it was as bold of a turn as some of, even some of the decisions scene to scene in House of the Dragon this year, but it, it launched itself and asserted itself as its own thing so quickly that I'm very impressed by it.
I greatly prefer this version of this story where we're getting outside of the, essentially the two family castles.
Yeah.
Like, I, I, I was actually curious whether or not there's a term or if there is an exercise when you're in a writer's room where you're kind of diagramming how these are the two main characters, and then from these two characters, these two characters will come, and then from these two.
Not, not necessarily like they begat them, but how, you know, now that we've got, like, Ormund and-
Hmm
... you know, Aegon and Larys are over here, and we've got, like, all these different, um, tones-
Mm-hmm
... and all these different, like, kind of aims that these characters may have, what they want out of all of this.
Mm-hmm.
And, you know, the, that has come at the expense maybe of the Velaryon family tree, where I think Corlys has been sidelined since his, you know, "If you're not gonna mint my kids, then you can go fuck yourself," like we haven't had as much of him.
But, uh, I, I really enjoy, I, I am enjoying this version of the show much more than the first two seasons
seasonsYeah.
Uh, w- without question.
I just think that, like, everything about the show, including my own reactions to it, feel very reactive and still, like, in the light of what we are used to or what we've come to expect or what we've enjoyed before-
Mm-hmm
... from this type of storytelling or this specific IP world, where Knight of the Seven Kingdoms was like, "Hey, man, it's just a tournament.
Let's chill out."
Yeah, right.
Let's just...
And, like, what...
I, I don't remember the last time...
It, it had been since Game of Thrones, honestly, where I was like, "I just fucking love this new character.
I'm psyched.
This is awesome.
Let's just hang out here."
Which was the new character that you loved?
Uh, many.
Specifically I was thinking about, um...
What's his name? I, I am not gonna remember all these people's names.
The Baratheon?
The one-
The guy with the, the, the horn
...
Daniel Langs.
Yeah.
Yeah, Daniel Langs.
I bet that you and I are gonna have some variance in our bottom five.
Great.
I wanna hear yours.
Okay.
If you've got them in order.
You want me to go 6 to 10 or 10 to 6?
6 to 10.
6 to 10.
Let's, let's keep going in the same direction.
NBC's Rise and Fall of Reggie Dinkins.
Great pick.
Seven, uh, HBO's Industry.
Eight, the show that I'm most excited to talk to you about today, HBO's The Dark Wizard.
I love you.
Yeah.
I do the work.
Slowly.
[laughs]
[laughs]
But I do the work.
I never expected you to watch it.
I was just like, "This is great.
Check it out if you, if you miss Hunter Footwave."
But you're also like, "Check it out if you like things that are great."
Yeah.
And I did.
[laughs]
I like things that are great.
Uh, number nine, the Disney Corporation's Wonder Man.
I have that on my long list.
And then I put The Agency at number 10 only because I haven't finished it, and it, it could be a, it could be a grower-
Sure
... still.
Yeah.
But The Agency season two.
But, um, it just in terms of, like, my engagement with it, it deserved a spot.
Uh, my number six is The Bear.
Um-
Look at you.
Yeah, The Bear, I think tho- those last two episodes make the-
Mm
... beginning of the season a little bit more cohesive to me.
I think if you wa- look at it in totality with Gary-
Mm
...
the, the standalone episode with Bernthal and Ebon Moss-Bachrach, between Gary, between moments in the first few episodes of the final season, and then specifically, uh, episodes s- seven and eight-
Mm-hmm
... um, I just think it's an...
It was a wonderful send-off.
Mm.
Um, and I really, I think perhaps there's some sentiment, but I also really admire how the visual style of the show evolved, um, the stillness in some ways that it, it achieves, uh, in the last season compared to the frenetic nature of the first season.
And I thought that there were some really beautiful performances, specifically from Bachrach in the, in this final season.
He's amazing.
I, I do think you're right to highlight something that I think is probably gonna be, um, overlooked a little bit, which is for all of the, I think, fair criticism The Bear has gotten in recent seasons of, like, story, narrative, character paralysis, I think it's important to differentiate that from the observation that the creative team did clearly look at this as an opportunity to do something different, uh, in terms of the filmmaking.
Yes.
Like, we are going to do a season that is going to be this, and it will feel distinct in the terms of, like, how much time passes, um, the music choices, the camera movement, and all that.
That you can't just say it was more of the same in that regard.
I also wonder whether time will be a little bit kinder to this series if you binge it, if you-
Yeah
... rediscover it, if you rewatch it.
I don't know in our landscape now if that's something people are doing with shows of recent vintage like this.
But I do think that looked at as a whole, as a total meal-
Mm
... it's gonna be a better experience than, "Is it...
Are they gonna get out of this kitchen, or is, like, he gonna quit? Is what...
Like, what's gonna happen next?"
Yeah.
Like, you know, I think it...
Now that I've, I've seen the entire thing, I, I, I appreciate it more.
I, I think that's really interesting because the show is about time.
I mean, two seasons were just about a ticking clock.
Yeah.
And when it is now...
It has now been set free-
[laughs]
... from the bounds of the mad titan, Cronus, and, uh, just wanted to bring it back to The Odyssey if I could.
[laughs]
And, uh, it may have a different...
It may, it may be a different experience.
Yeah.
Uh, we can talk about Dark Wizard in a second.
It's my number seven.
Nice.
Um, number eight, Shorty as usual, and number nine, The Agency.
Almost done that.
Mm-hmm.
Been, been, been ticking away.
