Sep 1, 2026 · 48 min · 11 segments
*“That first day in Mumbai, there was the slum to the side of us, there were sports cars that would have cost hundreds of thousands of dollars next to people walking with no feet next to 200 people…
Rolf PottsHost
Luke RichardsonGuest
The people who live in that culture, they have their own stories, right? They don't need me to write a story about them.

But if I can honestly represent it for an audience in my own home culture, then I can sort of humanize what it's like in that part of the world.

Typically these tie into the writing classes I teach in Paris each summer, but this episode is actually an extension of the online book club for The Vagabond's Way that I hosted in tandem with Nomadic Matt's Nomadic Network a few years ago.

The moderator for that book club was Luke Richardson, who's the author of best-selling archaeological adventure novels, most notably the Eden Black Books, a fast-paced, puzzle-driven series written in the style of Indiana Jones or The Da Vinci Code.

Last year, I made an appearance on Luke's Adventure Story podcast, talking about adventure writing in the context of narrative nonfiction.

I've actually drawn on outtakes of that conversation for the first half of this episode.

Then in the second half of the episode, I flip the tables and interview Luke about using your travels to inform fictional writing.

Along the way, we talk about the secret to traveling in such a way that you're more open to adventure.

We talk about the importance of slowing down and throwing out rigid plans and finding quests, and how even a very simple and low-stakes quest can make for a great story.

We talk about the ways that description can be mixed in with action to make the story better, both in fictional and non-fictional stories.

We start by discussing my earliest adventures as a traveler, everything from jumping freight trains to living out of a van for eight months in North America to getting left behind by the Trans-Siberian Railroad at the Mongolian border back in the day.
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