Princess Diaries ft Mossberg Montana

But yeah, so just being able to see how things come together.

So like, I know you spoke on, you know, maybe doing a record company, which I truly, truly, truly feel like I was having this conversation before you got here.

I feel like Charleston, and after seeing the verses last night, Charleston has the ecosystem to have the full from media, performance, record company.

We have all of the right pieces, but it's about putting them together and getting everyone on the same page.

And I know a lot of times people say, oh, Atlanta is moving and this and that, but everyone understands the role that they have to play.

And a lot of times I feel like Charleston can hit.

Clearly last night we saw that we have everything, but people have to be comfortable with playing their roles and playing their parts.

So everything, just like Issa really said, you've got to be able to network across.

So in my perfect world, right? You do something like a versus, and then I saw there was a status saying how the local one particular local radio station doesn't play local artists.

Being that I worked at that radio station, this is what I want people to understand.

When you are working in commercial radio, You're there to just push buttons and talk.

You don't have any control.

You

have no control over it.

You have

no control over the songs that are played.

Correct.

You are there because it's commercial radio.

And every time I'm tired of hearing these commercials, that's the part of it.

Mm-hmm.

So now you may hear a Trap Dickie, a South Carolina artist, on that particular station.

You know why? Because he is signed to TDE.

Mm-hmm.

He is signed to a major label.

Correct.

But yeah, so just being able to see how things come together.

So like, I know you spoke on, you know, maybe doing a record company, which I truly, truly, truly feel like I was having this conversation before you got here.

I feel like Charleston, and after seeing the verses last night, Charleston has the ecosystem to have the full from media, performance, record company.

We have all of the right pieces, but it's about putting them together and getting everyone on the same page.

And I know a lot of times people say, oh, Atlanta is moving and this and that, but everyone understands the role that they have to play.

And a lot of times I feel like Charleston can hit.

Clearly last night we saw that we have everything, but people have to be comfortable with playing their roles and playing their parts.

So everything, just like Issa really said, you've got to be able to network across.

So in my perfect world, right? You do something like a versus, and then I saw there was a status saying how the local one particular local radio station doesn't play local artists.

Being that I worked at that radio station, this is what I want people to understand.

When you are working in commercial radio, You're there to just push buttons and talk.

You don't have any control.

You

have no control over it.

You have

no control over the songs that are played.

Correct.

You are there because it's commercial radio.

And every time I'm tired of hearing these commercials, that's the part of it.

Mm-hmm.

So now you may hear a Trap Dickie, a South Carolina artist, on that particular station.

You know why? Because he is signed to TDE.

Mm-hmm.

He is signed to a major label.

Correct.