May 27, 2026 · 1 hr 5 min · 10 segments
Jo and Rob brave stormy waters, family trauma, and possibly a kraken in their 'Widow’s Bay' recap. Intro (0:00)Mailbag Check-In (2:56)‘Our History’ (17:08)The Door-Chair Set Up (22:40)Favorite Bit of Lore (26:15)‘Seasickness’ (32:15)Best Bit of Lore Round 2 (38:27)Favorite City Employee (44:20)Favorite Obvious Joke (46:02)Favorite Throw Away Joke (46:44)Favorite Horror Movie Reference / Easter Egg (47:29)Best Haunt / Scare (49:03)New England’s Best Kept Secret (52:22)The Rhys Piece (54:56)The (Stephen) Root of the Matter (56:05)Theories (57:37)Outro (1:01:32) Email us! prestigetv@spotify.com Follow us on IG and TikTok! Subscribe to the Ringer TV YouTube channel here for full episodes of ‘The Prestige TV Podcast’ and so much more! Hosts: Joanna Robinson and Rob MahoneyProducers: Devon Renaldo and Kai GradyStudio Production: Jacob CornettAdditional Production Support: Justin Sayles Learn more about your ad choices. Visit podcastchoices.com/adchoices
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[percussive music]
Hello, welcome back to the Prestige TV Podcast Feed.
I'm Joyner Robinson.
I'm Rob Mahoney.
And we're here to talk about Widows Bay, episodes six and seven, which aired together.
So if you only watched one episode, guess what? There's another one waiting for you.
Just sitting there.
Double drop because it was a...
Episode six was a little different.
Meandering.
Uh, a flashback sort of contained episode.
And so they dropped another one just so you were like, are...
How long are we gonna be in the 1700s? Not too long.
Okay.
How do you feel about that structure overall? Like, w- we get a lot of, you know, the penultimate step back kind of episodes-
Yeah, mid-season
...
in a lot of shows right now.
I kinda like it.
If you're gonna do it, you also have to do the follow-up, moving the ball forward-
Yeah
... episode packaged with it.
I th- I think it was really smart to double drop them.
Yes.
And also, we'll talk about this, but I was always watching it, I was like, wow, this is if, as if the Lost episode Across the Sea, which is a notoriously hated episode in the final season-
Yeah
... was, like, in season one instead.
There's just, like, a lot of lore info here-
It's amazing
... out of the gate, and I was like, that's a fascinating thing to do.
Okay, so episode six, Our History, directed by famed horror director Ti West.
Mm.
Written by Alberto Roldán, who, uh, wrote on Gaslit, which I've brought up a couple times because of my fondness for Betty Gilpin.
Yep.
Um, maybe not on pod, but you've heard me reference it a couple times.
Uh, nobody talks about Gaslit and, uh, they should 'cause Betty Gilpin is amazing in that.
Betty Gilpin, of course, is the star of, I would say the star of episode six.
Yes.
Hamish Linklater's also here.
We can talk about him.
And then episode seven, Seasickness, directed by Sam Donovan, who also directed episode four, Beach Reads, which we loved, and written by Dave Harris, who was a r- who's staff writer and on season one of Interview with the Vampire, one of my favorite shows of all time.
So this is just an incredible assemblage of talent here.
Ti West, I was asking you before we started recording, obviously this is a huge, like, film director to get-
Yeah
... for a TV show.
Where are you on the Ti West filmography? How do you feel about it?
I mean, mixed but kind of undeniable.
Mm.
You know, I think there are, there are elements of those movies where it's like, okay, is this, like, particular Hollywood homage, like, a bridge too far for me, stacked on stacked on stacked on stacked within my horror movie? Sometimes.
Yeah.
But, I mean, the bonafides speak for themselves.
And I think the atmospheric horror that they create really on Widows Bay in, in general, but especially within these episodes, it...
Like, that is the Ti West model for me.
In the Pearl trilogy-
Mm
... do you have a favorite one?
I guess probably just Pearl.
Just Pearl.
Just Pearl.
Is it more complicated than that? Do y- where-
It's just me, Cassie.
[laughs]
Where, where would you go?
Yeah.
Yeah, yeah.
The sickos say Maxine, but that's fine.
Um-
They can have it.
They can have it.
Mailbag.
On that front, speaking of Cassie, we received...
You know, we, we asked, you answered, do you want Widows Bay coverage week to week?
Mm-hmm.
A lot of you said yes.
These episodes are doing pretty well, so we're gonna cover it week to week for the rest of the season.
That's-
We also want this too.
Yeah.
It's what we wanted.
Yeah.
And we just wanted the numbers to prove that it's a good move for us.
Yes.
So here we are.
Also on the mailbag front, I can't tell you the last time I was so delighted by the subject lines of so many emails.
Babadooking? [laughs]
So much Babadooking going on.
Another way in which the listeners have really shown up for us.
Babadooking left and right.
I really do, uh, appreciate the listeners sharing their vulnerabilities with us.
Yeah, including the people who literally Babadook.
And we will share some of those with you.
[laughs] But first, Jana wrote in to say, "I need to understand why Widows Bay has been relegated to be- B-tier lump coverage while you continue devoting weekly attention to Euphoria,"
Mm
"... a show that is essentially a misogynistic fever dream of an aggressively mid nepo auteur whose only good scene, season was the one built on stolen IP.
Meanwhile, Widows Bay is the Prestige TV Podcast holy grail, Lost-level mystery, Severance-style puzzle box m- mech- mechanics, razor-sharp comedy, god-tier casting, genuine pathos, actual formal ambition, and, small detail, a masterpiece? We deserve week-to-week coverage.
Is Sam Levinson personally wiring money to The Ringer?"
[laughs]
"We are suffering."
Jana, tell us how you really feel.
[laughs] I just, I love that email.
Um, Euphoria is a no-brainer just because it's, like, got three of the most famous movie stars that are currently working.
Yeah.
We're having a fun time covering it.
Indeed.
So if you wanna witness some chaos, if you want to witness me spilling several beverages all over myself, you might be able to enjoy that on a, on a Sunday evening.
And me doing my best, like, Matthew Rhys wide-eyed stupor trying to c- like, contain my shit in responding to those episodes.
That will be the general vibe.
The live experience.
Why not Widows Bay? I will, I will say, you know, it's not just-...
uh, us wondering was the audience gonna be there.
Yes.
Because that is a question that we had, um, and a, a consideration when we pick what we wanna cover.
But also, like, I'm gonna be curious what it's going to be like for us to cover a single episode going forward, 'cause this is a still a double episode drop.
Yep.
But we're gonna be covering one episode, episode at a time going forward.
They're shorter runtime episodes.
It's a comedy.
We don't usually cover comedy.
No.
And yes-
So genre comedy, but still a comedy
... yeah, so while there are sort of like lore mysteries, which of course we'll talk about this week and stuff like that, I've always, I've been wondering if there's enough meat on the bone for us-
Mm-hmm
... to cover a single episode of Widow's Bay at a time.
Yeah.
And we'll find out together, and I'm sure there probably will be.
It's just less of a no-brainer to me than like, what the hell's happening [laughs] on-
Yes
...
Euphoria, which is, you know.
I think there's like a very understandable misconception that we cover shows because, like, they're the best show or the show we love the most, and it's like there's a lot of other considerations that go into it.
Right.
A sh-
Sometimes that's true
... sometimes it's absolutely true, and sometimes we love it so much we kind of will it into being a podcast.
But like a show like How to Get to Heaven From Belfast is one of my favorites of the year.
I wouldn't know really how to podcast about it.
Right.
And I would say that's a show that has a lot in common with Widow's Bay.
It's a little more like comedy thriller than it is comedy horror.
Yeah.
But a similar like joke cadence baked into this other genre trapping.
It can be tricky, and especially as you said, the runtime itself kinda decides a lot of like how much you can really pack into one podcast discussion episode.
If I were in charge of the world-
Yes
...
I would've done-
Jo, let me tell you, you are
...
I'm not.
If I were, I would've done 20 podcast episodes on the other Bennett sister.
[laughs]
But you know what? Nobody wants to listen to that.
Well, like five of you wanna listen to that.
So, um, okay, a couple other emails.
Okay.
We got several emails and comments, uh, about Evan's parentage, which is something that-
Hmm
... we, we raised last week, and we got a lot of people commenting like, "Hey, didn't Tom say in episode one that his wife was already pregnant with Evan when he met her?" I w- I was like, "How did I miss that?"
Yeah.
I, I went back and re-watched the scene.
I think you could interpret it that way.
The way that I interpret it is your mom was already pregnant when we got married.
Yeah.
That's how I interpret what he says in that scene.
I can see how you could interpret it that he, he says, "It's no secret your mother was already pregnant," but the end of that sentence to me is when we got married.
