May 28, 2026 · 1 hr 35 min · 17 segments
Chris and Andy talk about the controversy surrounding ‘MobLand’ (8:12) and their anticipation for the upcoming second seasons of ‘The Agency’ (15:43) and ‘Sugar’ (20:09). Then they discuss ‘Widow’s Bay’ Episodes 6-7 and the growing excitement around the show (25:26). Later, they react to the series premiere of ‘Spider-Noir,’ a superhero period drama starring Nicolas Cage (46:27). Finally, they touch on the penultimate episode of ‘Euphoria’ Season 3 (01:07:27) before breaking down ‘Top Chef’ S23E12 (01:16:49). Subscribe to the Ringer TV YouTube channel here for full episodes of The Watch and so much more! Hosts: Chris Ryan and Andy Greenwald Producers: Kaya McMullen and Kai Grady Additional Video Supervision: Sarah Reddy Order and it will come. Like today. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Available on Business plans.
Sign up to unlockFor adults with Crohn's disease or ulcerative colitis symptoms, every choice matters.
Tremfya offers self-injection or intravenous infusion from the start.
Tremfya is administered as injections under the skin or infusions through a vein every four weeks, followed by injections under the skin every four or eight weeks.
If your doctor decides that you can self-inject Tremfya, proper training is required.
Tremfya is a prescription medicine used to treat adults with moderately to severely active Crohn's disease and adults with moderately to severely active ulcerative colitis.
Serious allergic reactions, increased risk of infections or lower ability to fight them, and liver problems may occur.
Before treatment, get checked for infections and tuberculosis.
Tell your doctor if you have an infection, flu-like symptoms, or need a vaccine.
Explore what's possible.
Ask your doctor about Tremfya today.
Call 1-800-526-7736 to learn more, or visit tremfyaradio.com.
[percussive music] This episode of The Watch is presented to you by Amazon Prime.
Ever have a plan come together out of nowhere and realize you're missing something? Like a last-minute beach day, a spontaneous hike, or an outdoor movie night you didn't plan for.
That's when Prime same-day delivery has your back, getting you exactly what you need fast and reliably so you can actually join the moment instead of watching from the sidelines.
Same-day delivery, it's on Prime.
Visit amazon.com/prime to find millions of items delivered fast, available in select areas.
Terms apply.
[rock music] I need support staff to clear the room.
Stand up and walk, now.
[upbeat music] Hello, and welcome to The Watch.
My name is Chris Ryan.
I am an editor at theringer.com, and joining me in the studio, wondering if Hamish Linklater can play stretch four for the Sixers, it's Andy Greenwald.
Look at the way you wove it together.
Yeah, all of our interests.
Widows Bay, the Philadelphia 76ers.
Mm-hmm.
Free agency.
Andy, free agency.
It's great to see you.
Uh, today on the menu...
Let me tell you a little bit how we do things at this restaurant.
Yeah, great.
It's small plates.
Mm-hmm.
They're meant to be shared.
Great.
It's farm to table.
[laughs]
How many do we need per diner?
Um, we're gonna do, uh, the most recent two episodes of Widows Bay, which both came out this week.
I'm gonna stop you before you even start.
We're gonna do the last four episodes of Widows Bay, because we're not on the record together about any of them since episode three.
Oh, so you obviously didn't listen to any of my monologuing.
No.
[laughs]
I heard that you did it.
I said we're not on the record.
Um, and we also are gonna talk about Spider-Noir.
We're gonna talk about the-
Mm
...
most recent episode of Euphoria and the most recent episode of Top Chef.
Mm, man.
I also have some news at the top, but it's been a minute.
It's been a minute since I've seen your, your beautiful visage in person.
You've been traveling a lot.
Not that much.
Really? I, I mean, I-
Yes
... did, took two trips within the United States.
Two trips within the United States within the last two weeks.
Yeah.
That's traveling a lot.
That is traveling a lot.
I did it.
But-
Pacific Northwest and, um, uh-
What are you trying to hide?
[laughs] What am I doing? I'm just raising a lot of money, you know?
That's, you're bundling.
Yeah, [laughs] exactly.
Um, it's great to see you.
You can reach us at thewatch@spotify.com.
I notice we just got a flood of, of new emails.
Every once in a while, I gotta tell you, w- we're getting to the point where we might be able to do an Andy only, Effinger's only mailbag.
Stop it.
But it's all just-
Stop teasing me
... people being like, "I'm gonna read Effinger's too."
Yeah, well, there's a lo- I see a lot of, uh, gonna.
[laughs]
I don't see a lot of actual, like, page turning, you know what I mean?
Um, you can follow us on Instagram at thewatchpod_.
Mm-hmm.
You can watch us on YouTube at the ringer-tv channel, where we're there with the prestige TV pod, and you can watch us on Spotify, where I hope you listen to us, but we're also available elsewhere where you wa- listen to podcasts.
Is our email address...
Has anyone signed it up for any, like, ActBlue emails or recurring donations?
No, doesn't seem like it.
I mean, I do get a lot of, like, I feel like I've seen an uptick in, like, random PR emails where I'm like, "You don't know your audience." Like-
Mm
... would you guys be interested in covering the Ironman race?
Hold on.
Not, not Tony Stark, but, like-
Oh
... guys who have to-
I th-
... run, swim, and bike.
I thought it was gonna be Tony Stark versus, like, Iron Heart.
[laughs] No.
You know what I mean? Versus War Machine.
I always, uh, kinda had a sneaking suspicion that I might be able to do an Ironman.
N- okay, hold on.
But just in the-
I'll put, this is the earliest time I've ever closed my laptop
...
but just in the I can do all three things.
I ha- you know what?
But I can't, I don't know if I could d- how long I could do them.
Is there, like, a, like, an Ironman for softies? You know, like, soft batch.
Iron Boys?
[laughs] Iron Boys.
An Iron Boy competition where you get on a little tricycle.
Does anybody know about an Iron Boy competition? [laughs] I could watch it.
Wait, wait, when was the first time-
Maybe it's on an island somewhere.
[laughs]
When was the first time...
Careful.
[laughs]
The, the first time you ever learned about the Ironman competition as a triathlete?
80s ESPN.
Right, so-
Yeah
... basically, I wanna, I'm gonna ventriloquize this for you.
I feel like we probably had a similar experience, like, maybe you're home from school one day and you turn on the Ocho-
Yeah
... or ESPN Dos-
Yeah
... at, like, 2:35 PM on a Tuesday.
D- dude, it was on flagship.
B- they didn't ha-
They didn't have college sports
... always have football, bro, like-
So you turn it on-
...
they used to show some crazy shit [laughs]
... and you would just see someone, like, weeping-
[laughs]
... running in a Speedo.
You know, which is usually would be Cinemax at 11:30 PM on a Friday.
Yeah.
But in this case, it was the middle of the day.
Yeah.
And I also was entranced by this for exactly the reason you said.
I can physically do those three actions.
Yeah, I was kinda like, it actually seems like it would be refreshing to take a dip after a long bike ride.
[laughs]
That's what I thought.
And you know what else I thought was really good about it? I thought the order was reasonable.
So what is it? It goes swim, bike, run?
Yeah, I think that's what it was.
Someone can Google that for us-
Yeah, what, I mean, like, I-
...
while we go here.
But, like-
Honestly, the only thing that bothers me about it-
Mm
... is, like, wouldn't I get a little chilly on the bike after-
Yeah, I was like, oh-
... getting out of the ocean? [laughs]
Yeah, because my only reference for this wasn't that sports were hard and I wasn't qualified to do them.
It was my favorite feeling isn't getting out of the ocean.
[laughs]
I'd love to, like, dry for a little bit so I don't chafe.
But 100% you have locked in on something that I haven't thought about in decades, which at no point did I think I'll never be able to do that.
Yeah.
I was like, "Oh, that's something to put on my list."
Well, also, I think as only children-
Yeah
... we had no tutelage.
Yeah.
[laughs] Yeah.
Our fathers, [laughs] they turned their backs on us at an early age.
[laughs]
Certainly athletically.
But-I didn't have an older brother to be like, "This is how you bowl."
Right.
So a lot of what I do-
Mm-mm.
[laughs]
... much like Natasha Henstridge in Species, is mimicry.
You know? And so you see someone-
[laughs] I was gonna say it's very sexual and violent at the end.
But okay, your version works, too.
Um, I would watch a guy bowl-
Yeah
... on ESPN, and if there was a bowling birthday party-
[laughs]
...
I would do, like, um, an elaborate, like, [laughs] kind of fucking-
You would go for spin?
Yeah.
I would be DeJesus.
And I would, like, w- throw a ball six lanes l- left because-
Yeah
...
I'm not, like, a professional bowler, and I'm not an Ironman.
But I probably would start really strong.
The other thing-
Mm-hmm
... and I'm sorry to delay on, on th- the wide world of sports that we're gonna talk about today.
This is more interesting than the last two episodes of Euphoria.
It makes it seem...
I, I'm w- I'm kind of under the impression that we've made, like, great leaps in protein intake in the last seven years.
What, like you and Craig? Or, like, who?
No, just, like, gels-
Oh
... bars, all those things.
Like, you could put it into more-
But did, like-
... vessels
... guys back then, if they needed protein during, like, a race, like, just eat turkey? Or what would they do? [laughs] Like-
The pace car for the Ironman Triathlon was the Oscar Mayer Wienermobile, and it would drive alongside the athletes.
And the athletes would take ham-
Uh-huh
... and salami, and they would eat it, and then they would light a cigarette-
Yeah
... as they ran.
Yeah.
It was a pure time.
Here's the secret.
Everybody was fine.
Yeah.
No, I know.
Everybody was fine.
Those guys all lived forever.
Did, did they?
I don't know.
Their hearts exploded-
They're probably fine
... and now we-
Yeah.
[laughs]
When they were like, "You're too old for this," and they're like, "I'm 25."
Well, there was that Dennis Leary bit for a while where it's always-
Mm
... like, joggers, joggers who die of heart attacks.
[laughs]
Hm.
Or no, that was about joggers getting hit by buses.
Never mind.
Um, th-
You could, you could iterate.
I could.
D- I have a lot in...
I have a, I feel, I feel like I have a Dennis Leary-esque quality to me sometimes.
You've both been in Boston.
Smoked.
Yeah.
Mm-hmm.
I've been to Boston.
[laughs]
You're wearing denim.
[laughs]
You secretly wanna be a, a, a dramatic actor.
I do.
I do.
You, you love firemen.
Should I stop?
What do you wanna start with news-wise? So we have-
That was exhilarating.
Yeah.
I don't care what we do now.
Okay.
Mm-hmm.
So I have one thing t- for, for you, which is a new segment I'm introducing to the Watch podcast.
Oh.
A- and just, you know, for first-time listeners, of which there, I'm sure there are zero, as with every other segment-
This will be a consistent staple for two weeks of this show
... and I've never been prepped on.
Yeah.
Well, often-
... here's, here's a behind the curtain, behind the curtain.
I will be like, "It's time for us to do this segment."
Mm-hmm.
And you're like, "I don't have..." Like, remember I'm like, "Oh, what are we reading this week?" Like, or, "Watch of the week, what did we watch this weekend?"
Hm.
And you'd be like, "Nothing."
Yeah.
"N- I didn't do anything."
Yeah.
And then you Instagram and you're like, "Look at this cool book I read," you know?
Uh, yeah, because-
I think you save a little bit of your stuff for IG.
That's for my personal brand.
That's right.
Which is floundering.
[laughs]
[laughs]
So if you could give me a cosign over each week.
So here's our, our new segment.
Yeah?
It's called Your Silence is Deafening.
[laughs]
[laughs] This is great.
This is great.
I'm already in on this.
It's been-
We-
... 48 whole hours-
We say this to each other all the time on text
... and you have not publicly commented on Tom Hardy's exile from MobLand.
[laughs]
Not publicly, but I've been huddling with my team-
Mm
... trying to craft the correct response because-
So while you spin your wheels-
Yeah
... trying to decide how you're gonna phrase this.
W- because to be clear-
I'll just-
...
I did prep a statement.
