Jul 23, 2026 · 1 hr 23 min · 11 segments
Chris and Andy talk about the full trailers for ‘Clayface’ (6:15) and ‘Resident Evil’ (13:51), before addressing the online discourse around ‘Avengers: Doomsday’ (18:20). Then they talk about how the prolific British screenwriter Jez Butterworth may be poised to become the next Taylor Sheridan for Paramount (33:12). Later, they share their thoughts on ‘The Odyssey’ and how the movie has become the summer blockbuster (44:18). Subscribe to the [Ringer TV YouTube channel](https://www.youtube.com/@Ringer-TV) here for full episodes of The Watch and so much more! Hosts: Chris Ryan and Andy Greenwald Producers: Kaya McMullen and Kai Grady Studio Production: Sarah Reddy Learn more about your ad choices. Visit [podcastchoices.com/adchoices](https://podcastchoices.com/adchoices)
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[percussive music] I need support staff to clear the room.
Stand up and walk, now.
Hello, and welcome to The Watch.
My name is Chris Ryan.
I am an editor at theringer.com, and joining me in the studio, now every time his daughters ask for more food, he says, "Somebody get these beggars out of here." It's Andy Greenwald.
[laughs]
Sometimes when I come in, I can see that you're sitting on one.
Let me tell you something.
It's been a c- a t- weird 10, 12, two weeks.
Maybe t- 12 days, two weeks.
Okay.
Because, um, been traveling.
You have.
Haven't been able to exercise as much as I would like to because a heat dome, uh, in the air, on the road-
Mm-hmm
... watching World Cup.
And then they took, they took my sweet, sweet vegetables away from me.
[laughs]
You know? Like [laughs] so I've basically been eating, like-
Yeah
... uh, CR's 13-year-old diet.
I'm surprised I'm not just taking out, like, full quarts of Ocean Spray cranberry juice out of the fridge.
[laughs]
Are, are you back to, like, the peak days of mac and cheese with crumbled Pringles on top?
That was...
Uh, w- by the way, we're gonna talk about regular television-
I, I'm-
... before I get into my culinary corner.
I'm leaning in.
Today we are gonna talk a little bit about The Odyssey joining the other 714 episodes-
Mm-hmm
... of Analysis that you can get from The Ringer Podcast network.
Uh, we also have some news at the top that we wanted to go through.
Mm-hmm.
Some trailers, some TV news.
Um, and also we'll do some housekeeping about when we're doing what shows, because I think people are getting annoyed that we haven't finished The Agency yet.
Although I know you're plugging away.
Yeah, I'm having-
I know you're plugging away
...
I'm having a great time.
Okay.
So thank you.
Um, when I was younger-
Yeah
... my two staples were either a heavily mayonnaise-based pasta salad that I would make-
Mayonnaise-based.
[laughs] Uh-huh.
[laughs]
But it's, it's mayonnaise-based, like a hyphen.
Not mayonnaise, comma, based.
No, not like Lil B.
Yeah, yeah.
Yeah.
[laughs]
That's what I was thinking.
It was-
Okay
...
although it was pretty based.
And, and you made this.
Yes.
And it w- I'll, I'll...
If you were curious about what it tasted like-
Mm-hmm
...
I started to develop this recipe when I was studying-
Develop.
[laughs]
... studying abroad in Cork.
[laughs]
Yeah, yeah.
I-
In Ireland.
[laughs]
I started this when I was studying under Ferran Adria in Spain.
No.
No, [laughs] no.
It wasn't El Bulli.
You, you were in-
It was El going to the whatever the ASDA was in Cork, uh-
Mm-hmm
...
And it was basically pasta and mayonnaise and, like, canned corn.
And it was, uh...
Even the Irish people that I knew were like-
[laughs]
... "Yo, [laughs] this needs an acid," you know?
Wow.
Okay, so that was-
But it almost, like, went so far beyond-
Yeah
... fat to umami, you know what I mean? Like...
[laughs]
It was just sort of the mouth feel, like it coated your whole insides-
Yeah.
[laughs]
...
in a protective layer.
Um, and, uh, yes.
And then Andy, as, as you mentioned, like, for a long time I was just like, "I'm hungry.
I guess I'll just have Kraft Mac and Cheese and crushed Pringles on it."
But there's stuff like, who do we...
You know, not to be therapy corner here, but, like, who do you blame for this? Now because, and the reason I say this-
No, my, my mother actually, uh, you know, um, was pretty good about f- but we had, like, I had, like, a lovely upbringing of culinary delights.
And-
Sure
... and both parents cooked, and-
Really?
...
they didn't bore me.
Like-
Did your dad cook too?
Yeah, he grilled.
He did it.
He grilled.
Hell yeah.
And, uh, took me to McDonald's [laughs] so that he could drink beers.
Yes.
[laughs]
Which I didn't know was not a thing.
[laughs]
But he couldn't drink beers while grilling.
Uh, he could.
He respected the-
He could
... okay.
Uh, but yeah.
He-
I mean, like, I grew up, like, in a, you know, food groups positive household.
Yeah, I mean, my, I th-
But I, I think I just left the house.
You know, only child, man.
Like, I-
It's the, it's the only child thing.
Because I also...
Like, we both had working moms who m- cooked dinner.
I mean, it's amazing.
Working mothers.
I know.
We support them-
Salute them
... on this podcast.
[laughs]
Yeah, yeah.
Unlike some podcasts.
[laughs]
And, um, although I was gonna s- I was gonna make a Chris Nolan joke, but I guess Penelope is, you know-
She's, she's practically the, the, the queen regent
... yeah.
She can't cover of the Atlantic Magazine.
No, cover of the, the Mediterranean Magazine.
[laughs] You can have it all.
[laughs]
Um, the problem is that you leave home, and you show up at college or wherever your-
Uh-huh
... next station is in life, just believing that certain things that are deeply idiosyncratic to your household, or specifically, like, your parents, are universal.
So that when I arrived in, in, in college, and it'd be like...
Or, or like later in college when we had our own kitchen, and it would be like, ah, time for a night for me.
And my mom's staple, like, I'll just do me nights for dinner were, um, buttered noodles cooked in, uh, canned chicken broth-
Hmm
... which is quite salty-
Yeah
... and a microwave Stouffer's spinach souffle.
Yes.
A classic combo for the Mid-Atlantic palate.
Or something that she called potato chip dip-
[laughs]
... which was, for dinner, a bag of ridged potato chips, Herr's brand of course, and a dip that I believe was just Philadelphia cream cheese-
Yeah.
Yes.
That was-
... ketchup, and one onion.
You have to also understand, Andy and I grew up-
Yeah
...
in the, in the- The seat of power of cream cheese.
[laughs]
The cradle- the cream cheese-
We had to w- it was like spam in Hawaii.
You have to work it into every dish.
Yeah, and it just wound up being a very prevalent thing.
But-
Like, I thought dipping, uh, Snyder's hard, hard pretzels into cream cheese-
Oh, yeah
... was, was the, honestly the highest ecstasy you could experience-
Chris
...
in food.
Where are Snyder's pretzels from?
Uh, where, uh, well, where are they?
John Fetterman's Pennsylvania.
Yeah.
Right.
Oh, yes, of course.
Hanover.
Yeah, I thought you were trying to trick me into saying, like, Mitch McConnell's Kentucky or something.
[laughs]
No.
Although, thoughts and prayers.
Yeah.
[laughs]
Um, but the problem is now the pendulum has swung-
Mitch McConnell's like, "I'm alive." [laughs]
He's like, he's just eating pretzels.
When are you guys gonna finish the agency? [laughs]
Yes, it takes.
Um, I just feel like the pendulum has swung too far the other way, where, like, now I have children who are like, "Dad, have you ever eaten at Burger King?" And I was like, "My dears, like, you are, like, probably 15%-
...
Burger King chicken sandwich-
Yeah, exactly
... like, just from you.
Just the, you are [laughs] we can trace your line back to the king himself.
[laughs]
The king, you're royalty.
You are the children of royalty.
It's like a Targaryen thing.
[laughs]
That's right.
Your hair color may have changed.
I wanted to talk to you about a couple of things.
You know, a few weeks ago, when we were wrapping up, uh, Widow's Bay-
Mm-hmm.
Good show
... you had also dipped into Weapons, the Zach Cregger movie-
Yeah
... from a couple years ago.
La- last year.
Which was, uh, which was awesome and one of my favorite films of-
Yeah
... of last year.
And you declared, chest out, "I'm ready to get scared.
I'm ready to be scared again," or, or just, "For the first time in my life, I'm ready to experience-
Yeah, first time
... true unbridled cinematic fear."
Yeah.
You didn't put it that way.
You actually were like, "As long as there's some irony and, and, and some-
No
... [laughs]
Just some well-observed emotional beats-
Yeah
...
in the characters before they have their intestines removed through their mouths.
Yes.
Uh, you, you just, you declared that you were sort of preparing yourself for-
Mm-hmm
... more adventurous film and TV going in the world of horror.
Yeah.
Now, we have a couple-
Year 14 of a podcast, time to get adventurous
... things g- coming.
Yeah.
Uh, we had talked about these two titles earlier when their teasers came out.
Yeah.
And now two new films, um, September's Resident Evil, which, uh, I'm prepared to dedicate my entire life to-
Mm-hmm
... is coming, and we got a full trailer for that.
And then we also got the full trailer for Clayface-
Mm-hmm
... which is the...
Uh, is it the first non-super Gunnverse DC movie?
Yeah.
Well, this is the th- this would be the third movie.
It's the third movie-
I mean-
...
since he took over.
Yeah.
Yeah.
He and Peter Safran took over.
So, uh, did you get scared? Are you ready?
Mm.
Are you ready to, to see-
Mm
... what makes noise in the dark?
I, well, I think there's two ways to look at this.
Like, the trailer for Clayface looks like, looks well done.
It, uh, looks like they have correctly chosen a lane.
Like, I don't think there will be, like, ironic, slow core, you know, Lumineers-esque Jimmy Eat World covers in this one.
[snorts]
I don't think it's Jim Gunn house style, which I think is good for the brand, uh, of DC, not necessarily for his own brand.
And it 100% looks like a movie I don't wanna see, but I don't mean that as, like, a-
'Cause it's scary.
Well, it just looks like they're leaning full into...
Uh, I, if I say it's Cronenbergian, that sounds like the Russo brothers saying that they're doing Polanski here.
I think you would be joining a chorus of people who have pointed that out, yeah.