So like it's no secret it was like a shotgun wedding-
Right
... sort of thing.
Um, and I have to think, Evan, the rebellious teen that he is, if, if it's an open secret that, uh, you know, his mom was already pregnant when Tom met her-
Hmm
... and that his dad is someone else, we w- we would've been hit with a you're not my real dad at some point, uh-
We might still
...
in this run.
Anyway, if you work on, um, Widow's Bay and you're listening to this podcast, and we have heard that some people work on the show are listening to this podcast, and you know for a fact about Evan's parentage, we would love an email.
Pressdcv@spotify.com.
But would we? 'Cause is that not gonna be potentially revealed in time?
Hmm.
Okay, could be.
Could be.
I think here, here's where I'm standing with a lot of these, like, flashing back to early episode moments.
Like we got another email from Kyle-
Really
... who I thought had a great call about when Tom is first talking to the reporter from The New York Times, the idea's brought up that, like, if you were born on this island you can't leave it, and Tom says, "That's an old wives tale," which is a great line, great dismissal in the moment, but also the tale of his old maybe dead, maybe disappeared wife.
Young, but-
[laughs]
... [laughs] but no longer here wife
Not old, former.
Former wife.
Former, not old.
Yeah.
Uh, yeah.
And so I wonder if this is the kinda show where, given the way they have-
Hmm
...
so masterfu- masterfully laid all of this track to this point-
Right
... and all of these lines that already feel different, all these moments-
Hmm
... of like Patricia calling Tom on the phone in a harried way about the cocktails, and it's like, oh, now we know what that means-
Yeah
... an episode or two later.
It j- might just be one of those things we revisit, and the fact that it plays both ways is very much intentional.
Okay.
I still wanna know, but I won't tell Rob.
[laughs]
[laughs] Tag it as spoiler-
Tell me secretly
...
in the subject line.
Tell me secretly-
Hmm
... uh, if, if Evan's parentage is supposed to be a mystery or who's, who's reading that scene correctly? But it, you know, all the people who wrote in and commented, he does say, "It's no secret your mother was already pregnant."
Yeah.
But if the end of that sentence is when we met or when we got married makes a difference.
Yes.
So okay.
Did you...
We got several emails from folks, and if you didn't listen to us last week [laughs] or if you haven't been listening at all, I will just premise that Katie Dippold, who created this show, has this great tweet about showing up in full Babadook, uh, regalia to a, a more, what is it, like drinking wine-
Grownups drinking wine vibe
... grownup [laughs] drinking wine Halloween party, and she's in full Babadook costume.
Yes.
Or Babadooked other people it turns out.
Sure.
So did you have any that you wanted to call out particularly?
I did, Jo.
Yeah.
Uh, in particular one email we got from Matt-
Yeah.
This is my favorite one
... who accidentally Babadooked somebody else.
Really a sequence of events in which a party was thrown, like a big dance on Halloween.
Mm-hmm.
And then a follow-up event from like a sister organization was thrown following up in March the following year at a later time, and someone who attended the first dance misunderstood that you're supposed to maybe n- only show up in costume for the Halloween occasion and shown up to a March dance in full Maleficent-
Maleficent.
Yeah
...
Maleficent regalia.
Yeah.
I'm hoping-
Uh, the, I mean, that is a true Babadook
... and I'm curious if it was like, uh, animated Maleficent or if we're doing-
Or Jolie
...
Jolie.
Wow, yeah.
For Angelina-ing.
Hmm.
Like how sharp are the cheekbones for this occasion? I would love to see the photos.
Speaking of photos, our listener Alex wrote in to sh- let us know that they literally Babadooked-
Yes
... a party, and they have photographic evidence.
Uh, and they believe their Babadooking predates the meme of the Babadooking, so.
Tremendous.
Yeah.
The er Babadooking, if you will.
Just when you thought you were living a singular life-
[laughs] Someone else-
... multiple people are literally Babadooking
... someone else Babadooked before you.
The last one that I wanna share is like a pop culture reference Babadook.
Hmm.
And who among us has not dropped a, a, a movie quote that we thought everyone knew?
Yeah.
And we were wrong.
Jamie wrote in to say, "I tagged along with a friend to a New Year's Eve party, and at some point in the evening a woman whom I had made party friends with spilled her drink all over the kitchen counter." Sounds like a real Joanna move.
"Since it was still the holiday season, I obviously said, 'Look what you did, you little jerk.'"Dead silence.
So, uh, Jamie, I see you and I, I would've caught your reference, but sometimes you Babadook yourself-
[laughs]
... just by knowing too many movie quotes.
Anything else you wanna mention? Keep them coming.
Yeah.
I'm a big fan of the Babadooking.
Um-
And future Babadooking.
You know, if you find yourself a year from now-
Yeah
... li- having listened to this podcast-
Oh
... accidentally Babadooking yourself, I would still like to hear about it.
PrestigeTV@spotify.com.
Speaking of which, uh, we did get an email from our listener, Matt.
This is pit related.
Mm.
Um, so if you did not live out with a pit with us, uh-
Yeah
... earlier this season.
But he sent us an ad for a thing called Yinzerpalooza.
Okay, what?
Incredible.
[laughs]
Where they're giving away Dr. Robbie bobbleheads at this Yinzerpalooza event, and I just thought the phrase Yinzerpalooza was worth, uh, sharing.
Completely worth it.
Also, I'm wondering, do we have room on our shelves here for a Dr. Robbie bobblehead if we can procure one of these somehow?
Oh, we'll get...
Well, I'll knock that fucking bonsai out of the, out of rotation.
Just straight out?
Yeah.
[laughs] Are you kidding me? Our listener Andrew wrote in to talk about Evan, um, and the Boogeyman house.
Yes.
And comparing the story of Tom being too chicken shit to doorbell ditch Wick, which Wick was like, "That's a failing of you, Tom," and Evan's willingness to go up to, uh, the Boogeyman house.
Did you feel like this was a, an intentional parallel they were drawing between the two?
Very much so.
Yeah.
Or they're setting it up to see does Evan behave as Tom did or not.
Right.
And then undercut it for comedy, for drama-
Right
... for, you know, just like the jump scare of Bashir being there basically.
Like it's, it's a great th- I think, I think thematic tie-in is the way to, to portray it.
Yeah.
Right? It's just kind of an iteration of this idea that's already out there.
I was struck in watching these episodes six and seven about how much the Richard Warren story felt familiar to the Boogeyman story we hear among the teenagers, right?
Oh, tell me.
Well, when, when the teenagers are talking like maybe honestly, maybe just trying to scare each other about what happened with the man who lived in this house-
Oh, in the cement
...
it was like they couldn't...
They tried to shoot him, they couldn't kill him, they had to bury him in cement.
Oh.
And then we see what happened to Richard Warren.
He's like stabbed repeatedly, couldn't kill him, had to bury him underground.
It's like a, a, you know, a...
The Boogeyman story feels like a modernization of the Richard Warren myth.
That's funny because I was thinking about, um, when Bashir is talking to Patricia about, um, like a town council is amassing to do something about Tom.
Yeah, an action committee.
Yeah, an action committee.
Yeah.
I'm like, what is that group in the flashback episode is not an action committee.
Like-
All this has happened before.
All this will happen again, Jo.
Exactly.
[laughs] Exactly.
All right.
Yes
...
Historical Society, I think the lone, um, employee of the Historical, the Historical Society.
J- Jerry? [laughs]
Yeah.
Of, of the Historical Society?
Of the, of the Historical Society.
The industry standard is..." You know I love an expert email from someone.
You really do.
Theoretically.
Uh, "Though thoroughly washed and dried hands work great too.
Cotton is more likely to tear the materials and leave fibers behind.
Honestly, the entire way that she," Jerry-
Mm-hmm
... "of the Historical Society, "handles the book and the page is a hot mess.
Though if she's never gotten formal archival training, never been off the island," question mark-
How could you?
... "maybe she just isn't knowledgeable about proper procedure." So Caitlin giving some grace-
Yeah
... for Jerry, um, but also saying, "Your procedure is shit, Jerry, and you don't deserve to be near historical documents."
It feels fair.
[laughs]
J- Jerry's doing the best she can.
You know?
True.
We're all working with what we got.
Last email from Dave.
Mm
... what my bookmobile might be called.
Yeah.
Have you given it any thought?
I did not give it any thought.
[laughs]
Well, thank you for taking my consideration seriously.
I definitely forgot you asked me that, but I did read Dave's email.
He wrote Jor- Jorder, like Borders but Jo, Jorders Books.
It's a text only joke.
Books, yep.
[laughs]
Barnes and Jobel works a bit better.
I do like Barnes and Jobel.
And Jobel Library, like Mobile Library but Jobel Library.
Yeah.
Can we do better? PrestigeTV@spotify.com.
Let's keep workshopping it.
