Oct 5, 2026 · 25 min · 17 segments
THE DEVIL ON DEATH ROW Episode One: The Pentagram In January 1995, nineteen-year-old Colleen Slemmer walked away from the Knoxville Job Corps Center with three other students. The following morning…
Branden MorganHost
For most of Christian history, he was theological, the adversary, the tempter, the fallen angel lurking somewhere beyond the boundaries of human perception.

America eventually improved upon the concept by giving him album covers and horror movies, daytime television, and for a particularly strange period during the 1980s, what amounted to his own nationwide crime wave.

In 1966, Anton LaVey founded the Church of Satan in San Francisco, shaving his head, dressing in black, and displaying precisely the theatrical instincts required to terrify respectable America.


LaVey's devil functioned largely as a symbol of individualism, carnality, and rebellion against conventional religious morality.

Heavy metal discovered that inverted crosses and demonic imagery were considerably more effective at annoying parents than almost anything that musicians had tried previously.

By the beginning of the 1980s, America had been supplied with an entire visual vocabulary for evil.

Pentagrams, candles, black robes, ritual knives, and teenagers listening to records that their mothers absolutely did not approve of.

In 1980, a Canadian book called Michelle Remembers presented an extraordinary account of alleged childhood satanic ritual abuse recovered during psychotherapy.

Its claims would later be heavily challenged, but the book became enormously influential.

Soon came allegations involving daycare centers, most famously the McMartin Preschool case here in California, where increasingly fantastic accusations included secret tunnels, ritual ceremonies, and organized abuse of children.

In 1988, very famously, Geraldo Rivera hosted a nationally televised special devoted to what it called the devil worshiping underground.

Satanism was no longer merely something Linda Blair encountered in Georgetown.

Americans were being encouraged to believe organized cults might be operating down the street.

For most of Christian history, he was theological, the adversary, the tempter, the fallen angel lurking somewhere beyond the boundaries of human perception.

America eventually improved upon the concept by giving him album covers and horror movies, daytime television, and for a particularly strange period during the 1980s, what amounted to his own nationwide crime wave.

In 1966, Anton LaVey founded the Church of Satan in San Francisco, shaving his head, dressing in black, and displaying precisely the theatrical instincts required to terrify respectable America.


LaVey's devil functioned largely as a symbol of individualism, carnality, and rebellion against conventional religious morality.

Heavy metal discovered that inverted crosses and demonic imagery were considerably more effective at annoying parents than almost anything that musicians had tried previously.

By the beginning of the 1980s, America had been supplied with an entire visual vocabulary for evil.

Pentagrams, candles, black robes, ritual knives, and teenagers listening to records that their mothers absolutely did not approve of.

In 1980, a Canadian book called Michelle Remembers presented an extraordinary account of alleged childhood satanic ritual abuse recovered during psychotherapy.

Its claims would later be heavily challenged, but the book became enormously influential.

Soon came allegations involving daycare centers, most famously the McMartin Preschool case here in California, where increasingly fantastic accusations included secret tunnels, ritual ceremonies, and organized abuse of children.

In 1988, very famously, Geraldo Rivera hosted a nationally televised special devoted to what it called the devil worshiping underground.

Satanism was no longer merely something Linda Blair encountered in Georgetown.

Americans were being encouraged to believe organized cults might be operating down the street.
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