My Imaginary Friends with L. Penelope
Feb 15, 2021 · 1 hr 13 min · 8 segments
Sponsor: THE DUKE HEIST by Erica Ridley - https://ericaridley.com/ MENTIONED: Cat-faced lawyer: https://www.youtube.com/watch?v=TDNP-SWgn2w Lit Service podcast - 5.03 - Author-Agent…
Leslye PenelopeHost
I didn't record Fridays, but let's use that number because that's what I have.

I realized looking back at my schedule of writing, and that's why the tracking in my spreadsheet is really helpful, that every week I write six days a week.

I take off generally Saturdays unless the schedule needs me to take off a different day.

I end up just calling an audible and either probably taking off that Sunday also, if I'm just feeling a little tired and a little bit frayed.

So I like the tracking and I like knowing that I probably need six days off per month of writing, especially when I'm in this revision stage and everything is really, um, creatively taxing more so than first drafts.

I mean, first drafts, I don't like at all, but I can just sort of vomit them out the way my college screenwriting professor, Harley Greenwald, used to say, vomit out the draft.

I can vomit out a first draft and not feel emotionally and creatively depleted afterwards, but revising some of the stuff is just taxing.

So So six days off a month, that will help me in future planning, having those kind of hard numbers.

I know that I probably do six to seven, but seven days off a month is a whole week.

And I guess it is, but if you know that that's what you need, then you can say, okay, I'm going to plan to write 21 days a month.

Hopefully I won't get any less than that, because that's probably a clue that something big is wrong.

I also got a bit stuck at the end of the week with a scene that's mostly exposition.

In this case, They're finding a document and they're reading this information.

I didn't record Fridays, but let's use that number because that's what I have.

I realized looking back at my schedule of writing, and that's why the tracking in my spreadsheet is really helpful, that every week I write six days a week.

I take off generally Saturdays unless the schedule needs me to take off a different day.

I end up just calling an audible and either probably taking off that Sunday also, if I'm just feeling a little tired and a little bit frayed.

So I like the tracking and I like knowing that I probably need six days off per month of writing, especially when I'm in this revision stage and everything is really, um, creatively taxing more so than first drafts.

I mean, first drafts, I don't like at all, but I can just sort of vomit them out the way my college screenwriting professor, Harley Greenwald, used to say, vomit out the draft.

I can vomit out a first draft and not feel emotionally and creatively depleted afterwards, but revising some of the stuff is just taxing.

So So six days off a month, that will help me in future planning, having those kind of hard numbers.

I know that I probably do six to seven, but seven days off a month is a whole week.

And I guess it is, but if you know that that's what you need, then you can say, okay, I'm going to plan to write 21 days a month.

Hopefully I won't get any less than that, because that's probably a clue that something big is wrong.

I also got a bit stuck at the end of the week with a scene that's mostly exposition.

In this case, They're finding a document and they're reading this information.
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