But yeah, so I have launched my first solo fiction in... three years i believe it is um i've i've released four twisted tales with rob rp howley on the twisted tale series but this is this is my first spring into uh solo fiction in a while man um it's been three years and there's a lot of there's a lot of reasons as to why that is some a lot of them being personal things going on in the background um there have been sort of know relationship things moving things family things there's been a lot going on that kind of made it more challenging to sit down and publish um also as i've as i've grown as a writer there is that part of me still that likes the idea of pursuing representation an agent um a publisher just to try and reach new audiences and hit that next level of success.
It's not something I'm very, very heavily or actively pursuing, but the notion of I had a story that was almost done cock when it was in sort of earlier drafts, there was the thought of do I self-publish this? Do I use this as a way to reach out to agents and publishers? Is this my best work that I've got? You know, Cock is a very, very, it's a dark story.
So I still would say it captures the writing style of who Daniel Wilcox is.
But it's a very different experience picking up Cock to picking up When Winter Comes, which is my 130,000 word epic apocalyptic horror book.
So in working on this novella, there was a lot of those questions going around in my head of what do I do with this? How do I do this? You know, it's been three years since I put out something myself.
So you've got all these eldritch monsters and things instead of the caterpillar and the chaché cat.
That was written as a special for the Other Stories podcast for Halloween that year.
I genuinely think I just hit a phase of paralysis with self-publishing because one of the difficult things that I don't think a lot of people talk about is once you've been in the industry for a while...
So I preach and I teach a lot about, you know, there's value in putting the book out, like giving it your best treatment.
But yeah, so I have launched my first solo fiction in... three years i believe it is um i've i've released four twisted tales with rob rp howley on the twisted tale series but this is this is my first spring into uh solo fiction in a while man um it's been three years and there's a lot of there's a lot of reasons as to why that is some a lot of them being personal things going on in the background um there have been sort of know relationship things moving things family things there's been a lot going on that kind of made it more challenging to sit down and publish um also as i've as i've grown as a writer there is that part of me still that likes the idea of pursuing representation an agent um a publisher just to try and reach new audiences and hit that next level of success.
It's not something I'm very, very heavily or actively pursuing, but the notion of I had a story that was almost done cock when it was in sort of earlier drafts, there was the thought of do I self-publish this? Do I use this as a way to reach out to agents and publishers? Is this my best work that I've got? You know, Cock is a very, very, it's a dark story.
So I still would say it captures the writing style of who Daniel Wilcox is.
But it's a very different experience picking up Cock to picking up When Winter Comes, which is my 130,000 word epic apocalyptic horror book.
So in working on this novella, there was a lot of those questions going around in my head of what do I do with this? How do I do this? You know, it's been three years since I put out something myself.
So you've got all these eldritch monsters and things instead of the caterpillar and the chaché cat.
That was written as a special for the Other Stories podcast for Halloween that year.
I genuinely think I just hit a phase of paralysis with self-publishing because one of the difficult things that I don't think a lot of people talk about is once you've been in the industry for a while...
So I preach and I teach a lot about, you know, there's value in putting the book out, like giving it your best treatment.
The rest of this transcript — segmented and speaker-labeled, so you land on the exact moment something was said
Search every transcript — by keyword, by phrase, or by meaning, across every show Radar indexes
Trends — what is surging across podcasts, measured against its own baseline
Alerts — when a name you follow appears in a newly indexed episode
No account is needed to search Radar.