He also expected, like he was trying to do a JOANN Fabrics joke, but he wrote JOANN Yarns, and it's not really-
Mm
...
it was, it was stretching.
Dave, I appreciate you.
You're the only one who remembered this.
Yes.
I didn't, so I appreciate it.
How do you feel, we've never talked about this, about just Joann's? I, I imagine it happens a lot to you where people call you Joann instead of Joanna.
Like, do you h- Is there a blood feud? Is there a rivalry?
Um, no.
Uh, I embrace the Joann's of the world.
Really?
Johanna is the problem.
Mm.
I get a Johanna.
I've often said that.
Yeah.
You're like, "Johannas are the real problem in the world."
[laughs]
Shout out to the Johannas out there.
Do you have a, a, a Robert, Bert, Rob Beto issue with anything sounding like all of those? [laughs]
[laughs] Before this podcast, Jo compared me to Beto O'Rourke and I can only imagine an unflattering way 'cause I don't know what else to take it.
It was very rude.
[laughs]
It's just ex- just the meanest thing you've ever said to me.
You're so accurate.
Absolutely fucked up.
But I will say my mortal enemy is less even the Bobs.
Frankly, there aren't many Bobs anymore.
Berts are a rare breed.
I'm, I'm maybe poised for a midlife transition to Bert.
Maybe, maybe that's ahead for me at a certain point.
Yeah, I love that.
Yeah.
For me it's the Rons.
You know, that's the one that people mishear Rob as Ron and vice versa.
Oh, no.
And so we're not enemies, but it's like we can't be allies.
Yeah.
You know, we're, we're at cross purposes.
On that front, by the way-
How could it possibly be on that front?
It is on that front.
[laughs]
Chris Fleming, who we brought up in last week's episode-
Yeah
... has a great bit about how JOANN's is not Michaels.
Mm-hmm.
And he like...
It's really, really funny.
I recommend-
Gotta dig this up
... uh, you watch it.
It's so funny.
How like JOANN's is like for the girls and Michaels is for, uh, fake craftspeople.
Wow.
But JOANN's is now out of business, so RIP.
Mm.
Mm.Should we talk about Widow's Bay? [laughs]
I think we probably should.
Why not? What a concept.
Um, all right, so our history, uh, a significant departure.
Yeah.
But your first, like, real experience with, with the actress Betty Gilpin.
Yes.
Uh, how did you enjoy your experience here?
Delightful.
She's great.
She's really wonderful here.
Yeah.
I mean, this is really, I mean, tr- true to the direction and the theme of the show.
Like, a very scream queen kind of performance but, like, stifled by her circumstances.
Mm-hmm.
And I had a particularly great time with all the non-verbal stuff she was doing, like the choking down sobs, the screaming into pillows, like the, like, random yelps she would let out as she's trying to, like, formulate her thoughts to not get murdered by her husband.
Yeah.
Just a wonderful performance.
I just think she's so funny too, and this isn't...
This is the least funny of all the episodes-
Yeah
... obviously.
Like, the horror is horrifying.
But even then, still kind of funny.
Like, her...
When she's trying to get the council to kill her husband [laughs]
[laughs]
And she just, like, gives this little clap like, "Let's go."
Yeah.
Or they're like, "Go get the children." She's like, "My children? I just met them." But the killer, and I know I might be stepping on, like, our joke category that we're gonna do later, but my favorite was, like, the runner through the, the episode is like-
Mm
... "I'm so old.
I never thought I would get married at this age."
Yes.
"I'm so old.
I'm so old." And then at one point she says, "I am, I am but four and 10, and I will wither in my father's attic." So she's supposed to be 14.
[laughs]
This, like, old maid at 14, and I just love...
I mean, like, obviously Betty Gilpin is not 14.
Yeah.
But she was just sort of like, "I'm but four and 10"
[laughs]
And I was like, "Wait, did I, did I hear that correctly?" [laughs] So yeah, the whole, like, I'm, I'm, "I'm too decrepit to be married at 14" in, in the 1700s.
I mean, her life is over.
Yeah.
You know? She i- she is a spinster and a traitress-
Yeah [laughs]
...
it turns out.
I also...
I think the moment where I knew, again, not having a lot of Betty Gilpin experience to date-
Yeah
... that I was in, like, really good hands is, like, we open with her, you know, writing some of the diary that we later-
Mm
Yeah.
"He's right here in the room."
He's right here.
[laughs] Yeah.
We get the full backstory for that.
Yeah.
But the initial diary entry, like, the moment...
She almost has, like, a twinkle in her eye the moment she dares to wish G- for, like, to God that her husband be handsome.
And I'm like, "Okay, there's..." Like, there's something here-
Yeah
... that I'm already so interested in, and she delivered, I would say, at every step in this episode.
I'm actually not.
Okay.
Um, and a fantastic show.
Betty Gilpin was the first actor who, like, took over for the original actor who did the role.
Mm-hmm.
And my sister saw Betty Gilpin in this role, and she was just like...
It, it's, it's sort of similar to this.
Like, in, in the way that you can do physical comedy wearing, like, so many skirts.
Yeah.
Um, like, how you navigate it is, is incredible.
I just think she's so talented.
I'm so happy she's here.
Hamish Linklater is also here.
I will say this is not my...
I love Hamish Linklater.
This is not my f- He's making a real vo- vocal choice.
He is.
How would you describe it?
Sonorous.
[laughs]
So- [laughs]
Sonorous is a great way to describe it
... is that the word? I don't know.
I, I'm just, like...
I feel like if I, if I were directing this ep- if I were Ty West-
Mm
... um, or anyone-
People do often confuse the two of you.
Yeah, that's true.
You've got the Beto energy.
I've got the Ty West energy.
[laughs]
I think you won that one.
And I heard...
And he was like...
And Hamish came in, and he's like, "I'm gonna go with this."
Yeah.
I'd be like, "Let's run it back and try again." Uh, maybe not.
But I mean, he's, he, he has more to play with in the, in the second episode-
Yes
... than he does here.
Here he's just, like, really the heavy, the villain.
Um, what did you think of this?
It does feel like he's kinda setting up the voice, too, to be, like, maybe not so jarring if he went from speaking like a normal person to all of a sudden gruff, like, dust for vocal cords.
Undead.
Dead.
Yeah.
Yeah, yeah, yeah.
Uh, so yeah, he is doing, like, a certain marble mouth thing-
Yeah
... that I, did work for me.
And I think kind of it makes it, yes, a little bit sinister but also, like, a little bit goofy in the way that the show likes to do.
And the way that they're playing with those extremes-
Yeah
... with this character, I thought was really nice.
And it, it's, it's a classic thing that Widow's Bay is starting to establish in its pattern, its rhythms, where you have these, like, horrific things that happen or these sc- like, really terrifying things that happen.
And within an episode or two, we're sending them up already.
Mm-hmm.
And to me, Richard Warren is the perfect example of that-
Yeah
... of, like, he's murdering people left and right or, like, leaving them for dead as human sacrifices, however you wanna think about it.
Sarah is clearly in danger.
His kids are potentially in danger.
And yet an episode later, we're just doing, like, fuck you gags with Matthew Rhys, and-
Eating Vienna sausages.
[laughs] It's all ribs and Vienna sausage.
As far as last meals go-
Yeah
... where does Vienna sausage out of a can rank for you?
I mean, he seemed to really enjoy himself.
That's true.
How did you feel about R- you know, Hamish Linklater as Richard Warren just straight up moaning as he eats Vienna sausages?
[laughs] Tough.
Really tough.
This is incredible."
Can I offer you a one, a one-up from Vienna sausages-
Yeah
... for a six-year-old boy? Beanie weenies.
See, aren't, aren't they, are they not basically the same thing?
I mean, it's literally a Vienna sausage, but you add beans.
See, I'm out.
[laughs]
I, I'm not interested in the beanie element of the beanie weenie.
What? Are you serious?
Ween- we're weenies only around here.
[laughs]
[laughs] That's the quote, guys.
Um, all right.
Okay.
I don't wanna step on our, like, lore category that we have, but we get-
It's robust this week
... just a massive lore dump inside of this episode.
Yeah.
The well is here.
Yes.
The d- the door and the chair in older guys.
How do you feel about, like...
I feel like you had your theory validated, where you were like, when we first saw the chair in front of the rusted metal door-
Yeah
... and you were like, "I feel like that's been there forever." I was like, "That door looks more modern." You're like, "Perhaps it was once a wooden hatch." And lo and behold, you nailed it.
So, like, what's your current interpretation of, of the door/chair, uh-
Mm
... setup that we get?
Well-I mean, clearly this has been done for human sacrifices.
I think the trail of blood leading from the chair to the then wooden hatch would suggest it
The hunk of hair.
Yeah.
I mean, hair is the new teeth in this episode.
[laughs]
There's just clumps of hair.