I, I don't think that's necessarily true.
Um, it struck me also having some, like, Sam Raimi Darkman vibes.
If it does, I think it would be to its benefit.
Yeah.
Uh, they have certainly downplayed the h- humor in that film.
If, if, if there is humor in Clayface-
...
they have sort of downplayed it in the trailers, but I wouldn't be surprised.
Mm.
I think the big thing here is that I believe it is an R-rated b- movie.
Yes.
And, uh-
Sure
... that, you know...
It, it's, it's kinda weird in 2026 with, like, the access everybody has to so much that PG-13 is still a thing, you know? Like, I, I, I think that, I wonder if it is kinda antiquated.
Like, d- they don't check IDs at movie theaters.
We were just, I mean, this is gonna come up a lot in today's podcast, but my 13-year-old daughter accompanied me to The Odyssey, and she was a little worried-
That she would get carded?
... that she was gonna get carded.
Yeah.
Um-
But can't you go to an R movie if you're with an adult?
Yes.
Right.
That, as, as my friend Brian's mother learned when she took us to see Basic Instinct-
[laughs]
... at the multiplex outside of Disney World.
I gotta, I assure you, no one was checking when we went to go see Menace II Society for the second time.
Yeah, the second time.
They were like, "Come on in." [laughs]
You get to put the II in Menace II Society.
Um, she was actually very articulately saying that there should be a, another rating in between for, like, mature teenagers.
Yeah.
You know? Um-
Shockingly, my, my, my, my friends in the audience [laughs] at Chest- on Chestnut Street did not want my takes on O-Dog [laughs] from Menace II Society.
Were you offering them? [laughs]
Yeah, that was one of my worst, uh, faux pas ever committed in a movie theater-
Oh
... where I'd seen it, and then-
Right, this was your second
...
I did, like, what I do every once in a while, like, where, like, I see Training Day or whatever, and then I go to every man I know [laughs] and say, "We have to go see Training Day again."
You did do that.
And, uh, so the, the original one was Menace II Society where, like, I, I think I'd seen it with my dad.
Mm-hmm.
And then I was like every friend I had in school.
I was like, "We gotta go see fucking Menace II Society." So we went-
Mm-hmm
...
I think at, like, a 3:30 or something, maybe we went on a Saturday, to, on Chestnut Street in Philly.
And I was like-
I believe that theater is now a CVS
... "And now, and then there's gonna be a part where fucking O-Dog goes into the fucking thing," and he's like, "Yo." And this guy turned around [laughs] and he goes, "Excuse me.
I haven't seen the movie yet." [laughs] And I didn't talk for two years.
[laughs]
Did you explain to him the idea-
I became Clayface.
[laughs]
Is this your origin story for rewatching films? Like, I feel like this is your traumatic Bruce Wayne parents getting down in the y- in the alley.
Yeah, I mean-
You know, you wanted to own the fear-
I, I choose to think of it-
... and now you do this for a living
... as, like, my, my enthusiasm for movies is contagious, you know? And not always welcome.
It's infectious.
Yeah.
Really.
Um-
Incredible story.
So Clayface Yes, but-
Well, I, I think there's a couple things about it that I think are worth noting.
One is it is [laughs] a very, very interesting, um, IMDb page because this project began with a guy you are a fan of, Mike Flanagan, who is sort of the, the auteur of horror on television, and he was developing this maybe for TV, maybe for movies, wrote the screenplay.
Yes.
Um, and then when James Watkins, who's directed Black Mirror and a lot of British television-
On did the, uh-
... came on to direct it.
He's done horror movies as well, right?
See No Evil or, yeah, Speak No Evil, I think, uh, whatever the adaptation of the original.
Um, I can look it up, but-
When, when he came on to do it, he brought-
Speak No Evil, sorry
...
he brought 60-year-old Hossein Amini on to, to rewrite the script and get a credit, and I think we remember him from such things as, uh, Wings of the Dove-
It was-
... and Jude in the '90s
...
Drive, right?
Uh, yes.
Right.
Yeah.
So I think that's kind of fascinating.
Yeah.
And it is just s- also so deeply English.
They filmed this in Liverpool.
The two stars, well, the stars are Welshman and Naomi Ackie, and then, like, Eddie Marsan and, uh, my g- our guy David Dencik from, uh, Star City.
Oh, yeah.
And I guess they were like, "Is Max Minghella gonna hang out in the UK a little bit longer?"
[laughs]
'Cause he's also in this.
Uh, it, anyway, it...
Big picture, I don't, this isn't the type of movie I want to see, but I think that I can see the strategy, and I think it makes a lot of sense.
Particularly, it's particularly fortunate that this is the next movie after the financial wipeout of Supergirl-
Yes
... because you need to diversify the portfolio, my brothers.
Yeah, I will be curious to see whether Clayface has any connective tissue to that side of the, the-
What, what city-
...
DC storytelling
... what city is Clayface living in?
Philly?
Good guess.
Liverpool?
Great guess.
I mean, I would say culturally similar.
Metropolis? What's that place called?
Gotham City, dude.
Oh, fuck.
Gotham-
Damn
...
City.
You wanna talk about the football club there, like Gotham United? [laughs]
[laughs]
Do they have-
Um, the other one is-
Yeah, so, so, so, so this is establishing Gotham City in the Gunnverse, and I thought it was interesting that Matt Reeves has an executive producer credit on this movie, and I wonder if it has anything to do with the fact that he's like, he's [laughs] like the landlord.
He keeps keys in his hand for Gotham-
[laughs]
... at the moment, right?
Yes.
Is that what that reference is? [laughs] That's what-
Wait, what...
That's a rap line, isn't it?
Yeah.
"Label me landlord, I keep keys in my hand."
That's Pusha?
Mm.
Yeah.
Mm-hmm.
Uh... [laughs]
Yeah.
It's not really relevant.
You know what? I think the way you delivered it didn't quite have the nasal cadence that Pusha T-
Oh.
[clears throat]
[laughs]
He is a contemporary of ours.
Yes.
The other movie that I wanted to ask you about is Resident Evil.
We watched the teaser.
I wouldn't even say that this trailer is that much different than the teaser.
The thing I loved most about this trailer is I am fairly confident that what's in the trailer is, like, the first five minutes of the movie.
Yeah.
And that is a brilliant thing to do if you're doing a horror trailer.
I hope they don't do another one.
I think it's Resident Evil.
It's the guy who made Barbarian Weapons.
Mm-hmm.
That should be enough to get you through the door.
But having zombie bodies falling from roofs and exploding into blood plumes, uh, uh, that's just what it's all about, you know?
And, and from the other side of the aisle-
[laughs]
... genuinely, this movie looks a lot more interesting to me, partly because of my very positive experience with Weapons.
Yeah.
But also, like, I mean, you love Austin Abrams, who's the star of this movie.
I do.
He's very talented.
A lot of it, a lot of it is on him.
But I, I really liked that what we see in the trailer leans into some humanity.
Like, there's the beginning of it before he wanders into this, like, video game hellscape.
Um, but also has a little bit of lightness and sense of humor about itself in that the trailer, like the, the, the, the hammer of the trailer is Raccoon City, which is the famous, infamous name of the town in the video game-
Yeah
... which is just, like, such a classic, weird Japanese to English translation.
Um, I think a more heavy-handed or serious-minded director might have changed that, and I like that he's like-
Changed Raccoon City?
Yes.
No, you can't change Raccoon City.
Oh, this is the one that you're gonna... [laughs] I can't wait-
No, that name rings out.
Come on.
It's Raccoon City.
[laughs]
I, I can't wait to hear it.
But then we get to The Odyssey, he'll be like, "Actually, Sinon's a character from the Aeneid."
No. [laughs]
Like, it'll be incredible what you got pedantic about.
I'm the Emily Wilson of Resident Evil.
[laughs]
Of, of Konami horror video games.
Um-
No, I, I just like that it is, it's a little bit, it, it's tongue in cheek a little bit.
Yeah.
Like, he knows what he's doing, and it just made me think again about something that I'm sure you and Sean have spoken about much more articulately than I can, which is that, like, there is a connection for people who know how to do horror with people who know how to do comedy, and I think it has to do with-
Yes
... timing and manipulating audience's expectation buildup and release.
And they have found the, the third part of that triangle-
Yeah
... which is dudes who used to [laughs] smoke a pack of Camel Lights and play Resident Evil.
[laughs]
Hell yeah.
[laughs]
So no, I thought that looked really cool.
I, I will, as I promised, I will be, uh, sprinkling the show with references to my journey to the IMAX theater this week with my daughter, and her main concern about seeing the movie wasn't seeing the movie.
It was that by seeing an R movie, she's like, "I bet there'll be a lot of really inappropriate or horror trailers." And I was like, "Absolutely not." No one does red band trailers anymore.
They aren't gonna show...
So all of the trailers [laughs] were-
Now are just, yeah
...
it was Resident Evil.
It was the movie where Jessica Chastain burns pasta for her child-
Other Mommy, yeah
... and then becomes a demon.
I actually have to say, I didn't know...
There's some misinformation online about-
N- stop there
... about Other Mommy.
Okay.
On the IMDb logline for at least when I talked about it on Big Picture-
Right
... like, a week or two ago, the IMDb logline for Other Mommy suggested that there was a demon living in this house that was flatulent.
A flatulent devin- demon-
Mm
... lived in this house, and that the family has to, like, rid itself of this, I guess, farting demon.
That didn't sound right to me, but I repeated it.
You, so you announced this.
Yeah.
[laughs]
So you contributed to this misinfo campaign.
I, I insisted, and I read it from the Internet Movie Database.
You know, like-
Wow
... and so-
Did your own research again
...
I, I think I was wrong about that.
And-
Yeah.
[laughs] I would say so
... delightfully so because I have had the Other Mommy nightmare Like when I was a kid-
Go on
... you have the nightmare that you have to choose between two moms-
Right
... and you keep being like, "Which one of you is my mom?" And one is like, "You have to choose," and the other one is insisting.
And the other one is making potato chip dip out of off-brand cream cheese, and you're like, "Well, that's the tell."
Baltimore cream cheese.
[laughs]
What? Come on.
Uh, and then you choose the wrong mom.
Right.
Yeah.
And then your dad-
And then your dad's out back grilling.
[laughs]
And he's like, "Don't worry about it.
Your new mom's fine." Uh, that was disturbing.
Yeah.
And then perhaps most disturbing of all was there was a red band trailer for the film Digger.
