Horkheimer & Adorno on The Odyssey (Part One)

We read part of The Dialectic of Enlightenment (1944), specifically the parts about Homer's epic as an allegory for the merely apparent triumph of modernism (capitalism, instrumental reason) over myth (savagery, magical thinking). Homer is odd for H&A because even stylistically, the epics present a mixture of cultures: They glorify violence, but their form is very ordered, and their very popularity makes them the first mass-culture products of the West. Throughout The Odyssey, Odysseus is in effect saying goodbye to the mythical world as he turns each challenge into a tool in his quest to get home. H&A use the episode with the Sirens as an allegory for how the workers are deafened to the call of anti-social myth (they have their work to do!), while the upper class can hear it but is helpless to actually act on it; like Odysseus tied to the mast, they too are strapped into the capitalist machine. Read along with us; Ch. 2, "Odysseus or Myth and Enlightenment," starts on PDF p56 (p35), but we quickly backtrack to the first mention of Odysseus in Ch. 1 (the same essay we began previously) on PDF p46 (p25). Note: This feed is likely going away soon. To keep getting your Closereads, entirely free and now ad-free, go sign up and get your private URL from patreon.com/closereadsphilosophy. You can choose to watch this on unedited video. Learn more about your ad choices. Visit megaphone.fm/adchoices