I'm all release the files, and I have no problem with Rosie doing this, but the singing isn't necessary.
She has this, she brings these Epstein survivors together, and she's talking to them, which again, great.
It's just weird to bring in a bunch of people who ta- are talking about getting, uh, you know, R-worded, and then go, "All right, yeah, no, that was when you were 14, and you would take...
You don't need, you don't need the theatrics, and I lo- I get it, Rosie's from the Broadway world.
Did they have to rehearse this? Did they have to bring them in and rehearse it? They probably did.
Can you imagine being a victim of human trafficking and then having the producer go, "Um, you're gonna come on, you're gonna share your story, and then of course there will be a song." And you go, "What?" "Yeah, we're gonna do I Am Woman, Hear Me Roar.
So here, let's watch this, because again, it's, to me it's a great example of, like, it's al- You're almost doing it.
[laughs]
I'm all release the files, and I have no problem with Rosie doing this, but the singing isn't necessary.
She has this, she brings these Epstein survivors together, and she's talking to them, which again, great.
It's just weird to bring in a bunch of people who ta- are talking about getting, uh, you know, R-worded, and then go, "All right, yeah, no, that was when you were 14, and you would take...
You don't need, you don't need the theatrics, and I lo- I get it, Rosie's from the Broadway world.
Did they have to rehearse this? Did they have to bring them in and rehearse it? They probably did.
Can you imagine being a victim of human trafficking and then having the producer go, "Um, you're gonna come on, you're gonna share your story, and then of course there will be a song." And you go, "What?" "Yeah, we're gonna do I Am Woman, Hear Me Roar.
So here, let's watch this, because again, it's, to me it's a great example of, like, it's al- You're almost doing it.
[laughs]
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