[laughs]
But it was, it was flacked.
It w- it, it, it was really came in too hard.
Uh, it was created by Ronan Bennett who did Top Boy, and then taken over, showrun and executive produced, written by Jez Butterworth, who also does a show we're gonna discuss in a second called The Agency.
Mm-hmm.
And Jez Butterworth is an accomplished screenwriter and playwright in England.
Uh, he apparently, according to reports, had a falling out with Tom Hardy, which is not the first time this has happened with Tom Hardy.
The second season of MobLand is completed, and it was announced, strangely I thought-
Right
...
since I don't think the third season has been renewed or greenlit, that Tom Hardy would no longer be on the show, that there was some sort of ultimatum, uh, Butterworth or Hardy.
And it seems like Jez Butterworth had won that fight.
Then hilariously-
...
I think a lot of, like, leaked kind of accounts of Tom Hardy behavior.
Yes.
Some ...
I saw some counter narratives flying around-
Did you?
... certain circles, yeah.
And then, uh, as of today, the last thing I saw was that, and this is not from a, like, super reputable source-
... was that there is some efforts to bring Hardy back into the fold.
Oh, who's leading that charge?
Uh, who's leading that charge in the media, or who's leading that charge, like, to do that? I think David Glasser, who is, like, the kind of-
Right
... 101 Studios impresario who also oversees a lot of Taylor Sheridan stuff.
I'm ...
Where, everybody's waiting.
Where do you land, Mirren or Hardy? [laughs]
Oh.
Oh, I'm on the clock now?
Yeah.
[laughs]
Wait, so you're, you as one of the media's biggest Tom Hardy boosters-
Dude, if anybody's ever listened to me, they're gonna know.
Yeah.
Look, it is what it is.
If you sign Tom Hardy up, man, [laughs] you sign up for the whole ride.
You can't get off-
Our-
... midway.
I would say-
You can't get off after season two.
[laughs]
There are certain things.
This is ...
I, I've been referencing this a lot because I love it, and he's been saying this for years.
But our, our friend and colleague Brian Curtis' Now They Tell Us-
Yes
... notebook dump, which is the piece that appears after a coach is fired or someone is deposed.
At the end of a season, yeah.
Yes.
And suddenly, like, all the reporting that they didn't feel they could, they could source or verify or, or even report on freely, they can now say because that person is out of the building.
The oppo dump for the big anti-Tom Hardy lobby was locked and loaded.
Yes.
This is not a secret that he is challenging in the workspace.
Just read Kyle Buchanan's Fury Road book.
Yes.
Yeah.
And so I, while I appreciate your Bane boosterism-
Watch Taboo.
[laughs] Or, or join the rest of us in not watching Taboo.
I think that, uh ...
I, I'm just curious.
I'm gonna float a hypothetical for you.
Okay.
Let's say that you were scheduled to do a podcast with me, and at the appointed hour you arrived, sat down-And I was nowhere to be seen.
Now, so far this is not a hypothetical.
This is every week other than today.
Yeah, but then you come b- bustling in three minutes late and you're just like, "Apologies, apologies." [laughs] What? Is that what I sound like?
[laughs] Jesus.
So sorry, everyone.
There was a horrid mess on the tube this morning.
Uh, Tom Hardy according to the, the, the accounts in Kyle Buchanan's book, left, um, left Charlize Theron sitting in the, I believe the term is war rig-
Yeah
... for three hours before sauntering onto set.
Well, I think he was trying to locate his voice, you know? Uh, he was trying to get-
What do you mean locate it? It's always at the bottom of an old well.
[laughs] He was trying-
It's always the same voice.
What are you talking about?
I just like, I think Holly- I, I don't want anybody to get their, uh, feelings hurt-
Yeah
... or be, be in any kind of physical danger.
I do find stories of on-set holi- like, you know-
Sure
... you know, c- cultural or personality clashes to be pretty interesting to read about.
Mm.
If, if Hollywood never had any of those, it would be a little bit less interesting to read about.
Okay, that's fair.
You know?
It's just, I don't know.
D- Are, are you that concerned about the third season of Mob Land?
No, and I, I didn't really like the first season of Mob Land that much.
I mean, I-
Oh
...
I, I watched, I think I finished it.
I can't remember.
Okay.
But it was just one of those things that I, I knocked out like two episodes-
Yeah
... on a plane ride kinda thing after the first couple of episodes.
And I love that cast and I think-
Yeah
... you know, it's been a strange show.
It was supposed to, it was initially, I- and the idea was it was gonna be a Don- the Ray Donovan spinoff
Ray, Ray Donovan spinoff
Then I think it kind of-
Dude
... mutated into half Gangs of London, half Yellowstone set, you know, in London with this crime family.
And some of the reporting suggests Hardy's been a little bit aggrieved by the fact that it went from being a Tom Hardy show to a Tom Hardy, Pierce Brosnan, Helen Mirren show.
And it sounds like he and Mirren specifically are butting heads.
I-
Allegedly.
I mean, what is the-
I wouldn't want big Mirren getting in, getting her-
Careful
... litigation bag against me.
What if, um, yeah, Helen Mirren doesn't care about what we say, but her husband Taylor Hackford is incredibly litigious-
I'm, I-
... and a longtime listener of The Watch
...
I'm not entirely sure that's the case.
Helen Mirren may very well ca- care what I say.
You're, wow.
You've changed since your trip.
No, I'm just saying-
She might
...
I still th- maintain-
Right
...
I know for a fact Taylor Hackford has listened to Proof of Life.
I think there is a 50-
We listen to the-
The Proof of Life rewatchables.
Ah.
There is a 50% chance that he was like, "You're gonna get a kick out of this" and played it for Helen Mirren, and then there is a 25%-
Yeah
... chance within that, that she was like, "This is my favorite podcast.
I love these guys." [laughs]
[laughs] Keep playing out this, then there's a 10% chance-
[laughs]
... that what?
I don't know.
That she's like, "Let me deep dive this guy's podcast career.
Music Exists was really, really thought-provoking."
Um-
And then sh- then she makes the full connection after reading all of Chuck's books-
It's also-
... that you're the one playing pool
... let me just add, there's a, there is-
Yeah
... a non, a non-zero chance that Tom Hardy's also doing this to get off the show, which sometimes happens.
Yeah.
I, I, I think the most interesting segue for me from this is that Mob Land has the kind of incredibly contemporary representative torturous-
Did you watch an episode of this?
Yeah, the first two.
Yeah.
A torturous development cycle of many, many shows, uh, of the moment.
Particularly we're gonna get to Spider Noir in a minute.
What is, I feel like there's a, um, it's not a meme, but I feel like it is a saying that like, like if you put the, the dev, the dev boys on something you're gonna end up with like a fish with feet or like-
Oh, yeah, yeah, yeah.
What, I, I, I'm getting the m- the, uh, the analogy wrong, but there's some idea that if you keep developing something you will end up with something that is so far from the initial purpose that you're not even sure why it exists.
Sure.
And I kind of feel that way about Mob Land.
It's fine, and all of the people in it are good, but I, I, I, I don't know, I'm chasing after an observation that I can't quite land about.
Like, that's what Tom Hardy's doing? Okay.
I got the impression-
I'm fine with it either way
...
when this first started, when Mob L- I, I- if I remember correctly, I can't believe how m- long we're spending on this, I believe he said-
You can.
You love it
... "I wanna be in London close to my family."
Right.
"This is a steady gig that I like." You know?
That is so close to what I said about Harry Potter.
[laughs]
There was just one, what was the word he said that he wanted to be close to?
His family.
[laughs]
Right.
Um-
Right.
He's figured it out, man.
So another show that is on Paramount+ uh, along with Mob Land is The Agency, and The Agency is coming back I think June 21st.
Soon.
And I, I'm pairing The Agency's return with the return of a, uh, a b- a bit maligned show on Apple TV, but one that is close to your heart.
[laughs]
Um, a passion project of yours, which is Sugar, the Colin Farrell detective show, uh, also returning for its second season.
Honestly, surprisingly, it's been two years it seems like.
Okay.
Has it?
I don't know.
Sure, yeah.
When was Sugar on your top 10 insanely enough?
It was not on my top 10.
Oh, yes it was.
No, it was not.
Didn't you put Sugar in your top 10?
No, I love to zag.
I love to surprise and delight you, but no, sir.
I'm just gonna look up Sugar Season 1, excuse me.
I promise, no.
I think that I said that the pilot was m- one of my favorite pilots of the last few years.
It's two, 2024 is when it, it debuted.
Wow.
It was a different time.
And it's 2026 now.
It was Joe Biden's favorite show.
Yeah.
[laughs]
We've changed.
Um, maybe that's who you're mistaking me with.
Ah.
[laughs]
Also, isn't it funny that this is the new normal where we are talking about these shows, it's like, "Oh, The Agency's coming back.
Sugar's coming back with its normal two-year gestation process." Yeah.
Agency was last year, wasn't it?
No.
Damn, really? That was also Joe Biden's favorite show?
Uh.
[laughs]
Joe Biden loves The Agency, you know what I mean?
Do you think?
Yeah.
Uh-
I almost Googled Joe Biden The Agency [laughs]
Joe Biden The Agency? What are you gonna get from-
[laughs]
...
if you do that? Uh, yeah.
Anyway.
2024.
You're right.
Yeah, no way of knowing-
What the fuck?
...
but I'm glad you Googled it.
Okay.
Which one do you wanna talk about first? Let's talk about the-
I wanna talk about like c- well, first of all, y- like you alluded to, coming back after such a long interval, but also where you're at with these-But like, the opportunity for, since we're doing a lot more recurring television now in, than-
Mm-hmm
...
in recent years, a show that maybe wrong- was wrong-footed at certain points in its first season-
Right
... tonally was still trying to find its voice, et cetera.
Which one of these do you think has the biggest opportunity or the most likely opportunity, most like, highest likelihood of improving in its second season?
Well, I will say, start by saying both have delivered excellent trailers-
Yes
... for their second seasons.
They sure have.
No question about it.
Um, and both in, if you were just going by the trailers, present a pretty exciting vision of 2020s television, where very attractive movie stars fully embrace the genre trappings-
Yes
... of, that are, that are really possible to explore within serialized television.
So, that's cool.
Um, I think the...
That said, there is no question, I, I'll just say this now, like The Agency Season 2 is going to be much better than Sugar Season 2.
Well, 'cause we know what it's about because it's about, it's based on Le Bureau-
Yeah, so it's-
... and so we know where Season 2 goes.
So, let's separate the conversation for a second to say that The Agency, one of our favorite shows of two years ago, both because it was stylish and incredibly well pr- acted, and was low-key a pretty good London hang show, um, despite all of the stress-
All the barbering
... that Misha was going under-
Yeah
... going through.
Um, it is, as you said, it is a fairly devout adaptation of one of the greatest shows probably ever on television-
Yeah
...
the French series Le Bureau.
And as the season progressed, I think it started to develop its own kind of chilly swagger that suggested that it was going to deviate in ways, maybe not always plot, but in terms of the, the delivery of the plot in ways that felt kind of exciting.
Mm-hmm.
And second season of Le Bureau is better than the first season, with a lot of very cool, um, set pieces and moments of tension, and this trailer looks so sick.
It made me so excited to watch it, and it actually made me appreciate even more how nice it was to have such a quality, consistent entertainment for those 10 weeks two years ago.
One of the crazy things about The Agency is that, uh, you know, it's got a s- pretty star-studded cast.
Jeffrey Wright, Richard Gere, Catherine Waterston.
Richard Gere's Homer's dad-
Uh
... from Euphoria?
Yes.
Okay.
Carrie Lowell and Richard Gere's son-
Hmm
... is Homer.
Well, Dylan on Euphoria.
Yeah.
That's the character.
I just wanted to make it relevant to our young TikTok fans.
I- they will have more to do this season based on-
Yeah.
So, if you were watching season one-
Yeah, yeah
... and you were like, "Richard Gere's in, like, six scenes, and Catherine Waterston's not on this show really."
Barely.
Um, and John Magaro, like, what's he doing, you know?
Mm-hmm.
Um, they'll have stuff to do this, this season.