Uh, thought this season has been excellent.
Uh, pacing-wise, m- much improved over the first one.
Mm-hmm.
I think also, like, you know, as is the case with the Bureau, you see these supporting characters become...
They could have their own show.
They could have...
They have...
Th- there are as novel's worth of interesting-
Mm-hmm
... material, uh, uh, for, for these various supporting characters.
So The Bear, Dark Wizard, uh, Shorty, The Agency, and my last one is Something Very Bad Is Going to Happen.
The-
I wondered if that was gonna make it onto your list
... yeah, Netflix series about, um, a, a cursed woman.
And I, I thought that was great.
And a really interesting kind of partner show to Widow's Bay in that it was trying to play with horror over a, like, a long form story, which is one of the most difficult things to do.
Yeah, I couldn't...
I watched the first episode and admired it and couldn't, couldn't do it because of just the, the ratio.
I thought it was very cool-
Yeah
... and it was very visually compelling.
And as far as my, my limited between my fingers peeking out knowledge of horror, I was like, "Oh, she's nailing it."
Yeah.
But it wasn't...
It just wasn't leavened with the comedy.
Yeah.
You know, nor should it have been.
It's its own show.
But I...
That was a bridge too far for me.
There's a lot of bleeding out of their eyes, you know?
Yeah.
Um, let's talk a little bit about...
in depth about Dark Wizard.
Um, what prompted you to revisit this?
Yeah.
Did you watch the first episode when-
No, I never...
I, I-
Okay.
I-
What prompted you to turn it on?
Well-
Like-
... a cou- a couple things.
Um, you...
I mean, sincerely, you were like, [laughs] "It's really good."
Yeah.
Um, I...
My reasons for not engaging with it were really stupid and pithy, which was I was like, "I think I've given enough of my time to wizards named Potter on the HBO network recently," which was a killer text to send once.
Did you send it to me? [laughs]
You were among the recipients.
You know, I, I sometimes, sometimes recycle material.
Um- I had no, I had no reason not to do it other than just, like, time-
Sure
... and because it didn't feel the urgency of scripted or whatever.
And then, yeah, when I was traveling I was like, there are four episodes of this, and it's probably ...
You know, you know there's a certain way that you can engage with a documentary that is, like, perfect for airplanes.
Yes.
So it was-
Where you get off the plane and you're like, "I am an expert in this subject now." [laughs]
I ...
Yes.
I can't wait to tell everyone.
Yeah.
Also, it's good.
It, it was kind of undercut by the fact that I did have working Wi-Fi on this airplane, but there is, like, a, a really interesting, like, Faraday cage of, of the brain that happens when you start watching a documentary in which you are blessedly ignorant of everything.
Mm-hmm.
In which you're like, now I can't use Google anymore because what if I accidentally find out what happens?
Right.
So, uh, before we ...
The, like ...
Can we do, like, a few minutes of table setting? 'Cause I wanna just try to get people to watch it who haven't.
Yeah.
And then we could do some spoilers.
I'll just say this is, this is a four-part, uh, docuseries directed by Peter Mortimer and Nick Rosen, who have made, um, several films and I think some other series about alpinists.
Mm.
You know, about, about mountain climbers.
Uh, they made a film called The Alpinist that you can watch on Peacock, which is extraordinary.
And I think one thing that's sort of, um, this ...
And Th- The Dark Wizard follows, uh, a, a man named Dean Potter, who is an infamous climber from the late '90s and early 2000s.
Um, kind of a contemporary of Alex Honnold.
And Potter sort of made Yosemite and the valleys below the mountains and El Cap and, and, and all the famous mountains in Yosemite his playground, and was kind of a punk rock icon of mount climbing as it entered the mainstream consciousness through, uh, the proliferation of, like, video cameras and then more and more high-end cameras-
Mm-hmm
... that could capture that kinda action.
And he was also the, basically the face of Patagonia as it became more than just, like, the stuff you wore when you were camping.
It was, like, a lifestyle brand as well.
Mm-hmm.
And I think was, you know, featured in several, um, photographic campaigns for Patagonia.
Mm-hmm.
Um, he is defined by his boundary pushing.
You know, he was one of the people who was like, "Well, I can go climbing with a parachute so that if I fall-"
He, he invented this.
Yes.
So-
Like, he brought parachutes with him while he would ...
Yeah.
S- 'Cause he, 'cause he's a, such a wild thrill-seeker who referred to, I didn't realize this was a phrase, the death consequence as a potential outcome for his activities and what that does to you and to your mind.
He was just chasing highs, and he himself was, like, very clearly and admittedly bipolar and, and, and had mental health struggles and was always pushing.
And so went from free soloing at an absurd, unprecedented degree to BASE jumping-
Yeah
... to then realizing he could combine them into something he quite cleverly and clearly, you know, healthfully called free basing.
Yes.
Uh, where you could free solo places and if you fell, you could just pull your chute.
Yeah.
And then started doing, um, wingsuit flying.
Which is essentially, like, human flight.
You know, it's jumping off a mountain to fly.
In, in a, in a suit.
So, uh, I would say just for people who haven't checked this out, and we'll, we could talk a little bit more-
Yeah
...
in depth about it in a second with a spoiler warning.
The thing that blows my mind almost as much as what Potter does is the fact that they were able to capture this stuff.
All of it.
Because I imagine as this show goes on, you know, w- I don't know if drone technology is, I- is per-
It doesn't seem like it
... become widespread, but you basically have Potter, like, r- was compulsively documenting everything in his life.
If he didn't have a camera crew with him, he had his buddy filming him.
