Bryce ZabelHost
Brent FriedmanGuest
And I'm not sure that you and I are actually going to bring truth to the whole thing because it's meant to be mysterious, clearly, as you watch it.

Although, preceding it, and I think we'll be able to roll this in in the edited version for YouTube, there were a couple of... of, uh, billboards, if you will, one in New York and one in Los Angeles that broke before the trailer that were very odd looking.

Um, the first time you looked at it, you went, wait, what, what? It's a big eyeball, but it was actually an eyeball turned upside down.

I have to admit, my first impression was, oh, it's our alien overlords watching us, right? And then I stared at it longer and started to analyze it and look at it.

This feels like a Rorschach test where it's like, okay, everybody try and read their own view of what this image means.

I think it also, in my mind, it kind of mirrors what I would personally believe disclosure is, which is it's not black and white.

Also, I should point out the image on those billboards, as I understand it, was different in New York and Los Angeles.

Where the eye is, you know, there's stuff in the eye, there's lights that reflect in the eye, but the face is upside down.

So kind of when I first saw it, my first take was, is that somebody on an operating table? Is that an abductee or an experiencer? I don't know that I've changed my opinion about that.

It just popped up and it was – it's kind of funny because trailers these days have taken on the whole role of just – it's almost as – It's anticipatory to see the trailer as the film.

And I'm not sure that you and I are actually going to bring truth to the whole thing because it's meant to be mysterious, clearly, as you watch it.

Although, preceding it, and I think we'll be able to roll this in in the edited version for YouTube, there were a couple of... of, uh, billboards, if you will, one in New York and one in Los Angeles that broke before the trailer that were very odd looking.

Um, the first time you looked at it, you went, wait, what, what? It's a big eyeball, but it was actually an eyeball turned upside down.

I have to admit, my first impression was, oh, it's our alien overlords watching us, right? And then I stared at it longer and started to analyze it and look at it.

This feels like a Rorschach test where it's like, okay, everybody try and read their own view of what this image means.

I think it also, in my mind, it kind of mirrors what I would personally believe disclosure is, which is it's not black and white.

Also, I should point out the image on those billboards, as I understand it, was different in New York and Los Angeles.

Where the eye is, you know, there's stuff in the eye, there's lights that reflect in the eye, but the face is upside down.

So kind of when I first saw it, my first take was, is that somebody on an operating table? Is that an abductee or an experiencer? I don't know that I've changed my opinion about that.

It just popped up and it was – it's kind of funny because trailers these days have taken on the whole role of just – it's almost as – It's anticipatory to see the trailer as the film.
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