Protecting The Joy
Michele refuses to sacrifice joy for productivity.
Sep 18, 2026 · 1 hr 29 min · 14 segments
Michele Quigley makes the costume by hand, builds the set, lights it, and then photographs it. The result looks like an oil painting that has been hanging somewhere for two hundred years. Michele is…
Michele QuigleyGuest
Matt StaglianoHost
It just depends on the situation, and it depends on where you lived and what you were doing.

Some of the painters, you know, if they were in Paris or they were in any of the big metropolis areas, then their lifestyle could have been quite a bit more fast-paced than, you know, someone living out in the country.

I've heard you say before, or maybe I read on your website, right? I've been cramming my brain with Michelle Quigley like all day long.

the— the beauty, the historical beauty was paid for by people who never really got a chance to enjoy it.

And can you explain a little bit about what you meant? Like, it seems like it's an objection to, like, beauty's going to save the world.

so I think actually what you're referring to is in one of my blog posts I talk about how those...

Now, you'll have some painters who really loved showing, like, farm life or a farm girl or a servant or whatever kind of thing.

the average person wouldn't have been able to afford to have a portrait painted of them, kind of thing.

So sometimes I think that, you know, we have to keep that in mind when we look back on this work, that it is showing us a select amount of people that were able to afford that type of portraiture.

It just depends on the situation, and it depends on where you lived and what you were doing.

Some of the painters, you know, if they were in Paris or they were in any of the big metropolis areas, then their lifestyle could have been quite a bit more fast-paced than, you know, someone living out in the country.

I've heard you say before, or maybe I read on your website, right? I've been cramming my brain with Michelle Quigley like all day long.

the— the beauty, the historical beauty was paid for by people who never really got a chance to enjoy it.

And can you explain a little bit about what you meant? Like, it seems like it's an objection to, like, beauty's going to save the world.

so I think actually what you're referring to is in one of my blog posts I talk about how those...

Now, you'll have some painters who really loved showing, like, farm life or a farm girl or a servant or whatever kind of thing.

the average person wouldn't have been able to afford to have a portrait painted of them, kind of thing.

So sometimes I think that, you know, we have to keep that in mind when we look back on this work, that it is showing us a select amount of people that were able to afford that type of portraiture.
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3 of 11
Protecting The Joy
Michele refuses to sacrifice joy for productivity.
Why AI Art Feels Empty
Her daughter's reaction reshaped Michele's view of technology.
Beauty In A Chaotic World
She explains why making beauty still matters.
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