Warren SendersHost
Henrique EisenmannGuest
Matthew RahaimGuest
Derek BeckvoldGuest
Around 1880, the colonial government of Trinidad banned drumming, which they correctly regarded as a way for the oppressed African population to build solidarity and foster resistance.

In 1955, Pete Seeger, someone who'd had plenty of experience with his music being outlawed, went to Trinidad to learn more about the instruments that emerged when the tambu was also prohibited in the mid-20th century.
Let me tell you something of how steel drums came to be invented.
Around World War II, there were laws passed in Trinidad against regular drums and the traditional bamboo stick rhythm bands.
So the young people raided the junkyards, and that year they celebrated carnival with clanging and banging of garbage cans.
Then some genius discovered that a dent in the bottom of a garbage can gave off a musical note, and within a few years they worked it up to a regular system.
This is called a ping-pong.
It's the soprano instrument.

Banning music is a form of social control, which means that it tracks very closely to the history of despotism and the history of colonialism.

Some music was banned because of song texts, which meant either heresy, sexuality, social protest, or some combination of them.

Some music was banned because of the ethnicity of its performers and composers, like the Jewish artists whose work was outlawed by Hitler.

Some music was banned or forbidden because authorities just didn't like the way it sounded.

And sometimes it's not music per se, but a particular instrument that fell on the wrong side of an ideological divide, like the tambu, which was outlawed because of its unfortunate utility as a weapon.

There were other reasons why governments tried to suppress particular instruments.

At the same time, in the early 20th century, on the other side of the globe, the harmonium was forbidden from appearing on all India radio as part of the story of the Indian nationalist movement.

Around 1880, the colonial government of Trinidad banned drumming, which they correctly regarded as a way for the oppressed African population to build solidarity and foster resistance.

In 1955, Pete Seeger, someone who'd had plenty of experience with his music being outlawed, went to Trinidad to learn more about the instruments that emerged when the tambu was also prohibited in the mid-20th century.
Let me tell you something of how steel drums came to be invented.
Around World War II, there were laws passed in Trinidad against regular drums and the traditional bamboo stick rhythm bands.
So the young people raided the junkyards, and that year they celebrated carnival with clanging and banging of garbage cans.
Then some genius discovered that a dent in the bottom of a garbage can gave off a musical note, and within a few years they worked it up to a regular system.
This is called a ping-pong.
It's the soprano instrument.

Banning music is a form of social control, which means that it tracks very closely to the history of despotism and the history of colonialism.

Some music was banned because of song texts, which meant either heresy, sexuality, social protest, or some combination of them.

Some music was banned because of the ethnicity of its performers and composers, like the Jewish artists whose work was outlawed by Hitler.

Some music was banned or forbidden because authorities just didn't like the way it sounded.

And sometimes it's not music per se, but a particular instrument that fell on the wrong side of an ideological divide, like the tambu, which was outlawed because of its unfortunate utility as a weapon.

There were other reasons why governments tried to suppress particular instruments.

At the same time, in the early 20th century, on the other side of the globe, the harmonium was forbidden from appearing on all India radio as part of the story of the Indian nationalist movement.
The rest of this transcript — segmented and speaker-labeled, so you land on the exact moment something was said
Search every transcript — by keyword, by phrase, or by meaning, across every show Radar indexes
Trends — what is surging across podcasts, measured against its own baseline
Alerts — when a name you follow appears in a newly indexed episode
No account is needed to search Radar.