Galway Talks - with John Morley
Oct 21, 2026 · 1 hr 55 min · 22 segments
Today on Galway Talks with John Morley: *9am-10am* - UN Warns World Can No Longer Avoid Breaching 1.5°C Global Warming Limit <!--THE END--> - Public Submissions Open on Proposed Gort Biogas…
Angus O'RourkeGuest
Seán CanneyGuest
Peter ThorneGuestSeán O'KushlaGuestEmma DohertyGuestDeclan KellyGuest
Enya MartinGuestCiarán O'DonnellGuestJade RayburgerGuestSeán McKeironMichelle DrysdaleGuestNow it's time for another Gut na Gaeilgefe and this week we're turning our attention to the arts.
We'll hear about Pygmalion 26, a modern take on George Bernard Shaw's classic play coming to Antaifeirch.
We're also heading to Dublin's Imran Festival for a new show inspired by Cunamara's infamous 424 bus route.
We've got Pygmalion Fíoché, the new owner of this George Bernard book.
And before I go on to talk about this, I'm going to talk to Bríod Ní Gaile Chóir.
Well, this is new and it's a chance to do it together.
I suppose it would be better not to talk about it as My Fair Lady, the drama song, the song with Audrey Hepburn, because that's based on the drama song written by George Bernard Shaw, Pygmalion, and that's with Acme.
you know, like class and well, C-L-A-S-S is not class because we don't do class with it and that's the thing that would be interesting to say, like, it's very important, it's important that you're able to talk to people and you're able to make a difference because of the kind of connection you have.
And I think, if I were to say to Carolyn, not to Lynn, not to me, and Missing very much, but anyway.
So, that's it.
But I was thinking about it for about ten years now, that I was thinking about that drama, and that story, and the way I was thinking about it, and the way you spoke it, whether you spoke it in Gaelic as a child, or in a Gaelic school, or, and how that was related to your life, and your life as a person, and related to you know, the way the language is spoken.
Do they remember each other? And is there a difference between them? So, but really, the main thing is that they don't play with each other.
And that would be an expression of that too.
Now it's time for another Gut na Gaeilgefe and this week we're turning our attention to the arts.
We'll hear about Pygmalion 26, a modern take on George Bernard Shaw's classic play coming to Antaifeirch.
We're also heading to Dublin's Imran Festival for a new show inspired by Cunamara's infamous 424 bus route.
We've got Pygmalion Fíoché, the new owner of this George Bernard book.
And before I go on to talk about this, I'm going to talk to Bríod Ní Gaile Chóir.
Well, this is new and it's a chance to do it together.
I suppose it would be better not to talk about it as My Fair Lady, the drama song, the song with Audrey Hepburn, because that's based on the drama song written by George Bernard Shaw, Pygmalion, and that's with Acme.
you know, like class and well, C-L-A-S-S is not class because we don't do class with it and that's the thing that would be interesting to say, like, it's very important, it's important that you're able to talk to people and you're able to make a difference because of the kind of connection you have.
And I think, if I were to say to Carolyn, not to Lynn, not to me, and Missing very much, but anyway.
So, that's it.
But I was thinking about it for about ten years now, that I was thinking about that drama, and that story, and the way I was thinking about it, and the way you spoke it, whether you spoke it in Gaelic as a child, or in a Gaelic school, or, and how that was related to your life, and your life as a person, and related to you know, the way the language is spoken.
Do they remember each other? And is there a difference between them? So, but really, the main thing is that they don't play with each other.
And that would be an expression of that too.
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