Yeah.
We're, we're constantly being told, like, oh, uh...
It's, it's pretty gross.
Yeah.
Uh, I f- I feel great about all of that paying off, and to me it feels like, you know, an e- an extension of what Richard Warren is telling, you know, the priest and the townspeople before he's buried of like, "This is the covenant that we make here on the island."
Yeah.
Yeah.
Uh-huh.
And so even though he is being buried underground, someone will continue s- parts of his work.
And it seems like...
I mean, they were asking for specific instructions-
Yeah
...
so it seems like-
What do we do?
Yeah
And so-
Seems like they shall
... over time it becomes part of the ritual of the town.
Over time, the-
Is it every year? How many...
Do, do people on the island living right now know?
Yeah.
Does like-
Yes
... a Rosemary know?
This-
Like, who's doing it?
This is, I think, one of the genius parts of this show, is the who knows what and who is in on it.
Like, there is a small town conspiracy-
Yeah
... potential story within this one.
Yeah.
And even Tom is kind of a part of that, right? Like, we open the show, and the way we're conditioned as viewers, as, like, inherent skeptics of the supernatural, at least that's where I'm coming to it from, I'm like, "Oh, you know, some of the spooky stuff might be real, some of it might be fake."
Mm-hmm.
I'm kind of, like, in a, what I thought was a Tom perspective as far as what the supernatural elements of the island might be.
But he kn- he...
We, we get pretty hard confirmation within these episodes that he knows, like, for a fact if you leave the island as a, as a native-born person you will die.
Like, "My son is locked here in h- a hell prison."
A hell rock.
Yeah.
Yeah.
He at least believes.
Yes.
Like, having seen whatever it was that happened with his wife, and we get more lore information there-
Right
... you know, he's at least believes it enough to not risk it-
Yeah
... with Evan, for sure.
And so this is a thing that he firmly believes, and yet to everyone else in the world is, like, downplaying it, "Don't worry about it, that's, that's an old wives' tale," et cetera, et cetera.
And so that could be going on in some form or fashion, you would think, with basically anyone else who lives here.
Like, given the stuff that they inevitably have seen-
Mm-hmm
... how could you not be a part of it in some way or another?
Or is there no one doing it, and that's why the island is, like, angry and, and-
Well, that's definitely part of the problem
... yeah, that they're gonna have to feed it someone.
Yeah.
Whoever was the last mayor was keeping up to date with the human-
Yeah
... sacrifices.
And Tom, I mean, like many things in Widow's Bay-
Slacking
... really slacking.
Really slacking on the job.
Yeah.
Absolutely.
Civic services just aren't what they used to be.
[laughs] All right.
Are you satisfied with the well? Like, do we need more information about the well?
I mean, we know it's part of the network.
Mm-hmm.
I don't know.
It's very Lost-y, honestly.
It...
I mean, look, it's, it's, this is the most-
It could not be Lost-ier.
Yeah
...
this is the most Lost-y part of the show.
Yeah.
We are making our own kind of music.
We are singing our own special songs.
I like that it's part of the network, but I also kind of would've loved if the well was something even discreet and spookier.
Yeah.
Uh, the fact that the payoff for looking down into this chasm of a well and seeing the, the, you know, the specter of death and then committing suicide or being hung on your own door is that, I guess, is just kind of connected to everything else.
I, I-
Or did he go down there and see the chair?
You don't go down the well.
I mean, he might have.
You shouldn't.
Yeah, one should not.
Can I tell you my...
I'm gonna skip ahead can- to my favorite bit of lore.
Mm-hmm.
So PJ Glanville, as played by Beck Nolan-
Yeah
... uh, Evan's terrible friend, is alive when she gets to the island.
Very confusing.
Or his ancestor.
It could be his ancestor.
A Glan- a previous Glanville.
A striking resemblance.
But he's the on- I was like, as soon as I saw him, I was like, "Oh, are they gonna populate the whole thing-
Right
... with actors we recognize from the town?" But he's the only one.
Yeah.
And that makes it even spookier and, and more fun.
What do you think he is?
So-
A Babadook?
I was actually just looking up who the actor was, and this Reddit thread popped up.
Mm-hmm.
Okay.
So, um, "I posted a few days ago about how I thought there might be something wrong with one of the teenagers after the reverend saw them and said, 'There is an evil here,' while looking at the group.
We now know he was wandering around with his third eye open.
What did he see?"
Oh, shit.
"Tom specifically said that PJ Glanville was an awful boy in the latest ep while he was high on shrooms.
In the same ep, we saw PJ try to convince Evan to go into a dangerous house.
So what's the deal with PJ Glanville?"
Oh my God.
I'm excited.
It's been here all along right under our noses.
I'm thrilled.
Like, I don't know what the answer's gonna be, and maybe it'll be nothing.
But I'm just like-
Yeah
[laughs] And I'm excited.
It seems safe to say, yeah, what, what could he be up to? Is it a he? Is it the island inhabiting a human form? Like-
See the embodiment of the island-
One can-
... as a trickster teen
... one can only dream.
I hope so.
[laughs] There's always been a PJ Glanville every generation on the island.
Wow.
I would say even more than every generation and more than just on the island.
There are trickster teens everywhere-
[laughs]
... for tho- for those who care to look.
Um, anything else specifically you wanna say about episode five? And this is an unfavorable compare...
I did like this episode.
I would say I think it's my least favorite episode of the season.
Well, it's a break from all the characters we like and care about.
Absolutely.
Uh, though it does end with Wick and a cr- incredible needle drop.
Yeah.
"Brandy" is one of my favorite songs of all time.
[laughs]
I l- it's such a jam.
Could not ruin it for you.
And I let the credit, the full credits play both times I watched this episode just so that I could hear "Brandy," like-
Let's go
... all the way through.
I love that song.
But last week I was on the watch and, and Chris, after episodes four and five of Widow's Bay, Chris is making the, the argument that, like, if episode six is an absolute banger-
Mm-hmm
... four, five, and six will be, like, an incredible run of TV episodes.
And we were talking about other incredible runs.
Yes.
Like Buffy season two is one I always bring up.
Hell yeah.
Certainly the end of season three of Lost.
Mm-hmm.
You know, like the, you know, like what's a great run of episodes on a show? His definition of run was anything more than two.
Um, I think six, like, is enough of, for me, a step back in, like, my overwhelming enjoyment of Widow's Bay that I would not call that, like, a...
I, you know, you could do three, four, five if you wanted to, like, Sea Hag it up.
Like, I would support that.
But I don't think I would put six in, like, an all-timer run.
But I really loved seven.
Yeah.
And so, you know, s- like, again, it was a great idea to double drop them.
And it did remind meOf like American Horror Story.
So it gave me some like American Hor-
Just apologize right now.
[laughs]
It gave me some like Roanoke, uh, flashbacks.
But, um, but also like the, the v- v- witch, the witch-
Yeah
... like you know, some, you know, pilgrims are scary people.
They can be.
Yeah, absolutely.
Yeah, whoever they cast to be like the doctor's severe wife/future zombie.
Oh, I love it.
She's been in a lot of stuff.
I really like her a lot.
Really, really wonderful.
She's got a great voice.
I love her.
Does have a great voice, has a great look for it.
Yeah.
I'm, I'm with you that it's not as dynamite and propulsive as those previ- previous episodes.
It strikes me as the kinda thing that is probably for the greater good of the season, of-
The greater good, yeah.
Yeah.
So, uh, I mean we simply have to...
If we're gonna talk small co-
Yeah
... small town conspiracies, like it's-
Yeah
... it's baked into the formula there.
Hot Fuzz maybe.
Uh, so I think we are stepping back.
We're explaining a lot of things-
Yeah
...
in a way that I would rather do this now than later.
Exactly.
Maybe there is a more artful way to do it without the flashback in real time where you're still with all the characters you're invested in.
That's, that's a thing you could probably do.
I didn't mind it as much here, and frankly, like I did appreciate the confidence of this episode because this is the kind of episode that we really usually only get in-
Final season
... as you alluded to, a final season or at least like a season two or three, something where like the proof of concept is established, the show is a hit.
And part of the reason is like these are not cheap episodes to make.
You have to-
Oh, yeah
... you know, barring like one teen who is mysteriously still alive and well, do a whole new cast who's bringing guest stars.
You have to have like new costumes, new props.
Your livestock budget.
Your li- the, I mean the chickens alone.
[laughs]
The chicken wranglers are such divas.
You have to build log cabins whole cloth.
Yeah.
Like it, it's not a cheap thing to do, and I, I would say I appreciate that Widow's Bay is like already coming out with the confidence of a show-
Yeah
... that can deliver on that kinda thing.
And also, like all due credit to Apple who, like they do put their money out there-
Yeah
...
in terms of production.
Yeah.
