Sep 30, 2026 · 51 min · 12 segments
In this episode of The Dance Maker Podcast, host Beth McKee Elliott and dance artist Carlye Eckert lean into their ‘gift for gab’ to talk about life’s transitions and their effects on dance-making…
Yeah, I feel, I do feel like that the solo that I performed, which is, it's still performing itself.
I'm sure it's not the last time it will be performed, but it, it does feel like maybe the most kind of emotionally connected thing that I've ever made.
And the choreography really focuses around the movement of the heart and it is a little bit of a ballad and it's, Yeah, not so much about love, but just following the heart.
Where does my heart want to move right now? And all the different ways that a heart does move symbolically and physically.
I also feel like it's one of the most accessible accessible things that I've ever made.
It's just like a pretty song with some pretty dancing, but it does have meaning to me.
So yeah, I think maybe that's perhaps why it resonates, seems to resonate with people so much because there's nothing really to guess about it.
It feels very pure and uncluttered.
I was watching the piece a little
It was the long sustainment in the beginning of the dance is just sometimes those moments are really hard to hold as a dancer or as a choreographer even.
Can I move this slow? Is it okay? It's hard to hold that, but you hold it with such beautiful energy.
But is there anything else? Just going back, you want to tell us about your creative life and what's influencing you right now?
Yeah, I feel, I do feel like that the solo that I performed, which is, it's still performing itself.
I'm sure it's not the last time it will be performed, but it, it does feel like maybe the most kind of emotionally connected thing that I've ever made.
And the choreography really focuses around the movement of the heart and it is a little bit of a ballad and it's, Yeah, not so much about love, but just following the heart.
Where does my heart want to move right now? And all the different ways that a heart does move symbolically and physically.
I also feel like it's one of the most accessible accessible things that I've ever made.
It's just like a pretty song with some pretty dancing, but it does have meaning to me.
So yeah, I think maybe that's perhaps why it resonates, seems to resonate with people so much because there's nothing really to guess about it.
It feels very pure and uncluttered.
I was watching the piece a little
It was the long sustainment in the beginning of the dance is just sometimes those moments are really hard to hold as a dancer or as a choreographer even.
Can I move this slow? Is it okay? It's hard to hold that, but you hold it with such beautiful energy.
But is there anything else? Just going back, you want to tell us about your creative life and what's influencing you right now?
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