Jun 10, 2026 · 57 min · 12 segments
Jo and Rob shelter in place to recap the ninth episode of ‘Widow’s Bay.’ (0:00) Intro (4:15) Mailbag check-in (26:20) Let Rosemary cook (32:25) Parallels to Stephen King’s ‘Storm of the Century’ (44:46) Finale predictions Email us! prestigetv@spotify.com Follow us on IG and TikTok! Subscribe to the Ringer TV YouTube channel here for full episodes of ‘The Prestige TV Podcast’ and so much more! Hosts: Joanna Robinson and Rob Mahoney Producers: Kai Grady and Devon Renaldo Additional Production Support: Justin Sayles and Jacob Cornett Learn more about your ad choices. Visit podcastchoices.com/adchoices
Available on Business plans.
Sign up to unlock[drum music] Hello, welcome back to the Prestige TV Podcast Feed.
I'm Joanna Robinson.
I'm Rob Mahoney.
It is the penultimate episode of Widow's Bay.
A storm's a-brewing.
How are you feeling?
I think we're past a-brewing.
It's here.
It's here.
The storm has arrived.
It's arrived.
Um, we got several emails I will say, uh...
And w- where can folks email us?
PrestigeTV@spotify.com.
We got several emails over the last few weeks about a Stephen King miniseries called Storm of the Century.
Mm-hmm.
Or if you were one of the actors in 1999 in that miniseries, Stom of the Century.
[laughs]
Okay.
[laughs]
Anyway, I watched some of it.
Yeah.
But what did you think of this episode of television, Rob Mahoney?
I mean, there's a huge revelation that we've been-
One singular-
Yes
... huge revelation
... we have been dancing around for weeks.
Spoilers.
Huge revelation.
We will be discussing it, all appropriate spoilers.
There's a lot of people lining up in somewhat orderly fashion, and that's kinda it.
It's a table-setting episode.
It's a real table-setter.
And-
Which is fine.
This is the way these things tend to go at this stage of a season
It could've been an even shorter episode.
Right.
That being said, for me-
Mm-hmm
... uh, the great Dale Dickey is playing Rosemary.
Yeah.
Giving her this in...
I re-watched that scene so many times, 'cause I just think it's so funny.
Yeah.
So, like, for me, worth...
A- and this is, this is my feeling about Widow's Bay in general, like, I'm greedy for more.
And, like, I want all of these episodes to be longer, and, like-
It's true
... uh, they always leave me wanting more, which is, like, on the one hand, good.
Um, but I just thought the Rosemary stuff was so phenomenal in this episode that, like, while I completely agree with you, it's a table-setter and not a ton happens, we're setting up for a great place for the finale.
Of course.
But yeah, in isolation, I can see how you're like, "Okay, we're, we're, we're moving pieces around."
It just felt like the least eventful, but you're right.
From a character standpoint, this is Rosemary's, like, Linsanity moment, if you'll, if you'll spare the s- [laughs] the sports comparison.
But, like, giving her her, like, clear out, let's just let Rosemary hold the room-
Yeah
... make her presentation-
And she does
... with overlaying, like, uh, projector slides.
Yeah.
Transparency is what it's called.
Tr- sorry, the transparencies.
It's been a minute.
[laughs]
I know, you're, you're too young.
[laughs]
No, I was there.
It's just been a minute.
Just some quick, uh, programming, the, for us, for our podcast feed, I should say.
Um, we got a couple emails or, or comments from people saying, "Hey, will you be covering The Vampire Lestat?" On this feed, no.
On House of R, in a quite serious fashion, yes.
[laughs] So if you wanna hear week-to-week coverage of The Vampire Lestat, including Mallory Baństwa's vampire fangs-
Mm-hmm
... there's, like, a lot involved.
That's over on the House of R feed.
Who bought whatever duster or coat-
Clues
... you're wearing?
Let's see.
It's right over there.
[laughs]
Okay, I'm, I'm glad it's here in the room with us.
It is very special.
Thank you.
It's a Penny Lane moment-
[laughs]
... uh, if I ever had one.
Um, so that's happening.
Cape Fear, however-
Mm-hmm
... that's here, baby.
That's where we live.
That's where we sweat.
We had some questions after episode two whether or not we would cover it week to week.
We asked listeners if they wanted us to.
We got a lot of emails of people saying-
Quite a lot
... "Yes, please." And then also Rob and I have since watched episode three, and we both agreed we are in for week after week.
I'm in there like a dead skunk in a pool.
Are we gonna regret it come week eight? Maybe.
Yeah.
But we're calling this Trash Trapeze Theater, as in it's summers here, Apple has presented us, a la Presumed Innocent, another Prestige-y, skeezy, fun fu- fun time-
Yes
... at the television, uh, show.
So that's what we'll be watching.
Yeah, we're here covering Widow's Bay because we have come to really love-
Yeah
... all of the charms of this show.
Absolutely.
[laughs]
But we're down to sleaze it up a little bit.
We're having a fun time.
We had asked, uh, some questions about the writer of last week's episode, Emma Ketcham.
Mm-hmm.
We heard from Emma herself.
She emailed the pod.
Incredible.
PrestigeTV@spotify.com. Um-
How do you feel about the power that you wield [laughs] to will an email from Emma Ketcham into the world?
Well, I really love...
E- Emma emailed us, and then a couple other people emailed us with information about Emma.
Yeah.
Um, but it's all the same, which is just basically that Emma was Katie Dippold's writer- writer's assistant.
Um, and then Katie sort of gave her this opportunity.
Mm.
So this is her f- this is her first writer's credit.
Yes.
And I just wanna...
The reason-
Episode eight, we should say
... episode eight.
And, and the reason I wanna sort of single that out is that it's rare for a writer's assistant in the first season of a television show to get a written-by credit on an episode.
So what to me that speaks to is Katie Dippold's, like, quite democratic approach to her writer's room, and especially coming off something like, um, Euphoria-
Mm-hmm
... where, which doesn't even have a writer's room.
Yeah
... because that's how you get more and better TV writers, is that you, like, the assistants in the room learn, and they get to grow, and they get to put their credit on a, on an episode.
So I just think it's fantastic.
Especially for a show like Widow's Bay where if you step off the path tonally-
Yeah
... ever so slightly-
Yeah
...
I think it would be really, really glaring.
Yeah, yeah, yeah.
And yet episode eight felt locked in, in step with everything that they've been doing all season long.
A, an incredible testament, I think, to Emma's work, but also to the greater, I'm sure, the writer's room and the construction-
Yeah, yeah, yeah
... and the, the streamlined nature of the way that this show is made.
Right.
It's an entire, uh, you know-
There's a cohesion to it
Yeah.
Right
... or that's a, like, whatever episode.
Um, but thus far we're getting, like, a really cohesive...
But, you know, like-
It has a stun gun and/or a taser.
[laughs]
That's an Emma Ketcham episode.
That's an Emma Ketcham.
That's an Emma Ketcham hallmark.
That, that's her trademark.
Yeah, yeah, yeah.
But, you know, when you watch, um, like, certain shows like Lost or, um-X Files-
Yeah
... you know, and like Darren Morgan would come on and do these like extremely weird episodes.
You're just sort of like-
Yes
... excited about that.
So we love writers on this show.
Um, all right.
Hannah reached out to give us a, a Babadooking that I wanted to share.
Please.
And if you're coming in late to the season, just to establish that Katie Dippold, of course, showrunner of Widow's Bay, author of this incredible, uh, Babadook tweet-
The one good thing to come out of Twitter
... um, the one ...
