An Interview with Poet Stephen de Búrca

Poet Stephen de Búrca joins me on Words That Burn to talk through his debut collection *Atlantic Fret*, published by The Gallery Press; a book where sea mist and anxiety share a single word, and where the Atlantic carries both personal grief and the weight of the climate crisis. Stephen explains how a few lines from Derek Mahon's *The Sea in Winter* gave him the title, and how a book he never intended to write about his father; a marine biologist who died when Stephen was a teenager, became unavoidable once he started writing about the sea. We talk about erosion as a double image: coastlines and memory both wearing away, and memory used not as autobiography but as a search for emotional truth. The conversation covers the pleasure of withholding, why the speaker in "Seaspray" never has to finish the gesture, and how much a line can bear before it breaks. Stephen walks us through Gerard Manley Hopkins' curtal sonnet, the shrunken eleven-line form Hopkins devised because he thought English couldn't carry a full fourteen, and why a form he theorised passionately about only produced three poems of his own. We also discuss "Scope and Dredge," built from radio programmes Stephen's father made for Connemara Community Radio about oyster fishing in Galway Bay, and the pressure of shaping a poem out of a parent's own recorded work. And we finish with the fourth section of the book, where Stephen translates the Icelandic modernist Jón úr Vör's *Þorpið* (The Village) word by word, without speaking Icelandic - a slow process that turned into the negative image of everything else in the collection. **In this episode we cover:** - Writing elegy without setting out to write it - Memory, erosion and the climate crisis in Irish eco-poetry - Ambiguity, inference and the value of the unknown - Writing at night, badgers and nocturnal animals - Reading: "At the River Mouth"; and playing loose with terza rima - Hopkins, Jenny Johnson and the curtal sonnet - Reading: "Reading About Rod Stewart's Atlantic Crossing" - Inheritance, prayer and poems that speak to each other across a book - Translating Jón úr Vör from Icelandic without the language  Stephen de Búrca is a writer from Galway. He completed his PhD at the Seamus Heaney Centre, Queen’s University Belfast, and an MFA from the University of Florida. He received the Ireland Chair of Poetry Travel Award and the inaugural Poetry Ireland Gerald Dawe Poetry Bursary in 2026. Stephen’s work has featured in Poetry Ireland Review, PN Review, The Stinging Fly, Banshee, Propel Magazine, and elsewhere. His debut poetry collection, Atlantic Fret, was published by The Gallery Press and is out now. Purchase the Collection ### Follow the Podcast: Read the Script on Substack Follow the Podcast On Instagram Follow the Podcast on X/Twitter Follow the Podcast on Tiktok Follow the podcast on Bluesky **Keywords:** Stephen de Búrca, Atlantic Fret, The Gallery Press, Irish poetry podcast, Galway poet, Derek Mahon, Gerard Manley Hopkins, curtal sonnet, Jón úr Vör, Icelandic poetry translation, eco-poetry, elegy, poetry interview, Words That Burn * * * Hosted on Acast. See acast.com/privacy for more information.