Romancing the Story: Writing Romance, Storytelling, and Book Structure
Nov 2, 2026 · 50 min · 13 segments
"...Everyone was talking...don't expect to make a career (as an indie romance author) because the marketing is impossible to handle and I thought that's ridiculous...." RomIntel was designed to help…
If I had to choose just three data points to look at, it would really be your reader profile.
I think that really shows you where books are going, where is a good place to write.
And the last is really making the decision between Kindle Unlimited versus Y distribution.
I think you can, in that one, you get a lot of price points, that kind of decisions in there.
So if I had to start somewhere, those are the three points that I would start at.
I love that too, that it's kind of like this overarching idea of like know your audience.
I've mentioned that on the podcast quite a bit because I've also mentioned this in the article.
I got to have the, be the, you know, New York Times bestseller, sell millions and millions of copies all around the world and things like that.
But it's, it's only, it's really just a thousand true fans that you really need to be a writer, to like make a living as a writer.
And I mean, like a thousand people don't even film most like stadiums or auditoriums or anything like that.
If I had to choose just three data points to look at, it would really be your reader profile.
I think that really shows you where books are going, where is a good place to write.
And the last is really making the decision between Kindle Unlimited versus Y distribution.
I think you can, in that one, you get a lot of price points, that kind of decisions in there.
So if I had to start somewhere, those are the three points that I would start at.
I love that too, that it's kind of like this overarching idea of like know your audience.
I've mentioned that on the podcast quite a bit because I've also mentioned this in the article.
I got to have the, be the, you know, New York Times bestseller, sell millions and millions of copies all around the world and things like that.
But it's, it's only, it's really just a thousand true fans that you really need to be a writer, to like make a living as a writer.
And I mean, like a thousand people don't even film most like stadiums or auditoriums or anything like that.
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