Oct 1, 2026 · 46 min · 14 segments
Join Immi, Kitty and Lou for another episode, this time chatting to the incredible Clare Binns, Creative Director of Picturehouse. From starting out as an usher at the Ritzy Cinema to becoming one…
Clare BinnsGuestAlways On Film HostHostAlways On Film Co-HostHostAlways On Film Co-HostHostSo interesting 'cause I think for me, growing up, I really struggled with watching film.
I connected a lot more with TV shows-
... because I have ADHD.
And I really struggled with not getting distracted for long amounts of time.
And so the second I sort of went into a cinema and all of that distraction was gone, you know, you can't go on your phone, no one's walking in and out, the lights are down, I suddenly started locking in and hyper-fixating on film.
I could see a lot more, and I think it's-- I'm sure there's so many people like me that struggle almost with...
Because especially with foreign language films, you're, there's another layer of concentration-
... 'cause you're kind of reading at the same time, and I think that's what I meant by that second wave of sort of hyper-fixating on films, on international films 'cause you're, there's a deeper sort of layer there that you're suddenly unlocking that opens your mind even further.
And I think especially with Picturehouse, like, not only is it so, um, inclusive with the types of cinema you're showing alongside the mainstream films, but also your screenings are so inclusive as well.
You know, you've got things for silver screenings and, um, uh, mothers bringing babies.
And I just think that's so lovely because it's, it really is for everyone-
...
in terms of who's coming and what you're showing.
And, um, yeah.
Yeah.
So interesting 'cause I think for me, growing up, I really struggled with watching film.
I connected a lot more with TV shows-
... because I have ADHD.
And I really struggled with not getting distracted for long amounts of time.
And so the second I sort of went into a cinema and all of that distraction was gone, you know, you can't go on your phone, no one's walking in and out, the lights are down, I suddenly started locking in and hyper-fixating on film.
I could see a lot more, and I think it's-- I'm sure there's so many people like me that struggle almost with...
Because especially with foreign language films, you're, there's another layer of concentration-
... 'cause you're kind of reading at the same time, and I think that's what I meant by that second wave of sort of hyper-fixating on films, on international films 'cause you're, there's a deeper sort of layer there that you're suddenly unlocking that opens your mind even further.
And I think especially with Picturehouse, like, not only is it so, um, inclusive with the types of cinema you're showing alongside the mainstream films, but also your screenings are so inclusive as well.
You know, you've got things for silver screenings and, um, uh, mothers bringing babies.
And I just think that's so lovely because it's, it really is for everyone-
...
in terms of who's coming and what you're showing.
And, um, yeah.
Yeah.
The rest of this transcript — segmented and speaker-labeled, so you land on the exact moment something was said
Search every transcript — by keyword, by phrase, or by meaning, across every show Radar indexes
Trends — what is surging across podcasts, measured against its own baseline
Alerts — when a name you follow appears in a newly indexed episode
No account is needed to search Radar.