VO Pro: The Business of Voice Over and Voice Acting
Oct 1, 2026 · 47 min · 11 segments
Documentary narration takes more than a great voice. Veteran voice actor and coach Thom Pinto joins me to explore the voiceover techniques that turn a polished read into compelling storytelling, and…
Let's flip the script on that for a minute because you've done everything from nature programming to historical documentaries, the supernatural, lighter docu-series.
What are the common storytelling skills that are the common thread through no matter what the subject matter might be?
It's going to enumerate what the reason is that we're talking, the subject matter that we're talking about, and then we're going to put a pin in it.
Then we're going to give them, we're going to stick the landing with some kind of discovery, some kind of morsel that we're going to go, wow, that was fascinating.
So I know it's an oversimplification, but it does boil down to Beginning, middle, and end.
Some people say, well, how do you always know beginning, middle, and end? I mean, sometimes there's a beginning, middle, and end many times in just a sentence.
where a lot of people paul schmidt fell off the gondola and his recovery was brutal they wanted to be smooth and everything as opposed to no lean into the character lean into here we go even if it's lighter material the challenges every good story talking from a writer's standpoint every good story is built on challenges or conflict and surprises Anytime, you know, my buddy Reed Shelley, and I want to give him a shout out because he was also a director on one of the reality series I worked on when he was doing a lot of that for GRB Entertainment.
You know, he would just say, you know, he'd just say, you know, you got to lean into you got to lean into why the good give a shit factor about this.
But if he's looking at my writing, he'll say, okay, well, this is going along very well.
When is something bad going to happen? Or, you know what? I mean, they're not buddy-buddy yet.
And so, you know, and it reminds me in a great movie, by the way, if people love to write, if you ever want to aspire to write a good, a good, funny yet believable story, buddy story.
Purchase a copy of not just the movie, Midnight Run, but the screenplay, Midnight Run, with Robert De Niro and Charles Grodin.
Because the journey of those two characters and the challenges, two step forward, one step back, two step forwards, one step back.
Let's flip the script on that for a minute because you've done everything from nature programming to historical documentaries, the supernatural, lighter docu-series.
What are the common storytelling skills that are the common thread through no matter what the subject matter might be?
It's going to enumerate what the reason is that we're talking, the subject matter that we're talking about, and then we're going to put a pin in it.
Then we're going to give them, we're going to stick the landing with some kind of discovery, some kind of morsel that we're going to go, wow, that was fascinating.
So I know it's an oversimplification, but it does boil down to Beginning, middle, and end.
Some people say, well, how do you always know beginning, middle, and end? I mean, sometimes there's a beginning, middle, and end many times in just a sentence.
where a lot of people paul schmidt fell off the gondola and his recovery was brutal they wanted to be smooth and everything as opposed to no lean into the character lean into here we go even if it's lighter material the challenges every good story talking from a writer's standpoint every good story is built on challenges or conflict and surprises Anytime, you know, my buddy Reed Shelley, and I want to give him a shout out because he was also a director on one of the reality series I worked on when he was doing a lot of that for GRB Entertainment.
You know, he would just say, you know, he'd just say, you know, you got to lean into you got to lean into why the good give a shit factor about this.
But if he's looking at my writing, he'll say, okay, well, this is going along very well.
When is something bad going to happen? Or, you know what? I mean, they're not buddy-buddy yet.
And so, you know, and it reminds me in a great movie, by the way, if people love to write, if you ever want to aspire to write a good, a good, funny yet believable story, buddy story.
Purchase a copy of not just the movie, Midnight Run, but the screenplay, Midnight Run, with Robert De Niro and Charles Grodin.
Because the journey of those two characters and the challenges, two step forward, one step back, two step forwards, one step back.
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