The Justice Briefing with Dr. Jemar Tisby
Oct 16, 2026 · 1 hr 1 min · 14 segments
How do you tell a compelling story about racism, injustice, or social change without making your audience feel like they're listening to a sermon? What separates a story that moves people from one…
Here's what I find fascinating about your journey and what I'm just like a spectator sitting in the stands watching you shine like the starting quarterback.
The way I'm interpreting it, and I can absolutely be wrong, is like, you know how to network, you know how to market, you know how to create a... an image, not just of yourself, but of the work that pulls people in and says, Hey, I want to support this.
Like, can you, can you put any structure around that when you talk about making it happen and making it repeatable? Like what can somebody like me, who's like, I've been to a lot of school.
I got a lot of proficiency, but it's not always translating in the ways that it has for you.
I think, well, I'll say if I am really good, I'm not sure that I'm really good at marketing or some of these other pieces, but I think...
The machine just starts to do what it does, right? So like you look at like a book like Promise that was published by Macmillan.
The way promise boys came about was there, there was a book agent who read a script of mine who really liked the script and say, yo, I think you'd be a really dope novelist.
Here's what I find fascinating about your journey and what I'm just like a spectator sitting in the stands watching you shine like the starting quarterback.
The way I'm interpreting it, and I can absolutely be wrong, is like, you know how to network, you know how to market, you know how to create a... an image, not just of yourself, but of the work that pulls people in and says, Hey, I want to support this.
Like, can you, can you put any structure around that when you talk about making it happen and making it repeatable? Like what can somebody like me, who's like, I've been to a lot of school.
I got a lot of proficiency, but it's not always translating in the ways that it has for you.
I think, well, I'll say if I am really good, I'm not sure that I'm really good at marketing or some of these other pieces, but I think...
The machine just starts to do what it does, right? So like you look at like a book like Promise that was published by Macmillan.
The way promise boys came about was there, there was a book agent who read a script of mine who really liked the script and say, yo, I think you'd be a really dope novelist.
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