Episode 311: The Value of Lettering your Comic

Well, I guess the most important thing, and it was, you know, I've been doing it for the last, I think, Two and a half days is lettering.

So we're doing the lettering for granite part.

Well, granite one shot taken for granite.

I'm saying granite.

I keep saying granite.

The word granite.

I can't stop.

I'm like a fucking Pokemon over here.

It is for second shift 17 taken for granite.

I am currently doing the writing on that.

There is a little bit of rewriting that's taking place because...

I am in fact working on the Granite short stories from the anthology.

So I guess that's why that's in the forefront of my mind.

He's a very prominent character in this issue.

And yeah, so I had done two scripts or two rounds of the script, two drafts.

I had sent that over to Ed and he's given me a few like updates, adjustments, like really minimal stuff.

Now, I don't know if I have more coming.

But what he's given me so far is like three or four things, so nothing big.

So the next steps were to do the lettering on the page.

So I like to see it on the page.

It gives me a better idea of how that works and everything.

you know, is to flow good.

You know, when you see the bubbles coming out of the character's mouth, you get the visual.

You know, you're reading it and looking at the character.

So, you know, it's a good effect to have.