And-
Sweet Winky.
Yeah.
And so those guys would basically have, um, rope climbs next to him that would go up, or maybe they would get taken to the top of a, of a peak-
Mm-hmm
... and then they would rappel down to film Potter coming up.
But the footage in this show is fucking extraordinary, and it's a similar sensation you get from when you're watching 100 Foot Wave, although a lot of that I think is done with drones, where you're like, how the hell-
Mm-hmm
... am I getting, like, this swooping shot of this guy going down-
Mm-hmm
... a titular 100-foot wave? The same thing is going on in Dark Wizard where you're just like, I just can't believe there was a camera there when this guy fell off a mountain and threw a parachute up in the air.
It, it-
I mean, it's unreal to watch.
And the, the camera, the, the omnipresence of the cameras and the documentation and the, and the show does a really beautiful job with his, with Potter's journals and drawings and animating them, and just the, the outrageous, like, 24/7 seemingly access to his mind as well as his actions also speaks to one of the really compelling tensions of the show, which is he believed what he was doing was art.
Mm-hmm.
He believed what he was doing was spirituality.
And he had, like many people who believe those things in the vice grip of contemporary life, had a very challenging relationship to, uh, publicity, to profit, to partnerships and participation, and that it ...
So the fact that he's just like, "I am a private person communing with nature, but I must be, all of this must be documented"-
Yeah
... is the central tension.
And some of the most compelling parts of the series on an emotional level are the central tension between Potter being, like, deeply Gen X and then everyone else younger than him.
Yeah.
And you watch him trying to navigate this just, like, middle finger, anti-authoritarianism, spiritual lifestyle, and then Alex Honnold shows up on the scene, and he's r- roughly a decade younger.
I think he's like eight or nine years younger, and he's like an IT guy.
He has no fear.
He has no qualms about turning free climbing, free soloing El Cap into a Squarespace ad.
And the, the relationship that each of them have to each other but also to their work and also to their own minds is so fascinating.
Well, it's just, it's unbelievable.
It's the d- it's, it's ...
And it can be applied to so many different That relationship and their different approaches to mountain climbing could be applied to so many different-
Mm-hmm
... arenas of life where Potter, um, labors over and stresses over and frets over, like, "How am I gonna climb this? I'm, I could die."
Mm-hmm.
Like, "It's not the right time yet." And it's not, you know, he's legitimately-
I wasn't, I wasn't feeling it
... he's legitimately scared, but I think he's also participating in a narrative about, like, a guy facing a great challenge, and Honnold's like, "I fucking climbed it.
I climbed it.
I looked like, I looked at it, and then I just climbed up it."
Yeah.
And [laughs] you know, like, and [laughs]
And he had a checklist
... and it, and it not only is it, like, drives Potter nuts because this guy keeps beating him-
Mm-hmm
... to things that he wanted to do, but he's almost challenging the very idea that one individual could claim ownership over a mountain or over a climb.
Like, Honnold's like, "If you wanna-
Mm-hmm
... beat me, beat me.
Otherwise, like, get out of my way." And it's not that...
You know, I, I, I love all of that.
I love the, um, social subculture of Yosemite and guys living in the valley-
Mm-hmm
... and guys hanging out there year-round and getting to know the rangers and what they eat and, like, the stews that they eat and kind of like the, not dumpster diving, but the way they'll be like, "Oh, you can go over here to pick up good Wi-Fi-"
Yeah
... "or you can eat, you know, the, you, you, sometimes, like, people leave food behind here, and you can pick it up," and stuff like that.
All fascinating.
Uh, I think obviously to talk any more in depth about the show-
One thing before spoilers.
Okay.
Invariably, if we are watching either in person or more often in our own respective, um, Faraday cages sporting events, I some- I will ask or text, I, obviously none of us play professional football, but if we did, like, what position do you think you would enjoy doing? Or I would, I'll, I'll ask you about, like, we're watching World Cup, and I'm like, "Better to be good at basketball or be good at soccer for one day?"
Sure.
You know, and either way, it's part of, like, the fantasy of, like, these people are the best at doing something that looks fun or must feel great to be able to do.
Yeah.
And that is part of the thrill.
I will say that free soloing has jumped above 100-foot wave surfing as the thing I have no interest in ever doing [laughs] and feel no spiritual connection to whatsoever.
I, I-
It is fucking terrifying.
I think it's incredibly healthy in life to have things you like to look at.
Sure.
Yeah.
Not everything-
Right
... needs to be a participation thing, and I don't have any interest in doing either of those things.
But I realize that, like, I really love watching people, like-
Yeah
... accomplish great feats in nature.
I mean, it m- it-
True
... it's just, it, it's a great use of the endless libraries of content to have more and more exciting nature documentaries.
There is, um ...
Okay, so here we'll put a little pin in this.
Yeah, we'll do a little spoiler?
And we'll, uh, spoil a bit of Dark Wizard.
Yeah.
It's been out for a while, uh, so maybe people have gotten a chance to see it.
And I think also this, in general, um, if you Google Dean Potter, you'll see that he passed away in 2015.
Yeah.
He died while doing one of these free base jumps, um-
The way he was doing the flying.
The flying.
Yeah.
Yeah.
Uh, in Yosemite.
Ethically and journalistically-
Hmm
...
they make a decision in this sh- in this series similar to the one, I can't remember the name of it, but there was a free diving documentary-
Hmm
... about a woman who, you know, would do these free dives v- very deep un- into the ocean and come back up.
