Oct 18, 2026 · 1 hr 26 min · 12 segments
Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Episode 36: Scrim's "Baptised in Ash"…
This is going to be the genius style commentary because I looked on genius.com and there was no like – there's no analysis of like the lyrics for scrims baptized in ash and I think that there's a lot of things that resonated from that and I'm like okay yeah this makes this makes scrim like a bass rapper he knows what's up you know and I think he's actually I think he's part French if I'm not mistaken he is part part French all right so we're gonna start with the first story Should we do the open? No, no, no, no.
Let's do the analysis first.
Sorry, sorry, sorry, sorry, sorry.
We're going to do the analysis first.
And where is, where did I have this? We have, where's the genius page? Where's the genius page when you need it? Here we go.
All right, so some of the stuff that stood out, right? Did you get that? Did you get one of the lyrics that Scrim dropped on this track? Right? He starts with, he starts with, fuck a nine to five, I'm with the drug abusers.
Fuck a nine to five, and I'm going to do it in the typical kind of, what is it? Industry manager, industry, industry manager, like, you know, one of these direct, like, one of these music managers, right? That are, like, talking about tracks.
I'm going to try to do it in that, in that kind of style.
All right? So he says, fuck a nine to five, I'm with the drug abusers.
Yeah, I mean...
I mean, yeah, that's kind of like, all right, so you're not working and you're doing drugs.
All right.
And it kind of proceeds a few lines down.
Motherfucker trow, kill all pedophiles.
Now, that's kind of based.
Actually, I could stand behind that.
This is why it's like, oh, wow, that's an interesting lyric you got there.
Very interesting lyric.
I kind of wanted to make it the episode title, but I don't know.
Maybe we'll get filter banned for sure.
Maybe we'll get filter banned.
But he goes on to sing.
He goes on to rap.
Motherfucker trial, kill all pedophiles.
Yeah, I think that's where we're at now.
This is going to be the genius style commentary because I looked on genius.com and there was no like – there's no analysis of like the lyrics for scrims baptized in ash and I think that there's a lot of things that resonated from that and I'm like okay yeah this makes this makes scrim like a bass rapper he knows what's up you know and I think he's actually I think he's part French if I'm not mistaken he is part part French all right so we're gonna start with the first story Should we do the open? No, no, no, no.
Let's do the analysis first.
Sorry, sorry, sorry, sorry, sorry.
We're going to do the analysis first.
And where is, where did I have this? We have, where's the genius page? Where's the genius page when you need it? Here we go.
All right, so some of the stuff that stood out, right? Did you get that? Did you get one of the lyrics that Scrim dropped on this track? Right? He starts with, he starts with, fuck a nine to five, I'm with the drug abusers.
Fuck a nine to five, and I'm going to do it in the typical kind of, what is it? Industry manager, industry, industry manager, like, you know, one of these direct, like, one of these music managers, right? That are, like, talking about tracks.
I'm going to try to do it in that, in that kind of style.
All right? So he says, fuck a nine to five, I'm with the drug abusers.
Yeah, I mean...
I mean, yeah, that's kind of like, all right, so you're not working and you're doing drugs.
All right.
And it kind of proceeds a few lines down.
Motherfucker trow, kill all pedophiles.
Now, that's kind of based.
Actually, I could stand behind that.
This is why it's like, oh, wow, that's an interesting lyric you got there.
Very interesting lyric.
I kind of wanted to make it the episode title, but I don't know.
Maybe we'll get filter banned for sure.
Maybe we'll get filter banned.
But he goes on to sing.
He goes on to rap.
Motherfucker trial, kill all pedophiles.
Yeah, I think that's where we're at now.
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