Tonight, we're traveling to a Wednesday evening in the spring of nineteen ninety-seven to a soundstage in Los Angeles with the studio lights dimmed low, to a living room in Ohio where the television throws its soft blue glow across the couch, to a rented theater in Birmingham, Alabama, filling up with people who have nowhere else to watch, to a microphone at an airport gate waiting for someone to lean on it by mistake.
This is the story of the night forty-two million people heard two words.
Imagine, if you will, a soundstage in Los Angeles on an evening in March of nineteen ninety-seven.
The set is a familiar one, a bookstore cafe with paperbacks on the shelves and a counter where nobody ever seems to pay, a kitchen, an airport terminal built out of plywood and paint with a departures board that will only ever show one flight.
The studio audience is in the bleachers, and they are not a normal audience.
Word has gone around town.
Everybody knows what tonight is.
Behind the set, a woman in a plain shirt and dark trousers is standing very still.
She is thirty-nine years old.
She is the star of a network sitcom that carries her own name.
In a few minutes, she is going to walk out onto that plywood airport and say something she has never said aloud in front of a camera, and every time they have rehearsed it, she has cried.
Her name is Ellen.
Let's step back from the soundstage gently and find out how she got here.
She is born on January twenty-sixth, nineteen fifty-eight in Metairie, Louisiana, just outside New Orleans.
Her father sells insurance.
Her older brother, Vance, is the funny one.
Everybody agrees.
Ellen is the one who wants to be a veterinarian until she decides she is not book-smart enough, which is not true, but is what she believes.
After high school, she lasts one semester at the University of New Orleans and then goes to work.
Not one job, all of them.
She waits tables.
She sells vacuum cleaners door to door.
She paints houses.
She works in a law office.
Tonight, we're traveling to a Wednesday evening in the spring of nineteen ninety-seven to a soundstage in Los Angeles with the studio lights dimmed low, to a living room in Ohio where the television throws its soft blue glow across the couch, to a rented theater in Birmingham, Alabama, filling up with people who have nowhere else to watch, to a microphone at an airport gate waiting for someone to lean on it by mistake.
This is the story of the night forty-two million people heard two words.
Imagine, if you will, a soundstage in Los Angeles on an evening in March of nineteen ninety-seven.
The set is a familiar one, a bookstore cafe with paperbacks on the shelves and a counter where nobody ever seems to pay, a kitchen, an airport terminal built out of plywood and paint with a departures board that will only ever show one flight.
The studio audience is in the bleachers, and they are not a normal audience.
Word has gone around town.
Everybody knows what tonight is.
Behind the set, a woman in a plain shirt and dark trousers is standing very still.
She is thirty-nine years old.
She is the star of a network sitcom that carries her own name.
In a few minutes, she is going to walk out onto that plywood airport and say something she has never said aloud in front of a camera, and every time they have rehearsed it, she has cried.
Her name is Ellen.
Let's step back from the soundstage gently and find out how she got here.
She is born on January twenty-sixth, nineteen fifty-eight in Metairie, Louisiana, just outside New Orleans.
Her father sells insurance.
Her older brother, Vance, is the funny one.
Everybody agrees.
Ellen is the one who wants to be a veterinarian until she decides she is not book-smart enough, which is not true, but is what she believes.
After high school, she lasts one semester at the University of New Orleans and then goes to work.
Not one job, all of them.
She waits tables.
She sells vacuum cleaners door to door.
She paints houses.
She works in a law office.
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