Who Ordered the Pie? | Classic Rock Music History & Cocktails
Sep 11, 2026 · 28 min · 8 segments
Send us Fan Mail Why were some of the biggest Canadian rock bands of the 1980s huge at home, yet barely known in the United States? In Episode 46…
The band The Kings had actually already been around for a few years at this point.
They started out as Whistle King, playing the bar circuit, mixing their own material in with songs by bands like Cheap Trick, The Cars, and Elvis Costello.
But eventually, they decided it was time to try something different.
As guitarist John Picard, better known as Mr.
Zero, later put it, we should try writing some hits.
Makes sense, right? Which brings us to two songs.
The problem was, neither song felt completely finished.
So during rehearsal, the band tried putting them together.
The beat goes on would lead directly into switching the glide.
And suddenly, two songs that weren't quite working on their own worked beautifully together.
But they still need to make a record.
And while they were there, they happened to meet producer Bob Ezrin.
Now, that's a pretty good thing, because Ezrin had worked with Alice Cooper, Kiss, and Lou Reed.
We've talked about him a lot on this show.
Ezrin heard something in the Kings, and he agreed to work with them, but he also told them the material wasn't there yet.
He helped reshape The Beat Goes On, including a change to the chord structure, while Mr.
Zero went back and spent weeks rewriting lyrics.
Then Ezrin took an early version of the music back to Elektra Records in Los Angeles.
And according to the story that's been told ever since, while the executives were listening, some teenagers outside the office heard the music through an open window and started dancing.
Apparently, that didn't hurt.
Now we've got a Canadian band, one of the biggest producers in rock, and a major record label.
The band The Kings had actually already been around for a few years at this point.
They started out as Whistle King, playing the bar circuit, mixing their own material in with songs by bands like Cheap Trick, The Cars, and Elvis Costello.
But eventually, they decided it was time to try something different.
As guitarist John Picard, better known as Mr.
Zero, later put it, we should try writing some hits.
Makes sense, right? Which brings us to two songs.
The problem was, neither song felt completely finished.
So during rehearsal, the band tried putting them together.
The beat goes on would lead directly into switching the glide.
And suddenly, two songs that weren't quite working on their own worked beautifully together.
But they still need to make a record.
And while they were there, they happened to meet producer Bob Ezrin.
Now, that's a pretty good thing, because Ezrin had worked with Alice Cooper, Kiss, and Lou Reed.
We've talked about him a lot on this show.
Ezrin heard something in the Kings, and he agreed to work with them, but he also told them the material wasn't there yet.
He helped reshape The Beat Goes On, including a change to the chord structure, while Mr.
Zero went back and spent weeks rewriting lyrics.
Then Ezrin took an early version of the music back to Elektra Records in Los Angeles.
And according to the story that's been told ever since, while the executives were listening, some teenagers outside the office heard the music through an open window and started dancing.
Apparently, that didn't hurt.
Now we've got a Canadian band, one of the biggest producers in rock, and a major record label.
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