It looks awesome.
It does.
[laughs] Okay.
So, okay.
I can't even-
I, I can't even...
We can't have this conversation without spoiling an element of Sugar.
Detective sh- show's set in California, like I...
LA, like I mentioned.
Stars Colin Farrell.
Yep.
I, uh, people sometimes ask, do I have to watch the first season to start the second season? We have started to push the limits on what-
We have
... we are capable of with that.
Yeah.
I would like to take-
Like, like triathletes
... five seconds of just staring at you and-
Yeah
... maybe vamping.
Sure.
And in one second we are going to spoil-
Yeah, we are
And, and you know why we're gonna do it? Because fucking Tim Apple doesn't want you to know.
He doesn't want us to know.
This trailer hides the ball, and by the ball, I mean one of the great television bag fumbles in recent history.
Do you know what I said when I watched this trailer? "Are you having a fucking laugh?"
Yeah, because this is a trailer for the show Sugar should have been-
But it's-
... and let me tell you, it's not.
But also it's like, is this the first season of Sugar?
Also, [laughs] you can't just trailer your way into the movie you wish it was.
We've seen this fail in m- movies again and again.
Three, two, one.
Colin Farrell's character on Sugar-
Is a fucking alien.
Yes.
He's a blue spaceman.
When does that come out?
Like, episode five.
Right.
It's excruciating, okay?
Did you know that w- like, when you were watching it?
No.
And then y- he- he's an alien.
Yeah, and then I stood up, went out for a pack of cigarettes.
[laughs] Never came home.
Never smoked 'em.
[laughs]
Uh, w- did you-
Yeah.
I think I stopped watching Sugar.
Does, does his alien-hood-
Yeah
... play a major role in the second half of the season?
Yeah.
Oh, okay.
Yeah, dude.
[laughs]
[laughs]
Wouldn't it in yours?
I don't know, this second season trailer makes it look like he loves boxing.
Like, I don't know, like... [laughs]
Look, we don't know.
I keep waiting for DJT to tell us what aliens love.
I keep hearing there's a press conference coming.
Yeah, I know, I know.
And maybe it's like they love noir movies and aliens.
A lot of people on the streets are like aliens right now.
Yeah.
They're coming up to me with tears in their eyes.
[laughs]
No, that's just the Alien Earth FYC campaign, which is all over town.
Um, yeah, this is a huge twist in the show that they are not giving away-
Because-
...
in the trailer-
Because it is a fucking-
... for the second season
... anchor around the neck of what could have been good.
It is...
I, I, we, I wish I had done the prep to prepare for a, the, the, they're the same thing, the fucking f- f- fish with feet.
This is what we have here.
Like, it's okay to do a small thing well.
Yes.
Like, Ina Garten made a whole career out of it, and she should work at Apple TV, frankly, because you have Colin Farrell, one of the most stylish and compelling and charismatic actors of our time, looking incredible in beautiful suits, driving a sports car in a neon-
It's Colin Farrell Rockford Files
... tinged...
Yes, but like, also really embracing the idea of, like, what LA light looks like and what a noir would look like in bright color, not in whatever fucking rinky-dink Technicolor they did to Spider-Noir to, uh, try to appeal to multiple audiences at once.
We'll get there.
[laughs] Coming attractions for Andy's-
I'm just-
...
Spider-Noir take
...
I'm just saying.
And that would have...
The, in the, in the great words of the fucking Seder dinner, Dayenu.
Like, that would've been enough.
Yeah.
But instead they were like, "No, no, there's also a, a secret society because this guy likes noir movies because he's an alien."We don't needed that.
We don't need that
Do you think that Colin Farrell signed up for this to play a detective or an alien?
I think Colin Farrell signed up for this for a chance to wear suits that weren't fucking fat suits-
And shoot in LA
...
in the back lot of Warner Brothers-
Yeah
... doing Penguin.
Yeah.
Uh, and yet [laughs] he does have to wear an alien suit at some points in the show.
In a perfect world, this show gets renewed because they're like, "Just do the parts that work.
We don't care that he's an alien." That's fine, and maybe they did lean into it because they beefed up the cast, like you, you were pointing out.
Like-
Yeah, Shea Whigham, uh, Sasha Calle, Tony Dalton, like a really great ensemble this season.
The plot already looks more interesting than the kind of-
It looks like a detective investigating, like, a missing boxer and, and then Tony Dalton, Lalo from-
Mm-hmm
... from, uh, Better Call Saul plays a sheriff's deputy, I think, and-
It's just-
...
Shea Whigham seems to be a fixer.
It's just so, so, so weird to me, and it, it...
I, I don't know.
Like, at, at a time when Widow's Bay is on the docket for us-
Mm-hmm
... to talk about, like, I, I'm kind of, I'm, I'm definitely giving...
I, I don't really wanna rail on Apple's development process for why this happened the way it happened, and even within the context of it's an alien show and a detective show, the big reveal being, just being slow-walked to episode five was also such a weird fumble in season one.
Sure.
Anyway, it's just a bummer because I watched that trailer and I was like, "This is a show I want." And I think they were probably smart to do that and say, like, "Look, all the stars are on Apple and they're all kinda doing genre stuff, and you'll have a good time with this." Listener, I don't know if that's true.
Well, I can, I can assure you that we'll, we'll, we'll at least give the second season a college try.
Will we?
I'll jump back in.
Yeah.
Yeah, you don't care anymore.
You don't care.
You showed me the way.
About-
You led me down the path of we don't have to watch TV to talk about TV.
[laughs]
Um-
I was a trailblazer in that field
... let's be positive.
Okay.
And let's talk about Widow's Bay.
Widow's Bay released two episodes this week for a very clear purpose.
Um, these two episodes are linked in ways that I found, just like this series itself, surprising and delightful.
Uh, episode six is called Our History and it's directed by Ti West.
Who's a big deal.
Great horror director, directed Pearl and Maxine, uh, and X, and he directed House of the Devil.
Like, he's a great horror director.
Also directed a really cool, uh, like Brian Jonestown kind of, uh-
Mm
...
Jonestown-esque, um, movie called The Sacrament that I really liked.
Anyway, he directed this episode, Our History, which is set in 1702.
Mm-hmm.
It stars Betty Gilpin, uh, as Sarah Westcott, who comes to the Widow's Bay island, uh, betrothed to, uh, Richard Warren, who is the town y- you could say leader, savior, captor.
Um, a- and Richard Warren's played by Hamish Linklater, kind of in a sly nod, I think, to his Midnight Mass character, who was also a priest who-
Whoa
... worked on a, in a, a rural island.
Um, and, and when we find these two uniting in 1702, a plague of violent insanity is kind of gripping the island.
Reminiscent of what we saw in the fog in the premiere episode.
That's right.
Uh, and, uh, Sarah finds herself in the center of these proceedings and attempts to save herself and Warren's children-
Mm-hmm
... as he and some of this townsfolk aim to stop her.
Should we j- talk about these episodes separately or together?
I would like to actually take one, if I may, brief step back just to contextualize our conversation about these episodes.
Just to talk about John Sugar and his journey.
[laughs]
When they revealed that he was an alien...
[laughs]
Widow's Bay is the best television show of the year to such a staggering degree-
Look who's trying to get on a poster.
Look who's trying to get an FYC campaign.
Let me try again.
Which camera?
[laughs]
Widow's Bay is the best television show of the year, M dash Andy Greenwald comma primary host of The Watch podcast.
Whoa.
That's for the poster.
Primary.
You were traveling.
[laughs] Okay.
Of course, I was gone for a week too, but anyway, my point is this show is so good in a way that staggers, humbles, and delights me.
Like, I, my experience watching it is such that I am, I am enjoying it, I'm laughing, I'm riveted, and I can't stop thinking at every moment of all of the brilliant creative decisions that went into almost every frame of it.
Before we even talk about these episodes, I'm gonna talk about, like, the directorial and cinematograph- and camera choices that are, that are involved in a show this specific, this tonally and aesthetically specific, that shifts.
It's a period piece this week.
Previous week it was a crazy drug trip.
Mm-hmm.
There have been, I believe, four directors so far, Hiro Murai, Sam Donovan, Ti West-
... and Andrew DeYoung, who works with Tim Robinson a lot and is fant- fantastic.
There is no w- there is no aberration from episode to episode.
Yeah.
That's the kinda thing that you see in a long-running show, where there's enough of a book on it and a style guide that when people come on, they feel comfortable knowing what it is they're stepping into.
To do that from a cold stop is just remarkable.
Yeah.
Um, the tonal balance of this show to be legitimately scary, to be legitimately funny, and to be legitimately emotionally gripping is something I've never seen done before, and it's doing it in such a...
It, it's subtle in the sense that this is not a giant, expensive, starry adaptation of something.
It is not based on preexisting material.
It is not pr- it was not presented to us as the next big show.
The way that it was put together with just this, like, quiet confidence, uh, competence, and, y- you know, occasional brilliance is wild to me.
I-
It's wild to me
... cosign everything you just said.
The-
And every...
And, and by the way, I know this isn't really a valuable comment, but everyone's talking about that.
Yes.
Like, everyone, when I have conversations with people, someone'll be like, "Oh my God, the editing.
The editing is so exceptional."
Oh.
Someone will say, "Oh, notice Allison Jones, the legendary casting director," you know, Freaks and Geeks, uh, Barbie, The Office, Veep.
"She worked on this," and you can tell.
Like, down to the guest stars week to week, I'm blown away and-
Well, and to your pointUh, several shows that I have been from not engaged to highly engaged with over the last couple weeks have come out on Netflix and Amazon.
Uh, Spider Noir, for instance, dropped its whole season.
Yep.
Legends we talked about, like The Burrows on Netflix I talked about with Joe last week.
Um, feels like in the sort of larger conversation their, their moment's already come and gone in some ways.
Mm.
Because you just, your, your engagement with a binge is individual and personal.
Nobody's on the same page.
You can feel Widows Bay uptick in group chats-
Mm-hmm
... and in conversations at, I'm sure school pickup or whatever, where it's like, "What are you watching?" Or like dinner parties or conversations at restaurants, and it's like people are picking up on Widows Bay, they are catching up on Widows Bay, they are excited about Widows Bay.
I feel like there was like a, almost like an awareness that this was a special two-part event this week.
Mm-hmm.
Completely agree with you.
There's also something like, you know how I, I always...
N- I hear Sam Esmail in my head, where it's like you cannot get mad at a piece of art for what it didn't do.
He was talking to me.
[laughs]
But like, to, you can't ma- be mad about the choices-
Yeah, yeah
... that it makes.
It's like you have to evaluate the choice it did make-
Yeah
... not what it could have done.
I think that's right.
I wanna just say that in less sure hands-
Mm-hmm
... or in a, um, a less certain-
Mm-hmm
... showrunner's hands, like other than Katie Dippold, like this would have been, this Art History episode would have been Drunk History.
It would have been Betty Gilpin doing kind of Krasinski, uh, Jim, Jim office faces while all this stuff is happening, because she basically is doing a note perfect 18th century-
Mm-hmm
... like Puritan woman, but also doing, uh, Amy Poehler in Parks and Rec.
[laughs] Like she has comic timing, and she is giving it a modern sensibility I think.
Mm-hmm.
Yeah.
That is like, uh, as soon as I got here I was like, "What the fuck is going on?" You know what I mean? Like i- she has like that kind of like y- "I know you're watching me, and this is a break from this show's reality-
Yeah
...
but I'm going to be consistent with the way Matthew Rhys reacts to things on the island as well-
That-
...
even though it's 300 years apart."
How did they do that?
I don't know.
How did they, how did they do a 300-year flashback episode with the confidence of a show that has been running for multiple seasons?
Yes.
Um, it, there's these subtle choices that I'm dazzled by.
Like we, we watched the first episode, and we raved about it.
And then we watched the second, the second one, and I think we took time to praise the fact that the show seemingly pitched itself in the first episode as, "Here comes the big trouble." Like this is going to be an event series, for lack of a better word.
But then almost immediately it walked it back.
The tourists did come, and there was suddenly more space for episodic situational comedy, or hijinks of this type of horror film, this type of horror story.
