Sep 26, 2026 · 32 min · 14 segments
Host Kristi York Wooten sits down with 21-year-old folk singer Stella Prince to discuss what folk music means today, why young artists need to write about their generation’s realities, and how Stella…
Stella PrinceGuestChristy York WootenHost
And I think there's a lot of folk artists that feel that they have to sound like how folk music was 60 years ago.

You know, it's like if you want young people to really, you know, fall madly in love with folk music, it has to be for today.

And it has to be for, you know, my age group, which is Gen Z, who is struggling so much and having the hardest time finding a job, making money, moving out of their parents' house.

And I think folk music needs to reflect that and needs to reflect what young people are
I feel like, of course, I am a parent of a Gen Z person, and I try to listen to singers and performers of all ages, but I do find myself stuck a little bit in a rut, not so much that I want folk singers to vocally sound like what folk singers should or should not sound like from 60 years ago, as you said, But I am constantly looking for those messages, the messages of togetherness, the messages of unity, coming together around an issue or something that's important for the times.
Do you feel that that's still an essential part of folk music and the storytelling? Oh my gosh,

I mean, I think folk music more than anything, the most important part of folk music is that it talks about what people are going through right now.

You know, it's like one of my favorite songs that I've ever written that I've not released yet is a song called The Economy.

And the lyrics are, "'Everyone keeps on telling me I'm not living in reality and I have to turn things around and I'm the problem, but the reality is it's the economy that's stopping me from doing everything.'" And that's really true.

And it's something that all these people that are 19 and 20 come up to me and tell me that, you know, they did everything they were supposed to do.

And I think there's a lot of folk artists that feel that they have to sound like how folk music was 60 years ago.

You know, it's like if you want young people to really, you know, fall madly in love with folk music, it has to be for today.

And it has to be for, you know, my age group, which is Gen Z, who is struggling so much and having the hardest time finding a job, making money, moving out of their parents' house.

And I think folk music needs to reflect that and needs to reflect what young people are
I feel like, of course, I am a parent of a Gen Z person, and I try to listen to singers and performers of all ages, but I do find myself stuck a little bit in a rut, not so much that I want folk singers to vocally sound like what folk singers should or should not sound like from 60 years ago, as you said, But I am constantly looking for those messages, the messages of togetherness, the messages of unity, coming together around an issue or something that's important for the times.
Do you feel that that's still an essential part of folk music and the storytelling? Oh my gosh,

I mean, I think folk music more than anything, the most important part of folk music is that it talks about what people are going through right now.

You know, it's like one of my favorite songs that I've ever written that I've not released yet is a song called The Economy.

And the lyrics are, "'Everyone keeps on telling me I'm not living in reality and I have to turn things around and I'm the problem, but the reality is it's the economy that's stopping me from doing everything.'" And that's really true.

And it's something that all these people that are 19 and 20 come up to me and tell me that, you know, they did everything they were supposed to do.
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