Yes.
Um, can't wait to see a rollicking political comedy made by a man who has evinced no sense of humor across his 20-year career.
In your review or Cruise?
In your review.
Yeah, okay.
Uh-
Cruise likes to laugh.
He, yeah, he chuckles.
Yeah, he, he doesn't chuckle, he brayes.
[laughs]
He throws his head back and commits.
A couple other things.
Okay.
We smoked a little bit of the Feige pack last episode.
There's gonna be some news.
About probably the X-Men cast.
Maybe they might throw a few more actors into Doomsday.
But he did some interview, Feige did an interview-
Yeah
... recently which got aggregated.
They're doing Spider-Man press.
Yeah, and he talked to I think a Chinese website, a Chinese news outlet, and was like-
Just about other mommy.
[laughs]
[laughs] He's like, "That demon is not Flatiron."
No.
It's about, uh, he was talking about how they have at least the broad strokes-
Right
... of Marvel plans, Marvel Cinematic Universe plans stretching to 2042.
Right.
So that would mean somewhere out there-
Yeah
... a baby has just been born-
Mm-hmm
... that might play Cyclops in the third phase [laughs] of-
Of X-Men babies.
Yeah.
No, 2042, if you're born in 2026-
Oh, you mean a baby today
... like an 18-year-old, right, wouldn't you-
Sure
... be?
Y- yeah.
You've done it again.
Yeah.
[laughs]
Incredible.
Yeah.
So, uh, I thought that this was interesting because I think I've been a little hard on him.
Is this the zag?
It's not a zag.
Did you speak to your constituents?
But I was thinking about, I was listening to Midnight Boys, and they were arguing back and forth about the, the Doomsday trailer, and I will say this to his credit, Feige's credit.
Mm-hmm.
I don't like his visual sensibility, that he is obviously...
You cannot blame anyone else but him for why these movies look the way they look.
Right.
And in some ways I understand because I think that a lot of the stuff in Marvel movies needs to be rendered with CGI.
Like, I don't think you can...
You can't really do practical effect-
Well, as Chloe-
...
Galactus
... as Chloe Zhao learned.
Yes.
That's true.
That is true.
She tried.
But, um, you, you add up a lot of the curve balls that have been thrown their way between the insistence that they pump Disney+ full of streaming-
Right
...
TV, then the pullback from that.
Mm-hmm.
COVID and the strikes, and the tragic passing of Cha- Chadwick Boseman-
Huge
... as Black Panther.
Yeah.
And the, uh, the s- left, the left turn they had to make after Jonathan Majors, uh, to their, you know, became unemployable to their mind and, and Hollywood at large, it seems.
They have had to adjust a lot of these things.
Mm-hmm.
You know, now I don't always, obviously I don't, but I, I, I guess like when I was listening to, to Van and Charles and Jomi and Steve, I was like, "You know what? This has been a tough like last couple of years."
Right.
And so maybe that has something to do with why Doomsday is like we have to like kinda clear the decks, which is now sort of what he is leading with as the-
Yes
...
the headline of, he's like, "These movies will set us up for the next generation of Marvel movies."
Yeah, I mean, I think you touched on this a little bit last week.
Like I, I, the negativity and concern that I feel for Doomsday coming off of that bleak looking trailer has nothing to say about my optimism for starting clean slate with a good cast of the X-Men, with a good director in, um-
Jake Schreier
...
Jake Schreier, and, uh, Sonny, uh, from Who's Done Beef, and Joa- and Joanna Cali-
Mm-hmm
... writing the script.
It's like the Thunderbolts crew, yeah.
I think that's exciting, and I think it could be a good movie.
I mean, I, you know, I, I saw you say [laughs] that you don't remember where you were during Fantastic Four.
You were traveling.
Yeah.
And you were home.
Um, I liked that movie.
I don't think it necessarily works as a, I don't think it's a great work of art.
I don't think it's necessarily like the most thrilling building block to what's coming out later this year.
But I liked it, and I think they underst- He hasn't lost his ability to understand at their root what's interesting and compelling about a lot of these characters.
That, that-
Do you think that part of the problem with some of the films-
Yeah
... that have come o- out, and I, I'm talking specifically about FF, which, you know, you, you, I think you enjoyed-
Mm-hmm
...
the specificity of like the idea of-
The family, yeah
...
this kind of retrofuturistic stuff-
Yeah, yeah
... and the family.
But that's a movie where, I mean, honestly, like it does seem like Fantastic Four is a little bit of, it's got a little bit of a hex on it like over the years, you know, as they've-
It's, it's a tough one.
Yeah, and it's, it, it's one of those things where we're like this has so much name recognition.
Why, why aren't people coming to this movie?
Mm-hmm.
Um, but I wonder whether it was a little stuck between stations, which a lot of these films recently have been, where you can't really confidently push an entire phase or cinematic universe forward 'cause you're not entirely sure w- how to get where you ultimately wanna go, which is X-Men.
Y-
And-
Yeah, and as they learned with Supergirl, like you can't just count on each step you take being sturdy.
Yes.
And then on the other hand, because you still have to make some gestures towards that, you can't just have like its own, it can't be Ant-Man, you know what I mean? Where it's like we're gonna have fun and do a caper movie.
Mm-hmm.
You know, you have to build up all this like me- meet these people and understand what they've accomplished, what's their, what's their new kind of object, object-
Mm-hmm
... that they have to overcome, and then where does that leave not only them but a dozen other characters?
Right.
So I have sympathy for, 'cause I, I just don't think anyone's ever really tried to do this before-
Well-
...
in the history of movies.
[laughs]
Well, they've never done in either direction.
What was, what was incredibly successful and ultimately- ... exhilarating was when they started making the Marvel movies a- as, as Marvel Studios that led to The Avengers, they wanted to get there, but they were not sure that they would, and they understood that each step they took would have to be taken with great care and make a case for itself on its own in case they had to rip up the playbook-
Yeah
... and change their minds.
And there were even early missteps, quote-unquote, but like you mentioned Ant-Man, like the origin of Ant-Man is interesting because that was Edgar Wright coming in for a meeting and being like, "I wanna do something crazy."
Yes.
And them being like, "We love it.
Go." And then realizing, actually, this thing that we're very delicately trying to build doesn't have the ability to do that.
We have to bring it closer to the house style.
We have to make it a little bit more in line with everything else.
Um, it's not...
Gunn is doing something different by putting Clayface into this so early-
Sure
...
I think.
What was incredible about the Marvel run is that then they did it, and then they were stuck in a completely new unique circumstance, which was, how do we do it again? And everything that came out after Endgame was building towards another Avengers event movie-
Mm-hmm
... no matter what, and you could feel it.
You could feel it in the pressure placed on each one, on the, the greater, um, impact of the missteps, and then how do you...
Ho- I mean, it just depends what side you're looking at it on.
If you're looking at it from a, like, corporate and creative management, getting this movie into theaters this year with Robert Downey Jr., with the Russo brothers, with all this cast returning, is a remarkable feat since they were, had to go zero to 60 with it, right? I mean, they didn't-
It's insanely hard.
It, it, it's wild in the weeks since that tr- trailer dropped, or few days now since that trailer dropped, seeing how many people are posting the Infinity War trailer and being like, "Goddamn, we used to be a society."
For sure.
And it's true.
And some of that, what they're reacting to is how it, how those characters felt, m- and I think that it's, it's also with hindsight, like, that we go back and say, like, this...
I mean, yes, that was, those, those two films felt like such huge events, but I think that the Midnight Boys really touched on this where it's like the relationship we had to those-
Yeah
... characters was far deeper and well-curated over the course of the, the f- your first few phases of Marvel movies, which also had their missteps.
You know, we forget that we had-
Oh, yeah
...
Thor Dark World, and we had, you know, a Black Widow movie that went into the abyss and-
But, but the charm of Endgame was that it made Dark World incredibly important.
Yes.
And, and-
I guess Black Widow came after Avengers, right? Yeah.
Yes.
But, um, I think to me it, it's what you said.
It's like do you have an organic relationship with actors and roles that build over time to you're excited to see them again, or do you have this forced artificiality nostalgia that all of the multiver- multiversal movies essentially have become, whether you're wink winking at how silly it is that Chris Evans is playing Johnny Storm, or you are somehow building a major plank of your billion dollar hopeful movie rocket ship on the imagined fucking Mandela effect emotion of Channing Tatum playing Gambit.
Yeah.
Which I insist on reminding our audience never fucking happened.
Never actually happened.
That movie never happened, and him doing that in Deadpool was a kind of another one of these wink wink jokes of how fun it is to play with how much we know about these movies even beyond the movies themselves.
But now it was supposed to be some sort of emotional z- crescendo moment in the trailer that he's fighting Shang-Chi, and I'm like, "We don't know this person-
Right
... and we don't care." Do you know this term? I love this, in the, uh, the, the, the idea of a Glup Shitto.
I don't know this term at all.
Is this a-
This is a term that has been coined, uh, to make fun of people who are, like, really obsessing over the minutia of Star Wars characters.
[laughs]
You know, like, "What is this character's name?" If you're a real fan they're like, "Ah, they brought back Glup Shitto."
Right.
And I think that Channing Tatum's Gambit is the ultimate Glup Shitto-
[laughs]
... of like there are, you know, dozens of people doing the fucking Leo DiCaprio meme-
Yeah
...
when he's doing it.
But also Gambit himself is such, like, a '90s kid coded...
Like that was the coolest thing ever when there was a Cajun guy wearing-
Who threw-
... body armor who threw flames
... threw flaming cards at people.
Yeah.
Yeah.
And then I would just, like, turn the page of the comic and take another spoonful of your [laughs] fucking pasta salad, mayonnaise-smeared pages.
And, like, that's cool.
[laughs]
But, like, we're adults now, you know?
Yeah.
So, like, I, I think all of this is to say that the idea of rushing to the multiplex to see something that is designed to clear the decks does not feel good.
Like I, I think that there is some rebellion against that in addition to the one that, that you articulated very well and, and Sean did as well and Amanda did as well, which is like we just saw what ambition can look like when married to some version of reality.
Yeah.
And James Hibbard wrote a really cool piece in The Hollywood Reporter that identified that I...
People want to feel like maybe the thing they're seeing on screen feels real, and that there's like a pivot away from-
Yes
...
I don't mind if everything in this was pre-vis rendered, you know, uh, it has nothing to do with Avatar and, like, what...
