Rich RemsbergGuest
Monte BelmonteHostSean RosenheimGuest
Kaliis SmithHost
But along those lines, let's talk about the curation of this a little bit, because if it's the first installment, that means that you've come up with, like, several categories that these clips could fit underneath, and for your first one you've chosen The Human Machine.

And we started with about 500 films that I just culled from my collection, and we made a big pile, and we spent, I don't know, it was a year, maybe two, watching through stuff, and talking about it, and making notes, and having later conversations, and thinking about it some more, and certain themes just started to speak to us, and we didn't want the usual stock themes, but some of these things just made themselves evident.

We figure out which films could go with which themes, and then, and it starts to coalesce into a set list.

The films start speaking to each other, others fall out of the way, and then when we have about 90 minutes Around a certain theme, we call that a show
And even though we do have this theme, it, it appears in different manifestations, and it's not a didactic, it's not a lecture, it's not, it's not-
Um, it's more like a dance, so that you find a, a, a piece that you love, and then that piece suddenly speaks to you in some way, feels like it wants to go right after the next piece.
And, and then we just play around with it till it just feels right in our gut, I think

... a second, uh, uh, puzzle or contest to figure out how it fits into the theme

But along those lines, let's talk about the curation of this a little bit, because if it's the first installment, that means that you've come up with, like, several categories that these clips could fit underneath, and for your first one you've chosen The Human Machine.

And we started with about 500 films that I just culled from my collection, and we made a big pile, and we spent, I don't know, it was a year, maybe two, watching through stuff, and talking about it, and making notes, and having later conversations, and thinking about it some more, and certain themes just started to speak to us, and we didn't want the usual stock themes, but some of these things just made themselves evident.

We figure out which films could go with which themes, and then, and it starts to coalesce into a set list.

The films start speaking to each other, others fall out of the way, and then when we have about 90 minutes Around a certain theme, we call that a show
And even though we do have this theme, it, it appears in different manifestations, and it's not a didactic, it's not a lecture, it's not, it's not-
Um, it's more like a dance, so that you find a, a, a piece that you love, and then that piece suddenly speaks to you in some way, feels like it wants to go right after the next piece.
And, and then we just play around with it till it just feels right in our gut, I think

... a second, uh, uh, puzzle or contest to figure out how it fits into the theme
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