And there's all these, like, you know, depressurization and, you know, making sure you can make it-
Yeah
... to here and here and how long can you hold your breath.
And in a similar way, the sh- the, the documentary keeps up the appearance that this person may be alive.
Like, the way that they frame the interviews, uh, like, it's not a shock, but if you don't Google, you'll be like, "Ah, this person died."
I mean, I, I would say I, it was pr- it's pretty clear to me that he is not participating in the documentary and that the access to-
In the present tense.
Well, and the fact that they have unfettered access to his private journals and things-
Yeah
... suggests.
But so I was in that fugue state because I, I did the first two on one flight, and then a few days later I did the other ones.
And so I, I was stuck.
I knew that he was-
I wasn't sure
... dead.
I can't remember if you texted me or were like, "Is Dean Potter still out there?"
I did not.
No? Okay.
[laughs]
I did not.
Does sound like me, but I didn't in this case.
But holding that knowledge and then wondering, you know, simultaneously what, which of these things is going to kill him, because it could be almost anything that he's doing in any of the episodes, and then how is it in the fabric of the documentary?
Yeah.
Because the documentary is not, like, a, um ...
It's not like a, you know, the, the, the cup game when you're getting scammed on the street where it's like they're just trying to reveal something to you.
It's actually, like, t- trying to tell you a story about risk and-
Sure
... adventure and mental health and friendsh- male friendship, honestly.
I think that there's, like, an obvious n...
It, they made a narrative decision not to say that he dies-
They did
...
in the first episode.
And they, they do it to create a sense of tension-
Mm-hmm
... rather than a sense of tragedy.
It is obviously tragic what happened.
Well said.
But you can say in the beginning that this guy was, uh, a divisive and beloved figure-
Yeah
...
in this community and was constantly pushing, and what this show is about or what this story is about is about people who t- willingly take their life in their hands and what happens when one thing goes wrong-
Mm-hmm
... and what hap- whether or not, whether or not, like, that's an acceptable sort of consequence of-
Mm-hmm
... of a, of a hobby essentially.
You know? Like, it can be a lifestyle.
It can be something that brings you closer to kind of an epiphany or, you know, state of spiritual nirvana, but it still is a hobby.
You know, you know, like-
Yeah
... and you can die doing it.
And one of the most touching and affecting and surprising turns in the documentary is that although I don't think it's surprising for people who are paying t- attention to this more as a story of mental health or addiction-
Mm-hmm
... which I think tends to follow a similar pattern, which is that in the fourth episode, the way it's ...
But also essentially in the f- last act of his life, he had a moment of calm.
Yes.
And he had a moment of- A connection with a partner, this woman Jen, who he had worked with before who he, at Patagonia, whom he reconnected with.
Her children and the role that he played in, in her, in their life.
And then out of nowhere he gets a fucking dog who becomes his best friend and starts rappelling around the world and-
Yeah
... base jumping with him.
A lot of, a lot of, uh, comments about whether or not that was a humane thing to do with the dog.
Dog seemed psyched, honestly.
Dog did seem psyched, yeah.
Dog seemed psyched.
Um, only to be pulled back in by the old demons, among them our ego.
Yeah.
About being able to do more than other people or to be challenged by younger people.
And it's really affecting the way that story is told.
I think that, like, they make such smart and really compelling editorial decisions which is lingering on not just the ways that Dean Potter's psychology hurt the people around him, which is a familiar story.
Again, anytime you watch greatness, there's always the people who get left behind.
But really underscoring how the people in his wake loved him, like, profoundly in ways that could never be matched.
And so there's a lot of, like, m- there's a lot of middle-aged men crying-
Yeah
...
in the last part.
Yeah.
Which, you know, who among us? [laughs] I, I thought that was really, really affecting in that there's an incredible moment in the last one where one of the guys who got really hurt by Dean and broke off with him years before breaks down and basically is like, calls out to someone behind the camera, and we realize that someone working on the show is one of the other guys.
Yeah.
And he's like, "Can you say something?" He's like, "You're being a pansy."
Right.
And then he comes over and they hug each other, and I'm like, what was left in this guy's wake is s- present.
Sure.
Um, the other thing I really wanted to say was the last 20 minutes of the third episode maybe, it, it, we don't do this, but if we were doing, like, scenes of the year or sequences of the year.
Is that China?
China.
Yeah.
It is so fucking insane, and so powerful and depressing and intense.
It, basically what happens is at a very low point in his life and career, before he kind of briefly resurfaced as a family guy-
Yeah
... um, and has just, he, dating someone who took her life on his property, and at a very, very low point, isolated from everyone except good old Winky, Dean is offered the chance to go basically put on a show on live television.
For Chinese state television, yeah.
Chinese state television, where they pay him $200,000 to do a big base jump, and then do a, like a rope line.
A wire walk, yeah.
A wire walk.
And he's there, and the conditions aren't, it's not just that the conditions aren't ideal or are unfamiliar, it's that it's the opposite of everything he's been doing up to this point, where he's surrounded and crowded and there's voices and ev- everything that would be distracting to anyone, but particularly to someone who's, like, a soul surfer of this shit.
And the, the, like there's all this footage of, like, him trying to do this walk.
First yelling at everyone for putting up a net.
Mm-hmm.
Saying, "I don't, I'm not a circus performer.
I don't do this shit with a net.
Take the net away so that there is a death consequence."
Yeah, he's walking above a canyon, yeah.
[laughs]
And the day before he's practicing with a tether, which isn't super cool either, because basically he, w- he's walking and then will fall and has to catch and, like, spins around it.
Yeah.