Like that's a different kind of level I think of-
Yeah
... marrying technology with filmmaking regardless of how I feel about it.
Like it, it's obviously a huge achievement, but I think that he...
You know, when you hear about Nolan using mirrors so that actors can still feel like they're having an intimate scene-
Mm-hmm
...
when there's massive IMAX cameras blocking their eye lines, and the actors being like, "It was such a gen-" And s- using fucking mirrors.
It's like [laughs] Like it's so-
Y-
It's so old Hollywood to do something like that, that when you see...
And you know, this might be Alan Cumming being cheeky saying like, "I don't know who I was speaking to-
I love that he's being cheeky
... or what I was talking about or who else is in the room with me when I'm speaking." And you see these scenes in the trailer, which again, to the credit I give Resident Evil, like the stuff that's in the trailer for Doomsday might happen in the first 15 minutes of Doomsday, and all those people die.
You know what I mean?
Or might not be in it.
Or they get incurred-
And-
... out of, you know-
Yeah, and I, and I think there's like understood things that will prob- most likely be in this movie.
Sure.
Like, like Deadpool, like multiple Spider-Men.
Like-
Right
... they're not giving all that away.
Er, but, but it's weird how much we're being held prisoner by this.
Like the, the most mocked still from the trailer is just this awful blocking negative space room of C-list heroes.
Oh, yeah, all of them standing around, yeah.
And people have frozen that frame and pointed out the giant Doom-shaped hole in the middle because they don't wanna give the plot away that he's most likely, if it's anything like some of the Hickman comics, when he's introduced, he's like, "I am going to save reality."
Yes.
"And I need your help."
Yes.
As opposed to then I'm also evil or whatever.
Yes.
Um, but, and, and, and, you know, I, I wanna...
We will talk more about The Odyssey in a moment, I'm sure.
But like i- absolutely two of my favorite, favorite scenes in the movie were examples of, um, old-fashioned artistry and restraint-
Mm-hmm
... which are just out of fashion, and certainly hard to argue for if you are not one of the few directors who can put butts in seats.
But like the Sersi transformation scene is theatrical.
Sure.
And it's, it's physical, and it's interesting, and the way that the camera moves contributes to what we see and what we don't see in ways that you understand that it's, quote-unquote, artificial, but it feels organic because someone's making the decision to move the camera and show, oh, that's a human body, oh, now it's not.
Yeah.
And the other one that I love, and we'll talk more about this scene in a moment I bet, but the siren scene is one of the best moments in the film for any number of reasons.
But one of the things that I've been thinking about ever since I saw it was you just get a glimpse.
There's just some figures on the rocks.
Yeah, well, it's actually got a sense of perspective 'cause y- you're rooted in Odysseus's experience.
We can talk about it, yeah.
And it, and, and, and it's more powerful because we don't have to see it.
Right.
It's fine.
One last thing-
Okay
... and this dovetails with us kind of finally figuring out, when do you wanna do season two of The Agency wrap-up? Would you like to do it Monday?
Hmm.
Or would you like to do it next Thursday?
Have you finished the season?
I have got three episodes left.
This has been incredibly hard to talk about because the momentum of the season builds really, really well.
Mm-hmm.
And I li- you know, when we did our top 10s of the year so far, I think we both had it low on our list because we hadn't finished it.
Um, I think it is-
We also have like a consciousness of like how it will probably go-
Yes, we know a lot of the things
... because we know The, The Bureau.
Yeah.
But, but as the season has gone on, it has gotten stronger in its, in its, I think in its pacing, in its cumulative storytelling, and then also just like the, the, the, the creators' understanding of what they've got.
Like there were a lot of moments in season one where because of the necessity of like churning this plot that it hadn't really found its legs in terms of like interoffice dynamics, or like how are we gonna play these smaller scenes that can be invented, and they are feeling themselves in this season-
Sure
...
in a way that is like really, really engaging.
We could do either day.
I'm, I'm, I'm-
I, I think we should do-
I've, I've crossed the halfway point.
I'm, I'm rolling.
I think we should do Monday if you can.
Okay.
Just because I think that would be a good podcast.
I...
My goal is to do a good podcast.
Yeah.
Has, have I led on otherwise?
No.
I think we should lead with joy.
Yeah.
That's what we should do in 2026.
And, and I do think we need to talk about it sooner rather than later because as you're about to mention, it...
I, I don't feel bullish about the future of the show, and I wish I could.
Well, it's interesting that you should say that-
Yeah
... because I would like to talk to you about the Taylor Sheridan, Sheridan-ing-
Mm-hmm
... of Jez Butterworth.
Uh, Jez Butterworth, for people who do not know, is an accomplished British playwright-
Yes
... and a screenwriter.
Uh, has worked on, is huge, is, is sort of h- big, big play that he did that is, you know, totally an awards magnet was Jerusalem with Mark Rylance.
Oh, his play, of his theater.
Yeah.
Yeah.
Uh, screenwi- writing-wise, I, you know, I think he's done-
He's done some big stuff
... a lot of stuff, but like did he do any Bonds?
Yes.
Yeah.
Spectre.
Uh, Edge of Tomorrow is, is him.
That's right.
Um, Black Mass.
Mm-hmm.
Uh, Ford...
And then he s- and then he works with Mangold a lot.
He did Ford, Ford v Ferrari, and he did the, that la...
I mean, we don't talk about this, but the last Indiana Jones movie.
I mean-
He wrote and, and-
... of the problems with that probably-
Yeah
... were not all together script based, you know?
He is also the writer of the Beatles cinematic event.
Oh, the four Beatles movies.
Mm-hmm.
Okay, so obviously somebody who is prolific, which helps.
Yeah.
Because he has signed up to do another show for Paramount Plus, also from 101 Studios, which is the studio behind Sheridan's stuff.
Also, most of it was on Paramount Plus, but-
And did we s- did we establish also that with his brother he writes MobLand-
John Henry
... and The Agency.
That's what I was getting to.
Yeah.
Yeah.
So he, he's now, season two of MobLand is coming imminently.
They had a trailer come out.
That's obviously been in the news 'cause of is Tom Hardy on or off this show if they do a third season.
Hmm.
The Agency we're gonna be talking about on Monday.
We love to make a commitment to make The Agency.
Seems like you should say we think this will be a grower, and-
Yes
... people will by the fourth season be like, "This is my favorite show," which is kind of how The Bureau worked.
Yeah.
But, uh, so far no word on whether or not The Agency has been renewed for season three, which honestly is a bummer and has dampened my like maybe relentless spirit to finish in a timely manner, you know? Although if it was a week-to-week show, I think I'd be still on time.
Yeah.
Now he's gonna do another show-
Why not?
... called Laird.
Hmm.
L-A-I-R-D.
Mm-hmm.
Uh, starring Kenneth Branagh, and it sounds an awful, awful lot like Scottish Yellowstone.
It is, uh, the logline is a proud Scottish family man standing up to an American billionaire who wants to buy up Scottish land, which I think is very funny given Paramount's sort of precarious position with the Warner Brothers deal and the D- Department of Justice that they are-
They're diversifying their portfolio
... are making a, a show that kinda sounds like when Trump came and bought a bunch of golf courses.
Listen Two things.
One, you gotta prepare for after the midterms
We don't know for sure that the, the, the billionaire isn't the good guy in this show [laughs]
That's my next point.
My next point is, like, what if Local Hero is actually about how it's better to turn things into golf courses?
Someone who stands in the way of progress and good golf.
Uh, but this was largely, like, the thrust of Yellowstone, where you take an incredible natural environment-
Mm
... and in this case, the Scottish H- Highlands, I imagine.
Uh, and you put a major star, Branagh, Costner, and you build, like, a drama around his trying to save his family and his land.
Uh, i- it's a very-
Right
... interesting kind of...
I, I can't decide where I wanna start with.
First of all, it's very interesting that they are, like, m- making new Sheridans, you know? That-
Without, you mean without him.
Yeah.
Yes.
And that he...
I mean, I wouldn't even be surprised if he gets a piece of 101 Studios shows, but-
Yeah.
Yeah
...
Don't act like you don't know
... uh, yeah [laughs]
You're like, "Well, who, who among us?"
Well, now the enemy is within.
You've got an iCal-
Yeah
... alert.
Um, it's interesting that they are looking, and, and recruiting, and fostering, and scouting, like, other people, but what I wanna know is, like, how do you write this many episodes of television?
I mean, I, I, I don't know.
Yeah.
There are people who are super prolific.
It's, it's almost hard to interrogate this stuff without, A, like, running afoul of, like, Writers Guild illicit shenanigans, you know, or, like, accusing people of that.
But, B-
Well, it's, it's worth noting that in England-
B-
... it's not uncommon for the creator of a show to also write every episode.
Yes.
I, I would also say that, like, in a world in which David E. Kelley did what he did for all of the '90s and 2000s, like-
And Sorkin, although-
Sorkin used external...
I mean, who among-
Yeah
... we, we can't blame people.
He was motivated.
He was motivated.
He found, he found things that helped.
As the TSA found, yeah [laughs]
As the TSA found.
They found a lot of things.
Um, but yes, to your other point about, like, the British model, like, until recently the British model was the creator was also, didn't really have the term showrunner, w- had the term lead writer or head writer, and a writer's room such as they existed would be the lead writer calling his or her mates who they used to do theater together-
Mm-hmm
...
in for, like, a week, and they would sit around, and they would-
Have a sesh
... have a sesh.
Um, you know, get a bag out.
Bag is Tesco, of, you know, some breakfast sandwiches, and, um...
I think it's get a bag in, actually.
Sorry, I'm looking right at you [laughs]
[laughs] Are you talking about Tesco or cocaine?
Well, I was trying to do-
[laughs]
... trying to bridge the gap-
Yeah
... of some of British people's greatest passions, you know? Um, and then, and then they would contribute, you know, for a week, but that all the episodes would be credited to the person who then took those ideas and consolidated them and wrote the scripts.
I see.
Um, the American model is becoming more prevalent there, especially as more American productions are based there.
But, um, anyway, I'm not, I don't know why I'm trying to, like, explain the Butterworths.
I mean, uh, they also, they're, they're the brotherworths-
Yeah, they, they, they-
... and maybe they just work super well together
...
they might just be like, "We don't look at Twitter.
We just write," you know?
That's so sick [laughs]
Twitter's been really good for, like, five weeks [laughs]
There's been a lot of good jokes on there.
Yeah.