Well, I don't know.
Have you seen what Hunter Biders- Biden's been doing on Twitter lately? [laughs]
[laughs] I'm, I'm trying to check out on that.
No, but like genuinely, it's great.
I think I'm good.
Thanks.
I think I should share-
[laughs]
...
some, some tweets.
[laughs] The concept of Babadooking, we have determined, is like showing up to something, misreading the tone of the event that you're arriving to-
Yeah
... and really kind of making, unwittingly making a spectacle of yourself.
Most often misunderstanding the dress or the code or the attire or, yeah, I think just the general vibe is appropriate, too.
Hannah wrote in to say, "In college," and she attached a photo.
It's always great when they attach a photo to the Babadooking emails.
Hannah wrote in to say, "I went- in college I went to a Halloween party full of intimidating, unwelcoming Khaleesis and sexy whatevers, and boy, did I regret dressing as Angela Merkel."
[laughs]
[laughs] "Nobody knew who I was.
I failed miserably at flip cup, had a bit of a tantrum, got way too drunk, and complained shrilly about being a woman in a position of political leadership.
I've had about a million Babadook moments since, but I did learn from that Halloween.
The next year I went as sexy Boris Johnson and terrified all my friends." So, um-
I mean, there is a, a near distance-
[laughs]
... from Angela Merkel to sexy Boris Johnson somehow.
Like, that's ...
I can see how one costume could become the other.
Yeah, absolutely.
Uh, I'm pulling it up now.
This is really something.
This is a-
It's a great photo
...
this is quite a good Angela Merkel costume.
I agree.
I agree.
The wig work is fantastic.
All right.
Mimi wrote in about a detail in episode eight that we missed, uh, noting that when Tom and Patricia and Wick are eating breakfast and they're like, "We did it-"
Yeah
Right
...
in this very episode.
So at the beginning of the episode she's like holding this brochure, and then at the end of the episode when Patricia goes to the hospital to like visit Bashir, she's there with like a neck brace and, uh, like, uh, her arm in a sling.
[laughs]
... as represented by this one like background actor.
I thought it's a really fun detail Mimi pointed out to us.
Um, Lauren, Lauren pointed out last week or maybe like a couple weeks ago about Patricia's, uh, career as a painter, as an artiste.
Mm.
Um, and I don't know if that's gonna come into play, but do you feel like it came into play in this moment when she turned into the Widow's Bay subreddit and noticed-
[laughs]
...
the missing finger on the portrait inside of this episode?
The opportunistically ripped-
Yeah
...
so only the finger is exposed on the rear side of the canvas.
Tremendous.
I think it rips on like a speaker tower or something like that.
Really good.
As we mentioned, Rosemary does the full genealogy to, to get to the reveal-
Yeah
... of Ruth, not Evan Loftus-
Mm-mm
... as the, the last remaining Warren.
Nor Patricia, nor Wick.
And I should say this was sort of your initial instinct, where you were like, "It should be someone who has like been here in the background the whole time so we know them-
Yeah
...
but, but sort of waiting to step into the limelight." So how do you feel about Ruth as a, as a choice for that?
I like the choice of Ruth or someone who's not Evan, and we talked about this a little bit, but I think making it so that if it is Tom who has to make this sort of decision, he has to weigh the life of this person, and he's kind of increasingly nudged toward human sacrifice as he realizes that oh, it's just one person.
Oh, it's an elderly person.
Who cares if it's Ruth? Uh, I could be talked into this in this particular moment.
But making him choose between someone's life and his son's future, right? The idea that Evan can't leave the island-
Mm-hmm
... unless this other person dies.
He'll never see the Red Sox play in person.
Yeah.
[laughs] That, I don't know if that's a blessing or a curse.
[laughs]
We'll have to do some polling here, uh, here at the office.
Wow.
I think that to me is more interesting.
Consolidating everything into Evan feels like a little bit of a narrative traffic jam.
What I do think is interesting is that this episode sets up Tom as a father concerned about his child's future, and then also Bashir-
Yes
... as like a father concerned about his wife and his potential, uh, baby's future.
And so there, you still do get this sort of like parents concerned about their children aspect-
Yeah
... which when we get to the Stephen King Storm of the Century sort of comp is, is very much in, in the water there.
Well, with the Bashir part too, this episode left me wondering is the decision of what to do with Ruth going to be a Tom decision at all? We see him and Wick and Patricia wrestling with that idea-
Mm
...
in this episode.
But Bashir and Shell and their conversations in this plot line, they make me feel like there's another shoe to drop.
And it feels like-
Mm
'Cause everyone, Bashir included, like they have things at stake in this too.
So I was gonna save all of the Storm of the Century stuff for the end, but I should say that like the big climactic sort of event of Storm of the Century, this four-hour miniseries that aired on ABC over three nights in 1999, is a town meeting.
Mm.
And the whole town has to decide what to do in terms of sacrificing someone to end a storm-
Yeah
... and, uh, defeat, uh, when a classic Stephen King is it the devil kind of person.
I don't know if this is gonna be a town meeting or not.
It could be angrier than that.
Maybe it's everybody stuck in the shelter.
Do you think it's gonna be a town mobbing more than a town meeting?
I don't know if like, uh, wh- whose rules of law is it? Like I don't know if all of the, uh-...
congressional approvals are gonna be required to get this thing off the ground so much as people are gonna make a rash emotional decision about-
Mm
... whether they, how they want to attempt to survive whatever this storm is.
Our listener Jana wrote in to say, uh, to give us a broad theory.
They said that Katie Dippold has said the series is, the season is about denial.
The first scene of the series is Shep talking about his decision to end his relationship even though his partner has very clearly already ended it.
She's literally packed his bags.
But Shep is still narrating events as if he is the one making the choice.
He is in denial about something painfully obvious.
I wonder if the same is true for Loftus.
The assumption is that Loftus is in denial about the curse, but that doesn't hold up.
He resists the island lore for a while, but after his encounter with the sea hag, he relents.
By the middle of the season, he enforces curfew, moves with the logic of the curse.
I think his denial is about something else.
There have been enough hallucinations, visions, and reality-bending moments throughout the season that I would be surprised if our understanding of something basic about reality on this weird island, complete with insane asylum, remains intact.
My guess is that Loftus is denying something more than the curse itself, and that the season ends with the collapse of whatever he's been clinging to.
Well, I don't know, that's interesting.
But I, but I, but, like, establishing denial as a-
Mm-hmm
... as a big-
Yeah
... sort of theme of the season I think is interesting.
I think it is interesting.
I wonder, though, with Loftus specifically how much he was ever fully in denial versus that's what he was projecting to the world because-
I think he was in denial
...
I think the backstory with his wife suggests that he's at least, like, tangentially aware and maybe even personally familiar with some of these, like, supernatural elements that he then as mayor pretends to not believe in.
Possibly, but also, like, the way he describes it to Evan is, like, complications, pre-eclampsia.
It's true.
You know what I mean? Like, so perhaps he was like, "Man of science, man of faith.
There's a man of science explanation for this."
Yeah.
And, like, once a sea hag cornered him in a bathtub, he's like, "Uh-oh, I'm a man of faith now."
I think it's when she splashed on him.
I think it's when he saw, uh, our, our shaman Todd-
Mm
... get sucked up into a, a cyclone.
[laughs]
A big, mean, dark-
Is that a cyclone? Tornado?
I don't...
Yeah, what's the difference between a cyclone and a tornado?
Land, touching land.
Is it really?
I think so.
Wait, would-
Is this a stun gun versus... [laughs]
I'm just realizing-
Taser moment?