And so in a world where I'm just like volumed to death, put me in a real place where we're making like real old-timey 1702 sets like-
Real chickens
...
I'm just, I'm just gonna salute that on principle even if the episode-
I-
... isn't as good as the others.
No, I agree.
Like I, I, I appreciate it.
I'm glad it wasn't like a penultimate before the finale episode.
Yeah.
I, I'm, I'm glad they put it mid-season.
Um, I just like wouldn't say four built to five built to six-
Right
... you know, necessarily.
Here's the thing.
If, so if we didn't have the flashback and we just dug up Richard Warren-
Mm-hmm
... and we still have basically the same kind of tone and comedic beats-
Mm-hmm
... and Hamish Linklater still gets to do his thing, do we miss a ton? So I mean, that might be the tell that maybe we just didn't need to do this in the first place.
But now we know some like, you know, pacts and, you know-
We do.
We do.
We know that the, it was starv- the demon was starving and so was he.
I don't know.
I just think it's int- I think it's super interesting to give us as much lore info as they gave us in this episode.
Yes.
And I'm glad to have it.
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Let's talk about episode seven.
I think this is great.
Tom brought in after his drug trip.
Mm-hmm.
Patricia and Wick have already been like-
They've seen some shit
... they've been wounded by the capsule.
We dug up, we dug him up.
Yeah.
Yeah, we dug him up.
[laughs] He's alive.
He's alive, upstairs.
Yeah.
I mean, Patricia, iconic, incredible.
Her like no, her forceful no-
Yeah
...
when Tom is gonna like open the-
No, no, no. No!
Yeah.
It's... [laughs] I know that our Widow's Bay pods are just us repeating like Patricia jokes, but like-
But what else are we to do?
They're so good.
This is the thing ab- that I was so impressed with in seven, though, is like clearly especially from six we are entering into I would say darker and spookier territory overall.
Like it's just a, a slightly different tone in six.
Mm-hmm.
We come back in seven, and we're not abandoning anything about what makes the show so funny.
Mm.
And like the, that you can just slink right back in.
Yeah.
And Richard Warren is a part of it and now like a part of literally every comedic bit of banter that's happening in this episode.
And I think really what cemented it for me was everything that happens when Tom goes up to meet Richard Warren for the first time.
And the two Patricia cut-ins of like, "I'm just gonna leave you two to talk," and then also, "I forgot my purse."
Forgot my purse.
[laughs]
Like I, again, it's like horror is so atmospheric.
Yeah.
And I thought this episode in particular was a great reminder that like comedy can live anywhere, right? Like you can set that, you can set that, and then you have the jump scare be a great joke, basically.
The way they framed him sitting on the corner of the bed like that in the dark and we don't see his like ashen face yet-
Yeah
... and stuff like that is very scary.
Yes.
Like it's really good.
And it's moving s- all that scene is moving so slowly.
Yeah, yeah.
Just ratcheting up the tension.
And then like, you know, Matthew Rhys is giving us all the physical comedy we could hope for.
Yeah.
Um, I genuinely think... and again, I'm stepping on some categories, but I genuinely think the funniest joke of the whole season perhaps for me-
Okay
... is the notepad, which is like, "Hi, my name is Patricia." [laughs] And then, "Are you mad at something I said?"...
the writers' room was just like, "What's the most Patricia-
Yeah
... thing we could put on this notepad?" And it's, "To the undead man from 1702, are you mad at something I said?" Not, "Sorry you were locked in a coffin for-
Yeah
... hundreds of years," [laughs] but, "Is this about me, and is it something I said?" I think it's so funny.
I think we can already say not only is that one of the best gags of the season-
[laughs]
...
this is the most elite notepad show I've ever seen.
Yeah, yeah, yeah.
You know, we just had so many moments pay off of it just literally like a pan to what someone has written down on a pad of paper.
100%.
And it's funnier than you're gonna see in basically any other comedy rolling right now.
I really agree.
I really agree.
Um, and then this, you know, it goes and we get the Patricia-Bashir sort of side quest-
Yep
... which is incredible and iconic and really, really good.
Um, and then we get Wick and Tom and, uh, Richard Warren-
Yeah
... out on the sea, and we get the most overt Jaws reference, uh, yet.
How do you feel about a sea shanty?
I mean, I'm glad they're back.
I thought we were...
I, I was...
I feared that we were done with shanties.
Right.
We did the pan- pandemic, there was the shanty revival.
Oh, no, earlier this season I'm talking about.
Oh! Oh, yeah, yeah.
We got, we got one breakthrough shanty-
Yes
... and I'm like, "Is that gonna be it?"
Okay.
But no, we're on the seas doing the shanties almost in like a round.
Did you happen to notice who wrote this, uh, sea shanty?
No.
Okay.
So lyrics by Neil Casey, who is a writer on the show and plays the innkeeper on the show-
Okay
... who's, uh...
So he did the lyrics of "Who Will Be the Last Man." Music by Richard Reed Parry of Arcade Fire fame.
[laughs] This is an Arcade Fire shanty.
Um-
That's that Apple money cashing.
[laughs]
[laughs]
Like, who can we get to write our shanty?
Oh, Arcade Fire.
[laughs]
Why not?
Yeah, yeah.
Um, I loved this.
I thought this was so good.
This is a very Jaws "Show Me the Way to Go Home," like-
Definitely
... sort of, uh, moment.
But I thought this was a...
I mean, to our, uh, irate listener who was like, "Why aren't you covering Widow's Bay week to week?" The pathos here, so we have Patricia genuinely crying when Bashir is driving her home and she thinks he's driving her to the station and, and-
Yeah
... she has thrown herself comedically on the sword of like, "Tom, I got this," and like getting herself in trouble once again.
But Bashir is just sort of like, he's being sympathetic to her.
Yeah.
He's gonna take Patricia home, and he's also like, "Tell me what the fuck is going on," and also, "I don't care."
I'm over it.
[laughs]
I'm leaving.
I am done.
So funny.
Really good.
Worried about you, Bashir.
And then Tom and Wick out on the boat, Wick sort of giving his tragic backstory of what happened with his best friend and his girl, Jerry.
Mm-hmm.
Jer.
Yeah
... and then like rescuing him.
Like there's just like some real emotion and bonding and sort of like, "You have it in you, Tom," like mutual respect building that's happening between these characters.
I care about them so much.
Yeah.
And I care about the relationships that they're building with each other.
Even the line from Richard Warren when they go to...
when they take him to the Richard Warren Museum about how he spent years thinking about how his children died.
Yeah.
I'm like, this is a throwaway line-
Yeah
... sandwiched between a bunch of jokes.
Yeah.
And I'm just like-
Show me my children's things
...
the ef- the efficiency of that emotion, I think, is one of Widow's Bay's like strongest suits.
Like they just...
They really sneak it in and then all of a sudden you feel kind of the dagger between your ribs as-
Yeah
... you're trying to walk through the rest of the episode.
I love that.
Can I spoil another one of the jokes that I like? [laughs]
[laughs] Do you wanna just jump to those? Do you just wanna get into the categories?
Maybe.
I don't know.
Um, anything else you wanna say in a big picture way before we do that?
I think let's just get into it.
Okay.
"Don't say I didn't Warren you" is a, is a shirt [laughs] in the gift shop.
Like the dissonance of being a, a man from 17- 1702 buried alive-
Yep
... uh, for hundreds of years, coming back and seeing your life, your children's objects in a museum.
Yes.
This papier-mâché replica of your hated, uh, second wife.
Have questions about that.
Um, and, uh, and then a T-shirt with your face on it [laughs] and it says, "Don't say I didn't Warren you." I mean, who came up...
Did Jerry come up with that?
Must have.
I love that.
Literally, who else works here?
I love that.
But also the restraint of the show.
Like another show might have come up with it.
Yeah.
But at some point it would be like Richard Warren's clothes get tattered and he has to literally wear the shirt.
Yeah.
It's like, no, this is just in the background.
It's just hanging on the wall.
It's just there.
Not even in like full light.
No.
I was just like, what does that say? Oh.
But also we, we need those shirts.
Yeah, yeah.
We do.
[laughs]
[laughs] We really, really do.
We do.
Um, all right.
Let's do the categories.
Best bit of lore.
We've already talked about plenty of this.
What do you wanna add?
I mean, there's so much here.
Uh, okay.
I have, I have a couple questions slash-
Mm-hmm
... general comments on what's happening here.
Uh, the bell tolling.
Mm-hmm.
So we hear the bells toll on Richard and Sarah's wedding night.
Mm.
He goes off into the dark, comes back, and this is when she finds him like in communion with whatever beast he speaks to.
From that, are we to interpret that the, the bells tolling is like calling for the lord protector-
For the sacrifice
... of the island?
Yeah.
Is it for the sacrifice or is it for like a meeting? You know?
Oh.