And I was ready to settle into a perceived take of, "That's pretty smart for a show that might run multiple seasons made by someone who worked on Parks and Rec," for example.
Yeah.
Then I realized it was doing both at the same time.
To make the commitment to do the flashback to the island's founder, and then deal-
Mm-hmm
... with that character and blow it up-
This is exactly where I wanted to go
... with multiple episodes to go, is a level of confidence in the larger story project that is remarkable.
And it caused me to go back, though, and notice all the little smart decisions, like the fact that episode, uh, three, Sea Hag, and episode four, um, Beach Reads, which is a contender for episode of the year, are happening concurrently.
Mm-hmm.
So playing with time in a way to pre-address the idea-
Beach Reads is the Patricia episode?
Yes.
Yeah.
To, to, to almost, uh, pre, uh, counter the, the criticism that it can't, that, that befouls a lot of television, which is it can't be the most important thing that's ever happened if we have time for a bottle episode or a side quest.
Mm-hmm.
All of these things are not, um, amateur decisions.
You know, they are not rash decisions.
They are thoughtful, considered decisions that are paying off the story.
And so all of that is preamble to say these two episodes were ballsy as hell.
The, uh-
And I'm glad they dropped them together, which was another smart decision.
When they were digging him up at the end of, uh...
Is it, I think at the end of Art History they start digging him up?
Yep.
I was like, "That was cool." And I'm sure they're digging him up to get the necklace, right?
Yep.
Or something.
You know?
Oh my God.
Yeah.
That's not what they did.
And then this is comic screenwriting that is being applied to a sort of chamber horror drama, where it's like what if he was still alive in that box? And then what if Hamish Linklater was just on this show for an episode?
Mm-hmm.
And what if instead of being unfrozen caveman lawyer who's freaking out about, like, there being electricity and stuff, he's actually like, "I've decided I, I, I need to die because I've been tortured for hundreds of years."
Yeah.
And then he's like, "Actually, I kinda wanna live." [laughs]
Can I throw one more what if at you?
Yeah.
What if our, our meaning the audience's, introduction to his, uh, resurrection, or he never died, the fact that he's still alive, is played entirely through the perspective of Tom waking up from one of the most hellacious-
Yes
... 24-hour mushroom trips in recorded history, so that he shows up and, [laughs] and Richard is already upstairs?
Yes.
There is no jump scare in the coffin.
And Patricia is rattled, and Wick has already cut his hand trying to op- Like, there has already been-
Yes
... all this stuff happening while Tom is like, "I've been asleep for a day."
That is another sign of, of filmmaker confidence, storyteller confidence, that we don't need to hit every potential-
Yes
... spike.
It's funnier to have them be like, "Don't open that.
We, we tried that already." Yeah.
We already did it.
Um-
We're behind...
Our main character is behind the story.
Yeah, so in Seasickness, uh, which is directed by Sam Donovan, as Andy mentioned, who'd, you know, worked on Skins and Severance and The Crown, and written by Dave Harris, um-I've seen this, many people say this has got a lot of Jaws juice on it, and it just-
Jaws juice?
Yeah, well just like the, the three of them-
Is that like Sea Chum?
... on the boat-
What is that? Okay
... singing and kind of looking for something out there.
Uh, I thought this was a really cool episode, and I really liked how even though it's basically all shot within the cockpit of Wick's boat-
Mm-hmm
...
the time it takes to be like here's the practical amount of space and time that needs to be covered.
He has to get to this buoy, but Wick can't go past-
Mm
...
the buoy.
Tom can.
Richard needs to to be evaporated into bones.
But, you know, like you never leave anything, and it isn't an exposition dump, but you do get a sense of like, ooh, when's Wick gonna get off the boat, and how is, or how is Tom gonna be able to sail the dingy, and what's Wick-
What are the rules?
Yeah, what are the rules? And it's still only 40 minutes or whatever it is, and it still flies by-
Mm
... and has time for a B plot of Evan discovering that his mother at least didn't die during childbirth.
Mm-hmm.
If not, is, I would imagine, I'm starting to wonder if she's still alive somewhere, right?
Well, I think...
Are we now onto supposition corner? I mean, I, I, I think, I don't know if this is, like-
Supposition corner could be another recurring segment for us.
I don't know if it's gonna go well for us.
I don't know.
Not as good as your silence is deafening.
That's a much-
[laughs]
That was awesome.
Yeah.
I'm a little spooked because this is the week because the Knicks swept their way to the finals-
I don't know what you're talking about
... that all of the...
It's a basketball team.
That all of the video footage of NBA experts being like, "The Knicks overpaid for Jalen Brunson, and this is the not the kind of signing that will get you to the finals."
Of Becky Hammon being like, "You'll never win with a small guard."
I'm just saying, I don't wanna, I wanna be very careful now that I know that these takes live forever.
I didn't know that-
Yeah
... until this week.
I thought, I didn't know that all of these podcasts remained on Spotify.
Well, if you talked about-
But-
... anything of consequence, I think that might matter.
But since we're mostly talking about-
That's true
... did you ever watch Iron Man? [laughs]
That dude was an alien.
Okay, that's fair.
Um, no, so, like, well, okay, I could say this as a supposition corner, or I could say it about, like, the, the watching a show that is made by people who know what they're doing is just such a pleasure.
But in the second episode when Tom locks himself into the hotel overnight-
Mm-hmm
... we do see weird paintings and scary paintings.
And we see that also in the first episode when he's touring Basheer Soleddin through the, um-
Yeah
...
the museum or whatever.
And I think when we saw that, we were like, well, Katie Dippold really learned from Parks and Rec about how funny historical shit can be.
Yes, yes.
Uh, one of the paintings in the hotel is of what appears to be a toddler loose at sea.
[laughs] And I, I, I, I feel like I'm not the only person, I've not read any coverage of the show yet, but, like, that is clearly the, uh, Richard's daughter who received the brooch-
Yes
... coming off of the boat, making it back to the mainland, and then beginning a bloodline that ends with, um, Tom's son.
Look at the big brain on Brad.
[laughs]
I, this is probably the most covered idea-
Damn, dog, that's my job is to go digging in the crates for that kind of stuff.
That just appeared-
That's good shit
...
in this crate.
You know, it's a-
That was straight from my brain crate
... it's a testament to the there's many ways to watch this show.
Mm.
And you can watch it with a scalpel, or-
Mm
... you can watch it and you can sit there and, and, and just marvel at the, the comic tone and-
Yeah
... and the, the spooks and the creaks in the night.
You know? It's great.
Yeah.
I, I actually, I think, I mean this as praise.
I, I don't care-
Yeah
... that, that this kid is related to the founder of the island.
Like, my enjoyment of the show is not dependent on lore.
I've seen some people be like, "They should have thrown the bones overboard," 'cause I think they bring Richard's bones back.
Oh, there, there's, there's ways they should have behaved?
[laughs]
That's a cool way to watch television.
No, I mean, I, like, that will probably come back to literally haunt them-
If-
... that they did not get rid of Richard's bones.
And his Vienna sausages.
Yes.
Uh, is-
If you were Richard-
Uh-huh
... and you're, you're 330-some years old-
Yeah
... isn't a gift shop blowing your mind? Aren't you just like, "Holy shit"?
I'm on a T-shirt?
Yeah.
There's lights.
I, I don't know.
I was basically, you know, living alone in-
You're like, "The Knicks have gotten how far with a small guard?" [laughs]
Dude, I, I'm just, like, I was living alone in London, one of the greatest cities in the world, for seven weeks, and I almost lost my mind.
Yeah.
He was in a box for 300 years, and he came out pretty chill.
I know.
Take that, Nate.
[laughs]
[laughs] I'm saying-
Maybe keep it together a little.
[laughs]
Yeah, chill out.
Yeah, so I, uh, I was okay with that.
He's a little bit, he's a little bit touched, you know? He's a little bit different kinda guy.
Buried Alive, having a moment?
Yeah.
Hm.
Top five burials alive.
Alive burials.
Don't list the other three.
The Bride.
Oh, you wanna do the other three? 'Cause this could burn us if there's another one we're forgetting.
The Bride, the Ryan Reynolds movie, uh, Buried when he's-
Which was a remake of a, like a Danish movie, right?
Of course you know that, yeah.
Uh-
This is what it means to be...
This is the international sign for being buried.
How would you know that?
Because the movie's in Danish and I didn't understand any of it except when the guy was like this.
Who's another really good buried alive person?
Uh, Nicky Santoro in Casino.
Oh, yeah.
Spoiler, sorry.
Nicky's barely alive when he goes in.
I don't think that's a distinction that's worth noting.
Yeah, doesn't, don't they hit him with a bat, like, 150 times?
Yeah, but not, but he's alive.
I'm not saying he's alive for long, but-
Mm-hmm.
Let us know your favorite.
Uh-
[laughs] That'd be good
...
Evan, now you, you've talked a little bit about the, the links you're seeing.
Mm.
The theories you're, you're theorizing about.
Mm-hmm, mm-hmm.
Um, he is an example of another thing that this show does really well, which is it can have storylines that last 25 minutes-
Yeah
... and are deeply satisfying.
It can have storylines that last multiple episodes, like, say, the mushroom trip, which obviously has aftereffects.
If you were Tom and you had just tripped your balls off-For multiple days.
Mm.
You'd probably be like, "Am I still high?" When you meet a 300-year-old man.
Uh-
Yeah, I-
But it turns out he shares something in common with him, 'cause of the mushrooms spoke to both of them.
The Evan plot is obviously, like, I guess, would you call this a season-long runner? Is this guy's rebellion-
Yeah
... and search for self?
Yeah, and by the way, Kingston Rumi-Saw, who plays the kid, is, is the presumed innocent cast having a moment.
Yes.
Him and Chase Infinity both having good careers.
They are having a moment, yes.
He's great.
Yeah.
Um, yeah, I think that it, it's, again, it's just the smart construction where it is often rebellious teenage characters are created purely to exist as stress and plot creators for the main character, but this kid is given the dignity of his own plot line.
Like, there's a tiny moment in the episode where he is, you know, called out or caught by Bashir, the sheriff, and-
Yeah
...
he says to him, "Would it be cool if when I turned around to go back to my friends, I yelled, 'Fuck you, pig?'"
Yes.
And Bashir says, "Absolutely not." But then he, but then the camera cuts back to him to smile about it, and it's like that's a human moment-
Yeah
...
in a show that would otherwise m- you know, might not need to have room for that.
I do wanna digress again, which I know is off-brand for this podcast, especially today.
But as our resident pharmaceuticals expert, you were asking-
Shh
...
Tom's experience in the previous ep- uh, two episodes ago, was that similar or dissimilar to when we met for the second time ever on the streets of South Philadelphia-
I don't think my mushroom experience-
...
in 1996
... was nearly as intense as those guys.
I think that they were dealing with some serious shit.
Yeah.
Mine was, like, four hours long-
Yeah
... that night.
Yeah.
And largely enjoyable other than-
Mm-hmm
... seeing the Death Star in the sky.
Oh.
And maybe feeling like I was in Apocalypse Now.
Somehow the Death Star has returned.
And then my buddy tried to climb into, um, like a two-by-two shelf in his closet.
[laughs]
How'd that go?
Didn't work.
I mean, but he was like, "I'm going in there." [laughs]
But what's weird is, and people who want the full story of this can listen to the, uh, Trainspotting episode of Rewatchables.
Sure.
I think we get into this in great, great granular detail.
But-
We should create a lore playlist for... [laughs]
For my, my, my memory of what was weird about my experience was that w- me and my girlfriend at the time were walking downtown towards Tower Records to buy the A Tribe Called Quest record that came out that night.
Yes.
But we were stopped-
Did you do the work? [laughs]
I do the work.
#ally before that was a thing.
Um, we were walk- and we were stopped by-
Is that the love movement? Or Beats Rhymes and Life?
No, Beats Rhymes and Life.
Okay.
We were stopped by police officers from walking down a street saying, "No big deal.
Can you go around? There is a suspect on the loose on this street."
Did you ever find that guy? You know?
