Inside the Gallery Heist
Philip Kennicott walks listeners through the thieves ladder climb, their break-in to the gilded Gallery of Apollo, smashed cases, a dropped crown, and a moped getawayall in minutes.
Oct 21, 2025 · 18 min · 12 segments
On Sunday, the Louvre museum in Paris was burgled in broad daylight. Thieves in disguises entered through the windows and used a glass cutter to access thousands of precious diamonds and gems. The…
Colby ItkowitzHost
Robert WhitmanGuestIt's 9:30 in the morning and there are actually people in the Louvre at the time, visitors.
They use a mechanical ladder to gain access to a second floor balcony, and thus a window, leading into one of the most elaborate rooms in the entire Louvre.
This is one of the most ornate rooms in the Louvre, which was for a long time a royal palace before it was a museum.
And in the 17th century, there's a fire in the Louvre, and this room is basically remade, it's redecorated.
And the reason it's called the Gallery of Apollo is that they use mythological imagery from the story of Apollo to create a kind of metaphor for the king at the time, Louis XIV, th- the Sun King, and Apollo is the sun god.
It's gilded from top to bottom, there are paintings on the walls, paintings in the ceilings.
So it's a- a prototype or an inspiration in a way of some very grand and maybe more famous spaces like the Hall of Mirrors at Versailles.
The thieves gain access to this very elaborate Gallery of Apollo, and then they have these specialized tools that let them get into the cases, um, where the jewels are displayed and they grab what they can carry.
Um, maybe as a sign of the haste, um, that they're under, they actually drop one of the key pieces which is a crown.
It- it does seem that alarms go off but it's not clear where and who hears them.
There are people in the room and they're sort of shocked and they flee the room.
It was all very quick, it was over in a matter of minutes, and it seemed they were out the window and back at street level and on mopeds or- or street bikes with the jewels, dissolving into the Paris landscape quite quickly.
So it's a collection of jewels, tiaras, a crown, necklaces encrusted with diamonds and other precious stones.
It's 9:30 in the morning and there are actually people in the Louvre at the time, visitors.
They use a mechanical ladder to gain access to a second floor balcony, and thus a window, leading into one of the most elaborate rooms in the entire Louvre.
This is one of the most ornate rooms in the Louvre, which was for a long time a royal palace before it was a museum.
And in the 17th century, there's a fire in the Louvre, and this room is basically remade, it's redecorated.
And the reason it's called the Gallery of Apollo is that they use mythological imagery from the story of Apollo to create a kind of metaphor for the king at the time, Louis XIV, th- the Sun King, and Apollo is the sun god.
It's gilded from top to bottom, there are paintings on the walls, paintings in the ceilings.
So it's a- a prototype or an inspiration in a way of some very grand and maybe more famous spaces like the Hall of Mirrors at Versailles.
The thieves gain access to this very elaborate Gallery of Apollo, and then they have these specialized tools that let them get into the cases, um, where the jewels are displayed and they grab what they can carry.
Um, maybe as a sign of the haste, um, that they're under, they actually drop one of the key pieces which is a crown.
It- it does seem that alarms go off but it's not clear where and who hears them.
There are people in the room and they're sort of shocked and they flee the room.
It was all very quick, it was over in a matter of minutes, and it seemed they were out the window and back at street level and on mopeds or- or street bikes with the jewels, dissolving into the Paris landscape quite quickly.
So it's a collection of jewels, tiaras, a crown, necklaces encrusted with diamonds and other precious stones.
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Inside the Gallery Heist
Philip Kennicott walks listeners through the thieves ladder climb, their break-in to the gilded Gallery of Apollo, smashed cases, a dropped crown, and a moped getawayall in minutes.
Clumsy Clues Left Behind
Ex-FBI art-crime chief Robert Whitman lists the ladder, cutters, damaged crown and even a lost vest the robbers abandonedevidence he says will soon trip them up.
Beauty Born of Barbarism
Kennicott delivers a striking paradox: museum masterpieces, especially jewels, exist thanks to historic cruelty and inequalityart as a "document of barbarism" that still dazzles us.
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