Is it, is this the, the, the calendar invite?
If the apocalypse comes, meet me.
[laughs] Basically.
Maybe.
That's, that's curious.
I don't know.
I was thinking of sort of like it's time.
Do you-
I'm hungry
... do you rem- Yeah.
[laughs] Do you remember...
It's a dinner bell.
Do you remember what the reverend read about like should the bell chime?
We might have, we might have to go back into the archives on that one.
Yeah.
I can't remember exactly what the language was.
I can't remember either.
Yeah.
It was, it was basically like if the bell chimed, like shit-
Shit's about to go down
... getting real.
Yeah.
You know? It was definitely to that effect.
I think it's, "I'm hungry." [laughs]
I mean, one can follow the other.
Little Shop of Horrors, feed me.
[laughs] That's the general vibe around here these days.
Yeah, yeah.
Uh, but what else is going on? I mean, yeah, so like the idea of the pact, we kinda covered that a little bit in terms of-
Plague
...
the sacrificing of life.
Yeah, the plague slash zombie-ing happening.
When-
I guess they're not really zombies
...
when Richard Warren is communing with the mushrooms or whatever it is he's doing, he's got the, the eyes rolled back in the head and the mouth open.
Is that supposed to invoke the mouth open at Patricia's like-
Oh
... witching party? I can't remember if their eyes were rolled back in their head when they were doing it.
I didn't even...
They had their eyes, I think, more fully fixed forward.
Yeah.
But also-I, I don't know if that's something that Hamish Linklater could do or if that's a contact lens situation or just like CGI but-
Oh, that, that had to be a contact I think.
I don't know.
Some people can do that shit.
Can they?
I mean, if they're in communion with the beast.
[laughs]
Press CCTV@spotify.com if you can roll your irises all the way to the back of your head.
I think some people can do it.
But I, I...
It, there may be something to it, especially when you think about the idea of like this is a man who has sold his soul of like the extraction of even this kind of communication.
Yeah.
That would, that would make sense to me.
A plague, a pact.
Yep.
PJ Glanville.
Uh, door well.
Uh, from Wick talking about, you know, it's not just should you cross past this buoy, the light lights up-
Yes
... you've gone too far.
The dead zone.
The dead zone.
A Stephen King novel.
Um, but also it struck from below, struck hard, saw a tentacle.
There's like a kraken.
It's gotta be.
Did you think about Buffy at ET starting with your bottle? [laughs]
[laughs] You know, I did not.
But this is why we do this podcast, so you can remind me of the Buffy references I have missed.
[laughs]
So there's a critter in the water.
We-
There's tentacles in the water.
I mean, now, now we're just getting real Lovecraftian with it.
Here's, here's my real question.
Here's a real question I have.
Okay.
That was a also a real question, but here's a real question.
So Richard Warren says, "Kill me-"
Yep
... you end my bloodline.
And if you end my bloodline-
Do we have secret Warrens?
Well, at the end of the...
Okay, so he says, "If you end my bloodline, pact over.
We're done." We saw Sarah get in the boat with all the children.
Yes.
And like, you know, if, if the, if the story of the, of the island is true, those children would have died, right?
Presumably.
Okay.
Except for the one in the water.
Except for the one in the water.
Wow.
Jo, you've outdone yourself.
We get that close-up on the painting-
Yeah
... of the one in the water.
I thought the painting of the one in the water or the zoom in and, and the revisiting of that was great.
I almost interpreted it watching as just like, oh, we're kind of like closing this loop.
They all died was kind of my assumption.
But I love the idea of the one in the water who got away and now, now the curse lives on.
And who-
Oh my God, who is the secret Warren?
... is of the bloodline?
Well how do, how do we identify a Warren, do you think? Like what are the telltale signs?
We're gonna be the historical society on the case I think.
[laughs]
Let's get the, let's get the genetic code down.
Yeah.
Let's figure out like the biometric markers.
Let's...
There's, there's a lot to be answered for.
Press CCTV@spotify.com if you have a secret Warren theory.
Is it Rosemary? Is it like-
It...
I mean, Rosemary would be among the funniest possible options
...
Dale? Like who is it?
It's gotta be someone who has been introduced but hasn't been significant enough in terms of what they've been given to do yet.
So maybe it is Dale.
Maybe Dale is the secret Warren.
I'm excited to find out.
But while we're out at sea.
Mm-hmm.
So going beyond the dead zone is what causes people to die.
Yes.
It's also the limit of the covenant with Richard Warren and the island or the beast or whatever.
Mm-hmm.
And so like I guess is the best way we know to explain what is happening in terms of the very existence of Widow's Bay.
Like the people who are going out past the dead zone and dying, are they products of the magic that made the island sustainable and thus that's why they're dying do you think? Or is it simply that there's a sea creature out there who's scooping them up and eating them?
Well, yeah, the tentacle was like a new added thing.
'Cause I figured like given what we saw in the flashback with Tom and his wife-
Yeah
... it's just like you go past this barrier-
Right
...
some shit happens to you internally.
But what if the tentacle isn't real? Like what, what if it was, you know, like his friend fell in the water-
A metaphorical tentacle
...
I mean, you gotta be really wary about metaphorical tentacles.
Like th- they will do damage to your life.
What if it's a tentacle inside of the darkness of your heart? You know what I mean?
That's the one I'm worried about the most.
Yeah.
Uh, and so like I don't know what's real and what's kind of in these characters' imaginations sometimes and like we've even seen that with kind of Tom in the haunted hotel, right? It's like this is a thing that's like kind of a nightmare but kind of real.
I don't know.
I don't know where one ends and the other begins.
I don't know what is the project like product of magic versus what is just a person literally dying because they're at sea.
Yeah.
But I love that we don't know.
Okay.
Favorite city employee.
This is usually where we talk about Patricia-
Yeah
... and it's incredible Patricia thing, but I'm...
Bashir is who I'm naming inside of this as well.
I mean, Bashir does have a great episode.
Yeah.
But I'm like I'm gonna zoom out and just say it's Sarah who's the Reeve Prime of the colony.
Oh.
And what is that if not a civic position?
Great point.
Great point.
You, you support women.
[laughs]
I do support women but I support Bashir as well and yeah, his, his whole spiel with Patricia-
Uh-huh
...
I thought was really wonderful.
Yeah.
Patricia sealing his car in the first place as we gotta say a very effective distraction.
When she goes, "Someone may have reported my screaming." [laughs] And then yeah, just her...
Kate Flynn, uh, comedic genius when she's like, "Tom-
On fire in this show
...
I got this." Whenever Patricia does her like false like confidence thing-
Yes
... it's just really funny and then yeah, the whole like bit with the car.
Tom watching with like his hand over his mouth.
[laughs]
But look, if you have to smuggle out a coffin-
Yeah
... you gotta do something dramatic.
So here's my question.
Bashir's like, "I'm done, I'm out."
Yeah.
"I'm leaving.
My one-week resignation."
First of all, sir, there's too many episodes left.
You are not leaving.
His pregnant wife, which is our theory that he has a pregnant wife, like is Bashir making...
Is, or Bashir and his wife making it off the island?
The horror movie formula tells us Bashir doubles back to help at an opportune time, right?
He's not making it.
Um, Bashir, we're rooting for you.
His wife has to make it because we haven't seen her so it's like you can't hold this character back for so long, introduce her and then she dies.
Well, if we haven't seen her because they're holding back a pregnancy reveal, which again is just a theory that a listener wrote in but I really think it's compelling.
I mean, you love to run with a pregnancy rumor.
[laughs] I love to look closely women's bodies and make comments about them.
All right, favorite obvious joke.
I don't even know what is obvious and what's throwaway anymore.
That's true.
That's true.
So these two categories are kind of blending into one another.
Yeah.
I'm gonna say this is obvious and it's Wick circling the, the amulet around Richard Warren's neck on the portrait in Sharpie.
[laughs]
I'm just like this could have been him pointing to it.
This could have been a camera cut but it's like no, let's just, let's just really commit to it and deface this portrait.
For me it's when Richard is talking to Tom about signing the covenant with his own blood, feces and semen.
[laughs]
See I, this is a throwaway jokeI, in part because not just the blood, feces, and semen but the slow-
But Tom's reaction
... setting down and wiping of his fingers on his pants.
That might be in contention for the best, best bit of the show so far.
It's so good.
Then yeah, throwaway joke.
I'm gonna give it to castering rollers on the suitcase.
[laughs] It's just they're a menace-
[laughs]
... and they should be stopped.
What else deserves a shout-out here? I think when the assassin comes for Richard Warren and Sarah has to, like, aggressively point him in the-
Yeah, yeah
... right direction to not get stabbed.
Yeah, yeah, yeah.
Very good.
Uh, her just, like, dribbling the spiked brandy back into the cup.