And then a block later, I see your ass and you were just like, "Hey, what's up?"
[laughs]
Now, did you interact at all with the police activity that night?
Uh, if I did-
'Cause I think that would've freaked you out
...
I, I don't think I did.
I did- I was aware of that activity.
But you know what?
You were focused on the big picture in the sky.
I also think Philly PD, they try to keep the crowds moving.
You know what I mean? Like, it's-
They always say it.
Yeah.
[laughs] Man, what a show.
I'm so excited for these last few episodes, so eight, nine, and 10 still to come, uh, over the next three weeks.
As a segue, 'cause we're gonna talk about Spider-Noir in a second, and, and Spider-Noir does not deserve all of these strays, but it's just, it's what we got this week.
It is what it is.
I wanna uplift Widow's Bay even further just to say that this show exists because Katie Dippold was passionate about a story, and a vibe, and a tone, and a type of show that she wanted to make, and she found incredible partners who were, um, open-minded and excited to join in and bring their talents, in Hiro Murai and everyone else that she assembled to make the show.
It only comes from that relatively pure creative act.
Yeah.
Her...
Which is rare in movies and in TV these days, where a lot of what we see is an example of people doing their absolute best work to clear a relatively arbitrary bar that has been set for them by rights holders or development executives or network executives or whatever.
Mm-hmm.
That's part of the job.
Yeah.
Um, and it can be done well.
You guys are all free to write novels.
Yeah, [laughs] exactly.
You know? It's like...
[laughs]
For free.
To be subsumed by generative-
This message is brought to you by Apple Card.
[chime] Hey, you could be earning 2% daily cash back on that purchase [chime] and that one [chime] and even that one.
That's because Apple Card users earn 2% daily cash back on every purchase, including everyday items they buy online or in store when using their Apple Card with Apple Pay.
Not an Apple Card customer? You can apply in the Wallet app on iPhone.
Subject to credit approval.
Apple Card issued by Goldman Sachs Bank USA, Salt Lake City branch.
Terms and more at apple.co/benefits.
This episode is brought to you by Brooks.
Running connects us to a rush of energy that flows through our world.
The cheers of friends that unlock a new gear within us, the intersection of interests that inspires a run crew, the support that gets you over the finish line.
Connection is why we move forward and what inspires us to keep going.
Let's run there.
Learn more at brooksrunning.com
Of AI.
I think this is actually segues nicely into Spider-Noir, as you alluded to.
So Spider-Noir is a new show, uh, executive produced by Lord Miller on Amazon Prime.
Whole season's already up.
It is a, uh, extension, I guess, or a riff on a character that Nicolas Cage played in Across the Spider-Verse, I believe.
Yeah, in the Spider-Verse movies-
Yeah
...
he voices a version of this character.
I, I do think it's a sad sign of how cooked we are that all of the press for the show makes it clear that this is not the same character.
Yes.
Because it could be.
I, y- I-
This is another iteration or expression of the idea of that character.
It's, it's really weird that, like, they, that they are making that m- Like, it's almost like they wanna keep the sanctity of these animated blockbusters-And do like a spinoff of it, but not explicitly because, like, what if it doesn't work? We don't wanna damage the brand.
I don't, I don't know
Well, also that it's more...
It's, but it's even more than that.
It's that there is an established canon to th- these fanciful and honestly brilliant Spider-Verse movies that contain the idea that there are thousands of s- spider people.
Mm-hmm
And sometimes spider horses and cars, and that each one has a very distinct identity.
And so to protect the gentle, uh, souls of these devoted fans, they have to be, make it clear that this Spider-Noir is not the same Spider-Noir.
There's just more than one.
Okay.
Gotcha.
Are you feeling better about that?
Yeah.
This is a show set after World War I.
One
Uh, and it stars Nicolas Cage as Ben Reilly, who is this, uh, sort of retired Spider-Man-
Mm-hmm
... now private detective-
Mm-hmm
... investigating a, a- an honestly, like, beyond synopsis s- set of missing persons cases and, and trying to track people down and trying to get blackmail and-
Mm-hmm
... interacts with, um, several, I would assume, canonical Spider-Man-
Iterations of them
... iterations-
Mm-hmm
... of Spider-Man villains.
It is an incredible cast of-
Truly
...
Cage, Lamorne Morris, uh, Brendan Gleeson, Lukas Haas.
Lijun.
Lijun.
Li Jun Li.
Li Jun Li, um, Cameron Britton, like-
Your guy, your guy Jack Huston.
What, the list goes on.
We'll get to him in a minute.
You ever watch Bor- Boardwalk?
Yeah.
[laughs]
The whole thing?
Yeah.
Do you remember Grantland?
We used to do the damn thing back then.
We put seven shows up-
Yep
... and we talked about them.
Who put the shows up, the podcast?
The TV networks.
They were like, "Here's seven TV shows this year.
Enjoy."
Oh, yes.
[laughs] And we were like, "Yes."
I wasn't.
I was like, "Actually, this is problematic," and people hated me for it.
Boardwalk Empire?
Yeah, yeah, yeah.
Was that the first time you snowflaked out?
I didn't...
First of all-
[laughs]
...
I've been snowflaking out since I first watched the triathlon in 1986.
Look, what do, who will think about the sea life that these people are disturbing?
Oh, their legs are damp.
Um, who wants to sit in a wet bike seat? Um-
That is actually like a pet peeve of mine.
See?
Uh, wet, wet swimsuit, shorts on a bike seat, chafing.
Thank you-
Yeah
... for speaking your truth.
Yeah.
Usually you hang me out to dry with this stuff.
But the way I say it sounds kinda cool and-
It does sound cool
... and, like, normal.
[laughs]
You know what it also s- I know.
It also suggests that your childhood was, like, fucking, um, Goonies all the time.
Yeah.
[laughs]
And I was just alone in my backyard going like this, except didn't have a backyard.
Anyway, um, no, Boardwalk Empire, I was like, it was kind of like, uh, uh, prestige karaoke even then.
Yeah.
It had some moments.
The reason why Widows Bay is able to pull off the two episodes that they did this week is because of choices, confidence in those choices, and commitment to those choices.
Okay.
I think that nothing sums up how I feel about Spider-Noir, the two episodes that I watched, and, and sort of some light scrubbing through some of their episodes.
Nothing sums up how I feel about it more than the fact that when you click play on the Amazon Prime Video app or, or site, you are offered a choice between true hue color-
Yeah
... or authentic black and white.
Now, there's a probably a reaction some people have where they're like, "Cool, I love choice." I want, I want them to choose.
I don't actually like this.
Present the show you want me to see.
And I think it's-
Have some...
Mm-hmm
...
I think it's indicative of how I ultimately feel about this show, that neither looks very good.
I agree.
Uh, the black and white is not high contrast enough for my taste.
It doesn't have the atmosphere of old noir movies that I think it's looking for.
It kinda has a monochrome to it.
Yes.
And the true hue looks like running Sin City through a color, uh, like colorizations program to, like, pop colors.
Mm-hmm.
And I kinda found it really distracting.
Um, and I, I have to say-
Mm-hmm
...
I, I don't know if I've really ever talked about this.
Oh.
I'm not a huge Nicolas Cage guy.
Wow.
I like him.
Yeah.
I like him at his peaks.
I like him at his-
Mm-hmm
... his lynch weirdness.
I love Raising Arizona.
Yeah.
I love Wild at Heart.
Yeah.
I love, uh-
Moonstruck
...
I love The Rock and Con Air.
But I am not, like, everything this guy does is so fascinating and, and-
I agree with that
... and awesome.
And do you feel like he's, like, kinda playing with one hand behind his back in this game, like, or something? Like, or, or I don't know.
Why am I, like, I'm, like, way more into Brendan Gleeson and Lukas Haas in this show than I am Nicolas Cage?
I, I feel like I'm gonna meet you halfway on this.
I think that Nicolas Cage being the star of the show and making the choices that he makes is probably the most interesting thing about it.
Um, that said, I agree that it ultimately is not that interesting.
I think it's fun seeing an actor who I think is, this is not a controversial opinion, hasn't, hasn't had laser focus for swaths of the last two decades in terms of his career choices and-
He's got, got some notes to pay off, yeah.
It's true.
Um, so to see him kind of, like, relatively locked into something, um, that he could do quite easily is amusing.
Mm-hmm.
And there are moments, like there's a moment in the second episode when he, when Ben Reilly pretends to be a plumber, and so it's Nicolas Cage pretending to be someone pretending to be someone, and you feel the liveliness of it that pops even in the, I agree, the kind of cloudy black and white.
Sidebar, like, if you wanna see an argument for black and white in the 2020s, watch Ripley.
Mm-hmm.
Which is every frame is so beautifully considered and composed that there's no other way that you could imagine seeing it.
And I would say, I don't think this is-
Brother Elswick goat season right there
...
but it's also, it's not anecdotal to say this.
This was, like, Garrett Bash, who's the producer of that and producer of many, many other FX shows, um, works with Taika Waititi a lot.
Um-Basically said that they just shot it one way, and then they told Showtime, who they were making it for, "That's what we did." Because Showtime was like, "Can you give us options?"
Yeah.
And I think giving options is a hallmark of a successful contemporary creative career, but it is not necessarily the quickest or straightest path to great creative solutions.
Mm-hmm.
So in the case of the show, um, Oren Uziel is the showrunner, and I think that he has done a really, really solid job doing something that I'm not sure is possible to do in a way that would satisfy us.
Yes.
And w- and what I mean is he is clearly a talented writer and clearly a talented storyteller and clearly confident in the ways that are necessary to get something like this over the finish line and get it made.
Um, but some of the things that are most on display here is a very contemporary writerly skill, which is tightrope walking, which is finding or trying to find a healthy balance between the two great flavors that don't always necessarily taste great together.
You can see the indecision in the, the options of how to screen it, but for me the most damning indecision of the show is, is this a noir show or is this a superhero show? And I know which side I find more interesting, and I found it as I watched a couple episodes of it, the constant re- safe return to the home base of, but actually that guy's The Sandman.
Actually it's just gonna be a superhero fight.
If he gets pushed off the roof, he can always sling some webs to...
Yeah.
I, I found that...
I, I don't even know what the word is.
It's not disappointing.
No, I know, but it's just like the-
I just found it non- non-elevating.
I think that because of the dominance of superhero and comic book stories over the last 20 years-
Mm-hmm
... you and I have, have often said, like, "Use it as a Trojan horse to make the thing you really wanted to make." And I, I, I don't back off of that, but if a guy gets shoved off a building, it's supposed to be a dramatic moment where you're like, "Is this it for this character?"
Mm-hmm.
And, or, you know, even if he's just at the edge of the building, 'cause that's a place I'm sure there's dozens of noir moments where guy's got a gun on our hero and he's standing at the edge of a roof and it's just like, what's gonna happen? I think that if you can throw webs from your wrists to save your own life, it kinda just robs the dramatic moment, and that's something that comes up a couple of times in these two episodes that I've watched.
I also...
I mean, as noir storytelling goes, I have found it a little bit too in between-
Yes
... one long story and episodic stories of like, "And now I have another case this week," you know? Um, it's a cool idea, and I applaud them being able to do it.
There's also a little bit of Agents of S.H.I.E.L.D. stuff happening here-
Mm
... where I'm like, you guys, is it Spider-Man or, or what? Like, you know, like l-
Choose.
Just, just...
If, if this is...
Like, let these guys cook.
Like-
Yeah
... like let them have the toolbox-
I, I-
Or don't, you know?
To me, what would be interesting...
I, I hear your point about like it just...
It's kind of a, a cheat code to reduce stakes if everybody can survive anything.
The thing that, that I was disappointed to see but not surprised to see was that the, eh- that everyone has superpowers.
Yeah.
What's interesting to me about the concept would be about a guy who's a private eye who is basically cursed with abilities that other people don't have, and then what do you do with it? Like, the idea that he could...
I mean, 'cause, eh, it is a classic trope of detective fiction and noir that the detective takes more damage than anyone could possibly survive-
Yeah
... and keeps coming.
He would have maybe a more legitimate reason for being able to get back up again despite the bruises, but the first person he encounters in his detective mission can ignite himself-
Yes
... on fire, which is immediately makes me just...
