Oct 3, 2026 · 4 hr 54 min · 48 segments
"Twilight of the Idols" by Friedrich Nietzsche presents a provocative critique of traditional values and morality, challenging the foundations of Western thought. This work delves into the decline of…
16.
Among women.
Truth? Oh, you do not know truth.
Is it not an outrage on all our pardures? 17.
There is an artist after my own heart, modest in his needs.
He really wants only two things, his bread and his art.
Panim et zirsem.
18.
He who knows not how to plant his will in things, at least endows them with some meaning.
That is to say, he believes that a will is already present in them, a principle of faith.
19.
What? Ye chose virtue and the heaving breast, and at the same time ye squint covetously at the advantages of the unscrupulous?
The perfect woman perpetuates literature as if it were a petty vice, as an experiment, en passant, and looking about her all the while to see whether anybody is noticing her hoping that somebody is noticing her.
Twenty-one.
One should adopt only those situations in which one is in no need of sham virtues, but rather like the tightrope dancer on his tightrope in which one must either fall or stand or escape.
Twenty-two.
Unquote.
How is it
songs? Twenty-three.
German intellect.
For eighteen years, this has been a contradictio in adjecto.
16.
Among women.
Truth? Oh, you do not know truth.
Is it not an outrage on all our pardures? 17.
There is an artist after my own heart, modest in his needs.
He really wants only two things, his bread and his art.
Panim et zirsem.
18.
He who knows not how to plant his will in things, at least endows them with some meaning.
That is to say, he believes that a will is already present in them, a principle of faith.
19.
What? Ye chose virtue and the heaving breast, and at the same time ye squint covetously at the advantages of the unscrupulous?
The perfect woman perpetuates literature as if it were a petty vice, as an experiment, en passant, and looking about her all the while to see whether anybody is noticing her hoping that somebody is noticing her.
Twenty-one.
One should adopt only those situations in which one is in no need of sham virtues, but rather like the tightrope dancer on his tightrope in which one must either fall or stand or escape.
Twenty-two.
Unquote.
How is it
songs? Twenty-three.
German intellect.
For eighteen years, this has been a contradictio in adjecto.
The rest of this transcript — segmented and speaker-labeled, so you land on the exact moment something was said
Search every transcript — by keyword, by phrase, or by meaning, across every show Radar indexes
Trends — what is surging across podcasts, measured against its own baseline
Alerts — when a name you follow appears in a newly indexed episode
No account is needed to search Radar.