Um, anyway-
But, but, but the other, I think the other piece of it that I find interesting is, um, well, one, I'm just, can Branagh do the accent? I mean, I'm not putting anything past him.
He is Northern Irish by birth.
I mean, he's been playing Roman Abramovich for, like, 12 years it feels like-
Totally
...
so I'll be curious to see how he adjusts to Scottish, but I think he's, like-
I, I think he's probably up to it
... very good.
Yeah.
But the other thing, though, is I do think it's interesting to call it, you can call it Sheridan-ning or Taylor-ing, but Paramount, the powers that be at Paramount clearly believe that their m- that this model is expandable beyond Taylor's specific purview, but that delivering a 10-episode chunk of something kind of-
Sure
... beautiful and soap operatic works for their audience, that that is something that they can understand as a n- brand of, like, part of the service's brand as opposed to the brand of one-
Yeah
... filmmaker.
Um, do you think adding a third show to his portfolio bodes well or poorly for The Agency's future? The argument for well would be they are making a massive commitment to Jez Butterworth.
Yeah.
When Taylor Sheridan started, he did the first season of Yellowstone, I think it was '18.
Um, by '21 he was doing 1883 and Mayor of Kingstown.
Yeah.
'22 was N- 1923, Tulsa King, which I think he was on and off of as, uh, he was with Lawman: Bass Reeves, and then he had another push of, like, Lioness and Landman.
Yeah.
And then, then '26 he did the Madison and Dutton Ranch.
Right.
And while all this is happening, he is heavily involved with or fully writing-
Mm-hmm
... other seasons of the aforementioned shows.
Butterworth in the last couple of years, Agency premieres in the 20- in, uh, 2024 with 10 episodes of that.
The following year, MobLand goes up, 10 episodes of that.
I believe he wrote all of those with his brother.
And now this year, another 10 episodes of The Agency, I think.
M- MobLand, I think, is coming back this year.
Mm-hmm.
So that would be 20 episodes of TV that he has produced this, this year.
Do you think-
Yeah
... there's a sign that this is like The Agency didn't work, but we believe in you, or do you think it's like-
I-
... "Hey, we're, we're just in your business"?
I think they're in his business, and I think there's nothing in his CV that suggests that he and his brother couldn't do a third season of The Agency if it got greenlit.
Sure.
Um, particularly because it is a different job than these others.
Um, it is a lot more than, like, scenography, but they do have-
It's adaptation
...
the broad outlines of plot, so they can sit down and being like, "Here's what we have to accomplish, and here's how we..." So the job becomes dialogue, specificity, and making it in the voices of their, you know, slightly evolving characters.
Um, I'm, I'm very concerned [laughs] about the future of The Agency, but in ways that are incredibly opaque and frustrating and indicative of what TV is these days.
Yeah
YeahIt's, I, I still cannot fathom how expensive this show is to make and produce.
Um, the talent on screen, the location shooting on screen a- and across multiple countries, the producers involved, all the people getting paid for every episode.
That's kind of an under-reported thing or m- not as well understood aspect of where the money goes-
Yeah
...
when you see, you think that, oh, this show must have had its budget slashed.
Not necessarily.
Um, if there are upwards of eight executive producers and one of them is named George Clooney, like everybody's getting a taste of-
Yes
... everything that g- get gets made.
Um, and then it's a question of like, um, return on investment as well, and regime because this show survived somehow out of, you know...
Th- this was gonna be a Showtime original, and now it's, you know, a binge drop on a random weekend on Paramount+.
So it's rare for shows to thrive across, um, administrations, let's say.
Yeah.
And, and then I f- I think the fact that I...
Clearly from our mentions, people are finding the show and loving it, but I do...
I don't know if it has inspired what I would call a hot fandom.
I don't know.
I don't-
It's a chilly-
I think Paramount+ is also the other streaming service, it, for a lot of people who listen to us.
Mm-hmm, mm-hmm.
Is like, you know, the, there are some who are like, "I, you know, enjoy the Taylor Sheridan content," or whatever.
Mm-hmm.
There's a lot of people like, "I don't have Paramount and I, I, I don't because I'm not interested in Taylor."
Or-
And that seems to be the main thrust
... or UFC or whatever it is.
Or Elsbeth or whatever else they've got on it.
Yeah, the CBS stuff.
So I don't know.
I, uh, I think he can make it.
It, you know, The Agency went up June 21st.
They released all 10 episodes.
You could make the argument that they are waiting 10 weeks to announce that.
There, there-
[laughs]
... is some idea of like, you know, people watching it in a week-to-week format or once a week, and we're waiting to get the cumulative number back.
Yeah.
My guess would be that there has been a lot of action behind the scenes trying to salvage a future for the show.
Yeah.
And whether that means making the case for doing a third season in a different way, or budgetarily different, or if it means, um, the studio's actively shopping it to seeing if it would fit better with a different network.
I think all of that is possible and all of that is in play.
It doesn't seem like...
How often do we talk about that versus how often it happens?
It happens very rarely.
Yeah.
It's very complicated.
We'll do Agency on Monday.
Okay.
I'm happy to do it.
Let's talk about The Odyssey.
Now, uh, Andy has already mentioned a couple of, of, of his favorite scenes.
Key scenes.
Mm-hmm.
Uh, it goes without saying that this is spoilers for The Odyssey.
Seems like many of you have seen it already.
Seems like it's doing fairly well.
Just straw poll.
Anybody...
How, who else in the room has seen it? Kai? Sarah? Not Kaya.
I'm trying to see it in IMAX, okay? It's a hot ticket.
It is a hot ticket.
I have tickets to go see it next Friday.
I, I have to say, that was cool.
Like, that I, I'm not really [laughs] you know, I'm not really a format snob, but I was like, I, if, if given the opportunity and living in a city that I believe has more IMAX projectors than, than most-
Yeah
... let's say, if not all, um, I very, as you learned too casually, said, "I'm just gonna go see it tomorrow on the, a weekday morning."
Yes.
And like these 7:00 AM screenings were sold out.
Yes.
It's, it's a tough ticket to get.
That's cool.
I think I preferred the second screening possibly because a lot of...
I knew where I wanted to lean in and hear a line-
Yeah
... of dialogue that I may have missed.
Uh, you know, there's, there's a scene w- uh, early on when Penelope and Odysseus are in bed-
Mm-hmm
... and talking about like he's gonna have to leave.
Yes.
And she's just like, "What if we l- like ran away and what would happen?" And-
Yeah
...
it is crucial to understanding a bunch of, you know, the state of their marriage, the state of-
Mm-hmm
...
Ithaca, Agamemnon saying, "This is about Helen of Troy," but it's in fact-
It's about trade routes
... it's about trade routes.
Yeah.
So there's a lot of stuff that I picked up dialogue-wise-
Right
...
the second time around.
The screen was also, maybe it's a, it's a totally a personal preference thing.
I like to see like the whole screen kind of in my static line of view-
Right
... rather than scanning up and down the way you do at City Walk 70.
Um, I even had that problem sometimes w- w- in the Cinerama Dome, which is blessedly reopening-
Yeah
... um, here in Los Angeles, where you would be kinda pan and scanning yourself-
Mm-hmm
... across, uh, the horizontal line.
I don't know why we're getting into aspect ratios.
I'm excited.
Uh, I was very excited for you to see this movie.
Uh, how did, uh, what did you think?
Can we talk aspect ratio? No, I mean, I did, I don't know enough to know the difference, and I also don't, didn't know enough that there are hotspots for sound or not sound, especially like if you're not in a theater personally curated by the Nolan family trust.
Yeah.
So w- w- we were kind of like upper left, 'cause those are the seats that were left.
Yes.
And so we were seated directly underneath-
That'll blow your ears out
...
the speaker.
Yeah.
Which was very worrisome when you're watching trailers and also like, you know, um-
Ju-
...
Juicy Fruit commercials that are not exactly like-
Yeah [laughs]
... delicately...
And then when the movie starts, it was cool because I was like, wow, they really did a lot of ADR of dudes, you know, bathing in the background of this scene.
[laughs]
Or like, wow, the temple of Athena is a, is a busy place.
Yes.
So there was a lot of that, but it was clearer than I had expected.
But again, these theaters, you could have the right format, but there was still like the line of the seats in front of me was doing what people are saying the 35 millimeter print does, so I was losing the bottom of, of-
Sure
... of the frame.
Um, anyway, it was...
I, I, I think it's tough to articulate, uh, any strong opinion about Nolan because he is an industry unto himself, and anything that he does at this point, particularly a movie like this, is worthy of ... consideration.
Like, it was such a great experience to go with my daughter, who went for three reasons.
None of them were IMAX or spending the day with me.
They were named Tom Holland, Zendaya, and Greek mythology-
Oh, I thought maybe-
Of which she's passionate about all three
...
I thought maybe R Pat's got...
She likes, she likes him, but she's not, like, a, a, a Twihard, you know?
Uh-huh.
She doesn't really have the...
She likes him in, in Good Time mostly.
[laughs] Yeah.
That's, that's like her-
Sure
... way in.
Um, so it was really great to have the experience and then have the, like, the long drive home-
To talk about it
... 'cause we do not see it nearby [laughs]
Yeah
... uh, to talk about it, and then to keep talking about it.
Like, how great an experience is that?
This is-
Not just for dads and daughters, but for those of us alive these days who can go share something with people.
I think is the gifts that he gives-
Yeah
... is that his films, whether they are espionage puzzle boxes like Tenet-
Mm-hmm
... or, uh, you know, photorealistic war movies like Dunkirk-
Mm-hmm
... or space movies or whatever they are, you wind up just, like, chewing on them for weeks afterwards and wanting to re-see the, to see them again and revisit them immediately because you're like, "Did I miss something here?" And-
Yeah
...
I wonder how the second act f- feels once I know where it's going.
I-
And there's a lot of, like...
I think when, you know, sometimes with, with his movies, the first run-through-
Yeah
... is just almost like a purely physical experience or a visceral experience where you're like-
Can be
... "Oh, my God, like, my hearing is shot."
Yeah.
Like, I feel like I've been on these mountains and been on these boats and, like, been thrown against the waves.
And now that I can see it, I'm watching, like, oh, this is the first time Odysseus acted like a prick here in this, like, little scene right here.
Right.
You know what I mean? And, you know, he o- he obviously had this arrogance.
Or what makes Penelope say that at this moment?
Mm-hmm.
And like, you know, obviously then I think, you know, some of the greater themes and the more contemporary themes that Nolan's playing with start to emerge.