And they're wa- the cameras are watching him do this and fail and fail and fail, and he doesn't make it very far at all.
And the narration is telling us that, like, even if he made it to the middle, it would be harder than anything he'd ever done 'cause it's wobbling 'cause it's farther.
Yeah.
And then that night he yells at Winky and tells him he's worthless for not bringing, and I, this is a direct quote, "butt weed."
Yeah.
Which is apparently the weed you bring to China by storing it within your body cavity.
Yes.
[laughs]
Winky did not do that.
Winky is his photographer and kind of, like, side, you know, his guy.
He's kind of, like, older, like, but who-
Yeah
... who loves him.
And then the next day the cameras are there and there is no net, and he has not been able to do this with a tether, and he does it.
And at the end he collapses weeping onto these Chinese rocks.
[laughs]
And, like, the Chinese announcers are like, it, it's translated with, uh, subtitles, are like, "Mr.
Potter is very emotional." [laughs]
[laughs] Uh, uh, this is just-
An incredibly visceral and horrifying encapsulation-
Yeah
... of what the world does to all of us to some small degree, but particularly to this guy who, whether simplistically or not, and clearly r- ruinously kind of believed in his own...
Mythology
... mythology.
Yeah.
That's the word.
And he's, and he's, th- that's a great encapsulation of all of his best and worst impulses.
Like, he w- there is a degree of an entertainer in him, you know?
Yes.
But there is also a degree of, like, a solitary artist.
How do you, how do you make those two things converge on Chinese state television, you know? And-
And, and how do you define your life if it's only by risking death?
Yeah, and also, like, you're doing something where you're responsible for other people, and it's like if you're gonna essentially, like, the, your wrinkle, the thing you bring to the game is I might die.
[laughs]
Like, that's dangerous for other people, and it's also dangerous for the people who love you.
It's an extraordinary show.
It is awesome.
It was awesome.
I'm glad you checked it out.
Thank you for your recommendation.
Yeah.
See? I'm not just a co-host.
I'm also a beneficiary.
Should we do a little bit of after dark about the World Cup before we get out of here?
Yes, and do you want me to save my Sugar season two takes till next week? [laughs]
Uh, how many did you watch?
I just watched [laughs] I just, I just watched one, man.
I, I...
You know, do you know-
[laughs]
I'm just like-
You fucking, did you stroke out for a second?
The light just went out.
I, do you know-
Yeah
... do you know what my review is honestly? I could've just...
Do you know the part-
You know what the, it's, you know what's worth pulling back-
Yeah
...
the curtain is that he and I were ta- Andy and I were talking about, like, what to talk about on this episode.
Yeah.
And, you know, Lucky, the new Apple show.
Yeah.
Sugar is back.
And we both were like, "I don't want to be down on a first episode of anything."
Right now.
It just didn't feel good.
Like, uh, but I, I mean-
Not after England lost.
[laughs]
No.
But I did, I mean, I watched, I did watch the first part of the first episode of Lucky, and one of my favorite things about it is that it 1,000%, I, I have no inside knowledge, but, like, clearly- It started with a scene and then said X months earlier, but someone at Apple got the note that we're all sick of that, so it just took the chiron away.
Like, it-
Oh, so it's just a flashback without telling you what's happening?
Yeah.
Cool.
But it still was like, "It'll be more exciting soon."
[laughs]
"Don't worry." Uh, yeah.
Uh, but yes, we didn't wanna be negative, but like I- there's something about Sugar 'cause it's like every few days I'm like-
[laughs]
... there's an LA Noir show with Colin Farrell, and he looks great in suits, and we love him, and I can't quite kick it, and my review of it ultimately is l- like that scene from the end of episode three of Succession season four where they're at the bar in New York City and Logan says, "I love you, but you're not serious people."
Yeah.
That's my review of Sugar.
It, it, it is such like, I, h- if, if we still had...
Like, if I still was a participant in the website and was, like, writing things, I would probably devote way too much time writing about this show-
Yeah
... because it is an exemplar of like, what are we doing? Because Colin Farrell being a private detective in LA with Apple's budget is like, "Let's do it."
And shooting in LA, right?
But yeah.
Yeah.
But it-
With, with most of the Breaking Bad cast and production team.
[laughs] Yeah.
Well, well, and like did so many things, uh, for season two that I'm like, th- that I admire.
Like, the, the, they, they, what they've done with the cast and, like, um, I'm just looking at the people they've added.
Added for season two are actors we really like.
Tony Dalton.
Tony Dalton, Jin Ha, Sasha Calle, uh, Shea Whigham.
Like, that's awesome.
And but as many people know, and I'm sorry for the spoiler, it is an LA Noir show that is revealed that our main character is also an alien.
Okay.
An alien who understands the world through old films, so it does the dream on-
Mm-hmm
...
in which every so often it cuts to the movie that the scene is aping, which is cool when Fernando Morales is doing it in the pilot, and then just fucking exhausting in season two-
Yeah
... episode one, reshooting pool, and it's showing scenes of like, uh, The Hustler.
What's truly amazing, and I do feel like people who are studying how TV gets made these days about this season, is that the opening befo- the first eight minutes of season two is the most impressive yada yada I've maybe ever seen, in which Sam Catlin, who used to work on the Vince Gilligan universe and worked on Severance briefly, is now fully running the show after coming on later, I think, in season one.
And so the first eight minutes are like, "Remember all that shit about all the other aliens and his hunt for his alien sister and the alien brother who ran off with the knowledge of her existence? Give me eight minutes."
