May 25, 2026 · 47 min · 11 segments
From her Oscar-nominated work in The Daniels’ EVERYTHING, EVERYWHERE, ALL AT ONCE, to her latest project I LOVE BOOSTERS, written and directed by Boots Riley, costume designer and stylist Shirley…
Paola MardoHostUm, and it's also just so enjoyable and, and visually just so fun to even look at.
And I think the costumes are, you know, it's not just part of the story, it's the story- [laughs] ...
So I guess my first question is, how did you even get involved, um, with this project? Um, well, I've always been a, a fan of Boots Riley's work.
Um, I mean, Sorry to Bother You was such an amazing film, and, uh, I'm a Virgo, and, um, he was always on my radar, but I, um, was introduced to him by a first AD that I worked with prior.
Um, so I don't know what conversation Boots and, um, our AD had, um, but he asked if I wanted to work on this film- Hmm ... and do the costumes for it.
And without even reading the script, I was like, "Well, yeah, duh." But then when I, um, actually got the script, I was like, well, this is even, like, 100 times, like, the icing on the cake because it was...
It involved so much amazing fashion, and I could really have fun, uh, with the costume design.
And, you know, for me, I love integrating, um, the costumes with the set, you know? Mm-hmm.
And I felt like the two were really important, and, um, this film was, like, the perfect way to sort of, like, you know, flex my muscles when it came to that.
Yeah, I mean, I, I, I just... 'Cause there's production design, and then there's costume design.
But so much of the film is set in, like, clothing stores, for example, where it feels like- Right ... those two kind of blend together.
I mean, how do you work with a director to even come up with a design for costumes? Yeah, well, you know, Boots, um, kind of gave a little introduction.
Um, and it's also just so enjoyable and, and visually just so fun to even look at.
And I think the costumes are, you know, it's not just part of the story, it's the story- [laughs] ...
So I guess my first question is, how did you even get involved, um, with this project? Um, well, I've always been a, a fan of Boots Riley's work.
Um, I mean, Sorry to Bother You was such an amazing film, and, uh, I'm a Virgo, and, um, he was always on my radar, but I, um, was introduced to him by a first AD that I worked with prior.
Um, so I don't know what conversation Boots and, um, our AD had, um, but he asked if I wanted to work on this film- Hmm ... and do the costumes for it.
And without even reading the script, I was like, "Well, yeah, duh." But then when I, um, actually got the script, I was like, well, this is even, like, 100 times, like, the icing on the cake because it was...
It involved so much amazing fashion, and I could really have fun, uh, with the costume design.
And, you know, for me, I love integrating, um, the costumes with the set, you know? Mm-hmm.
And I felt like the two were really important, and, um, this film was, like, the perfect way to sort of, like, you know, flex my muscles when it came to that.
Yeah, I mean, I, I, I just... 'Cause there's production design, and then there's costume design.
But so much of the film is set in, like, clothing stores, for example, where it feels like- Right ... those two kind of blend together.
I mean, how do you work with a director to even come up with a design for costumes? Yeah, well, you know, Boots, um, kind of gave a little introduction.
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