Did you, did you feel like you were able to, uh, like discern, like, how you liked the movie-
Yeah, I-
... beyond, like, that was a hell of an experience?
Well, I think I am not as big of a Nolan-head as all other men in their 40s who-
Uh, there's, there's a-
... have microphones
...
I think there...
Uh, you'd be surprised.
I-
And I also think that there's, like, there are Nolan guys who are like, "I'm a Dark Knight guy."
Sure.
I mean, I, I, I think he is a fascinating filmmaker.
I find him so...
I mean, he, he doesn't have a funny bone in his body, and I've...
I- and him talking about how he really likes MacGruber reminds me of Steve Carell talking about women's breasts in 40-Year-Old Virgin.
Yeah.
[laughs]
Um, I find his movies, they leave me very cold generally.
Um, so I did not...
I enjoy the spectacle.
I do not feel particularly transported by them, except in some occasions.
Um-
So you, like, ne- never forget you're watching a movie is what you're say-
Yeah
... like, you're not like-
No, I found-
... "I've, I've lost my s- my sort of-
Totally
... inner brain here."
Um, I found Oppenheimer really, really compelling because of all of his movies about, uh, lost men who have to work all day and only feel slightly bad about it.
The, it, it is about someone who loses himself in technicality and science, for lack of a better word, and struggles over that being his version of soul.
Mm-hmm.
And that, I think, is a very autobiographical thing as opposed to, like, in a different way than Interstellar, which is just about how, like, you know, it is hard to, to, to work on location sometimes.
[laughs]
But that's...
But, but I, but I, but I found that really interesting and compelling in Oppenheimer.
And also, one of the ways that I w- am eager to continue the conversation is to lower the temperature from, and you don't do this, but, like, just because he made a movie doesn't mean it's the best movie ever made or the best movie he's ever made.
Mm-hmm.
You know? So I, I think that when you get to think about all these movies in conversation with each other and where his muse is taking him and where his relationship with commerce and the town is taking him is very interesting.
All that to say, like, I thought that at its heart, this movie was so wildly audacious because it's fucking nuts to be like, "I'm gonna do the epic of ancient Greek battle poetry-
Sure
... and make it about, um, modern life," in the way that he did.
Um, and also it's a swords and sandals epic, which is incredibly out of fashion and has a long history on the screen and is often campy, right? Or, or, or leans in other directions than a p- than a, a typical Nolan-
Yeah
... uh, movie.
Th- that said, I also thought some of this was ludicrous-
[laughs]
...
in good ways.
I kinda wanna know what you thought was ludicrous.
Um, I mean, there were just moments when I was watching these actors, some of whom I thought were giving it their game best but were wildly miscast, speaking like they're in the fucking Ten Commandments.
But then, you know, the music's like, "Brr," and it's about, like, how we should feel things.
And I'm like, "That's a horse, dog.
Like, that's a big wooden horse." Like, I know you could talk about how you were in there bleeding and shitting on each other-
[laughs]
...
but, like, it's absurd on some level.
What do you mean? That they-
Well, no, I mean, just, like, think about what we're talking about.
Yeah.
Or, like, how I, I...
Like, the movie Pattinson was in was my favorite movie, I would say, because he...
I mean, you saw this.
Like, y- y- you saw it, and he's talked about it, but also you see it on screen that his, his, uh, north star for the part was James Woods in Casino.
Yes.
[laughs]
Which is such a great pull and exactly right, and fun, and funny, and more alive in some ways than some of the other characters.
He's also, and Pattinson could be very knowingly full of shit in interviews, but he-
Oh, sure
... also made a very compelling case for why, uh, is it Antinous who, like-
Yeah
... he's like, "She should've chosen me.
She choo- she'd have chose me." Like-
Yeah
...
I, I, like, he was like-
He had a lot to offer
... yeah, he was like, "I was making the case," and he was like, I don't think he had a hard time believing.
Yeah.
He's a sniveling dickweed in the movie.
Yeah.
But he's a fantastic villain.
And also, I love- There's so much maintenance going on for, like, people, like, who will be like, "I ca- I can't por- portray this kind of character."
Mm-hmm.
"I have to ma- make sure, like, the, the, the ride is always-"
Mm-hmm
... going uphill or whatever.
And Pattinson and possibly Chalamet are my favorite dudes when it comes to just, like, "I'll, I'll play a piece of shit."
Yes.
And Batman, you know what I mean?
Yes.
Like, I don't, I don't need to-
A- and the movie needed some of that, I think, in some of the other places as well.
Um, I thought the, the, the intention-
You didn't like the idiom that it was spoken in or, like, maybe the accents, the, the fact that they-
No, I-
... chose everybody to sort of, like-
It's not that I didn't like it.
I was like, well, because the b- the, the, the macro point I wanna make is you can't do this without making some pretty definitive fucking choices, and I like that he made those choices.
I didn't l- personally respond to or vibe with some of the choices.
Like, I, I, I think I'm con- I'm continuing to be kinda struck by how drab the movie is, like, in terms of the colors and the palette and what it looks like.
Yeah, it doesn't-
But-
... actually feel super Mediterranean.
But there was, there's a choice behind that and what he's doing, and I'm like, I find that interesting, so I wanna, like, dig deeper and talk about it.
Mm-hmm.
But I didn't, like, I wasn't transported by that.
Um, you know, the, the, the scenes, the scenes with the suitors just felt like one, like, micrometer away from being super campy and silly, and Pattinson was yanking it in one direction.
But, you know, the, the, the, the heaviness of the movie and of the, of the, uh, the journey was pulling it in the other direction, so it seemed a little bit in conflict with itself.
But, like, you know, I know Emily Wilson here.
Like, the, The Odyssey itself, like all Greek myth, is, like, about an ancient world in which gods were deeply flawed human actors who were fucking things up all the time, and that's interesting, too, and he intentionally didn't do that.
Yeah.
Which is a absolutely ...
I mean, he, he doesn't need me to say this, but I find that a really interesting and compelling choice.
Very bold choice.
It ...
A- and so the-
And I honestly wonder [laughs] whether or not it speaks to, whether you wanna call it spiritual bankruptcy-
Yeah
... or, like, pragmatism on the part of contemporary audiences, that they would be, like, probably pushing up against it if Zeus is around there, like, flipping boats over.
You know what I mean? Like-
Well, or, or Thor.
Yeah.
I mean, I know it's a different mythology.
Yeah.
But the i- we were used to seeing gods on screen now, so it was more interesting not to, and that to make his ultimate-
But they had to make Thor more like Tony Stark-
Yes
... for him to be a hugely popular character.
When he was doing, like, dark worlds, like-
Yes
...
Odin shit-
But-
... people were like, "Eh."
But Hermes is a James Gunn character, you know? Like, like these-
[laughs]
...
these dudes ...
But truly.
Like, the first thing Hermes did when he was born was crawl out of a cave, fuck around with Apollo's cows, which is relevant to this conversation-
Sure
... kill one, take its sinews, and make the first lyre, and just started playing music.
And Apollo was like, "What the fuck's up with this baby?"
Yeah.
[laughs]
"Why did this baby invent music and kill my cows?" Like-
Was there no music before that?
Well, uh, b- not, not, like, rocking, you know-
[laughs] Yeah
... fucking Chris Pratt with his Walkman kinda music.
I'm trying to, like, square the circle here.
But, uh, the other thing that he is so uniquely good at, that we almost take it for granted, is making cleverness and making the three-act structure, even with, like, asynchronous time, like, making it reveal the reason for the story-
Yes
... late in the game.
You know?
It's the, it's the-
It's, it's, it's the-
... prestige idea.
Like, it's the basically-
It's the trick
...
the late period, and this is the secret, and this is the reason.
And it's that, and what did Einstein say to him in Oppenheimer?
Yes.
Where it ...
And, and in this movie, the idea that the people from the sea were them all along, that they broke the world, that he's made this movie because it's about the end of one era into another, and then the different ways in which he backed it up, like, with the completely anachronistic metal armor on the giants.
Um, you know-
Wow
... being like, well, like, he saw the future.
Right.
And in the future, the world is literally changing.
The trees are going around them and stuff.
Right.
Bronze to-
To, to, to, to iron metal.
Yeah.
And, like, I love that.
I love the thinking behind that, but I think that ...
I, I'm not trying to fight what the movie is.
No.
But I think that my, my relationship with this movie in particular comes up against that, which is I love the thinking.
And then there were moments, though, of absolute transcendence, like, um, hiring the great clown Bill Irwin to be the Cyclops, and so to, to, to physicalize him, and then to linger not just on his monstrosity but on his humanity and have him weeping in pain.
Like, honestly, that dude's life was pretty good.
He's just making cheese.
[laughs]
And apparently pretty good cheese.
You know, in a different world, he just brings it to the market.
He can watch the agency at the pace he pleases.
[laughs]
Yeah, and every Saturday he, he goes to the green market in Montrose or whatever and, like, hawks his wares and-
Uh-huh
... you know, next to the Dubai chocolate lady, and, like, then he comes home with his sheep.
Rolls the rock back.
It's fine.
Yeah.
Um-
Eats two guys, falls asleep.
Well, he doesn't have-
I love, I love that the soldiers are Ambien to him.
[laughs] Like, as soon as he has two, he's like poof.
Instant sleep.
It's like me turning on a movie after 9:00 PM.
Just a wrap.
Yeah.
Um, but, like, this is the thing about something that is, like, worthwhile art, honestly, is that, like, look how exci- I feel very excited talking about it even though I didn't love it.
Do you historically like movies of this scale? I remember seeing Lawrence of Arabia with you in 70 millimeter-
Loved it
... a couple years ago, and it was y- you, you had, like, a religious experience.
Yeah.
But that also has different qualities than I think some ...
I think the closest movie, I would argue, is, is to, to Lawrence is more like Dunkirk.
Um-
Yeah.
Well, I think Dunkirk, I mean, this is the, I'm res- this is not my argument, but I saw someone make the, the argument that Dunkirk is in many ways his most successful movie because it comes preloaded with emotion and, and context.
Well, Dunkirk is my favorite movie of his.
Yeah.
Uh, I, I think my ...
I, I think the structure and his structural trickery-
Mm-hmm
... serves the movie because in Dunkirk everything he's doing is more or less observation.
There's incredible set pieces, obviously.
There are things that are happening that are absolutely extraordinary.
You know, you essentially feel like a, a fighter pilot-
Yeah
...
while watching Dunkirk.