[laughs]
"Give me fucking eight minutes in a hotel room in Bangkok-
Yeah, yeah
... and we'll just be a detective show, I promise."
Okay.
And it almost gets there, so that once he's finally back and investigating, like, brothers, boxer brothers in Koreatown, I'm like, "Okay." And it leans into other things.
I'm like, it, I don't care where this alien gets his money and he buys, like, Hemingway's house in the Hollywood Hills.
I'm like, "Let's, let's do that."
Yeah.
But because it is a contemporary TV show and it just feels this fealty to like, because there must be some people who are watching it being like, "Look, I don't know about detectives, but I fucking love aliens."
[laughs]
There is this, it just feels the need to, like, try to touch this third or at this point fourth rail-
Yeah
...
in which case he's like, at the end of this beginning of, he's beginning a new investigation, and at the end of the episode, he's like, "Maybe more of my brothers are still out there," and he sends out, like, an alien distress signal.
And I'm like, "Just nobody cares you're an alien."
Do you know what, h- here's what Sugar reminds me of.
Yes.
It's not reminds me of 'cause this has never happened, but it would almost be like you go to a, a California c- you know, eatery-
Yeah, sure
... and somebody's just like-
Oh, here we go
... "Uh, we've, we've, we've, sir, you, you ordered and we brought you the branzino." And you're like, "I love branzino."
Mm.
And they're like, "And it's, um, the branzino, would you, would you like some Parmesan with it?" And you're like, "Absolutely not."
Yeah.
"Those two things shouldn't go together."
Correct.
And they're like, "We've also roasted some Parmesan inside the branzino."
Yeah.
You know? [laughs]
Would you like to tell us about how, would, would you like us to tell you about how we do things here?
Yeah.
And it's, we put cheese inside of a roasted fish.
You can't get it out.
You know what I mean? Like you-
You can't get it out
... now you're, now you're stuck with these two flavors-
That's right
... that have been separated for a reason and are now brought together, and there are probably, there is probably a pretty cool hour and 45 minute detective movie-
It-
... from 1997 about an alien.
And I, and I, I think it could've worked, and I admire Colin Farrell for just trying stuff, but this-
It's-
... was always like, it's in fact like you cannot separate it.
Yes.
It's too late.
And if you're fully in it, and so I, I just, I, and, and for that reason, I'm out.
Serialization.
[laughs]
Serialization, intense canonical serialization is the, like, de facto storytelling model of our time, and it is also kind of the anchor and the curse.
Yeah.
Because y- just start it over would be better.
Just start it in the right place is so crucial.
But much like I am sure that there are a lot of-
It would've been better if he wakes up and is like, "God, it was a weird dream about me being an alien."
Yeah.
Now let's go and-
"Now I get to be a detective." [laughs]
There, there's a, I imagine right now there's some big brains who are dispatched to Atlanta to the set of Men of Tomorrow being like, "So Supergirl rejected soundly.
How do we now rework this movie to pick up the threads that people liked, but not the ones they didn't like, and how do we edit Lobo out of this or reduce Milly Alcock-"
Yeah, yeah.
"... whatever." We're always, they're always trying to backfill and front fill at the same time instead of telling the story.
And the other sin is, and I mean no disrespect to all the lovely and talented people who must have worked on the show, if you're gonna be a noir, you've gotta get some crackling dialogue.
You can't just cosplay it, and there's a scene in this episode where Colin Farrell, who looks the part, he's incredible, beautiful suit, beautiful car, and he's raising a cocktail in a bar and he's having some, you know, like, smoky conversation with a woman, and this is the dialogue, okay? Unpack this for me.
She says, "I'm Charlotte." And he says, "Like the web?" Then she says, "Like the spider's web."
What other web would there be?
What other web is it?
Yeah.
The worldwide fucking web?
[laughs]
What other web? What was that?
I mean, I didn't think-
Also-
... you were gonna do anything on Sugar.
You have, like, a whole presentation here.
What-
This is amazing
... what's the difference? So when she says, "He's like a spider's web," which I guess is an effective tool to capture prey.
Yeah.
And she's like, "No, no, I'm like the web that writes messages so a pig will live."
[laughs]
And he's like, "Oh, I see how that's gonna be relevant because I'm a farmer."
[laughs]
Do you know, like-
Did he say that?
No.
Oh, okay.
Yeah.
But I'm trying to make it make sense.
[laughs]
I won't be watching.
Thank you.
[laughs]
You saved me some time.
I, I just, I just want things to be g- good, man.
I know, and this is-
I just-
... a passion project for you, you know?
It is.
I get it.
Did, did you have any observations about the World Cup you'd like to share?
Um, well, I did say-
Ooh, I love it
...
I did say in our text thread yesterday with our, our English mate, Joe, that, like, now I do-- I feel like now I can apply for citizenship.
Like, I already have spent a lot of time there-
[laughs]
... and do enjoy a piece of steamed fish and then a night at the pub having [laughs] a small beer.
[laughs] Fucking...
Sorry, application rejected.
[laughs]
I'm just saying that, like, I did feel, like, this was my first full World Cup supporting the Three Lions, and, like-
What would you do-
I get it
...
if confronted with Liam Gallagher's adage about-
Yeah
... uh, well, "We don't go out for one.
If I'm going out, we're having hundreds."
I have had drinks with Conrad Kay.
Like, I-
[laughs]
And by drinks, I've watched him have drinks.
Yeah.
I've, you know, I, I, I confronted it every day [laughs] along with my mortality-
[laughs]
... and the heat death of my liver when I was there.
I'm not good at that, uh-
[laughs]
... anymore.
