Branden MorganHost
[suspenseful music] On Sunday, November 9th, 1980, Valerie McDonald was trying to get out.

She was 26 years old, strawberry blonde, artistic and ambitious, an aspiring filmmaker and actress who supplemented those ambitions with modeling and cocktail waitressing.

Like thousands of young people who migrate towards cities where movies are made, music is played, and unusual people are permitted to remain unusual, Valerie had arrived in San Francisco, believing that proximity to creativity might eventually become opportunity.

She was moving out of the Tower Apartments in North Beach because something about the people around her had begun to frighten her.

Valerie had reportedly called her mother, Dee Dee Coons, and told her as much.

The building had fallen under the management of men with criminal histories, and the atmosphere surrounding them had become increasingly threatening.

Friends were helping carry her belongings out of the apartment that Sunday when 23-year-old Michael Hennessey appeared with a proposition that could scarcely have been better designed for the woman standing in front of him.

There was a movie filming, he told her, and Dustin Hoffman was starring in it.

To understand why those four words matter, forget Dustin Hoffman as the elder statesman of American cinema and imagine hearing his name in November of 1980.

The Graduate had made him a star in 1967, followed by Midnight Cowboy, Little Big Man, Papillon, Lenny, All the President's Men, and Marathon Man.

[laughs] Gosh, he had spent much of the previous decade becoming one of the actors who defined serious American filmmaking, and only seven months before Valerie disappeared, Hoffman had won the Academy Award for Best Actor for Kramer vs. Kramer.

Robert Benton won for Directing and Adapted Screenplay, and Meryl Streep won for Supporting Actress.

[gentle music] Hennessey's story was that this new Hoffman production needed an attractive blonde woman for a small role.

According to later accounts, the fictional movie involved Hoffman playing a detective pursuing a serial killer whose victims were blonde women.

There would be $200 in it for her, along with the infinitely more valuable possibility of appearing in a major motion picture opposite Dustin Hoffman.

[suspenseful music] On Sunday, November 9th, 1980, Valerie McDonald was trying to get out.

She was 26 years old, strawberry blonde, artistic and ambitious, an aspiring filmmaker and actress who supplemented those ambitions with modeling and cocktail waitressing.

Like thousands of young people who migrate towards cities where movies are made, music is played, and unusual people are permitted to remain unusual, Valerie had arrived in San Francisco, believing that proximity to creativity might eventually become opportunity.

She was moving out of the Tower Apartments in North Beach because something about the people around her had begun to frighten her.

Valerie had reportedly called her mother, Dee Dee Coons, and told her as much.

The building had fallen under the management of men with criminal histories, and the atmosphere surrounding them had become increasingly threatening.

Friends were helping carry her belongings out of the apartment that Sunday when 23-year-old Michael Hennessey appeared with a proposition that could scarcely have been better designed for the woman standing in front of him.

There was a movie filming, he told her, and Dustin Hoffman was starring in it.

To understand why those four words matter, forget Dustin Hoffman as the elder statesman of American cinema and imagine hearing his name in November of 1980.

The Graduate had made him a star in 1967, followed by Midnight Cowboy, Little Big Man, Papillon, Lenny, All the President's Men, and Marathon Man.

[laughs] Gosh, he had spent much of the previous decade becoming one of the actors who defined serious American filmmaking, and only seven months before Valerie disappeared, Hoffman had won the Academy Award for Best Actor for Kramer vs. Kramer.

Robert Benton won for Directing and Adapted Screenplay, and Meryl Streep won for Supporting Actress.

[gentle music] Hennessey's story was that this new Hoffman production needed an attractive blonde woman for a small role.

According to later accounts, the fictional movie involved Hoffman playing a detective pursuing a serial killer whose victims were blonde women.

There would be $200 in it for her, along with the infinitely more valuable possibility of appearing in a major motion picture opposite Dustin Hoffman.
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