But y- you are never brought Inside the characters, you know what I mean? Like, except for Rylance-
Well-
... and like, you know, they, they are people, but like they have...
There isn't a star of Dunkirk-
No, because you-
You know what I mean? Like-
You don't have to-
Yeah
... because you understand the ticking clock means lives that existed in history, and World War II, and the specter of Nazism, and all that, and you, you arrive with that.
Whereas the challenge of these oth- of the more original movies, and I don't mean th- say this lightly, is the movie has to do the, the work not just of resolving the story or making you feel the tension at the end, it has to introduce you to Dom Cobb and why it's important that he does X-
Yeah
... or Y or Z thing first, and become invested in him and his story.
So you mentioned that your daughter was very into Greek mythology, and I take it-
Mm-hmm
... by the s- casual references to Hermes' lyre that you are, too.
D'Aulaire's Book of Greek Myths is probably the most important book of my life-
Okay
... that I gave to my children.
And yeah.
So were you a little annoyed that it wasn't more Greek?
No.
Not in like the, like do you gotta cast like a Greek guy, I mean-
First of all, my Instagram reels are full of-
[laughs]
... contemporary Greece content and island hopping.
James Dimitri is a great guy.
Yeah.
You know what I mean? Like, it looks lovely.
Yeah.
I was...
No.
I, I don't care about that in terms of like authenticity or whatever.
Do you wish it was more magical and mythological?
No, I, I, I didn't f- no, I didn't feel that at all.
Okay.
In fact, I really, really liked also th- one of the other like card pulls in the, in the end, which is that yes, Zendaya is Athena, but really what he's seeing is-
Is his crimes
...
the priestess-
Yeah
... and the crimes, and the way that they...
A- and, and the idea of Zeus' law being like you don't know who is a god or who isn't.
Um, I thought that was very elegantly done.
No one can do that, what he's doing.
I mean, i- in terms of taking the most complicated ideas, themes, uh, narrative devices imaginable and making them feel...
I mean, his movies are effortful, but it does not seem overly complicated, honestly.
Yeah.
It communicates.
Yes.
I think and that's one of the reasons why in addition to the spectacle and the stars that everyone's going to see the movie because I don't think people are leaving, casuals are leaving this movie being confused by things, you know?
I think peo- people are going because every couple of years that something like this comes along and it...
You know, I remember going backwards to Jurassic Park in my life at least, you know, and perhaps in the '80s with Spielberg movies.
Yeah.
But Jurassic was the first time that I was conscious of the fact that like...
That and, and Batman, where it was like, "No, we're all going."
Yeah.
Like the v- you know? And-
Yeah
...
it doesn't even matter if you can't remember the name of Triceratops or you don't know anything about Joker.
Like, this, this seems to have crossed over into a I go to the movies twice a year, but this is gonna be one of them kind of a thing.
Yeah.
I think also you mentioned the stars and you mentioned, um-
Yeah, I wanna talk about them
...
the, I think, really wonderful promotional effort that's been made by these people because I think despite how hard it is now with like they're like, "Make a pizza, and hold a puppy, and take a lie detector test" and all-
Yeah
...
the stuff that like I think is the necessary for keeping the apparatus going of, of social media based interview shows or whatever.
They are always foregrounding the craft of filmmaking, the importance of-
Mm-hmm
... how Nolan made the movie.
They are telling like the same anecdotes over and over again with the same amount of gusto, and you can tell it had a profound effect on every one of them.
Now, if there's somebody-
Mm-hmm
...
there who's just like, "This one sucked," you know, like, I'd love to hear it.
But all of the people involved in this movie seemed to be like, "It was really special that I know that this movie's gonna last for 50 years"-
Yeah
... 100 years, and people are gonna be watching it, and they're gonna go back and be like, 'That was fucking incredible.'" And I think it had a huge thing to do with it.
That being said, I was curious about some of your takes on some of the performances in the film.
I think, I think there's a wild disparity, and I...
And again, like one of the things that's been fun about this era of star directors is that the, the company, you know, all great directors have the people they like to work with.
Mm-hmm.
Some, some more pronounced than others, but like seeing that go so super mainstream with like we...
And, and also it's a, it's a winnowing of what actors really work because the overlap between all the big movies of this year is quite striking.
I mean, it's Pattinson's in five movies, Zendaya's in, in four m-
Yeah
... four or five movies.
Like, it's, it's crazy.
Yeah.
But I, I like his allegiance to actors.
I do think that actors love working with him, so I'm not criticizing him again.
But there is sometimes I see people...
One thing you never see in a, uh, like a p- a PTA movie or a Wes Anderson movie is you don't see people caught out.
You know? He casts people 'cause he sees something in them or he knows them so well, and he puts them into positions to like surprise us and see-
I don't think he's like that-
Okay
... because I think his...
The star often is the storytelling device, and the camera, and the, and the shot and everything.
And so I think there were some actors who got pantsed in this movie in ways that I didn't, that just I thought was a bummer.
I think, I think Tom Holland is re- really in way over his head, and I find him to be an absolutely charismatic and delightful performer, and it was rough.
So second time around with him-
Yeah
... was drastically improved.
Really?
Yes.
First of all, you're prepared for the accent and you're prepared for the manner.
So you're not like, "Did this, did this dude get like-
Yeah
... like shook or whatever?" Like, it's...
Also, I find it, I found that his performance was very consistent with the truth of his character-
Yeah
... which is like pretending that he's ready for something that he is completely unprepared for.
True.
Now, is that a convenient explanation for maybe a performance that doesn't like have like a ton of emotional resonance? Perhaps.
He doesn't really get a moment like being strapped to the mast, you know? He doesn't get a moment-
Yeah
... um, and he's often paired with people who are not only more seasoned performers, but older characters.
So Penelope's experiences and her pain-
Mm-hmm
... are a little bit more earned than Telemachus who's like, "Yeah, I think I'm ready.
You think I'm ready?" And she's like, "You're not fucking ready." I mean, that's the point.
Yeah.
So I, I, I think that he is- Not done a lot of favors because he's gotta go up against Anne Hathaway, then Bernthal-
And then, and Pattinson
... and then Pattinson-
And then, and then be like-
And then Odysseus comes back.
But yes, like I, I understand that it's not everybody's cup of, of tea.
I, I mean, there were two things that made me laugh out loud in the movie.
One was, uh, what happens to Corey Hawkins.
Uh, we don't need to spoil that for people who...
But it like, that, that had to be intentionally funny.
But the other one was when, when Odysseus and Penelope are like, "Okay, we're leaving.
Like, make sure to like, you know, don't leave the stove on, son." And he's dressed up.
[laughs]
You know? Like, yes.
And I was like, "This is not gonna go well for Ithaca." Um-
Does it go well for Ithaca? I actually don't know the sequel.
[laughs]
I, the, the larger Homer expanded universe.
Um, yeah, so like I also didn't fully vibe with Anne Hathaway's performance.
I didn't fully-
Oh
...
I, I, I didn't...
There were, there were lo- I, I'm sorry to say it in this podcast, but I thought Bernthal was pretty ridiculous, um, doing the same thing, um, in this movie.
I thought some people popped in smaller ways, like, um, Samantha Morton as Circe is awesome.
Uh-huh.
Leguizamo is just, I loved.
I love because that's showing as someone...
I mean, this was, in small ways, this is John Leguizamo's Digger-
[laughs]
... because turns out he's like 65 and just really, really doesn't look it.
Yeah.
And I just liked that that was him, and e- there's something about...
He, he seemed, it seemed like an old movie performance, like someone in, you know, like Edward G. Robinson in the Ten Commandments or something-
Sure
...
in a way that I was like, "This is cool.
This is surprising.
This is a person I haven't seen before." This is a actor I know, seeing him in a different way.
I think he also, um, this is not my favorite Nolan script.
Uh-
Right
... you know, like I think there's two ways of ta- looking at that.
Is it structurally not my favorite? No, I actually quite like the structure.
I wish there were more moments of character rather than informational d- dead drops-
Mm-hmm
... for, for a lot of these characters.
And I thought Leguizamo and Himesh Patel did-
He's my other guy
...
the two best jobs of being like, "I know I have to mention Zeus's law or talk about-
Mm-hmm
... you know, this, this thing that's happened and may happen again." But they felt like v- very real people, and I thought Bernthal did, too.
I thought Bernthal, the second time around, like when you know the, the accent is coming-
Mm
... and we, it's not even an accent.
He's just doing Bernthal.
Mm-hmm.
Like, I think I liked the fact that everybody more or less did their voice, and it's, uh, honestly it was really funny.
I, w- the second time around, like Damon, when he's like, "This is cheese.
It's pretty good." [laughs]
I loved that part.
Like, I was like, "This is the most Boston just jumped out on Odysseus." [laughs]
I, I know, and I liked that.
Yeah.
I...
The thing about Bernthal, like this is a longer conversation, but like watching him do some of this press and I'm like, "Oh, he just seems like a nice man who also went to a private Quaker school."
Right.
And then as soon as he's on screen every year since I don't know what, he just does that, and I would like to see a different shade-
Okay
...
I would say.
But clearly he's hired for [laughs] this is like the most insulted you've ever been on this podcast.
Just, I, I don't think you have to limit men who went to friend schools, you know? [laughs] Like they should have whatever they-
Well, I think he could bring a little bit more of The Light Within.
I don't need an, I don't need an actor to be authentic to his off-screen persona.
I'm not saying that he needs to do that.
Yeah.
I'm saying that there are other, other color crayons in the deck.
Right.
You know what I mean? In the pack.
Um, not The Light...
He's doing more Marlboro Light rather than The Light Within.
Do, do you get what I'm saying?
Sure.
And, and surely you [laughs] among all of us understand that they are both-
Yeah
... twin flames burning at both ends.
The, the Agamemnon p- the Agamemnon piece.
[laughs]
You know? But like y- having that be a safty who you never see, you know, and the idea that it was all for-
Show me the safty? Yeah.
No, but it was all for n- it was all just greed, and he was undone by the things he wasn't paying attention to, and that, like I thought that was all just very well-woven.
Yeah.
Um, we mentioned the two scenes that I like best.
I, I thought the-
My favorite, the one of the, um, uh, just to throw another one in there that you didn't mention, was the Hades scene.
Oh, sorry.
That's the best scene in the movie.
Thank you.
That was, that's what I was building to.
I thought that was the most...
And I wonder, let's talk about that.