...
I don't know what a cyclone is.
Okay.
Cyclone versus tornado.
I feel like, uh...
Oh, cyclone has been used to describe anything that rotated counterclockwise, so often tornado and a cyclone are interchangeable.
I thought one had to do with, like, touching land.
Maybe not.
You're saying the cyclone needs to touch grass.
Yeah
... and can let us know.
If you're a meteorologist.
Yeah.
If you're in it for the s-
If you're Helen Hunt.
If you're in it for the science, not the money-
Yeah
... then please get at us.
Let us know.
Um, Eric wrote in.
This is the email I was reading where I was like, "Huh," before we started recording.
You're like, "Okay, Joanna." Um, something I really enjoyed of the whole genealogy journey that Rosemary goes on this episode is that a- as it begins, um, one of my favorite things about the movie Hot Fuzz, which is a, a movie we've already referenced a couple times-
Yeah
...
in establishing this, um-
The greater good.
All of that
One of Us, all of it
... uh, is how all the town- townspeople have these, like, Anglo-Saxon names.
Mm-hmm.
So their last names are, like, what they do, you know? So there's, like, Gardener and Tiller and, like, um, and so Wheeler, et cetera, et cetera, Cartwright, Wainwright, blah, blah.
Um, Warren-
Mm-hmm
... which is sort of guardian, and then, like, Fisher.
His last name is Fisher, so, like, Francis Fisher.
Um, great actress, but also the name of a character on the show.
Um, so, like, you have those Anglo-Saxon names sort of at the beginning, and then it changes as, as, as you go down the history.
But, um, Eric wrote in to talk about the, the name Warren.
Uh, so, like, protector, nurturer, stewardship of the land.
Like, that's a-
Mm
... that's a thing that Warren can mean.
But also like a rabbit's warren, it can be a complicated series of, uh-
Sure
... tunnels or, or a maze.
So we were already talking about the, like, tunnel system underneath Richard Warren's house, so this, like, double meaning of, like, Warren as island protector, but also warren as in, like, the rabbit's warren-
Yes
... uh, u- under the system of tunnels underneath this island.
I thought that was fun.
Do you think it's possible that the storm shelter connects to those tunnels?
Yeah.
Yeah, I do.
Yeah.
Are we stumbling into the sacrifice room?
That...
Okay, when Dale turns on the lights, Emmy...
Okay, Emmy winner Geoff Hiller-
Yeah
...
I think has not been used to his full extent this season.
Has not.
Dale Dickey got her time to shine in this.
Seemingly Ruth will have plenty to do in the finale, I assume.
Yeah.
Uh, I don't know when we're getting our, uh, our episode for him.
Maybe it's a season two situation.
Could be.
But-
But of the core city hall cast-
Yeah
...
I think you're right that he is the one member who has not really had a spotlight moment yet.
Um-
Other than DJing.
Right, and, and the mushroom trip sort of, like, mask moment.
That is true.
[laughs]
Um-
That w- that was horrifying
...
but, like, his face...
So I, I, I want more for him to do, but his face, like, when he turns on the lights-
Yeah
...
I, same.
A hard same.
Would I go down into that shelter? I'm not sure.
[laughs]
Where are you going?
Some- anywhere else.
That looks, that place looks-
It's a storm
...
so haunted.
It's the storm of the century, of centuries.
It looks so haunted down there.
Better, better haunted than dead.
[laughs] I don't know.
I, I might use my, like, sort of California earthquake mentality to be like, "Can I just stand in a doorframe?"
[laughs]
"Will that protect me?" [laughs]
Somehow in this case I don't think it's gonna work.
Okay, fine.
Also, I wanted to note that, uh, in this episode, one thing that I loved is that Tom and Patricia have this, like, very non-verbal-
Mm-hmm
... uh, understanding of each other.
I wanna maybe go back and, and track it all season, but there's a number of times where Rob, uh, where, where Tom just sort of, like, nods at her.
Yeah.
And then she just, like, does ex- you know, like, turn on the fan, close the door, do whatever, and she gets it.
The old man who shows up to, to-
Yeah, the old-timer
... uh, I mean, really to be, like, the harbinger of the storm to come.
Yeah, yeah.
Yeah.
Uh, but really just the exposition dropIt, that scene is so funny
Closing the door on him?
The, the, the very slow, calm, quiet closing of the door-
Yeah
... as he just continues to pace outside.
I love that he's, like, simply credited as Old Timer-
Oh, is he?
...
in, in the closing credits.
That's his name.
I, I was calling him in my notes Old Basil Exposition.
[laughs]
How do you feel about that?
Um, you're just bringing Michael York back into the mix after Euphoria.
We, we simply must.
I love that.
I love that for you.
Um, okay.
I wanted to read this email that we got from Nicole about Patricia, which I really loved.
Okay.
Uh, specifically about Patricia in episode eight.
She wrote, "I thought this episode," episode eight, "like all great horror, had a cutting social commentary, this time with Patricia.
Her performance of the final girl running from the Boogeyman at first is actually very quiet, almost performative.
It screams the actions of a woman who is so insecure, she doesn't want any reparation or negative repercussions for others because she got a disgustingly disparate dinner from what she ordered.
It's the meekest, funniest cries for help I've ever seen.
Patricia is screamingly, painfully relatable.
Watching her run from her, from the Boogeyman in a way that didn't disturb others was the funniest thing I'd seen in months, until I got to her holding the shotgun against the Boogeyman's head in four different locations.
That killed me." So, like, for Patricia to go from, like, "Help, help," a bit-
Yeah, yeah
... to, like, stun-gunning-
Yeah
... tasing.
Even just barging into the girls' night to begin with.
Tasing Chris.
Yeah.
To the shotgun, uh, situation is this, like, evolution for Patricia.
And for Patricia, you know, what Nicole singles out another moment in that episode when, which I didn't really clock, when Patricia's talking to Bashir about Chelle-
Mm-hmm
... being pregnant and she says, like, "How old is she?"
Yeah.
Um, I thought she was just sort of asking as, like, it didn't even occur to me that Chelle could be...
And she kind of is.
But also, inside of this episode, when they're debating about what to do with Ruth-
Yeah
... and they're like, "She's not married, she doesn't have kids," and Patricia's like, "Well, glad that, you know, I'm not in a morgue to center or you would've already slit my throat," this idea of, like, does a woman have less value if she's not married, if she doesn't have kids-
Yes
... you know, uh, up against Tom Loftus, who's like, "You don't understand.
I have a child to protect."
Right.
Or Bashir theoretically, "I have a, a, a child coming that I wanna protect," you know? And so, like, the value of the unmarried un- you know, doesn't have a child woman inside of this island.
And so does Patricia have this moment inside of episode eight where she finds out that Chelle is pregnant and she's like, "I, like, is this still possible for me?"
Mm-hmm.
"I thought maybe I was, like, past my sell-by date to a certain degree." Like, which is a theme that has been running up, you know, for a lot of the women inside of this season, so.
For sure.
Yeah.
I mean, it's clearly part of the cortex of the show-
Yeah
... for many of the characters.
And I also love that Patricia has all that going on, where she is constantly being confronted with her age, with the fact that she is single-
Yeah
... with her role in this community and the-
Yeah
... how o- like, ostracized she feels within it from the people she went to school with, but she's also the moral center of this episode.
Like, she's the one saying, "Hold the fuck on.
Are we talking [laughs] about shooting Ruth in the back of the head? This is ridiculous." Whereas people who do have kids or people who just feel like they have different motivations are very willing to at least consider this, like, really barbaric thing.