Again, it's like they're-
Her-
... finding ways to just, like, undercut it ever so slightly but it still feels menacing.
Right.
The seduction is happening and then-
Yes
... she, like, takes a swi- yeah.
Betty Gilpin, you genius.
I love you.
The way she runs into the church screaming about Richard being alive-
Yeah
... and then has to, like, quietly curtsy when she greets the room full of people she didn't expect.
Yeah, yeah.
It's so good.
All right.
Let's see.
Um, then we have favorite horror movie reference/Easter egg.
I would like to start with the black and white horror movie that Evan and Kelly are watching.
I know what it is.
The City of the Dead.
Oh.
AKA Horror Hotel.
Horror Hotel, okay.
Yeah.
In the United States, but it seems like City of the Dead-
You know what?
... is the honest to goodness original title.
Rob, I love podcasting with you 'cause I was like Rob isn't gonna-
[laughs]
... type in Christopher Lee in a, in a line of dialogue and figure out what movie this is.
I know the voice of Christopher Lee literally anywhere.
[laughs]
I, I hear it in my dreams and my nightmares, such is his power.
Okay.
Uh, so yeah.
Looking up a little bit about this movie, I have not seen.
Have you seen it?
No.
I thought about watching it but I, you know, my we- my week got busy.
But maybe we should watch it.
There are limits but maybe before next week's episode-
Yeah
... we should find time to visit it.
Uh, but I did read up about it.
Mm-hmm.
And specifically a horror movie about a town in New England-
Mm-hmm
... with a history of human sacrifice-
Mm-hmm
... and witchcraft and deals with the devil, and you guessed it-
1692
... a haunted hotel.
Yeah.
I mean, it...
They really know what they're doing in terms of the points of reference on this show.
Yeah.
Christopher Lee, our guy.
Uh, this is great.
I loved this.
Yeah.
Do I think Evan and Kelly...
Sorry, she's been upgraded from Off Island Girl.
I know her name now, it's Kelly.
Yes.
H- they...
Who do you think pulled it up? If one of them pulled it up.
Evan.
This is more of an Evan move.
Yeah, 'cause Kelly would rather rifle through Tom's stuff.
Clearly.
But yeah, the fact that Evan is gonna pull up a 1960 horror movie that presumably he hasn't seen, he doesn't even seem too interested in it.
Well, what are the, what are the movie offerings on the island? Like-
[laughs] I don't know because they don't have cell phones so...
And like they, they're all watching-
That's true
... like tube televisions.
But they have Wi-Fi I assume.
Do they have a video store? Like a Video Droid?
God.
Like what are, you know, what are we doing?
When did the movies stop being shipped to the island? [laughs]
[laughs]
Like when's the cutoff date?
Yeah.
'Cause clearly they can access 1960 but I think they must have color TV.
This, it's not all black and white.
Yeah.
Aren't they watching, aren't they watching a baseball game or like, um-
Somebody was watching-
Yeah
... or I wanna say maybe there was even like a tennis match or something happening.
Yeah.
I'm, maybe I'm getting my shows blending together at this point.
But like yeah, I do think they have, uh, access to television.
I was just curious how like-
Yeah
... how many channels do you get on the island? I don't know.
But this is apparently the movie you watch if you want to maintain respectful distance from your off island would-be hopeful girlfriend.
Right.
Like they are very far away on that couch.
They are.
It-
But maybe he was hoping she would like leap up in terror and like hop into his lap or something like that.
Doesn't seem that, doesn't seem that scary.
That's where you have to go more modern horror.
Yeah.
I will also say the...
The, the Wick/Tom dynamic of like the man of science, man of faith has always been there.
How does it feel to say that on yet another podcast? [laughs]
Oh my God.
I never tire of it.
But um, when they're charting a course and you hear garbled chattering on the radio and Wick-
I just written down too
... is like the island's playing games, I'm just like that's some Lost shit right there.
It's extremely Lost shit.
Yeah.
Also just in terms of the horror trope part of that, I just love haunted static.
Yeah, yeah, yeah.
Like if you, if you're on a plane or a boat-
Yeah
... and there's a ghostly voice saying, "Mayday, mayday"-
Yeah
...
I'm fucking dialed in.
[laughs]
I'm, I'm here.
I'm going down with the ship.
That's how invested I am.
I love it.
Best haunt, scare, spook, or fright?
Yeah, I think this one is going to have to be for me Sarah trying to negotiate with plague-ridden Abigail on the dock.
Yeah, yeah.
And her kind of emergence from, from, you know, whatever pit she has climbed her way out of.
Yeah.
And the like tar black blood that's on her and stuff like that.
Ugh, the bile like-
Yeah, yeah.
There's just something like...
Again, insisting she's not sick and then there's always something about like a zombie-esque kind of scream and lunge-
Yeah, yeah
... that I think is just so effective here.
Was that scarier or Tom lunging for his loafer scarier? What do you think? [laughs]
It depends on if you're a loafer.
You know, if you're a loafer you don't wanna see Tom coming.
If you're an employee of the one gas station on the island-
Yeah
... you definitely won't, don't wanna see Tom coming.
What, what was your biggest spook?
Honestly, we saw multiple eye gouges, a, a real life woman.
We did.
And then also Sarah, like the papier-mâché head.
What did you make of that?
I don't know.
Is that the go-to killing move of 1702?
It might've been.
It was really in season.
[laughs] Gotta gouge those eyes.
Yeah, there was something of...
And I wonder if that's another element where there's gonna be an eye thematic tie-in-
Mm
... of some kind of whether it's like the demon-possessed people, whether it's the people afflicted by this plague or whatever.
Ke-Ke Clevens was like, "I want those eyes."
I, everybody's after the eyes.
"I'm hungry.
Ring the bell, I want those eyes." [laughs]
But yeah, the fact that when given the opportunity-
Yeah
... that's exactly what he went for on the papier-mâché model-
Yeah
... of his wife.
One that if we're just gonna talk the construction of the show looks a lot like Betty Gilpin.
They, and the props work.
And, and frankly the-
Yeah.
The, all the portraits of Richard.
Yes.
Yeah.
But the in wor- whoever did the in world papier-mâché model-
Yeah
... really did her justice.
Incredible work.
New England's best kept secret.
A moment where you thought, "Huh, would it actually be nice to live here?"
Yeah, I didn't have that this week.
[laughs]
I have one.
Didn't have that sensation.
Basheer, a nice cop.
Oh.
A nice local cop who you can trust.
How quickly we've gone from fuck you pig to a nice cop you can trust.
trust.It just takes having one cop on the island.
Yep.
He has a deputy, like there's, 'cause there are other people in the police station, but I don't know.
Although this is on brand for you-
Nice island cop
... because the moment in which he appeals to you is the moment he quits being a cop.
Yep.
He's like, "I'm putting in my notice.
I'm outta here."
A cop so good he doesn't wanna be a cop anymore.
That's, I mean, that's the catch-22.
That's my kinda cop.
That's, where do you find that guy?
[laughs] That's like a, on an island.
I mean-
A spooky haunted island
...
if I were to find something in these two episodes, it's not gonna be in 1702-
[laughs]
...
in terms of when I wanna be living there.
Uh, but I always would aspire to be not someone with a boat, but someone who knows somebody with a boat.
And so the idea that Wick, you know, your sometimes crazy buddy, could just take you out to a reasonable distance at sea, who, who can't enjoy a day like that?
I got served a video that I almost sent to you of Matthew Rhys being interviewed for Eater.
Hmm.
Uh, and it was so, it was like a great, 'cause I guess he like owns a seafood restaurant-
What?
...
in New York.
We should go, don't you think? The whole team.
On company dime.
Yeah.
Yes, that's research.
So he's like sitting there with the interviewer eating like lobster rolls and like baked oysters and talking about like his, his like seafood...
Talking about Widow's Bay, but talking about-
Of course
...
this like seafood restaurant that he owns.
It's like a little seafood shack on a dock.
It was named Rare Bit." And he's like, "Oh, that's what it was named.
It's, it's like a superstition thing.
You're not supposed to rename boats."
I didn't know that.
Like I didn't know that either.
He's like, "But it was kind of...
I bought a wooden boat.
I thought it would be charming.
Turns out it was a lot of upkeep, so I sold the boat.
I don't have it anymore."
They're so much work.
But he does not have a boat, but he probably knows someone who has a boat.
But was, this is just for me.
Sorry, this is not great podcasting.
No.
I found like at the very end of the episode, we see the interviewer, it's my friend Nadia, who used to work for Eater Austin and now she works for Eater New York, and I was like, "Nadia." Here you are.
Breaking Matthew Rhys news.
Getting to the bottom of the boat business.
Interviewing, interviewing Matthew Rhys.
I was so excited.
I was like, wow, I, first of all, I didn't know she had moved to New York years ago.
