Every Voice Deserves A Microphone
Every voice deserves a microphone and belonging.
Aug 30, 2026 · 1 hr 25 min · 20 segments
What if singers stopped thinking of themselves simply as artists... and started thinking of themselves as vocal athletes? That simple mindset shift has the power to transform not only how singers…
Reena GuptaGuest
Marisa LeeHost
... gave such a perfect synopsis right there, and I'm gonna take that language [laughs] because I think you really encapsulated my approach, which the take-home is this.

It is a high, high level of demand, but the only difference between vocal sports and traditional sports is that singing lacks the infrastructure and support that it deserves, and the credit for being as taxing as it is, the grace and forgiveness that it requires, and the holistic approach that I think all other athletes in all other sports get.

So if we start with that framework of this is a taxing, challenging human endeavor, the output might be a song rather than a basket, but it is nonetheless extremely human, extremely challenging.

And by caring for it with an eye to that understanding, we can respect and support our vocal athletes that much better.

In fact, I had to do a presentation for a singing teaching organization in Melbourne a couple of weeks ago, and the whole thing that was underpinning the presentation was we are vocal athletes, and it was about vocal health, about vocal load, vocal pacing.

And underpinning all of that was this idea of us being vocal athletes, and that may stop a lot of people in their tracks.

I think that when we consider it solely from an artistic lens, we don't honor the body and the human difficulty that comes with exercising this craft.

A lot of singers, and I'm shocked to this day, names that you would know, they come to see me for the first time five years into their career, never having seen a laryngologist, not having a coach, and really just hanging on by the skin of their teeth, just hoping that the next show won't do them in, the next session will go the way they want it to.

If you look at every other sport, we look at preventing injury by screening proactively, optimizing health, and investing in training from day one.

If somebody found, you know, okay, my son is hypermobile, how do we prevent injury in a hypermobile water polo player? A singer doesn't get that same preventative evaluation, so what that often means is that they find out they have an issue when they get injured.

Then, because we have not honored the challenge of this sport, the singer takes the blame on themselves.

... gave such a perfect synopsis right there, and I'm gonna take that language [laughs] because I think you really encapsulated my approach, which the take-home is this.

It is a high, high level of demand, but the only difference between vocal sports and traditional sports is that singing lacks the infrastructure and support that it deserves, and the credit for being as taxing as it is, the grace and forgiveness that it requires, and the holistic approach that I think all other athletes in all other sports get.

So if we start with that framework of this is a taxing, challenging human endeavor, the output might be a song rather than a basket, but it is nonetheless extremely human, extremely challenging.

And by caring for it with an eye to that understanding, we can respect and support our vocal athletes that much better.

In fact, I had to do a presentation for a singing teaching organization in Melbourne a couple of weeks ago, and the whole thing that was underpinning the presentation was we are vocal athletes, and it was about vocal health, about vocal load, vocal pacing.

And underpinning all of that was this idea of us being vocal athletes, and that may stop a lot of people in their tracks.

I think that when we consider it solely from an artistic lens, we don't honor the body and the human difficulty that comes with exercising this craft.

A lot of singers, and I'm shocked to this day, names that you would know, they come to see me for the first time five years into their career, never having seen a laryngologist, not having a coach, and really just hanging on by the skin of their teeth, just hoping that the next show won't do them in, the next session will go the way they want it to.

If you look at every other sport, we look at preventing injury by screening proactively, optimizing health, and investing in training from day one.

If somebody found, you know, okay, my son is hypermobile, how do we prevent injury in a hypermobile water polo player? A singer doesn't get that same preventative evaluation, so what that often means is that they find out they have an issue when they get injured.

Then, because we have not honored the challenge of this sport, the singer takes the blame on themselves.
Every episode on Radar is fully transcribed, speaker-labeled, and rich with metadata. Here is a taste of this one. Try Radar for free to see the rest.
3 of 15
Every Voice Deserves A Microphone
Every voice deserves a microphone and belonging.
Practice How To Rebound
One mistake can overshadow an entire performance.
Trust Is The Greatest Privilege
The most meaningful rewards often arrive unexpectedly.
+12 more clips · 12 min 28 sec of audio in all
7 of 25
The rest of this transcript — segmented and speaker-labeled, so you land on the exact moment something was said
All 15 clips — the highlight moments, each cut as its own audio, with a title and a speaker
All 20 segments — the transcript broken into labeled sections, every ad read marked
All 25 topics — jump to every other episode discussing the same subject
Every related episode — other shows Radar links to this one
No account is needed to search Radar.