piper: decoding healthy & regenerative design
Jun 9, 2026 · 38 min · 12 segments
Let's travel back to the late 1800s to Tombstone, Arizona––a boomtown where gunslinging, gambling, saloon brawls and shootouts like the Gunfight at the OK Corral were the norm. Where outlaws…
Michael PaulGuest
Beth CochranHost
But to narrow it down a little more specific, it's a relatively small building constructed out of adobe that's fairly well protected.

And its identity is really linked to a lot of commercialized mythology today, which is maybe why the book was necessary.

From a young age, Michael developed a fascination with the American West, from its factual history to its mythical cinema.


There was a movie in the early 90s that came out that had a little segment of it.

I went back, watched the movie with my dad, came home and rated the encyclopedias I was interested in, the history of that town and whatever.

So that was kind of my on-ramp to the history of that place in a little more specific way.

But it wasn't until nearly two decades later that that seed would start to develop roots and shoots when Michael relocated to Arizona and finally got to visit the birdcage.

That visit and his near lifelong interest in history eventually evolved into a career built around excavating and conveying the West as it was, in all of its magnificent beauty and its harshness, its reality.



But beyond uncovering the real history of this iconic structure, Michael's research also revealed how the power of story can both preserve and erode a place, and how our built environment can become so much more than just an assemblage of columns and beams.

They're time capsules of life, where story becomes nearly as important as the materials used in preserving them over the long term.

But to narrow it down a little more specific, it's a relatively small building constructed out of adobe that's fairly well protected.

And its identity is really linked to a lot of commercialized mythology today, which is maybe why the book was necessary.

From a young age, Michael developed a fascination with the American West, from its factual history to its mythical cinema.


There was a movie in the early 90s that came out that had a little segment of it.

I went back, watched the movie with my dad, came home and rated the encyclopedias I was interested in, the history of that town and whatever.

So that was kind of my on-ramp to the history of that place in a little more specific way.

But it wasn't until nearly two decades later that that seed would start to develop roots and shoots when Michael relocated to Arizona and finally got to visit the birdcage.

That visit and his near lifelong interest in history eventually evolved into a career built around excavating and conveying the West as it was, in all of its magnificent beauty and its harshness, its reality.



But beyond uncovering the real history of this iconic structure, Michael's research also revealed how the power of story can both preserve and erode a place, and how our built environment can become so much more than just an assemblage of columns and beams.

They're time capsules of life, where story becomes nearly as important as the materials used in preserving them over the long term.
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