That, to me, that flattened the stakes.
If, if there's gonna be two shows where there are the normals, and Lamorne, Lamorne Morris is doing a great job playing Robbie Robertson, another canonical journalist character from the Spider-Verse.
He fits into this world like a glove and is having a lot of fun, and the scenes with him and Nicolas Cage pop for me.
Yep.
But he's existing down here with the normals, and Ben Reilly's up here with the, the super-powered freak shows, and that is less...
That, I find that less interesting.
Did you like the stuff with Gleeson and Haas, the Silvermane stuff?
I like those actors.
Yeah.
I, I, I like those actors.
I, I, I think my, my biggest disappointment is, um, as television shows' budgets have gone up and visual spectacle has gone up, the opportunity to really, to, to make the writing, for lack of a better word, more muscular and kind of the star has gone down.
And certainly there are plenty of things that are overwritten, but, um, the idea of the writing being the star of a show is not really in vogue.
Everybody wants to have room to have the, the banter that goes bang, bang, bang, bang, bang and then the scene starts.
Yeah.
That bang bang is noir.
That's noir dialogue.
And so I wish there had been more opportunities to play that out because eh, eh, instead it kinda fell flat to me.
You have the trappings of what it's supposed to be with Li Jun Li as a, you know, as an ingenue.
Femme fatale, yeah.
Femme fatale.
And you have Ben Reilly as the put-upon, um-
Gumshoe
... gumshoe who wanders into her place of business where he doesn't belong, and he's, he's declassing the joint.
And then you have dialogue where he's like, "Well, a singer has to know all the numbers.
Maybe a detective has to know all the answers." That's not that snappy.
Mm.
That is the, a simulacrum of snappiness, you know? So I...
But again, there are a lot of mouths to feed when you have a show like this.
Yeah.
And you know, I, I, I wanna be transparent 'cause we touched on this when we brought up the trailer.
Like, this was, this was something that, that I pitched on and I was involved in, and I don't want this to sound like sour grapes because I did not get this job.
Sure.
I did not deserve to get this job, and Oren Uziel did a much better job than I ever would've.
Um, but it was interesting to be inside of the process of how stuff like this gets made, and truly the way stuff like this gets made is off of the success of the Spider-Verse movies or-
I think that anybody who works...
I, uh, most people who work in 2026 probably know the experience of, wow, there's a lot of people on this Zoom now.
How did this happen? You know what I mean?
Yes.
And it's like, it's not, that's not a bad thing.
Nobody involved probably has ill intentions, and you know, the way that those things kinda bloat is naturalBut there, you could probably do, like, a, a hard, a clear-eyed assessment of, like, what's this person, what's the...
Like, what is the reason why this person is now giving me notes about this stuff or whatever? And it's, you're right, part of the job of the 21st century screenwriter/showrunner is to p- please all the different-
Well-
... stakeholders.
A- and because the genesis of this is Spider-Verse was a big hit, and so Sony and Lord and Miller, um, sold a package of Spider-Verse shows, creatives unattached, to Amazon.
Yep.
And the first one, which was Silk, went through two or three showrunners over a period of years, and eventually frittered out, never got made.
The process that I was a part of, uh, for this one frittered out years ago and was stopped, um, and then restarted a year later, and, and then this was the development process of it.
And, but even in my limited experience, like, Lord and Miller are, t- I mean, I think they're geniuses with what they do.
Uh, no one does what they do, and it's incredible to watch the final product of.
Um, they are also creators.
Mm-hmm.
So to walk into a process that's like, "We, we have these toys.
What do you wanna do with them?" Because Amazon's gonna make the show if we hit the target that we haven't been able to fully articulate yet, and then you also have the stakeholders who wanted a superhero show, and the sup- the, the stakeholders who wanted to be involved, but maybe not as involved-
Yeah
... and then there's the Marvel presence, and then there's Amy Pascal, and, like, that's really, really hard.
So I bring that up not to spill personal stuff, just to say, like, to get this show on the air looking really good is fucking amazing.
Yeah.
It's just ultimately n- not something I think I, I think we wanna spend eight hours watching, and it's incredible that it's there.
All of these good intentions, good performance, and good thinking that went into it.
What do you think is the logic behind making it a binge?
Um, I have no idea.
Yeah.
Yes, three, one, one, one or whatever, yeah
...
but the first season was a binge.
Oh, yeah.
So I think that Amazon has some internal metrics that are like, for this type of genre show or this fan base, it's better to give it to them.
Well, it seems like, yeah, if I remember correctly, I think, I think Off Campus, which is a big hit for them, went up as a binge.
I imagine any successive-
Yeah
... seasons of Off Campus-
They'll pull back
...
I could see that being pulled back.
I think the Summer I Turned Pretty happened.
I mean, it's, it's been interesting to watch that network, I wouldn't say stumble into, 'cause I'm sure it was very, very conscientious, like, kinda owning YA and owning-
Yeah
... like, young female romance stories.
Mm-hmm.
They have, like, a whole vertical there where it's like obsession is in session, and it's like not only is it a bunch of originals, but they've curated all these, like, movies-
Mm-hmm
... that they think fit into this aesthetic.
I wonder whether or not they'll continue to do stuff like that.
And Peter Friedlander, uh, you know, who we remember from Netflix, is in charge over there now.
But, like, I, it'll be interesting to see if that streamer in particular becomes l- less about release dates and more about, like, centers of interest, verticals basically.
I think that's a s- that's a, I don't know if it's smart.
I think it is a, um, clever and defensible programming strategy.
But I would say that the executive mandates and executives themselves have moved around so much at a lot of these streamers and services that even what we s- we have done podcasts where we, where we were like, "Ah, Paramount Plus' central argument for existence is coming into focus."
Yes, right.
It's working for them.
They found a couple things that work-
Right
... and they're building from them, mostly Taylor Sheridan and, and s- just the shows that fit into that, um, aesthetic.
Taylor Sheridan's gone, uh, under the new, uh, uh, leadership there.
Co- cover...
I mean, Dutton's doing very well and-
No, I, I mean, it continues-
... you know, I think he's going to finish out a couple of shows, but yes.
For sure.
Duttons-
Yeah
... he- Dutton Ranch is a huge hit.
The Ter- The Terminal List, and Reacher, and-
And-
... and Jack Ryan, and, like, dad stuff, yeah.
And we don't fully know what their direction is gonna be under Peter Friedlander, but I thought it w- but I noted with interest, and we've talked about this briefly with, with Kaya, not the show itself, but the release strategy, that Terminal List I think has been on the shelf and is finally getting a release date for its second season, um, in October.
Mm-hmm.
So if they wanted to keep pumping that well until it was dry, they haven't really done it, and that might signal that that's not what they're doing.
So I, I don't know the, the, the-
They just wanna get Terminal List closer to midterms.
Oh, yeah.
Yeah.
Or, or they're trying to read the electorate.
[laughs]
[laughs]
Do you think that the plight of the white Afrikaner farmer is, like, gonna be a real driving issue in Maine?
I, I just wonder, this is probably a topic for a d- a d- a different show, but I wonder if in...
I, I know that when we've talked to Casey Bloys, like, when he- Casey came on the show-
Mm-hmm
...
he talked about how he was like, "I'm on 20- spring of '28."
Yeah.
I'm, I'm planning out-
Right
...
HBO has that thing where there's this baton pass from one show to the other over the course of a year.
They try to do that, yeah.
There's usually, like, a couple of weeks of, like, docs or event programming-
Mm-hmm
... or whatever, but, you know, you usually have, like, a Sunday night, like, show that to hang your, your laundry on.
And I just wonder whether or not as people increasingly find themselves detached from the cable bundle-
Mm-hmm
... and also watching things almost entirely on their own schedule and entirely up to their own tastes, in the same way that, like, I know Drake put three albums out last week, but in some ways I don't feel like that happened, you know?
[laughs]
Because in my algorithm, it's just not a huge deal.
Do you basically get away from the release schedule as a-Paradigm for television and make it more about, like, what we want is to have stuff there so that when people have found-
Mm
... a vibe that they like, they can continue to watch things.
Netflix has explored this, for sure.
Yeah.
But Amazon and their really strong links to, uh, the publishing industry, I think is exploiting their kind of ability to be like, "This book is hot, make it into a show.
This book is hot-
Yeah
... make it into a show." So it'd be, it'll be interesting to be talking about this deep into the Talarico administration, you know? [laughs]
Yeah, I, I, I can't wait.
I think that one of the less talked about in terms of the front-facing, like actually watching TV show storylines is, are these streamers better serve programming for untapped viewers who will sign up for the service?
Uh-huh
Or i-
Making deep obsessives of the people who already have it.
Yeah
... 'cause that's what we have." Um, there was some really interesting reporting in the last month, and also a good episode of The Town Podcast about this, which is like Peacock saying, "We're getting closer to profitability," and then looking under the hood and what does that mean.
Yes.
And the most interesting thing about that to me wasn't the, the, the rise in subscribers and what the NBA has done for them, it's the fact that like apparen- I, I, I'm paraphrasing here, but that the churn rate was still very, very high for that service.
Of people signing up and then like...
Yeah.
They sign up for the NBA season and then they sign off.
It'll be interesting to see how many people cancel after NBA.
Yeah.
And I, so the, so maybe the tier isn't the subscriber number, it's the stability number of like how many people you maintain from the people you get at hot times of the year.
It's one of the reasons why I've always been confused when there seems to be overlapping Taylor Sheridan shows, 'cause I'm like, "Couldn't you just spread these out so that there's 12 months of Taylor Sheridan shows and you don't have anybody ever trying to cancel?"
That sounds like a, like a YB.
That's a me-
The playoffs are here, and you can predict the action all the way to the finals with FanDuel Predicts.
Follow all the playoff dishes, swishes, wishes, and misses.
Predict the spread, the total points, and even the game winner.
Sign up for FanDuel Predicts and predict it from the couch.
Offered by FanDuel Prediction Markets LLC, a registered futures commission merchant.
18 plus.
Trading derivatives involve significant risk and may not be suitable for all investors.
Manage your activity with our consumer protection tools.
Want to support your gut health? Take Activia's Gut Health Challenge by enjoying two Activia yogurts a day for two weeks and see if you feel a difference.
With billions of probiotics and 20 years of scientific expertise, Activia is one of the easiest and tastiest ways to start your gut health ritual.
Try Activia today.
Enjoying Activia twice a day for two weeks as part of a balanced diet and healthy lifestyle may help reduce the frequency of minor digestive discomfort, which includes gas, bloating, rumbling, and abdominal discomfort.
Problem.
Yeah.
[laughs]
Let's talk a little bit about Top Chef and, and just do some After Dark, huh?
Yeah, do you wanna ...
So we, should we just wrap up Euphoria?
Oh, yeah, let's-
Next week?
You can keep Euphoria.
Well, I, I like After Dark Fre- Euphoria.
It mirrors Nate's last moments.
[laughs]
Well, should we...
I mean, we can touch on it.
I feel like we should hit it harder next week because-
Yeah, but let's just, uh, I wanted to just say I, I am up to date on Euphoria, as are you.
I am up to date on Euphoria.
Um-
I'd like to text you to let you know I am
...
this is the penultimate episode of the season, and likely the series, I would imagine.
Um, and for the first time-
Hmm
... perhaps in this show's history, I was bored.
I, I, I've been using-
Whoa
... that as a bit of, like a little bit of a metric, but I just found despite the intensity of the episode-
Mm-hmm
...
I felt like I had seen these scenes before, like there had been...
We were-
Mm
... repeating a lot of beats.
And I thought cinematically there was some brilliant stuff in it.
I would watch Colman Domingo and Zendaya-
Yeah
... as I have in the special that they did, where the two of them talk about addiction and, and spirituality and salvation and redemption extensively.
Uh, I think that their relationship, Ali, Ali and, and Rue's relationship is fascinating and I thought Ali's, you know, sort of origin story and him going through the pandemic, losing people that he's the, um, sponsor of, was heartbreaking and fascinating.
Not only heartbreaking.
