Legends of the Wild, A Field And Stream Production | Hunting, Fishing and the Outdoors
Jun 17, 2026 · 1 hr 35 min · 15 segments
A lifetime chasing wild birds reveals hard truths every hunter needs to hear. What happens when a legendary outdoor photographer spends decades documenting North America’s greatest hunting…
Lee ChoseGuestSam SoholtHost
I'm not saying there's not a place for that in the world, 'cause it's, quite honestly, it's full of it.
For something to be original, that's what artists do, right? They, like, they see things different.
I can be surrounded by another hundred people and something happen, and they don't see it quite like I do, right?
I-- So those ideas or that whatever I saw or what I'm seeing really doesn't have much to do with me.
So you could ask yourself like, "What kind of unbelievable stuff has happened before to put you, like, right there and you just look at it?" Well, I mean, I have an idea where it comes from, but that's for, you know, each individual to, you know, hopefully understand a little bit anyway where that stuff comes from.
When I, you know, I've been on location a lot work-wise, like big jobs and stuff like that and, you know, there's should be pressure, you would think.
But I never looked at anything like, I never looked at anything like pressure, right? Like, how is it gonna happen? Well, I don't know how it's gonna happen, but it's gonna happen, right?
Something happens, right? Well, pl- part, you know, it's like where you go, right? We're in these just unbelievable places, wild things and wild places, and you're gonna see it, right? So that's, I guess that's how, that's what I think about that, right? They don't come from me.
Well, I, it, I mean, it seems to me like you're finding ways to get yourself into a flow state, you know, where- People used to be able to get to those places faster, like before all the distraction, right?
I'm not saying there's not a place for that in the world, 'cause it's, quite honestly, it's full of it.
For something to be original, that's what artists do, right? They, like, they see things different.
I can be surrounded by another hundred people and something happen, and they don't see it quite like I do, right?
I-- So those ideas or that whatever I saw or what I'm seeing really doesn't have much to do with me.
So you could ask yourself like, "What kind of unbelievable stuff has happened before to put you, like, right there and you just look at it?" Well, I mean, I have an idea where it comes from, but that's for, you know, each individual to, you know, hopefully understand a little bit anyway where that stuff comes from.
When I, you know, I've been on location a lot work-wise, like big jobs and stuff like that and, you know, there's should be pressure, you would think.
But I never looked at anything like, I never looked at anything like pressure, right? Like, how is it gonna happen? Well, I don't know how it's gonna happen, but it's gonna happen, right?
Something happens, right? Well, pl- part, you know, it's like where you go, right? We're in these just unbelievable places, wild things and wild places, and you're gonna see it, right? So that's, I guess that's how, that's what I think about that, right? They don't come from me.
Well, I, it, I mean, it seems to me like you're finding ways to get yourself into a flow state, you know, where- People used to be able to get to those places faster, like before all the distraction, right?
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