Do you s- do you view that scene with, like, Tom...
And, and the episode ends with we don't know what Tom's gonna...
I mean-
We can suspect.
We suspect what Tom is off to do, but he has not answered-
No
... what he's going to do.
So if Tom is the undecided-
Right
... and you have Wick being like, "You gotta."
I can make it peaceful.
Right.
And Patricia saying, "You simply can't," that's the sort of, like, angel...
Are these, like, the angel/devil ideas that are gonna be in his head as he navigates whatever trolley problem moral decision that he has to make in the finale?
I'm glad you brought up the trolley problem, 'cause I feel like if you are on the side of Ruth needs to die to liberate the island-
Mm-hmm
... couldn't you just not go help her and hope that-
Oh, let the storm do its work?
Let the storm kinda do its thing?
Hmm, what a...
We know where Rob stands.
Look, no-
Rob would kill Ruth
... hard disagree.
I w- I would give my life for Ruth, personally.
Oh, okay.
But I'm saying if you are on that side of things, there is a very dangerous component right here in the community that they're, they are even laying out, "We need to go save Ruth from this.
We need to bring her-
Right
... to the shelter."
Well, it was a nice s- a nice way to establish Ruth is, uh, early in the episode, Ruth is not here.
Yes.
So whatever's going on with Ruth is going to be a secondary location that, that Tom and then, you know, the mob that you're predicting will have to go to.
Maybe.
Yeah.
Did you find it odd at all, uh, I think especially in an episode that was this short and maybe even this thin from a certain point of view, that we don't see Ruth whatsoever? We don't get any flash to, like, her at her house or anything.
Like-
What's she doing, do you think?
I, I mean-
Napping?
Trying to work some kind of technology and failing miserably.
[laughs]
Like, it's not going well, I'm sure.
Yeah.
But we're talking a lot about Ruth, and I feel like in a different kind of show, there would be, like, a cut to Ruth at her house-
Mm
... doing whatever she's doing and cut back.
Clearly the show is withholding that, and I wonder, like, what is, what is the dynamic that Tom is gonna be walking into when he does get to her house? Presumably that's where he's going.
Okay.
So you're like, is, is Ruth filming her OnlyFans content?
I...
You know what?
Maybe.
Live your life.
[laughs]
Live your life.
[laughs] If we've learned anything from Euphoria-
Yeah
... live your life.
Um, couple things before we circle back to this Rosemary moment, which is just so incredible.
Um, the pre-Rosemary presentation is Wick coming into her office.
We get this, like, really interesting whale blubber comment from Wick where he talks about this was the dominant industry of the island-
Mm-hmm
... up until his, his father's time.
Yeah.
So into the 20th century.
Um, and the captains, like, ruled the island, and we've s- had some indications of that, of like, you know, captains doing certain things, um, to have their way.
Um, does that, is that setting up anything for this season? Is it setting up something for a future season? What do you think?
I, I was really thrown by this.
Oh, yeah.
Yeah.
Like, we're gonna kind of k- bringing it up a couple different times in the episode, kinda framing things in this way.
Yeah.
I mean, maybe there's a short-term, like-I, what's, what's the, uh, the expiration date on whale blubber? Like, if there's some whale blubber down in the tunnels to, to work some torches, is that a thing that would still be functional after all these years?
If you're a whaler.
Press CCV at-
Are you not a whaler?
Press CCV@spotify.com to let us know how you, how one preserves...
Like, can you just seal it in a jar like jam?
I would s-
Is that what you're saying?
I would presume it's kind of already preserved.
Blubber?
Yeah.
No, all, all fats go rancid.
You know this as a chef.
Well, well, sure.
But they have a, a much longer shelf life than expected.
A stable shelf life.
Yeah, okay.
Way.
Okay.
You can keep lard out on your counter for a long time.
[laughs] Okay.
Um, and then did you, uh, freeze-frame Mahoney on Rosemary's desk drawer?
Uh, I did.
I was most intrigued by the c-
The Diet Coke
...
the three Diet Coke cans.
Yeah, I knew you would be.
I couldn't tell whether they were empties or fulls.
I tried, like, going with a-
No, they were fulls.
You think they were fulls based on how they rocked?
Based on the roll.
Yeah.
This is what I was looking at.
Yeah.
I was like, "They feel full to me."
Those were fulls.
Based on someone who has an unfortunately very intimate understanding-
Yeah
... of the weight and density of a Diet Coke can.
Uh, so we're glad to welcome Rosemary to the team.
I, when she pulled open the drawer, I was like, "Rob will probably freeze-frame this, but I should do it just to, just in case he doesn't." And then when I saw that the Diet Cokes were there, I was like, "Rob certainly, uh, was all over this." Okay.
My sister.
[laughs] She, you and Rosemary.
Um, she mentioned that it's a castle doctrine-
Yeah
... uh, town.
Do you know the difference between the castle doctrine and stand your ground?
They feel of a feather to me.
One needs to touch ground.
No. [laughs]
[laughs]
Castle doctrine only applies to your home, your vehicle, or sometimes your workplace.
Okay.
And then stand your ground is anywhere.
[laughs]
Stand your ground is anywhere?
Yeah.
Any public place where you have a legal right to be.
So you can't break into someone's home and claim stand your ground, but you can in the Walmart, I guess.
I really underestimated how medieval Florida is.
[laughs] Stop.
You would think castle doctrine would be the more medieval-
You would think
... uh, than stand your ground, but stand your ground is, uh-
Holy shit
... yeah, tough.
Really fucking tough.
Um, all right.
Let's get to Rosemary's, uh, presentation.
Uh, she's, she's smoking.
Yep.
Gotta take a break.
She's not...
She's doing, she's smoking and pres- presenting.
Well, but she's got to break to light up.
Oh, yeah.
That's true.
[laughs]
Hold, hold for dramatic effect while I light my cigarette.
This is just so good.
Like, all of her mutter to side.
Yes.
I just wanna applaud Dale Dickey for this.
I just think she's absolutely incredible.
The first time I watched it, I was, like, a little impatient-
Mm
... 'cause I, like, wanted, I was eager to know the answer.
Um, and I was like, "What are we doing? Come on," as are Tom and Wake and Patricia.
But the second, third, fourth, fifth, however many times I've watched it since, I'm just marinating in every single delivery that she gives is so good.
Do you wanna, what are s- some of your highlights here?
Well, first of all, I think the performance is great.
A- and not just hers, but the reaction shot Olympics that are happening-
Yeah
...
among the other three characters, really delightful.
Really good.
But structurally, like, from a writing standpoint-
Yeah
... turning a, like, Game of Thrones-y, Star Wars-y kind of like lineage reveal-
Yeah
... into like, "You know what? We could just say this.
We could make this dramatic.
We could give you a flashback sequence," and we kind of did.
But also, what if we just do, like, a full fam, multi-generational family tree-
Yeah.
Yeah
... for a third of the runtime of this episode?
Yeah.
[laughs]
It's so funny.
I think I- in part because of the bits.
I mean, dead baby, dead baby, dead baby, lesbian.
Happy Pride.
[laughs]
[laughs] Happy Pride to everybody out there.
Uh, the whole, like, when he grows up, he won't be shooting blanks.
He's a stud.
Mm-hmm.
All-
These jacka-rabbits.
[laughs]
The jacka-rabbits.
The family that swims together, drowns together.
That actually does seem like it should be an expression.
And that's the first inaugural swim.
Apparently so.
They, they kept going after an entire family drowned together.
I've seen Clarabelle's portrait.
She thinks she's something.