But, um-
So watching England get its heart torn out on international television prepares you for your inevitable-
Migration
... uh, migration.
No, it just made me feel like I'd earned it more because, you know, as a, as a lifelong fan of my beloved Tottenham Hotspur, like, you know, we had a-
[laughs]
... we had a rough spell recently, but we're poised to come back stronger than ever thanks to some crucial international signings.
Um-
[laughs] You, you-
Yes
... you are-
Yeah
...
the Sugar of being a Tottenham fan.
[laughs]
Yeah.
You're like, I arrived-
Reboot
... on this planet.
Yeah.
[laughs] Yeah, I totally am.
I, I read a lot of The Athletic articles, and now I'm ready to go.
[laughs]
Well, in, in my defense, I-
And then we cut to, like, famous Gareth Bale goals, like, in between.
[laughs]
[laughs] In my defense, I did-- I've spent a lot of time in London recently, and I've had-- I have lovely friends across the aisle, both sides of the aisle.
Oh, both sides of the North London aisle?
I, I, I-- well, and just across the Premier League-
Uh-huh
...
in English football generally.
And I must say that, that culturally and emotionally, I really, really connected with-
Yeah
...
the absolute abject misery and self-loathing of Tottenham fans, especially over the last season.
And I was-
I assure you all 20 clubs-
True
... feel the exact same way about themselves
But it did feel right.
I just felt like I was vibing with these friends in particular and where they were in their relationship to sport.
Sure.
And I also thought-- I thought two things, and I'll share them just, just us, just us dormice.
[laughs]
Um-
Just us alien detectives.
[laughs]
Just, just us, just us alien fucking podcasters.
Um, one was-
This is where I take my skin off.
[laughs]
[laughs] Yeah, but your-- underneath it is just Liverpool red.
Yeah.
It's Bill.
[laughs]
[laughs] He's hosting this podcast.
Uh, he wouldn't put up with this shit.
[laughs]
[laughs]
Um, that I did feel, like, some sort of perverse sports pride of, like, joining a team.
I, I was committing as they were getting relegated.
I was like, "This would be a good arc.
I'm okay with this, that even if we have to fight our way back-
Mm-hmm
... to the Premier League, like, that's fine." So I did feel like that was a good choice that was not front-running.
And yet secretly, my next step was realizing, um, you know, because we finally got rid of, you know, the, the, the, the money manager who was really dragging the squad down with his-
Daniel Levy?
Well, I knew that.
Yeah.
I just didn't wanna embarrass you.
Sure.
Yeah, with his, you know, his, his, his, uh, little bit of a skinflint, you know? Like, he wouldn't pay more than 100 pounds for a transfer.
He d- drove a hard bargain.
[laughs] That's right.
[laughs]
So, so to, to join a, a team now that they're like, "I guess we better spend and buy everybody"-
Yes
... is a really good time to become a fan.
It is.
If it blows up, you will be insolvent.
But, uh- [laughs]
Who among-- I mean, that's all of us.
Yeah.
[laughs]
I also did feel like it was important to throw myself across the landmine of this club's, I would say, complicated relationship to Judaism.
[laughs]
You know? Like, and, and, and their fan base-
Sure
... and some of the chants-
Yeah
... and some of the-- I was like, "I think that, I think this is a dialogue that could benefit from my presence."
Are you, are you excited to engage with people about it?
Thrilled, especially online.
Yeah.
I think it'll be good.
Well, I think that, y- you know, if you thought TV internet was annoying-
[laughs]
... wait till you fucking get a load of this.
[laughs]
But do you think generally, like, I, I mean, you did share a lot of I thought quite smart thoughts about England's failed strategy yesterday.
But as a longer and actually credentialed football fan, is there anything you would like to share about England's flame out and my burgeoning attempt? I mean, every four years, I'm like, "I'm gonna get really into club soccer," but-
I just, I wanna know how, how accountable you want me to keep you.
How-- Do you want me to hold you accountable for this, this new hot, new passion of yours? Like, do you want me-
Yes
... to be like, "Hey, man, 11:00 AM, Tottenham's playing Everton-
Yes
... on Peacock"?
That would be good for both of us because you hate Everton.
And you'll-- I, I don't like Everton, but, like, it, it-- I just wanna know, like-
Yeah
... is this something where you're like, y- you want me to, you know, measure you as you, as you go along?
Yes.
Or is it just, like, let you have your experience?
I mean, I think that-- No, I want, I want, I wanna be held accountable.
Okay.
I, you know-
'Cause I don't have children, so it's okay for me to watch stuff [laughs] whenever.
Well, to be fair, maybe it's just, like, accrued hours.
Yeah.
But, like, so far you haven't questioned my 76ers fandom bonafides even though I don't really watch the games.
[laughs] So-
Well, I don't really think you super love watching sports.
I think they stress you out.
I think you love following sports.
I have l-- But yeah.
Well, the World Cup, maybe because of the lack of, like, s- decades of deep emotional, um, parasocial-
Sure
... fuckery-
Yeah
... has just been a pure joy.
And you've never come out one side or the other on the Falklands either
eitherWell, that's right.
I, I'm like [laughs] let, let the voters of Maine decide that one too.
That's right.
[laughs]
Throw that one on the fire for them.
Uh, I would like to be held accountable.
I am excited.
Okay.
Every four years I do say some version of, like, "Now is the time to just really become a dedicated Premier League fan," and then I run up against the realities of life and time zones.
But I think it's-
[laughs]
...
I think I'm, I think I'm ready.
