For the Life of the World / Yale Center for Faith & Culture
Sep 16, 2026 · 44 min · 10 segments
Technology, Aaron Cline Hanbury suggests, is never a purely neutral tool. But the history of ethical thinking about technology shows that as long as there's been technology, there's been anxiety about…
Aaron Cline HanburyGuest
Evan RosaHost
To use a hammer to kill somebody is not only just a bad application of an otherwise neutral tool, it's misusing the tool itself.

I think these tools... have purposes and designers and you know made things have a maker who has all sorts of things baked in our world is designed a certain way our world has fallen in a certain way and so everything i think we inhabit has characteristics of these explicit and implicit within what they are

But the history of technological ethics shows that as long as we've been thinking about it, there's been anxiety about it, or perhaps more accurately, anxiety about what we might do with it.

A journalist, founding editor of Common Good magazine, and the author of Wired for Wonder, dispatches on technology, culture, God, and self, Aaron came of age, as many of us did, as the internet entered the home, and he spent his career reporting from places where technology, faith, and everyday life collide.

But rather than offering another list of soundbite screen time tips, he's asking a deeper question.

How do we relate to the things we make? In our conversation, he wrestles with what it means to be human when the machines we've made can do more and more.

He criticizes the seduction that we should just embrace technology simply because it's inevitable.

Explores how connection, efficiency, and unrestrained technological freedom quietly became unquestioned goods to all of us.

And he wonders what it might take personally, communally, structurally to reclaim our humanity through presence and the rough ground of embodied life.
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To use a hammer to kill somebody is not only just a bad application of an otherwise neutral tool, it's misusing the tool itself.

I think these tools... have purposes and designers and you know made things have a maker who has all sorts of things baked in our world is designed a certain way our world has fallen in a certain way and so everything i think we inhabit has characteristics of these explicit and implicit within what they are

But the history of technological ethics shows that as long as we've been thinking about it, there's been anxiety about it, or perhaps more accurately, anxiety about what we might do with it.

A journalist, founding editor of Common Good magazine, and the author of Wired for Wonder, dispatches on technology, culture, God, and self, Aaron came of age, as many of us did, as the internet entered the home, and he spent his career reporting from places where technology, faith, and everyday life collide.

But rather than offering another list of soundbite screen time tips, he's asking a deeper question.

How do we relate to the things we make? In our conversation, he wrestles with what it means to be human when the machines we've made can do more and more.

He criticizes the seduction that we should just embrace technology simply because it's inevitable.

Explores how connection, efficiency, and unrestrained technological freedom quietly became unquestioned goods to all of us.

And he wonders what it might take personally, communally, structurally to reclaim our humanity through presence and the rough ground of embodied life.