[laughs]
The first time, uh, she went through it and she said the family that swims together, drowns together-
Mm
...
I thought that was, like, an incest comment.
I thought so, too.
But then we got to the actual incest.
[laughs] She's like, "None of my business unless [laughs] they have children." In this case, they did.
I mean, just, like, everything was so funny.
I wanna, I wish I had been the, like, a fly on the wall when Dale Dickey, breaking this down at home-
Mm-hmm
... figuring out how, where she could find, like, milk the most comedy out of this, came up with jacka-rabbits as a pronunciation for jackrabbits.
[laughs] So funny.
I, I thought this was, like, a masterpiece of comedy.
A+ stuff.
Yeah.
Uh, I have a question for you.
Yeah.
Which is, I've written down a couple of my favorite names-
Oh
... from the family tree.
Hell, yeah.
I would like for you to select your favorite of these.
Thank you.
Hezekiah Collington.
Really good.
[laughs]
Hollyoaks Warren.
Hollyoaks Warren is-
Hard to beat.
Yeah.
And then the, the last is a twofer.
Sophia the Heretic, who married-
Mm-hmm
...
Byron Fairclaw.
Yeah.
Which of those would you say is your favorite?
Really did.
[laughs]
[laughs] Hollyoaks Warren really stood out to me.
Uh, we did get an email about, about, uh, when, when we, when we and all the other li- listeners were predicting that it was gonna be Evan, so the Warren family line passing down through Lauren.
Right.
Um, one of our listeners was like, "Does that make her Lauren Warren?" And, like, as we know, the Warren name is not involved in all this, but Lauren Warren is, is very funny.
So yeah.
This whole sequence, I mean, again, it's just like punchline after punchline after punchline after punchline.
And there was, there was something about the specific delivery of, "Next thing you know, your dad's dead and your step-mom is taking you on an adventure.
Destination, Hell."
Hell.
[laughs]
[laughs]
When he's, like, giving his, like, over the top, like, running off the rails speeches-
Yeah
... trying to sell these brake pads.
There's, and like, I don't know of a higher compliment in comedy than I can give them that.
Um, I think also, uh, you know, all of her very passive aggressive, like, stuff about Tom.
Um, I can't hear.
I can't hear when the fan is on.
[laughs]
This is thi- this is usually when we just repeat Patricia jokes, but it's Rosemary's time to shine this time.
It's Rosemary's week.
Um, and then I think, uh, oh, when she was like [laughs] when she, when she's like, "All the kids died, a fascinating murder mystery.
Uh, and then we don't have time."
It was the dad.
[laughs]
It was the husbandI hope we get that story in season two.
I would love it.
Like, I hope we get some of these stories in season two.
Just give us that full flashback.
Yeah, exactly.
The full murder mystery.
Yeah, yeah, yeah.
Did you connect at all with the person who has put a lot of work into a presentation and just wants everyone to know how much work you did?
Rob, I think you know I did.
[laughs] I, I say this 'cause I personally also have a little- we all have that in us.
You want the pat on the head in addition to the, the focus and patience.
I really need, I really need the...
I- if I could be paid in, uh, affirmations, I, I would be.
Guess what? You can.
[laughs]
Leave your comments below.
That's not how-
Hit, hit Jo on social media.
That's not how the internet works, Rob.
[laughs]
Oh, well.
I tried.
It's deformations from the internet every single time.
Um, one thing that we haven't really noted, but our listeners have been writing in for a couple weeks about, is that after the, um, drug trip episode, um, with the hand turkey sort of thing-
Yeah
... a lot of people have, if you rotate the hand turkey and sort of flip it-
Mm-hmm
... that's the shape of the Widow's Bay island.
Oh, okay.
I mean-
No, it, like, really is.
I-
And they keep showing that map.
This was a little bit of a bridge too far for me.
No, you're wrong.
It's true.
I think you've been on the lost island too long.
[laughs]
Absolutely not.
I, I don't know about this one.
On the, uh, sort of Jurassic Park Isla Nublar, uh, comp that we-
Right
I think it's a Doppler map.
Yeah, the weather map.
The overwhelming storm.
With the [laughs] with the hand island.
[laughs] But that was very Jurassic Park, a storm's a-coming sort of moment to me.
Google image search Widow's Bay island map.
I've seen the, I've seen the side-by-sides.
I-
And it's true.
I am not so compelled to think that that is it.
Emma Ketcham-
[laughs]
... or any other writer on Widow's Bay.
I'm happy to be wrong.
I, I just personally do not see it-
Please prove Rob wrong [laughs]
... with the one, with the one-to-one synchron-
You've been looking forward to this [laughs] all week, and with Cutwater's cocktails, this [glass bottles clinking] took only seconds.
Because tonight's about catching up, not catching the server.
Whether it's our Cutwater lime margarita, lemon drop martini, or rum mai tai, they're expertly mixed and ready before the snacks hit the table.
[glass bottles clinking] Cutwater, expertly mixed cocktails.
A perfect pairing for an evening with good company.
Please enjoy responsibly.
Must be 19 plus.
Love to speculate on upcoming player trades? [upbeat music] We get it.
Wish you could do more than speculate on investing? We got you.
Cooperators can help get your investments in the game.
Cooperators.
Get investments, insurance, and advice from someone who gets you.
Terms and conditions apply.
The city.
All right.
Can I talk a bit more about Storm, Storm of the Century-
I would love it if you did
... and Stephen King miniseries? Okay.
Written for TV, so it's not based on a book.
Stephen King wrote this for television.
Mm-hmm.
Uh, Stephen King miniseries are, like, you know, there's the It miniseries, which is-
Famously, yeah
... quite famous.
Salem's Lot, which is quite famous.
Mm
... because Stephen King famously hates the Kubrick movie.
Not what I would've picked.
Yeah.
Here we've got Tim Daly from Wings is the lead [laughs] of this, uh, particular endeavor.
A very young Julian Nicholson, like, one of her very first, uh, roles is as one of the townspeople.
Basically what happens is in classic Stephen King fac- fashion, uh, a mysterious man comes to town.
This happens in Needful Things.
This happens in The Stand, et cetera.
Oh, The Stand miniseries, also very good.
Um, comes to town.
He knows all of the dark secrets of everyone on this island, and he will just, like, say it to them.
He'll be like, "Hey, remember when you gay bashed a man? He lost his eye.
You should go see his paisley eyepatch." Happy Pride.
[laughs]
Um, like [laughs] like, that's, like, literally, that's one of the secrets that he unearths.
He just, like, walks around and tells people.
The first thing he does is he just kills the shit out of an old lady.
Hmm.
I believe he beats her with his cane.
Okay.
Um, and so I was thinking a lot about Ruth, uh, when I was thinking about, uh, this old lady who dies right at the beginning of this.
But what happens is he's-
Old ladies are not a monolith.
Um, you're right, and-
How dare you, frankly
... uh, how do you go from patriarchy good, actually-
[laughs]
... to this? [laughs] The world may never know.
Um, but after he's, like, terrorized the town, and then Tim Daly's character, uh, as is often the case in, in these, uh, Stephen King stories, is the sheriff, and he is, like, the, the beacon of good and truth on this island.
And he refuses to, like, get rid of this guy right away.
He's like, "Due process.
I believe in due process." But eventually, there's this huge town meeting where this guy is a l- the, played by a Canadian actor, Colm Feore, like, comes in and just, like, tells everyone in the town their various secrets.
And then he's like, "I have but one wish, and then I will go away, and the storm will go away.
Um, I would like one of your children.
Give me one of your children.