I'll say this about yesterday's match.
Yeah.
Fuck.
Yeah, it sucked.
Also, when Lautaro Mar- Martinez scored the winner-
Yeah
...
the reaction of the Argentinian players-
Yeah
... is, is, is the, the plunger going into the vein.
That is what it is all about.
Like-
Yeah.
Yeah, yeah, yeah
... it's a, it's a celebration, but it's like a connection with their fans and it's also, like, an act that is unique in sports, I think.
Like-
Yeah
... scoring a goal for your national team to win a match of that consequence-
Yeah
... um, it blows my mind every time it happens, and it happens every, you know, couple months, every couple years.
Like, whatever the, in a Premier League match, in a Champions League match-
Yeah
... you'll see something and you're just like, "Holy fucking shit, I can't believe," like, 80,000 people are having, like, a, a, an absolute, like, out-of-body experience.
Yes.
The guys on the field are the same people as the people in the stands.
Like, it just feels like that is, that is something that I chase all the time with this sport.
It's why I, I will never quit it.
Yeah.
And it's why for as much of, like, you know, a secondary market ticket hiking, you know, bullshit festival that you could see the World Cup as-
Yeah
... it's still, like, unlike anything else.
It's the best, right.
And I was talking to Ian about this when I was just, like, you know, we were, we were talking about our buddies at Bad Brother and, and Nick at the bar w- who is in Philadelphia during the group stages was like, "Dude, just, like, some nights, like, 25 Ecuadorians would just come and hang out" [laughs] you know?
Yeah.
It's like un- that never happens.
That's not, there's not, like, a normal experience where people travel like this and people go to support their countries and their, and their sides like this, and it's, it's really astonishing.
So on the one hand, like, while I, uh, don't love that Argentina team, like, watching them win in some way was, like, why I also love the sport.
Yes.
The other aspect-
Beautifully said
... of fascination-
I agree
... about yesterday is that they have had...
I've watched multiple generations at this point of the England national team-
Yeah
... and several managers, and there is something so deeply interesting about whether or not there is, like, an inherent characteristic in the English football players specifically that is like I can't really, I can't imagine a success too big.
You know? Like-
Yes
... whether they, whether they actually do start freaking out if-
If it looks like they're gonna win
...
if it looks like they're gonna win.
Or succeed, yeah.
Yeah.
And in some ways they would've been better off going down one-nothing.
You know?
Yeah, be- that fits the narrative.
'Cause they could've just been like-
Classic international underdogs, the English
... we're, we're going out on our shields.
Yeah.
And we're gonna play, play football, and we're gonna wreck these guys, and we're, we're gonna, we're gonna go for it, you know? And it, that, instead they kind of accidentally ceded that role to the Argentinians, and it was-
Mm
...
it, it was a, it was a weird match.
Weird first half, people kicking the shit out of each other.
Violent, yeah.
And then just, like, bang, bang, bang, and it's over.
And I was like, oh, that was a month.
[laughs]
I, I, I, and I think I have not, I certainly have not earned my place at the commentator's table, but I think even I shot a WhatsApp being like-
This seems like the wrong strategy.
[laughs]
I do think they should play offense.
Yes.
You don't score one touchdown and go, "Okay, prevent defense." [laughs]
We're, I mean, there are teams that have done that.
Sure, yeah.
But, uh, doesn't seem like a winning strategy.
Um, w- what would your, not to shine too bright a light on it, but what do you think your father would've thought about, uh, England going to defeat due to the strategical maneuverings of a German?
Uh, I d- I don't wanna comment on, on-
[laughs]
... on how my father would've felt about that.
That specific nation.
[laughs]
Yeah.
I mean, who knows? Maybe he would've evolved a lot in the last 10 years.
Sure.
[laughs]
You know? Like-
Old wounds would've healed.
Yeah.
You know, like, after Brexit he would've been like, "No, we're all part of one European family"
It's, it's fine.
But, like, I think he had some resentment for the Germans.
Sure.
Earned, yeah.
[laughs]
For his time.
Yeah.
The m- world has moved on.
But now, speaking of moving on, you know, that is why I reclaim my Spanish heritage because-
[laughs]
... because, because as a fan of Pedro Porro, who of course has played right back for my beloved Spurs since 2022-
Mm-hmm
...
I want him success.
Is that in your Notes app?
No, that's just in my brain app.
Yeah.
That's something I've known for, I wanna say days, maybe hours.
Yeah.
And, uh, it just feels good to be at least rooting for one of my guys, you know, in the final.
Uh, I'm, I'm picking Spain for the final.
Even though I believe Mac Allister plays for Liverpool, right?
That's okay.
Um, Victor Munoz, uh, uh, a, a winger that Liverpool just bought is-
I, I-
... is a Spanish player
...
I know.
Tell the camera.
[laughs]
I, I'm, I know.
Thank you to Kai, Kaya, and Sarah for, uh, recording us, producing us, filming us today.
Mm-hmm.
Making us look good.
Making us look great.
And we'll be back on Monday.
Mm-hmm.
Sure.
I don't know.
What, what else? Maybe, maybe you'll have seen The Odyssey.
Who knows?
I would like to, but, um, IMAX ticket's hard to get.
Just, uh, I have a c- I have, like, a phone bootleg you can just check out.
If I watch The Odyssey on Iraqgoals.com this weekend on my phone-
.net, yeah.
[laughs]
Oh, sorry, sorry.
[laughs] Boy, just really blew up that other website.
I'm sure it's gonna be fine.
Good luck to your browser.
You guys have a great weekend.
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