Aug 17, 2026 · 1 hr 6 min · 18 segments
Ever wanted a step-by-step insight into building a novel? Well, in this episode, you have access to bestselling author Kate Forsyth’s note-taking, research and writing process in the creation of her…
Kate ForsythGuestValerie KhooHostNow, there's a moment I have with writers that I've kind of [laughs] come to look forward to in a slightly odd way.
I'll be going through someone's manuscript, and I'll say, "You know, are you aware that you've used the word just 11 times just on this page? Just on this page." And there's always a pause, right? And then without fail, they usually say something like, "Oh, no.
Y- they're completely invisible to the person who wrote them because, you know, by then they've stopped being words and turned into a bit of a tick.
It turns up in my emails, my texts, quite possibly what I'm about to say at the start of this episode, and if you spot it, uh, please keep that to yourself.
So I make a really conscious decision to keep an eye on those words and cull them when I need to.
I may not cull every single one of them because they're obviously part of my vernacular, but I try not to overuse them.
But I don't go on about this for the sake of tidiness, right? Most of these words l- kind of let the air out of whatever they're attached to.
Um, "She was a little annoyed," is a weaker sentence than, "She was annoyed." "He began to walk towards the door," is a longer and just much more kind of convoluted way of saying, "He walked to the door." Take the padding out, and the meaning has to hold itself up, and nine times out of 10 it can.
And this is a favorite sort of editing job actually [laughs] because it doesn't need taste, or, or distance, or three weeks in a bottom drawer.
Now, there's a moment I have with writers that I've kind of [laughs] come to look forward to in a slightly odd way.
I'll be going through someone's manuscript, and I'll say, "You know, are you aware that you've used the word just 11 times just on this page? Just on this page." And there's always a pause, right? And then without fail, they usually say something like, "Oh, no.
Y- they're completely invisible to the person who wrote them because, you know, by then they've stopped being words and turned into a bit of a tick.
It turns up in my emails, my texts, quite possibly what I'm about to say at the start of this episode, and if you spot it, uh, please keep that to yourself.
So I make a really conscious decision to keep an eye on those words and cull them when I need to.
I may not cull every single one of them because they're obviously part of my vernacular, but I try not to overuse them.
But I don't go on about this for the sake of tidiness, right? Most of these words l- kind of let the air out of whatever they're attached to.
Um, "She was a little annoyed," is a weaker sentence than, "She was annoyed." "He began to walk towards the door," is a longer and just much more kind of convoluted way of saying, "He walked to the door." Take the padding out, and the meaning has to hold itself up, and nine times out of 10 it can.
And this is a favorite sort of editing job actually [laughs] because it doesn't need taste, or, or distance, or three weeks in a bottom drawer.
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