I need to, like, uh, I need to train up an apprentice.
I need an heir to my demon ways."
Okay.
"And give me one of your children, or else you'll go the way of Roanoke," the famed, like, colony that disappeared.
Uh, he c- he's claiming that he's the one who made Roanoke disappear.
He has that power.
Yeah.
He's like, "So either give me one of your children, or I will take all of your children anyway, and you will all walk two by two into the sea." And Tim Daly, hero of the hour, is like, "We can't do this.
For our souls, we cannot do this." And it's basically him against the entire town.
And he's like, "We don't know that he has these powers to do this.
We don't know that he is, like, a supernatural evil.
And if we make this decision to, um, give up one of our children, like, how do we live with ourselves after?"
Mm.
Which is the question that Patricia asks inside this episode.
Absolutely.
What does this say about us?
Mm-hmm.
Um, his wife, however, is like, "We gotta do it.
We gotta give up a child."The twist is, sorry, spoilers for this thing, it's Tim Daly and his wife's child is the one that gets taken.
Yeah
'Cause the whole town, uh, votes and they decide to give up a child, and then they draw lots.
It's very much like Shirley Jackson's Lottery, and it's his child.
And then, and then his child is taken.
Yeah.
And that, and then the epilogue is about he, how he moves to San Francisco and, like, yada, yada, yada.
Yes.
And then, like, a bunch of people who survived this incident on the island wind up killing themselves anyway because how do you live with yourself after you've done this thing?
Completely.
But this-
And I imagine in very Stephen King fashion you never quite know if that mysterious man had the demonic power-
You kind-
... to do what he said
You do, 'cause he's got, like-
You do?
He's got fangs.
[laughs]
Well, but it's one thing-
And, like-
... to have fangs, and another thing to be like-
A, a cane that comes to life and like
... "But I'm gonna make you all march two by two into the sea."
I don't know if he could've done that.
He could be overstating it.
Yeah, he could, yeah, it could've been, like, like actors do on their CV when they're like, "Yeah, I can ride a horse.
Absolutely, I can speak French."
I'll just have to learn how to do it by shoot time.
[laughs] I can do that, that's fine.
Um, so yeah, Patricia kind of standing in for this sort of, like, Tim Daly voice-
Yeah
... of, like, we cannot do this for our souls sort of role.
Uh, the accent work inside of this, uh, particular, uh, 1999 ABC miniseries is outstanding and fantastic.
This is the same island, uh, that Dolores Claire- Claiborne takes place on.
Hmm.
Um, just as a fun fact.
Anyway, we've had a lot of listeners write in about it.
I thought it was, like, worth, you know, uh, as every... 'Cause I couldn't think of another sort of, like, horror movie comp for-
Yes
...
this, a storm has come to the island, and we have to make a choice to sacrifice one people for the greater good of the island, the greater good.
Like, I couldn't think of a better comp than this.
Did you, did anything come to mind for you?
I was in the same kinda quagmire.
Mm-hmm.
Well, there's, there's The Mist-
Yes
... which we've been talking about since the beginning.
But even The Mist-
Yeah
... is something, like, a little more monstrous.
Yeah.
Like, a l- the, you know, there is something within it that is very similar to Widow's Bay.
Yeah.
But is not strictly there is a storm that could kill us, right?
Mm-hmm.
It's not like the, the...
In this case, even the mystical black tornado or cyclone-
Mm-hmm
... feels like a demonic but weather event.
[laughs] Apparently, this is what a nor'easter is.
The blanket, the blanket nor'easter, yeah.
I was kinda caught between, like, this isn't a pure weather disaster kind of story.
Right.
And we have all these horror elements.
Like, what is the midpoint of all of that? And I found myself in a similar space.
I couldn't quite find that exact property, but you stumbled upon it and a lot of our listeners did.
Our listeners is, are the ones that flagged it for me.
I completely missed this in 1999 when I was a senior in high school.
Um, shout out the '90s when, like, uh, Stephen King could write an original story for ABC that would air o-
I know
... on Valentine's Day and two other nights, so fun fact about that.
Where did that go for us? What do we have now that we, we traded that off for?
Nothing.
No? We j-
Despair, TikTok
We j- we just gave away our child-
Yeah.
[laughs]
... and got nothing in return?
Exactly.
Brutal.
Um, anything else we wanna talk about?
Well, on that idea-
Yeah
... before we move on, uh, the inversion of that concept, of we're not trading a child but we're trading this elderly woman-
Mm-hmm
... potentially and her life, and we're doing it for the sake of our children-
Mm-hmm
...
I think is a, a nice moral quandary to kind of riff on that idea.
Yeah.
And this is, this is another area where I'm just kinda waiting for that other shoe to drop, the kind of almost throwaway line from Bashir that he hasn't really told Shel about anything that's at stake yet.
Mm-hmm.
I mean, for one, she's definitely, like, starting to go in, like, give-
Well, it's Braxton Hicks
... to go into labor.
It's Braxton Hicks, don't worry about it [laughs]
I mean, we have penultimate contractions.
Yeah.
She, this woman is going into labor-
Mm-hmm
...
in the finale.
Finale, baby.
She does not yet know that her unborn child would be, like, locked to this island for life.
Yeah.
I would think that information has to come out, and I would think that other people who are not quite aware of it would be upset by that information as well.
Okay, so-
About their own kids, to clarify
So for the finale we have everyone's in the shelter except for Ruth and Tom.
Yes.
PJ Glanville's there.
Mm-hmm.
The off-island girls are there, uh, Evan's there, et cetera.
Do you believe Evan when he said, "I won't go anywhere," to Tom?
He did seem oddly agreeable, but it-
Seemed very earnest
...
But they've had a, like, real sort of, like-
They really have
... you know, connection.
There are Sox games left in the season.
Mm-hmm.
It's an emergency-
Mm-hmm
... and it feels like maybe this teenager under these circumstances is actually willing to listen to his dad.
Okay.
Um, you think Bashir is going to, at least Bashir is gonna find out about the stakes of what's going on?
I think he already has an inclination, but he hasn't really shared with Shel anything that Patricia has told him.
No, but he doesn't know about the Warren descendant-
Oh, no, yes
... question.
We meet a couple different, um, employees of the island.
There's Kenny, who, uh, [laughs] Rosemary will not let help, uh, pull the portrait off of Tom.
No.
A, a really funny...
Okay.
Emmy winner Geoff Hiller has not had a ton to do, but his delivery of, like, "Poor Rosemary," where she's like-
[laughs] "My sciatica is acting up."
We relate to her sciatica.
Really, really do.
Absolutely.
That whole thing, she's like, "Tom, don't move." [laughs]
Your lung may be collapsed.
[laughs]
Don't speak.
Really funny.
But we've got Kenny, who shows up and does a couple things.
We, we already met Garrett at the lighthouse.
Mm-hmm.
I'm sure we've met Kenny before.
Uh, perhaps he's the one who talked to the trash can.
I don't know the extent of Kenny's, uh, role.
Um, and then there's the guy on the radio-
Yeah
... who-
Mitch, I believe
...
Mitch, who says it's all crumbling.
All-
It's all going
It's all going.
Something to that effect.
So what's going?
The island? Buildings?
I don't know
...
the lighthouse collapses into the ocean.
Is, is Garrett's lighthouse going?
I hope not because I am not ashamed to admit the Garrett bit works on me every time.
It's so funny.
[laughs]
It's very-
When he showed up in the window at Tom, it's really funny.
Um-
I was thinking about the, the, uh, you know, when Patricia's like, "People have died, Tom."
