Words That Burn - Poetry Podcast
Jun 24, 2026 · 49 min · 11 segments
In this episode of *Words That Burn*, the poetry podcast dedicated to literary analysis and poetic interpretation, I sit down with Belfast poet Matthew Rice to discuss his new collection *Plastic:* a…
It is a series of poems that take place between the ticks of a clock in a single night on a factory shift.
and you describe the atmosphere of the factory night shift and the toil and toll that type of work takes on a person throughout the collection so when i was reading the poems themselves feel intensely autobiographical and i was wondering when you were writing it how did poetry help to navigate the types of night shift you're describing in the collection
Yeah, so I mean, I can understand the autobiographical aspect that you pick up on, and that's true to an extent.
To the fact that it's intensely autobiographical, the book is obviously drawn from experiences, but it's kind of an amalgamation of experiences.
So this is not just one factory, it's drawn from experiences in various factories and warehouses and offices, general kind of experiences.
But yeah, it's interesting because a lot of the really personal stuff is filtered through allusions to art, pop culture in certain parts.
As you mentioned, it's in timestamped sections with a prologue and an epilogue.
Philip Levine, Larry Levis, Fred Voss, to a lesser extent, Raymond Carver, Charles Bukowski, blue collar type stuff.
I was just trying to create a space for that and mingle it with my own experience.
It is a series of poems that take place between the ticks of a clock in a single night on a factory shift.
and you describe the atmosphere of the factory night shift and the toil and toll that type of work takes on a person throughout the collection so when i was reading the poems themselves feel intensely autobiographical and i was wondering when you were writing it how did poetry help to navigate the types of night shift you're describing in the collection
Yeah, so I mean, I can understand the autobiographical aspect that you pick up on, and that's true to an extent.
To the fact that it's intensely autobiographical, the book is obviously drawn from experiences, but it's kind of an amalgamation of experiences.
So this is not just one factory, it's drawn from experiences in various factories and warehouses and offices, general kind of experiences.
But yeah, it's interesting because a lot of the really personal stuff is filtered through allusions to art, pop culture in certain parts.
As you mentioned, it's in timestamped sections with a prologue and an epilogue.
Philip Levine, Larry Levis, Fred Voss, to a lesser extent, Raymond Carver, Charles Bukowski, blue collar type stuff.
I was just trying to create a space for that and mingle it with my own experience.
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