And secondly, I didn't know she's out here interviewing Matthew Rhys.
You should watch that interview.
It's very charming.
Yeah.
He's talking about seafood and Widow's Bay and it's great.
This is how people keep up with each other in modern times.
You know, in 1702 you're just walking across town trying not to trip over a-
Yeah
... over a chicken as you implore the help of a preacher.
Now you're like, hey, here's my friend who I didn't know lives in this other city, and I find that out via an Eater New York video.
Yeah.
The Instagram Reel delivered for me.
Thank you so much.
Um, all right.
The Rhys piece.
Anything you wanna say about Matthew Rhys that we haven't already?
Yeah.
I think the specific recoiling he does when Richard Warren speaks for the first time after the notepad shenanigans have begun-
Yeah
... like pops out of his chair, fully recoils.
Yeah.
Does like a hold his breath and puff his cheeks kind of like form of terror.
Yeah.
He's just inventing new ways to be scared.
It's really good.
And I, I'm loving it.
And as a counterpoint to that, by the end of that episode, we see a part of Tom that we haven't really seen on this show, a part of Matthew Rhys' performance that we haven't really seen on this show, which is him like really flexing.
Like the d- I did very fucking good.
I did very fucking good.
I've seen that Matthew Rhys before.
I love that version of Matthew Rhys.
Tom just usually isn't that kinda guy.
Yeah.
And frankly hasn't had that much to celebrate.
Mine is a, is a plussing of last week's-
Hmm
... which was about, uh, his inability to vomit.
And this is him trying to handle his seasickness by sticking his head out the window like a Labrador.
He can't vomit, but he's clearly seasick, so he is just like, I get seasick very easily.
Mm-hmm.
I get motion sick very easily.
And that is like such a good hack is like try to just inhale as many lungfuls of cold air as you can.
It really helps, uh, if you're seasick.
You're not gonna get invited on Rare Bit that way.
I know.
[laughs] And I deserve to go.
Um, all right.
The root of the matter, Stephen Root.
So I, I think this is a good time to kinda revisit the tragic backstory part of that, and especially the way it's used within the show, which is like all of, all of these hints and, and allusions to the fact that Tom is like such a feckless coward of a leader, where he like says he's gonna like loosen Richard Warren's ropes a little bit and then just basically lets him out.
Says he's like, has this fake conversation with Wick about like, should we let him out of the coffin, but also pan up and he's just sitting there at the table.
That was, spoiler, that's my favorite Stephen Root, is like when he pops.
[laughs]
And there's just this desiccated man sitting there in the galley.
Yeah.
But the fact that you can ground all that in this like very real, as you alluded to with the pathos of the show, this like very real terrifying bit of history about where Wick and Jerry and, you know, her fallen brother have come from.
Yeah.
It's just so artfully done and so well balanced, and the calibration on this show never ceases to amaze me, and I would say Stephen Root is as, as big a part of that as anybody is.
I love that.
The tragic backstory of the, like us not knowing, like the, the, I guess the sort of like subtle offhanded way we've learned so much about his relationship with Jerry.
Yeah.
Like he's clearly like still like stuck on her, right?
Yeah.
Like he still likes her.
He wants to be handled with some cotton gloves.
Absolutely.
Um, he, uh...
And so we're like, why aren't they together?
Hmm.
They were, they were sweethearts when they were young.
What happened? Well, like clearly overwhelmed by guilt over-
Yeah
... being involved in the death of her brother.
Did he break up with her? Did she, does she know what happened and she broke up with him? Like-
Well, even if she believes her brother just drowned in the ocean-
Right
... like that, that could be more than enough to-
Yeah
... decimate a relationship like that.
That's just, it's sad.
Oh, incredibly so.
All right, speaking of young love, Evan and Kelly.
Yeah.
We didn't talk about this in the lore, but like this is a big reveal is that-
Huge
... you, and you had sort of, we had been talking about this.
We weren't sure exactly what we saw when we saw Tom's wife, his old wife, [laughs] um, in the hospital bed.
Right.
It was like very terrifying.
But we see that she was still alive in some form or another-
Yeah
... after Evan's birth, which is something Evan didn't know.
So to, to encounter-
Yeah
... photographs of yourself with your mom who you thought died before you or when you were born, and the way he says, "I knew her."
Yeah.
I was just really, I thought that was really good.
It's a hit straight in the chest, and, and yet again a moment where I think Widow's Bay does a great job of sort of balancing the interpretations of those photos where she does look like just haunted and vacant enough again.
It's hard, it's hard to tell.
Like you can't tell.
In a static image-
Yeah
... you can't really tell, but like yeah, she's kinda staring off in the distance, so was she just like not there?
Yeah.
And that, and so they like hid the truth from Evan?
Or is it a tasteful candid?
candid?One can never know
We, we really don't know.
Uh, but I think we have to talk about Kelly by association.
Like these off-island girls only want one thing, and it's to rifle through all of your parents' stuff.
Are you out on the off-island girls now?
She just...
The way she goes from-
Oh, who's not supporting women now?
[laughs] The way she goes from I'm just sitting on this couch not paying attention to this old horror movie to can we just ransack your dad's room.
Well, I like that they've seeded that before with you noted this, Evan just going through his dad's desk.
Sure.
So like but he's like, you know-
Even he seems a little hesitant about this
...
the locked box at the bottom of the trunk, and she takes a paperclip and just like-
That is not her first time
... picks that lock.
She is a bad influence on him.
Yeah.
You know?
You need those off-island girls.
They're too fast.
They're way too fast for our boy Evan.
[laughs]
You know, he needs to be protected.
He's a sensitive boy.
All right.
Any theories that we haven't talked about already? I don't have anything beyond the, the secret Warren idea.
You know, honestly I don't have anything else.
I think we covered pretty extensively all the lore that these-
Yeah
... episodes drudge up.
And frankly we don't even know what to make of it all yet, but I don't know.
I...
Here's, here's a question.
Do you think that the underground tunnels, we know that they go to the well.
They connect, yeah.
We know that they connect to the sacrificial chair.
Yeah.
Which I believe we were shown to be almost directly underneath the Salty Whale.
But do we know where geographically speaking in Widow's Bay, uh, Richard Warren's house would've been?
I wonder if it's Tom's house.
It is...
Like is it just that simple that it's-
Right
... it's tr- but that doesn't feel like a house he like got when he became mayor.
You're right.
You know?
It w- that's the house he raised Evan in.
That's, yeah, Ev- Evan's been there his whole life I would assume.
It still could be.
I don't know.
If you can draw us a, a, a map of Widow's Bay-
We love a map
... we, we would love to have it.
Uh, if you have more Babadooking to share with us we'd love to hear it.
If you think my comparison of Rob and Beto O'Rourke is accurate we would love to hear.
[laughs]
Okay.
No, we wouldn't.
[laughs]
We'll stop.
I'll stop.
Um, and theories.
We want your theories.
I really, really want your theories.
We are recording this early so we have not had a chance to see how people are reacting to these episodes.
Yeah.
So PressSTV@spotify.com. Keep those Widow's Bay emails coming.
Yes.
And we will be covering this week to week for the rest of the season.
I'm really excited about it.
Me too.
And als- also before we get out of this, I wanna, I want to...
I feel like we bagged on episode six a little bit for just like not being the version of the show that we love, not unfairly.
Not like bad.
No.
Just like it was just like a slight-
Yes
... dip for me.
It's a, it's a slight dip, something very different.
Yeah.
But I will say even within that I really love the writing in episode six.
Yeah.
Oh, yeah.
Like even stuff like there's this line I wrote down about, uh, w- Cornelius Evans who's like the infected man who gouged out his wife's eyes.
Yeah
... of like his eyes were yellow with spoiled moons.
Yeah.
And it's just like there are turns of phrase-
Yes
...
in that 1702 way that whether-
Really good
... whether historically true or not I fucking loved.
Yeah.
I love it.
All right.
Thank you to our small town-
Mm-hmm
... that is here with us today.
Jacob Cornett is here.
Kai Grady is here.
Dev Rinaldo is here.
Yep.
The dream team.
Um, thank you to you listening and demanding that we cover Widow's Bay.
We really appreciate it.
Definitely.
Thanks to Rob Mahoney.
Thank you, Joe.
The best Robert I know.
Thank you to all the plagued people out there-
Yeah
... who may or may not be listening.
Maybe zombies, maybe Krakens.
Uh, we just hope to have your support.
And PJ Glanville.
Yeah.
If you're hungry-
[laughs]
... ring that bell.
We'll see you soon.
Bye.
[outro music]
“Unnerving covenant ingredients leave hosts speechless moment”
“Patricia's note to undead has hosts cackling”
“Listener tears into podcast's show coverage choices”
“Could secret Warren descendant still be alive?”
“Betty Gilpin's spinster at fourteen cracks them”