China’s early medieval period, from the fifth through the early seventh century, from the Northern and Southern Dynasties through the unified Sui, was a time of political fragmentation, military strife, and ethnic conflict. It also witnessed brilliant artistic creations as well as a full flowering of court culture, with poetry at its heart. How did poetry come to be regarded as the most potent form of cultural capital, a privileged literary genre, and a foundational skill for members of the elite? How was poetry transformed from an instrument of empire building to a venue for articulating personal trauma and voicing critique of the state?
Tracing the evolution of poetry’s role in Chinese society, Writing Empire and Self: Poetic and Cultural Transformation in Early Medieval China (Columbia University Press, 2026) uncovers the profound cultural changes that took place in the early medieval era. Dr. Xiaofei Tian argues that in this period, a social community, eventually known as the “scholar elite” and treated as if it had always been a permanent fixture of the Chinese social order, came into being. She investigates the formation of this community, which left its mark on all later Chinese arts and letters, through a careful account of its history and textual production. Combining meticulous readings of numerous previously untranslated texts with a long-term, large-scale view of social and cultural history, *Writing Empire and Self* offers a fresh perspective on poetry’s intricate relationship with the state.
*This interview was conducted by Dr. Miranda Melcher whose* book *focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on* New Books with Miranda Melcher*, wherever you get your podcasts.*
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