Was it the best scene in the movie because it was the most otherworldly? I mean, I know there are monsters in other scenes, but like I thought that scene was so beautifully conceived.
Mm-hmm.
It was so haunting, and I never wanted it to end, and then it ends in an incredible way.
Yeah.
And the way that he turned that moment into a vehicle for the narrative that he's been telling was masterful.
I mean-
I thought that was an incredible scene
... another one that just, it, it got so much deeper the second time around for me, I didn't notice that Jovan Adepo, w- first of all, like the first time I don't even know if I noticed that Jovan Adepo-
Yeah
... was in the movie.
And he's then comes out when Sinan and Agamemnon are done talking and is like, "But you're old.
The people that you've already lost on this voyage, want to have a word with you?"
Yeah, we have some scenes.
And that's what, like that's when the army of the dead run after him.
Yeah.
Uh, I just thought that was...
I mean, the guy fucking went to Iceland to shoot a scene.
Like, that's awesome.
[laughs]
That's what, that's what that was?
Yeah.
[laughs]
No, it's incredible, and he's, he's afforded opportunities that other people don't, but he makes the most of them.
What do you think of-
I still think this movie's gonna cost a lot less than Doomsday, though.
I mean, like you-
Yeah, yeah, yeah
... people act like it's...
I, and I don't know whether actors are taking discounts for him because they get to be in this-
It's Zendaya-got scale, I would say.
Yeah.
I'm pretty sure.
What do you mean? What does that mean? Just she got-
Your day rate.
Like you're not getting, you're not getting the Zendaya starring in a movie.
She's doing it because she wants to do it.
Right.
Um-
Right
...
but so let's talk, let's talk Damon.
Sure.
Um, I, I love watching Matt Damon in movies.
I just think he's just like a naturally charismatic actor who is also a movie star.
And I, this, it's just a, it, it's just such a good use of him because I never really get tired of watching him in movies, and you don't...
So he, he wears well over the course of this movie.
Sure.
When it was over and, and I was reading more about it, and I saw Sean talking about this, that like it seems pretty clear that he probably went to Christian Bale first, or that that's a...
Is that official, or we just think that?
I'd, I don't, I don't think that that's-
that's-That's not been said?
That's not been said.
I, I think Sean and I and Amanda talked about, like, who else could have played this part-
Could have
... and I think Sean was like, "Bale is the one that nags at me."
Yeah.
Um-
I wondered that as well.
Do you...
What, what worked for you in the performance, and what...
Do you have any notes or quibbles?
What worked? I mean, for, uh, physically I thought he captured, like, he, he...
The way he shaped his body I thought-
Yeah
... was, like, perfect for the historical era that they were trying to depict within the reality of the movie.
Oh, although, sorry, to bring it full circle to where we started this podcast, the man ages 20 years and then straps himself to a, a, a raft to float home-
But that's-
... and somehow returns in peak fighting shape.
No salads.
No.
No weight training.
You know what I mean?
Well, I mean, he...
I, I think when you have a, a physically active lifestyle, you can compensate for-
My brother, he spent seven years munching on opium flowers
...
but every day he has to, like...
Yes, but beautiful seafood.
Just, like- [laughs]
Don't tempt me with the part of the movie that...
Don't make me say that I wish there was more of that.
So you think what Calypso's really doing is just, like, a small sea to plate kind of situation?
It, it reminds me a lot of this place I went in Vis, uh-
Mm.
uh, off of Croatia-
Mm.
... where, you know, it's just, like, the best, the best of the best.
They cook it under a bell, you know?
What?
Embers kind of heating the bell.
And you were in the best shape of your life.
And I was in the best shape of my life.
Incredible.
Um, D- Damon, it's hard to distinguish between, Sean spoke about this very articulately, the, the associations you make with Damon, uh, Sean in a minute, but, uh, the, the sort of baggage you bring-
Mm-hmm
... with, with Damon-
Mm-hmm
... and being like, "Um, I trust this guy."
Totally.
I don't mind if he does five things that put lots of people in danger.
I don't mind the arrogance of thinking that he can, only I can fix it.
I can defy the gods-
Mm
... and figure out Cileng- and, and, uh-
Charybdis
...
Charybdis, where everybody else is like, "No, you, you really can't," you know?
Yeah.
And again, the end of the Calypso sequence, the first time around I don't even think I was really processing it, and the second time I was like, oh, the, he has to give himself over-
Yeah
... to fate rather than try to conquer it, you know?
I, I think that his innate goodness and trustworthiness may have worked against some of the deeper themes of the movie because, uh, I was...
I don't think I'm like...
I, I, I'd like to think that I run towards, um, moral nuance in, in storytelling.
I'd like to think that.
Um, you know, I, I, I, I, I hydrate, I stretch, and then I run towards it.
When he shoots the extra arrow at the already grievously wounded Cyclops and you're like, "Why did you do that?"
Yeah.
And the, his people are like, "Why did you do that? That was a real prick move." And he's like, "Well, he, he ate some of my friends-
Yes
... or whatever, and I have my moral code." And you realize that there is a counter-narrative, anti-heroic narrative to what he's doing in dragging these people.
I was...
That is the only thing that might make me wanna watch the movie again because in the watching, the, it almost worked against what I think the casting of him was meant to do, which is I trust this guy completely.
Wait, why is he letting everybody down?
I think that he-
I-
...
Damon has moved way beyond, like, that's m- the Martian, that's the guy who I just would like love to have a beer with and would trust-
Yeah
... with my life.
Like, I think Damon is capable of playing Colin in The Departed and the performa-
No, he's a great actor
... and, and, like, yeah.
I'm not, I, I'm not questioning his performance.
I'm just saying that the way you use him, because as you guys were talking about, like, you cast people because of audiences' relationships to them as well, and you play towards it or you play against it, that I think some of the nuance of what he was doing and his stubbornness and how his, his trick un-broke the world was s- for me, in my experience watching it, was slow developing, and not...
I don't think slow developing in the good way of the like, "Aha!"
[laughs]
I think it was more like I don't know how clearly that was communicated.
Where is that aha from? Oh, is that Princess Bride?
That's Princess Bride.
Right.
Yeah.
Yeah.
Do you want me to do more?
No, but you've done it a bunch and I'm always like, "Who?" And then I'm like, "Oh, yeah, Billy Crystal."
It's like the, um, you know, when the, the, "You serious about that?" I kind of had it decoupled from Joe Pesci-
Yes
...
in My Cousin Vinny.
Well, this, this is the, the profundity of your commentary is that you can borrow from the greats and then-
From-
... make it your own
... all six of the movies I remember seeing.
Yeah.
Um, I guess where, where do you wanna end?
I, I think the hardest thing about this is it is such a major movie and it's a major event, and it's deserving of all this unpacking and conversation and discourse.
I wish...
This is a, this is a recurring thing.
I wish there were more movies on this scale of ambition and of intent and of thought-
Yeah.
I mean-
...
so that we could have a spirited conversation about where movies are on that level.
Right, and you worry that, like, this is, while great or at least a great experience, that it's like, is this a bottle of Aquafina in the middle of a desert?
You love Aqu...
But wait, you love Aquafina.
That's why I used it as a reference point.
That would be a dream.
Yeah.
Oh, and I don't, so I'd be like, "No, thanks."
Yes.
[laughs]
Would rather die.
No, uh, I don't wor- I, I wanna b- I don't worry about anything.
Okay.
You know what I mean? I just think that-
I assure you that's not the case.
[laughs]
When it comes to this film, nothing about it gives me pause, and I have no reason to concern troll.
I think it's fascinating, and I think it's rich, and I think it's rewarding.
Um, I, I, I, I...
I'm not good at dealing with the world as it is, perhaps like Odysseus-
[laughs]
...
in the sense that in many ways we're similar, um, in the sense that I wish that it was in more active conversation with other big movies this summer.
Yes, where it, it's like this-
Not, not to take sides, but just to have a more, uh, like a, a rounder, richer conversation as opposed to everything else is dog shit and this is exceptional.
Well, I think it's been a great year at the movies so far.
At the great m- the movies, but on this fucking scale-
Yeah.
I think it would almost be interesting-
... of, like, box office, Oscars, debate
...
if this was coming out and then next month Dune was coming out
outYeah
But we'll see.
We'll see how, we'll see when we get to the end of the year, you know, this is, this would be a pretty historic run for him to, to go back-to-back with films that he's directed with Oscar sweeps or Oscar juggernauts.
His work ethic is unbelievable.
Like, if you look at how many movies he's made.
Um-
That's, it's, it's my favorite thing about him, is that there's all these now pockets of his filmography to get lost in.
Yeah.
It's, it's really enjoyable.
It's ama- so it's am- I didn't, I didn't listen to the whole podcast yet.
Like, A- Amanda was really having trouble with people who like to talk about The Prestige.
I don't ...
Did she?
That's me, dog.
Do you like s- do you ...
Is The Prestige your favorite?
Hell, I love that movie so much.
I love that movie.
You like Bale, don't you?
I, uh ...
Oh, since Empire of the Sun.
Okay.
No, I, I do, I do like Bale.
[laughs]
No, I, I, I, there's something about that movie-
I like Bale
...
the, the fact that, again, like, I like it when the subject matter is also, there's, it's subjective and objective.
Like, the movie is a trick, but it's about a trick, and then the monstrousness of the reveal in that movie-
That's why I like Inception, yeah
... is so, so, so haunting.
Um, yeah, and Inception too.
It's just ...
What's, what's your f- I, I don't have a favorite, but what's your-
Dunkirk is my favorite.
Yeah.
Uh, very easily.
Uh, and then I, I think my, I, we just did this, but I think it was Dunkirk, Inception, Odyssey, Tenet, or something like that.
Tenet?
Yeah.
Damn.
I love Tenet.
Um-
I, I, I would say, I would say, uh, yeah, Inception.
I would say Prestige.
I would say Dunkirk.
I'm, I'm a big Batman Begins guy.
I don't like Batman Begins very much.
I think that's the best of the three.
Well, at least that's your favorite Rachel Dawes, right? [laughs] Thanks to Kai.
Thanks to Kai.
[laughs]
Now, what if Rachel Cusick was in that movie?
[laughs] Thanks to Sarah.
We'll be back on Monday for definitely The Agency, uh, recap.
Mm.
Uh, and we'll see Dragon?
Of course.
Of course.
W- I live to serve.
Um-
Just like everyone on our show
... thanks so much for listening and watching, and we'll see you on Monday.
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