Yeah.
I was thinking about who's died, right? So Todd, we presume Todd got sucked up into the nor'easter.I don't see how he survives that
Him, him and his tube socks
But great wire work, I thought.
I thought it was-
I thought it was really good [laughs]
I also thought it was really good.
Do you regret now, you know, you were sort of knocking To- Todd a little bit?
It wasn't a knock.
I think you kind of were.
It was like the one part of the show that didn't feel as part of the show.
And now it's been sucked up into a storm.
Problem solved.
You're welcome, Tom.
[laughs]
You, you believe our gas station attendant is dead.
Certainly an EMT is dead.
Yeah.
At least one EMT.
How many EMTs can this island have?
Yes.
Uh, what do you think the lo- the losing the, the one gas station attendant, an EMT, and our drug dealer, is the, is the infrastructure of the island undercut in any kind of way?
Drug dealer.
I think drug dealer is undercutting his spiritualism, personally.
Is that cocaine?
[laughs] Okay, maybe it's not all spiritual.
[laughs]
Well, plus we got at least one of the sailors at the beginning that you alluded to in the cold open to the show.
Right, Shep.
Shep.
Yeah.
So maybe a couple people around the edges too who have kind of disappeared into these various storms.
Right.
That's half the commerce of the island.
Yeah, I'm just, like, worried about the...
I mean, it's no longer a whale bubber- blubber-centric-
It's not
... uh, economy, so I'm a little worried.
They're trying to thrive on tourism-
Yeah
... and putting all these people's lives at risk in the process 'cause they didn't deal with their deep-seated hauntings.
So let, let that be a lesson to all of us.
I did love this Rosemary sequence, obviously, in this episode.
It's one of my favorite things that's happened this season.
I did feel like it kind of, like, should not, not have been Jerry's time to shine also.
Jerry, historical society.
Yeah.
Would she not be the genealogy expert? But I guess that's Rosemary's job.
I did think it was notable the time for the white gloves is clearly over.
[laughs]
We are just handling-
[laughs] Oh
... uh, Sarah Warren's diary-
Yeah
... with all kinds of hands.
With abandoned, yeah.
Honestly, one of the, b- like, my favorite gags in this episode is when Patricia's explaining to Tom-
Yeah
...
the connection between the finger and the diary.
While the portrait is still on him.
While the portrait is on him, and, like, is one foot away from him, and throws it at him-
[laughs]
...
in a way that he just, like, cannot even move.
Bounces off his chest onto the floor.
Yeah.
Uh, the jokes, the jokes are still flying, but yeah, no one seems to have much regard for conservatorship anymore.
Anything else you wanna predict for the finale or feel like...
Like, well, here's the quest- well, we had been asking a question, do we think someone's going to be sacrificed? And if Ruth dies, is that, or does it need to be someone in that chair for you to feel like, you know, we got the sacrifice you were looking for?
Well, let me ask you this before we even get there.
Yeah.
I mean, I talked about how I felt about Ruth being the, the secret Warren in general.
How, as someone...
Like, I would say you're even more theory inclined than I am.
[laughs]
Yeah, I think especially, um, wondering how it's all gonna play out in the finale is interesting to me.
Yeah.
Like, Tom having to confront Ruth, and we've seen sort of their relationship all season.
As Patricia says, like, you know, you often entrust your, your son to her.
She might not be a great, uh, caretaker.
But she says yes.
So, like, yeah, a- and I really l- love that actress who's playing Ruth.
Yeah.
So I think I'm really excited to see how this is all gonna play out.
Uh, you know.
That's the thing.
So that, that is interesting to me.
The Evan stuff was still, like, incredibly compelling and interesting to me.
Yeah.
And I'll be interested to see, like, if she does die in the finale-
Mm-hmm
I think you're starting to feel it with Widow's Bay.
Hmm.
Like, the Homeland style temptation of we have something, it works.
I wouldn't say Ruth is, like, as much of a dramatic lead, but the idea of putting the curse to rest would be putting to rest this version of the show.
I don't know what you would do after that.
I don't think they can do...
I don't think they can wrap it.
I don't think, I don't think they can wrap it all up in the finale.
Yeah.
Because I think they want more seasons of this show, as do we.
As do we.
So, yeah.
So either Ruth does not die-
Mm-hmm
... or that the genealogy chart-
Oh
... is not quite complete.
You're besmirching Rosemary's work-
I'm saying-
... on the transparency on the overhead projector
... she had 30 minutes, and a lot of that was just marker on transparency.
Well, I will say Patricia said she might already have that genealogy.
So she might have had a lot of that-
Sure
... already written out.
Yeah.
Written out, though?
She- maybe.
I don't know.
On transparency? [laughs]
I know.
Just waiting for her moment.
Her penmanship is excellent.
If she had to-
Really great
...
if I had to, if I had to, like, rush that present...
though she was in no rush.
Oh, God.
[laughs]
But if I had to, like, whip together that presentation, my penmanship would not have been as good.
I don't think any of ours would have been.
Okay.
The pacing, the thunder crashes dramatically speaking, she had it all worked out.
Also, the th- the score this season.
Uh, yeah, also, like, I guess because she would have had to photocopy Ruth's, like, city hall-
Yeah
... badge onto a transparency.
Also, her, like-
While the power is a precious resource.
Yeah.
Also, her, like, what ev- what was it? Like, Miss Widow's Bay 1959-
1959
... or whatever.
Yeah.
Shout out to Ruth.
Yeah, shout out to Rosemary.
She's lived a life.
She's doing her thing.
I will say this was a, a-
Would you kill an old woman to save your island home?
I already said no.
I, I'd be out there trying to save Ruth.
Yeah, but I just thought I would hit you again and see if your answer had changed now that we've talked about it.
It has not changed.
I know how you f- feel about killing old women, but not all of us feel that way.
[laughs]
[laughs] I don't know, for the whole island?
Wow.
Actually, no, here's what I would have done.
Yeah.
I would tell Ruth, and I would say-
You wanna guilt trip Ruth?
No, just give her an option.
You don't have to do it.
No worries if not.
The whole island is dependent-
But you could commit suicide
... you could, you could save the whole island.
It's your choice.
Would you save the whole island if it was you?
Yes.
Hmm.
If I had lived as long as Ruth had lived, that's easy, I think.
I mean, she might have a lot left to do.
I'm sure she does.
[laughs] You know? I just feel like we're being very presumptuous about Ruth's life.
For CTV, it's Po- well, this is the trolley problem, Rob.
It is the trolley problem.
For CTV, it's spotify.com if you have a strong opinion one way or another about what you would do if you were Ruth or if you were off to murder Ruth.
Yeah.
Um, anything else you want to say?
Here's one thing I do feel strongly about.
Hmm.
This was the end, at least as far as I could see of it, of Broach Watch, no?
no?Oh, because Ruth
I mean, what else is it gonna tell us that we don't already know? Unless there is a second Warren out there who has this brooch.
But we even get a, a close-up on it.
Are you putting, are you putting Evan back on the, on the table?
I'm not putting anything back on the table.
Okay.
To me, it's just like we've had so many indications, including within this episode, in the flashback, of like, "Let's zoom in-"
Of the brooch
... "on this brooch." And then the reveal, we're just gonna tell you over a transparency slide, which may just be kind of like a misdirect and [laughs] haha, this is funny.
Mm.
Fair enough.
But we were just kinda waiting to see that brooch on somebody or in somebody's desk drawer or, like dresser or whatever.
I don't know what it would do for us at this point that we don't already know.
So if it's just at Ruth's house, you're like, "What's the point?"