One of the things, I mean this as a complimen- compliment about this season of television, is that there have been a number of fully formed, pretty compelling television shows just tossed out on the table-
The, the cutting-
... like stuff you find in a pocket
... and the shooti-...
Like, Natasha Lyonne makes a cameo as, as a prostitute living with Ali for a while.
Like, the cutting and, like, the banter and the energy and the electricity coursing through that-
Yeah
... is absent when Maddy is on, like, page, like, like the 70th iteration of I'm a pimp but I'm also a manager's assistant, but now I'm a pimp again.
And I, I think ultimately, like, Levinson probably had to, like, unite the threads-
Yeah
...
in some ways.
I didn't know he was going to try, honestly.
The Lexi narcs out everybody [laughs] and then Maddy narcs out everybody thing, I, I just really hit my head against that.
I was like, I, I don't think these people would be that naive.
I don't think-
Yeah
...
Maddy would be so naive as to, like, idly tell Alamo that Rue is now working for the DEA.
Yeah.
That's fucking crazy.
Uh-
But didn't you feel it coming when she just brought it up herse- when Rue blurted it out?
Yes.
And I felt it coming when that scene went on for a long time, being like, "Obviously this is going to get away from Lexi as she just passes this along."
A- a- and not to carry water for it, I was starting to feel like in this episode there is a version of, or there is a defense of the show baked into the idea that the Holly, the, the Hollywood writer from the comfort of her very nice apartment with beautiful old film posters that she clearly bought at, on Posterati, great place to browse-
Mm-hmm
... no ads, but I like it.
Um, that all of this madness is springing from her imagination in a way.
Well, and that was a s- season two-
Hmm
... e- element, was like, you know, Lexi writing a play about-
Right
... season two, basically.
Right.
So, okay.
Uh-But yeah, I, I think I had n- the last time we talked about Euphoria, I had sounded the alarm that, or maybe I, when I was kind of monologuing-
Mm
... about it, which point I-
On the podcast-
Perhaps there's-
... or in your life?
On the podcast where I mistakenly said that Jesus Christ saw the burning bush and not Moses, which goes to show you what Quaker education does for your, [laughs] your biblical studies.
Was that the light within?
Yeah.
Was it the burning bush?
I, uh, I just thought that the crime stuff was starting to reach its, it was getting a little high up in the atmosphere and losing oxygen and, and I, I think this has been proven true.
Like-
Mm-hmm
... bringing together Alamo, Nas, Nate, Maddie-
Mm-hmm, Cassie
...
Cassie, and by extension Rue and the Laurie stuff, I just think it's this like he has to do that to end the show, but it, it, it just didn't feel as graceful as some of the other moments that this series has for me.
I think the biggest compliment you could give the show is that it is a wildly expensive, wildly audacious, improvisatory exercise by someone who had, not a blank check, but had a lot of open road and a lot of big stars and a very small window in which to get them all together and to see what happens.
Yeah.
It's diminishing returns in terms of just, um, compelling entertainment, I think is, is fair to say.
I, I do wanna just circle back to the idea that Colman Domingo is so alive in everything that he does, and the show, I don't know if it's a full show, but about a, uh, recovering addict, uh, who has become a sponsor trying to keep people alive during COVID, I would watch that show.
Sure.
And the, the, the short story version of it we got was incredibly compelling, and also has something...
This is not really a fair audience thing to do, I think, consistently, but it, it's, but sometimes I feel like you can feel a creator lean in, you know-
Oh-
... to things that-
For sure
... that are touching the third rail.
I mean, the Alamo origin story too, I'm sure you...
I know that you were, like, probably rolling your eyes a little bit at that, but I thought that had energy and I, I thought it had POV, it had like-
It had juice.
Yeah, it had juice.
And so-
And, and, and that is a marked, uh, distinction I would say from the scenes that increasingly to me feel like outtakes from, like, a Bugsy Malone movie where kids are playing dress-up.
Well, and then you get to the Nate part, which is just, like...
I, I, I, I suppose on one hand I could make a defense for it where it's like, you know what, like, there is no such thing as character armor on this show, and, uh, or plot armor or whatever the term is.
But, like, just because it's Jacob Elordi doesn't mean that he's gonna escape from a burial.
Mm.
Uh, you know, that was a, one of those character arcs that makes you, uh, frankly wonder, like, what the relationship between the creator and the performer is.
It's aggressive.
Um, because he doesn't really have a lot to do other than get mutilated this season and then he dies.
And-
You know? Like, I-
And, and, and I need your context for this because, uh, uh, we touched on this, not watching the first two seasons I am completely unaware of his-
That character's a bad fucking guy.
Right.
And, like, you could say-
So was it, so was this justice?
The...
But that's the thing, is that as Rue and Ali talk about redemption and, you know, how do you feel about, like, the fentanyl you've brought over-
Mm
... has killed people, and what, what is, what is salvation and redemption in the eyes of that, like, I, y- you know, obviously Nate, I think that might be what they're trying to say, is that, like, this is a guy who didn't deserve to get out of the hole.
I don't know.
I mean, like, that is also, like, I, I would be very curious to know what Sam Levinson said about that, you know? Maybe at the end of the season he'll talk a little bit more openly about some of this stuff.
Um, you know, you can also speak to Elordi's popularity as an actor and his, his busy schedule and wonder how much of this-
Mm-hmm
... was like, "We have X amount of time with Nate."
Mm-hmm.
"It doesn't work.
He's not gonna be able to show up at Laurie's house with two guns to save Cassie or something like that.
Here's what we're gonna do with it." But that felt like a very small plot, like a, a subplot-
Mm-hmm
... that just got extended for seven hours, and it's, it was an unsatisfying conclusion to an end of a character who's been on the show the entire time, I thought.
I, I hate the Maddie and Cassie story more.
Okay.
I find it just completely torturous to watch and un- and so, so deeply uninteresting, especially because it just kind of, this episode just undoes everything that happened the episode before.
It's like the, "She's popular on OnlyFans, now she's gonna be in a TV show.
Now she's not on a TV show, now she's gonna go back on OnlyFan." And it's like I, I don't, I don't find that particularly compelling drama for characters that I'm not-
There's also just something missing there where it's like was Ca- I thought Cassie was sending Nate money.
Was he not using that money to even put-
Or had she stopped because during this brief respite-
She was like, "This is awesome.
I'm getting so much money, but I'm still living in, like, a courtyard apartment." Like, I, I don't really-
But, but maybe the money stopped concurrent with the brief pause on her OnlyFans account during the moment she thought-
Oh, like people canceled? But, like, she would've made-
I don't know.
I-
I, I just don't understand, like, what happened there.
Like, the-
I, I, I don't either.
And I will say again, you know who, you know who is giving one of my favorite performances on the show is Sharon Stone.
[laughs] Where she's like, "You're right, who gives a shit?" [laughs]
Yeah.
The Brian Grazer cameo.
Yeah.
Yeah.
Um, there are a lot of, I mean, there are a lot of good ideas and good performances tossed, tossed out here.
Yeah.
But, but what is it building towards? And I guess it's building towards, like most entertainments, a massive shootout.
Yeah.
Um-
Or, you know, I thought, I mean, the, it, it ended with, like, a, a really good, like, fuck cliffhanger.
Like, Faye-
Mm
... you know, a little out in front of her skis intellectually probably-
You think?
... as a c- a character being like, "I don't really know who to trust.
I feel betrayed by Rue.
I'm gonna wake Wayne up.
Now there's gonna be, like, this drama." So excited for that, excited for the finale.
When, when you, when you're faced with a choice between an old friend and a Nazi, what can we do?
Yeah.
It's kind of like voting in a Texas senatorial-
Uh-
... race
... let's do Top Chef crash out season.
Wow.
This is spoilers for the most recent episode of Top Chef.
Yeah.
Yeah.I
And I would say this ep- episode was so upsetting, Kai is not even here today.
Yes.
She, she is, she has taken a personal day-
Mm-hmm
... to just think about Seeger and what he went through, and whether that moose killed anyone.
[laughs]
The chicken liver pate.
The moose, yeah, not the snake.
I enjoyed this a lot as television.
Okay.
Did you enjoy it as Top Chef?
His...
Well, his behavior?
In the f- in the af- after the, uh, the elimination cook-
Uh-
... which takes place-
Yeah, I-
... over the course of several, uh, m- multiple days, but then ultimately they have to cook in the woods in the heat.
I, yeah, I...
It didn't both- that part didn't bother me at all.
Like, I'm excited to talk about it.
It was unexpected, especially for a show that has increasingly trended towards actually we can all, all get along, actually I am here to make friends.
Mm-hmm.
So to see someone behave in such an unconsidered way was almost refreshing.
Um, I do think that the emails we got, um, back f- like, asserting that Seeger is actually a pretty cool guy, um, all of them came from, I guess, Chef Seeger at-
No
...
Hotmail.com.
There were, there were people from, I think, Chicago who were like, "This, that was actually not representative of who he is," and-
I would say that it is.
I, he still could be a good guy, but I-
I think he just has a temper, yeah
...
but yeah, yeah, I would say so.
And so to see him crash out was a, a burst of energy in a show that hasn't had a ton of adrenaline this season.
But-
We haven't had a moment like that in years
...
in years.
And the judges were shocked-
Yes
... by it.
And it was such an insane hill to die on because, as you alluded to, he served melting chicken livers on 100-degree day.
Yes, and I think that if he goes back and watches this show, whether he thinks it's edited against him or not-
Yeah
...
I think he would see, you know, pride comes before the fall, and there was several moments where, you know, whether it was the whole hog cook that sent him home-
Yeah
...
the first time or, uh, this particular one where he was so confident that the gelatin was gonna make his chicken liver-
Yes, 'cause he's done it before
... 'cause he's done it before, but probably not in the woods with coolers of ice, which one w- was left open at a certain point.
And then I think, like, him trying to, like, "In fact, let's go to the tape on them"-
That was wild
... uh, hasn't, never worked in the history-
It, it, oh-
Nobody's ever done that.
Like, I don't think anybody's ever been like, "Let's look at the bylaws of Top Chef."
[laughs] Also, uh, he is also-
He also tried to take Jonathan down with him
... he's also a good cook.
He might be a good guy, as his friends attest.
I don't, this is a TV show, and being a good cook and a good guy doesn't have anything to do with winning the very specific peculiarities of Top Chef, which involve cooking a dish to the rules, but also to the technical specifications and arbitrary likings of a well-established panel of judges.
Yes.
Let alone vox populi of, like, a bunch of people showing up and being like, "I don't wanna eat that."
Yes.
You lost on that alone, even if it was well executed, I think.
So that, that was wild, and it was particularly wild because, as you just alluded to, he shouldn't have been there anyway.
Like, the show messed up earlier by giving him a glide path back onto the show that almost no contestant has ever been granted the grace of having.
I don't even know if it was really that much of a glide path.
I just think it is the way that they edited the series this year to allow for Last Chance Kitchen to have suspense also me-
But-
... meant that there was, like, a three-week liminal space of is Jen on this show, is Seeger on this show?
Well, they were caught-
Who's on Last Chance Kitchen?
They were caught very off-guard-
Yeah
... by their own rules of a different sort, and I think Daniel Fienberg in The Hollywood Reporter has a pretty good blow-by-blow of the screw-up.
But basically, like, continuing to tell Jen that she could hang out for as long as she wanted to even though she couldn't p- perform on the show, and also wasn't really lighting the place on fire anyway, created a circumstance where Seeger is outright eliminated, skips Last Chance Kitchen, where he probably would've been defeated by Rhoda, and then acts in this episode like he is entitled to a spot in the finale.
Well, Justin could have taken Seeger's spot, you know?
Yeah.
Justin could've just been like-
Right
... "Yes, I will go instead of Jen."
"I will, I will continue on."
"I will, I will..."
So a- all of that, but the bigger, uh, issue is the show's clearly just ravaged budget is really, really showing up on the screen now.
And I know that we spent time two weeks ago being like, "They never go outside anymore," and then they were literally outside sweating, watching their, um, parfaits melt this week.
