May 20, 2026 · 41 min · 11 segments
This week we'll find out why it's all kicked off at the famous Cannes film festival. In one corner of the ring we have hundreds of French film stars, directors and industry staff and in the other…
Emma PearsonPanelistBen McPartlandHostRosie EllisGuest
John LichfieldGuestEmma AlbrightPanelistFrance's Cannes Film Festival is normally about glamour, red carpets, premiere, a bit of celebrity gossip, Sophie Marceau falling out of her dress again.
But this year, a major controversy erupted when the head of the French film studio Canal+ said he wanted to no longer work with around 600 actors, directors, and technicians who had signed a petition against the right-wing billionaire owner Vincent Bolloré.
He's a household name in France, and a very divisive figure, it's fair to say.

Yeah, we might need to rewind a little bit here, because this is the latest installment in quite a long-running French political and media saga.

Um, he made his money in the family transport and logistics business, but over the last decade or so, he's been buying up French media outlets and converting their editorial stance to reflect his own views, which are very conservative, very Catholic, close to the far right.

But he's not just a media tycoon, because he's also gradually been buying up cultural institutions, and he now owns book publishers, a music publisher, a video games developer, concert venue, and StudioCanal, which is the film production arm of Canal+.

But they also have a, a film and a TV series studio, and if you've seen many recent French films, you've almost certainly seen a Canal+ production.

Uh, there's some international titles as well, like the Paddington Bear films, and they also do quite a lot of co-productions with other countries.

So for example, if you've seen like a British/French co-production on a TV series, that's highly likely to have involved Canal+.

So I think it's fair to say that, uh, he's a hugely influential figure within the French media and the French cultural landscape, and that does not sit well with everyone, due not only to his hard right views, but to his willingness to use his business to promote those views, even if it means those businesses losing money.

So going back to April this year, more than 100 authors at his Grasset publishing group, which is home to some of the biggest names in French literature, they said they would leave after he ousted the longtime CEO of that company.

And then earlier in May, around 600 film industry professionals, including the actress Juliette Binoche and the director Emmanuel Marre, signed a petition which was calling on people to mobilize against what they called the growing grip of the far right on the film industry under the influence of Bolloré and Canal+.
Right, and it's that petition that has sparked a fairly feisty response, uh, although not from Bolloré himself.

Uh, yeah, no, nothing so far from Bolloré, but the head of the Canal+ Studio, a guy called Maxime Sada, he used the Cannes Film Festival to announce that he would no longer work with anyone who had signed that petition.
France's Cannes Film Festival is normally about glamour, red carpets, premiere, a bit of celebrity gossip, Sophie Marceau falling out of her dress again.
But this year, a major controversy erupted when the head of the French film studio Canal+ said he wanted to no longer work with around 600 actors, directors, and technicians who had signed a petition against the right-wing billionaire owner Vincent Bolloré.
He's a household name in France, and a very divisive figure, it's fair to say.

Yeah, we might need to rewind a little bit here, because this is the latest installment in quite a long-running French political and media saga.

Um, he made his money in the family transport and logistics business, but over the last decade or so, he's been buying up French media outlets and converting their editorial stance to reflect his own views, which are very conservative, very Catholic, close to the far right.

But he's not just a media tycoon, because he's also gradually been buying up cultural institutions, and he now owns book publishers, a music publisher, a video games developer, concert venue, and StudioCanal, which is the film production arm of Canal+.

But they also have a, a film and a TV series studio, and if you've seen many recent French films, you've almost certainly seen a Canal+ production.

Uh, there's some international titles as well, like the Paddington Bear films, and they also do quite a lot of co-productions with other countries.

So for example, if you've seen like a British/French co-production on a TV series, that's highly likely to have involved Canal+.

So I think it's fair to say that, uh, he's a hugely influential figure within the French media and the French cultural landscape, and that does not sit well with everyone, due not only to his hard right views, but to his willingness to use his business to promote those views, even if it means those businesses losing money.

So going back to April this year, more than 100 authors at his Grasset publishing group, which is home to some of the biggest names in French literature, they said they would leave after he ousted the longtime CEO of that company.

And then earlier in May, around 600 film industry professionals, including the actress Juliette Binoche and the director Emmanuel Marre, signed a petition which was calling on people to mobilize against what they called the growing grip of the far right on the film industry under the influence of Bolloré and Canal+.
Right, and it's that petition that has sparked a fairly feisty response, uh, although not from Bolloré himself.

Uh, yeah, no, nothing so far from Bolloré, but the head of the Canal+ Studio, a guy called Maxime Sada, he used the Cannes Film Festival to announce that he would no longer work with anyone who had signed that petition.
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