Culture, Power, Politics » Podcast
Oct 23, 2026 · 2 hr · 14 segments
How do we understand affective experience as a particular dimension of specific historical conjunctures? If ‘affect’ names a plane of experience that is characterised by feeling and physicality, how…
To talk about how affect and conjuncture have played in the project I've been doing, writing the same book over and over, but differently.
for the past 50 years, I want to talk about three moments, three accidents of history that, in a sense, intersected to define my work, my intellectual and political work.
The first was I was born at just the right moment, so I went to university in the second half of the 60s.
which was an exciting, interesting, weird time to be living, especially at university.
I ended up becoming or graduating as a philosophy and cultural history major.
I mean, I just couldn't see the kind of work that science was doing in isolation, as it were, from the rest of the world.
And I had great teachers who taught me the value of thinking, of ideas, who taught me to love philosophy, which I would define as thinking with intentionally abstract concepts.
The question that haunted me in college, and I wrote my honors thesis about it, was why is the music so important to the 60s movement? And I realized...
that the stories that were being told, the accounts that were being given were inadequate for two reasons.
They didn't have a way to embrace the chaos of what Deleuze might call the between chaos.
You know, all the stories told divided the 60s into the protest institutional politics side and the spiritual side, let's call it.
To talk about how affect and conjuncture have played in the project I've been doing, writing the same book over and over, but differently.
for the past 50 years, I want to talk about three moments, three accidents of history that, in a sense, intersected to define my work, my intellectual and political work.
The first was I was born at just the right moment, so I went to university in the second half of the 60s.
which was an exciting, interesting, weird time to be living, especially at university.
I ended up becoming or graduating as a philosophy and cultural history major.
I mean, I just couldn't see the kind of work that science was doing in isolation, as it were, from the rest of the world.
And I had great teachers who taught me the value of thinking, of ideas, who taught me to love philosophy, which I would define as thinking with intentionally abstract concepts.
The question that haunted me in college, and I wrote my honors thesis about it, was why is the music so important to the 60s movement? And I realized...
that the stories that were being told, the accounts that were being given were inadequate for two reasons.
They didn't have a way to embrace the chaos of what Deleuze might call the between chaos.
You know, all the stories told divided the 60s into the protest institutional politics side and the spiritual side, let's call it.
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