Yeah, I don't, I don't know that we-
Mm
... needed all that.
Okay.
Brooch, and now our brooch watch has ended?
I gue- I, I think we ha-
A real misdirect?
We have to keep the lighthouse on just in case.
What if it's crumbled in the sea already? [laughs]
[laughs] Well, then, then we're officially fucked, but.
Because of a cyclone and/or a tornado.
[laughs]
Too many disasters at play.
I feel like we did it.
I mean, this is already longer than the episode.
We'll be back for Cape Fear.
I'm really excited for the finale.
I'll be really sad when this is over.
Very much so.
I, I don't know if you've experienced this, but I just like, we, we already mentioned earlier in the season, but I just have really been feeling like w- every week the noise around this show has been growing and growing and growing-
Yeah
... and growing, and people are just, like, completely obsessed about it.
Yes.
And are you watching it, et cetera, et cetera.
So, um, I don't exactly know what the numbers are, but this feels like...
And, you know, on the heels of Pluribus, which was a, a, a great hit-
Mm-hmm
... for Apple.
Uh, obviously the Severance phenomenon.
Like, I've, I've sometimes made fun of, like, the Apple TV programming in the past because, like s- sometimes it can be spotty, but like-
It's been hitting lately
...
if they, if they're finding their lanes, if they're like, "We're doing..." They're finding their brand.
Yeah.
Like orig- and originally they were just sort of like, "We've got Oprah and Steven Spielberg and, uh, Reese Witherspoon, and, like, that's who we have," right? And now if they're like, "We do weird little sci-fi things."
Mm-hmm.
You know, and they, they try to do big sci-fi IP, right?
Certainly.
Like Foundation and stuff like that.
Yeah.
We've got your summertime trash masterpiece theater.
We found an, uh, we, we found a paperback at an airport-
Certainly did
There are bodily fluids on these pages you don't even wanna ask questions about.
[laughs] So, you know, and then, um, whatever else may come.
Yeah.
So, like, I think, I think those two things have been quite successful for them.
Um, and, and we'll see what else.
There's a bunch of shows on Apple that don't feel like they exist, but there are some that are really breaking through in, in a more consistent way.
Mm-hmm
... or shows like that, how this particular episode will land with the people who have been loving Widow's Bay.
Because for me, I'm gonna be honest, like, this show does not hang on its mysteries for me.
They're a fun-
No
... seasoning, little side project, but like-
Yeah
...
I'm here for the horror.
I'm here for the goofs.
I'm here for the-
Yeah
... character work.
All that stuff is kinda front and center, and then I'm just kind of intrigued by what's around the corner.
But if you have been living and dying with the background of every frame, and I think the show has largely rewarded that, and Ruth is the secret Warren and you feel underwhelmed by that revelation, I, I, I'm just, I'm eager to see how people take this episode.
Well, but I feel like people will be underwhelmed no matter w- what.
That's just the nature of the, of the-
Of the human existence?
... of the Reddit...
Yes, and of the Reddit detectives.
Yes.
'Cause, like, if it had been Evan, and they would've been like, "Yeah, we figured that out, like, weeks ago."
So the most-
There's that reaction
... underwhelming thing is being right.
Can be.
Yeah.
Or, you know, yeah, or there's some satisfaction.
I figured it out, and I was right.
Yeah.
There's that.
If it's, like, a completely...
But it's so far afield-
Mm-hmm
Yeah
... that they came up with an answer that, like, does not really make logical sense.
But Ruth makes l- like this is a character-
She does
... who has been here.
Yep.
And I think-
Right under our noses
... right under our noses, and I think it's an interesting question of, like, what would you do if an elderly, unmarried, doesn't-have-children woman, you know, versus the young-
A real spinster.
Yeah, true, a true old maid.
[laughs] A true old maid.
But s- so really I think what you're articulating is, like, you can't always get what you want, but if you try sometimes you still might find you get what you need.
Get what you need.
What did you, what did you hear on the spooky radio sounds that were playing when Tom was going out to the lighthouse?
Mostly that he couldn't turn his volume down, which sounds like my personal nightmare.
[laughs]
Like, no volume control.
Like, I, I don't even know what's gonna come out of this thing, but I have no control over it?
I don't-
Horrifying
...
I don't know what the second song was, but I'm pretty sure, I think the first song was, uh, Bohemian Rhapsody.
Really?
'Cause I heard Any Way the Wind Blows.
Oh.
Um, but I don't know that I, if I were Apple, I would pay for Bohemian Rhapsody-
That's-
... just for a garbled radio sort of, uh, sound, so.
Well, how much do you have to pay for rights if it is a s- a sliver of a snippet that has been manipulated?
I wonder if you could find a cover-
Is there a rights case? [laughs]
... of Bohemian Rhapsody and just garble that into the radio.
Or just have someone-
Freddie and the Mercurys-
... pop into a s- [laughs]
... tribute band covering Bohemian Rhapsody.
Yeah, exactly.
It was the vampire-
Good as the real thing
...
the Vampire Lestat does Bohemian Rhapsody.
Um-
Incredible
... anyway, if you heard what those songs were, or Emma Ketchum if you wanna let us know, uh, pressccb@spotify.com. Let's wrap it up.
We did it.
We'll be back with Cape Fear.
We'll be back with the finale.
We...
Okay, should we anno- let's announce it.
Okay.
Why not? We do wanna say for the Widow's Bay finale, we're not sure yet if we're gonna do it live.
If we do, uh, wind up doing live like we did for the Eu-
Mm-hmm
...
Euphoria finale, watch our socials.
We will announce it.
We will definitely let you know.
Yeah, yeah, yeah.
But, uh, we're not sure yet.
Sorry, unfortunately.
As does literally everything in my life.
Okay.
[laughs]
Just like, will this series go to six games determines my entire schedule and existence.
Here are things I know.
Okay.
The Knicks.
Yep.
The Spurs.
Yep.
Sure.
The Spurs won, so the Knicks will not get it in four.
That's true.
But they could get it in five.
They could.
And Timothée Chalamet, among many others, would be very excited if they did.
As would at least one Safdie brother.
Okay.
As would Spike Lee.
Okay.
Ad- as would-
Ben Stiller
...
Ben Stiller.
Sarah Michelle Gellar.
Is she a Knicks fan?
She posted a photo of her and Freddie Prinze Jr. in, like, the '90s at a Knicks game, and she's like, "Knicks fan, day one."
Wow.
"They're my hometown team." I was like, all right.
It's a little bandwagon-
I guess.
Sure, sure
... of SMG, but okay.
Anne Hathaway, legit.
Okay.
Who's...
W- w- which stars are rooting for the Spurs?
You know it's not a deep list.
They don't have anyone.
Che Serrano.
You know, it's-
San Antonio.
[laughs]
[laughs]
You win some, you lose some.
I think that's a real win.
[laughs]
Um, I'll trade all the Chalamets in the sea for no Donald Trump at my game.
Okay.
Thank you to whale blubber.
Yeah.
Um-
Always.
[laughs]
Preserved or not.
Thank you to three very full cans of Diet Coke in the back of a drawer.
Uh, thank you to Rob Mahoney.
Thank you, Jill.
Thanks to Deb Rinaldo.
Thanks to Kai Grady.
Thank you, thanks Jacob Cornett.
And, uh, we'll see you soon for Cape Fear.
Bye.
[outro music]
“Inside the island's brutal moral dilemma debate”
“A brutally funny family tree moment explained”
“Explaining self-defense laws with unexpected humor today”
“Can whale blubber last like jam really”