But there's different versions of outside and being outside, and a week in which they go to Asheville, which in some ways is the show at its best, being like, "As chefs, we have a unique role in-"
The Asheville part was, was fantastic.
The Asheville part was okay, and here's why.
Well, the Asheville part made me wanna go to Asheville.
100% successful.
Yeah.
So if that is the goal, to both highlight a place that looked awesome and also highlight its recent struggles-
Its recovery, yeah
... and suggest what we can do and why we shouldn't forget about it, so mission accomplished.
In terms of the flow of Top Chef, I would say an episode in which they're like, "We're not gonna do a quick fire.
You guys are going to get into unbranded vans because we lost the BMW sponsorship and drive two and a half hours to a town in which you will drive by three to four interesting-sounding restaurants and eat snacks at one with no judges or the host present," felt pretty rinky-dink to me.
Like, have the courage of your convictions and fucking film there, or tell Kristen to get in one of these cars and go there too.
Well, it's strange too because-
And don't be like, "Drive by r-" I mean, this is what I do when people visit LA where I'm like, "That's a pretty cool small plates restaurant," and my guests are like, "Should we go there?" And I'm like, "No, we couldn't get in." Like-
[laughs]
... what, what purpose h- does that serve for anyone other than my own ego? [laughs] Do you know what I mean? Like-
Yeah
... that was insane, and then later-
You can eat there if you wanna eat at 4:45 or 10:00 PM, yes.
[laughs]
Yeah, ex- you're, you're welcome to it, but I'll be in bed at both those times, weirdly.
Yeah.
Um, but, like, then when Rhoda's like, "I made Filipino food because I was inspired by this restaurant," and the chef's like-
And the guy's like, "That's my restaurant"
... "That's my restaurant," like, okay, could we see it? Oh, you couldn't afford to show it to us? Come on.
It's a strange thing because a lot has happened this season where I feel like they have been battling the elements.
As my wife pointed out the other day when we were chatting about this, she was like, you know, it goes back-You remember the finale of, of Denver where, like, people's bread didn't rise 'cause they were cooking on the top of a mountain.
You know, like-
I think about it constantly
...
this, this, uh, this is not the first time that Top Chef has made elements in a, a, an element-
Yeah
... of the show.
The rain in the Portland season.
And there's also, you know, I think I am being a little bit n- um, more easily annoyed by, uh, you know, and now everybody switch foods with the person to your left or-
That was despicable
... you know, th- and now mystery diners are voting and we're not, or now, like, th- there's a lot, like-
Remember when they were like, "And now let us bring out our guest judge for quick fire, a guy no one's ever heard of"? Congratulations.
[laughs]
Yes.
You really, you, you really, you really did it.
But the strange thing to me is that Canada, which I know was a passion project for Gail to have-
Yeah
...
the show go there, was in my memory largely shot on a soundstage.
Yes, it was.
And North Carolina and South Carolina, which seems hot as fuck-
[laughs]
... has been 10 shots, like 10 shoots out, like, at a NASCAR track or in the middle of a public park or in Asheville in the forest, or not Asheville in the forest 'cause they went back to-
They went back and they cooked out-
... to Charlotte for the forest
... on the Appalachian Trail with a snake.
Yeah.
That just seems like why, why'd you guys do that? I mean, I guess maybe they listened to us and we were like, "Get the fuck outside," and they were like, "You asked for it.
Now it's hot as shit and nobody's mousse [laughs] congeals." Like, I guess we should take some accountability there, not that we can dictate what Top Chef does.
But I just feel like there's been ...
And, and Feinberg and, and The Hollywood Report does a really good piece, writes about these two institutions that he, like, I, I agree with Dan.
I wish every Monday had a Top Chef and every Wednesday had a Survivor.
Mm-hmm.
I would be a happier person-
Mm-hmm
...
if it was, like, a 12-month-a-year thing.
But-
And which night are the Sheridan Shows running in this 12-month scenario?
Uh, [laughs] they just run on my Vision Pro.
[laughs] There you go.
I think that in some ways, like, they've iterated too much to keep up-
I-
... with maybe perceived Joneses, and-
I don't think it's the iteration.
I think, I just think there's a, there's a budget thing going on that we're not qualified to talk about or even ask about, and I think that the, the, the answer to the question if you ask it too loudly is, do you still want the show? And, you know, it is the only reality show left, uh, competition show left.
That you watch.
No, it's the only competition show on Bravo.
Oh, yeah.
It didn't used to be.
I mean, Project Runway and ...
Remember, [laughs] I was still a fan of Work of Art, the art world one with Jerry Saltz from The Journal.
I mean, could you imagine them sell it to Food Channel? Like, Food Network? Like-
Uh, I, I, I have no idea.
It clearly still works on some level for the, the Bravo Comcast brand.
Yeah.
It's just they want it to work in this way, and I think you can see the ...
Like, this is a small thing because we watch it.
We'll either watch screeners or we watch it on Peacock, but it, currently the show is, this season the show's premiering on Bravo linear on Mondays at a time TBD each week, so much so that I, I saw Kristen on social media being like, "Don't forget, we're on at 9:30 tonight for some reason." Like, they're not-
She said that?
Yes.
They're not loving that aspect of it.
Uh, 'cause it's getting swallowed up by, like, Summer House stuff, right?
I, I would assume.
Yeah.
Um, but I do think it needs a rethink because this, these, this host and these judges can make worthwhile television.
Yes.
And the finale still could be good.
It's not their fault that they tried to iterate by having brothers and a couple and it amounted to nothing.
Yeah, I find that the, the judges have been marginalized this season too.
Yeah.
There's way too much noise going on around them.
I don't feel like I'm hearing ...
The thing that I love about this show-
Mm
... and probably my greatest engagement with it was this sort of run where I think they encourage chefs earlier in the season to cook, quote, "their food".
Yeah.
And to, y- you can think it's cheesy to be like, "I'm telling a story," or, "This is about, like, my background," but it actually produced compelling televisual storytelling to have somebody be like, "I've grown up through this-"
Mm-hmm
... "you know, French culinary tradition, but now I'm really gonna start cooking the stuff-"
Mm-hmm
... "that my mother used to make me-"
Mm-hmm
... "but put a, put my spin on it," or, "I'm bringing technique to something that traditionally is very rustic," or whatever it is.
I feel like Tom and Gail and Kristen, and then at various points, you know, like, before Padma, were really like, "You're on Top Chef.
Fucking impress us."
Mm-hmm.
Like, "Do it." And now I feel like there's just been way too many goofy things that have stopped someone like, for instance, Sherry or, or Jonathan, who ...
I just think Sherry's only now starting to be like, "I'm making this fritter because this is-"
Yeah.
That was cool
... "this thing that, and nobody's ever had this before," or whatever.
And, you know, even Lawrence, who I don't think is very, like, demonstrative about what's going on but has been cooking this amazing food all year, I don't even feel like they're celebrating it.
I don't feel like they're-
Well, because I think that the ceiling this season has just been wildly lower.
Now, again, you cannot ...
This is the vagaries of a competition show.
You cannot guarantee-
Yes
... a Buddha, a Gregory, a Tristan.
Yeah, and Survivor 50 just had this where it was like all the really great players kind of got voted off, and I think Aubrey's good.
It-
But, like, you just have, like, at the end a sort of weird mishmash of people.
Yeah, and I think that there was a moment earlier in the season where we're like, oh my God, Rhoda is another, um, like a Melissa or someone-
Mm-hmm
... who's just, like, uh, Melissa King, like, who's just, like, day one, oh my God.
Yeah.
You are rising to every occasion and you're surprising yourself, and we're on a generational run here.
Or, you know, you hope for someone like a Tristan who catches fire later and you're like, oh my God, the prince who was promised was here all along.
Yes.
You can't guarantee that year after year.
But what we're creeping towards now is Lawrence is gonna win, um, which is deserving.
I don't know about that anymore.
But, but, but I, but, but what he has execute, what he has done is a very, very technically precise and satisfying execution of what you were talking about, which is like I grew up eating this kind of food in a Cantonese household, and I am going to be able to execute a version of it that is elevated.
Yeah, like a fried catfish on a bao is, like, really cool.
Yeah.
And he baked the bread.
That was awesome.
Yeah.
That was an incredibly-... compelling performance, uh, performance on Top Chef in which you, the viewer who can't taste the food, sees the degree of difficulty and can just see that they nailed the execution.
Mm-hmm.
And that's satisfying as a viewer.
The rest of them are just kinda stumbling their way to the finish line, and maybe someone will step up.
But I h- I find it very hard to imagine that there's going to be a level of excitement, exhilaration, or inspiration in a finale for the way this season has played out.
And I don't ...
I think it would be a mistake, though-
I think Rhoda, Lawrence, and Sherry is a good final three.
It, it, it would be a decent final three.
Jonathan's still there, obviously, you know.
Um, the loss of Anthony hurts.
Yeah, man.
That was a bummer.
That, that sucked.
But I think that it would be a mistake to walk away from this season and be like, "Yeah, you know what? Sometimes, like, uh ..." Was the guy that won Denver, like, perfectly-
Joe
... like Joe.
Seems like a really good guy, good chef, good on TV.
But he has a restaurant.
It's good.
But, like, not necessarily the heights of ambition or technical, you know-
Or maybe not the drama of-
Sure
... of Brooke and Kristen or whatever.
Right.
Yeah.
So, okay.
Right, yeah.
So you can't guarantee that every year.
There have been down seasons in terms of the excellence on display or whatever.
But I think it would be a mistake to focus on that at the expense of the fact that the clear, clear, clear diminishment of ambition and budget is hurting the final product of the show.
And I don't know what to do about that, 'cause we're lucky to still have it.
Yeah.
But I don't know.
I, it's, I feel like that's the elephant in the room.
I would like to also, like, at some point ...
We have gotten so many emails about the Padma show.
Oh, she-
Uh, and-
Did they have budget? Maybe they did.
I think it might be worth checking out a little bit more thoroughly to see.
Uh, it's, it's odd that it was c- running concurrently, like, you know.
I mean, not odd.
Aggressive.
Aggressively.
Uh, let's wrap it up there.
Yeah.
Monday, this is the Euphoria finale.
Yeah, and so there's a couple other shows I wanna check out.
Yes.
I don't know if it'll be for Monday, but we have, uh, Maximum Pleasure Guaranteed on Apple.
We do.
Uh, we have the Amadeus show that is on Starz-
With Joe Barton
... that was on in the UK last year.
Watch those, yeah.
Um, I feel like there was ...
There's probably others.
I s- I, I feel like-
We need to also address the fact that, like, we're getting a lot of new shows.
Yeah.
And-
It's tiring
... tire- it's hard to finish them.
Did you watch The Burrows?
I did.
And I didn't watch all of it, but I watched, like, three episodes of it.
Is it weird to see actors that we think of as relatively young people-
Talked about this with Joe
... be like in Cocoon?
This is just like ...
Yeah.
Like [laughs]
Yeah.
Is it ...
Like, I, so-
It's, it's very well done, though
... a f- a friend was telling me about the show and was like, "Well, you know, there's a great scene in Bill Pullman's retirement home," and I'm like, "I'm gonna need you to stop there."
It's true.
It's true.
Uh, Kai, Sarah, thank you.
Kaya, thank you.
Uh, Andy, thank you.
Kai is coming back for the Top Chef finale.
That's why she's not here today.
Thank God.
Uh, we'll see you guys on Monday.
Everybody have a great weekend.
You have a great weekend.
Yeah.
I include you in that.
Thank you.
All the Branskys.
[upbeat music]
Did you know if your windows are bare, indoor temperatures can go up 20 degrees? Turn the temperature down with Blinds.com and get up to 50% off custom window treatments like solar roller shades and more during the Memorial Day mega sale.
Whether you want to DIY it or have a pro handle everything, we've got you.
Free samples, real design experts, and zero pressure.
Just help when you need it.
This is your last chance to shop up to 50% off site-wide during the Memorial Day mega sale at Blinds.com. Rules and restrictions apply.
“Wait until you hear Sugar's surprise”
“MobLand’s casting chaos gets dissected next”
“Breaking down Spider-Noir’s very puzzling presentation today”