Bohemyth - Learning Rules to Break Them

Yeah, speaking of the extensions, your video is one of the first ones that I came across about them.

Like of somebody actually making them.

And it looked like you were doing it.

You were coding like through AI, right? Like just asking it.

I mean, that's such a cool... thing because for me because like i'm not i don't even program max for live so you know coding is that's not where i'm at it's not where i want to go spend my time and learn

exactly yeah exactly

so yeah the the possibility for having like extensions kind of brewed up for you if you can just think of the idea and

then

have it happen is it's that's very exciting i'm And it's kind of cool that they're doing it that way because it'll avoid feature bloat, I guess.

Because if they put in all of these ideas that people are coming up with, like it's like, I'm going to right click on a clip and it's going to be this menu that- Yeah, exactly.

Like a CVS receipt or something.

Exactly.

It goes on forever.

It's kind of just giving you the power.

It's like- That's kind of always been the thing with me with Ableton because I started in Reason when I first started producing.

And then I eventually moved over.

I knew I was going to Ableton just because like you can't really argue with the numbers of like some of the producers who are using it.

But the flexibility to like really make it your own has always been like kind of my draw to Ableton of like you can take this and you can.

build chains and racks and groups and templates has always been like, this is perfect because everybody's workflow is like a little bit different.

And if you've ever used someone else's template thinking it would be better for you, you know what I'm talking about? Where you're like, I do stuff so different and that's what makes me like unique as an artist.

So that's like for me, for Ableton and all the extensions and whatnot is so exciting about it.

Hmm.

You've been coding in Max for Live for a while now?

Actually, no.

I kind of started to get my feet wet with Max for Live probably about a year ago.

Yeah, speaking of the extensions, your video is one of the first ones that I came across about them.

Like of somebody actually making them.

And it looked like you were doing it.

You were coding like through AI, right? Like just asking it.

I mean, that's such a cool... thing because for me because like i'm not i don't even program max for live so you know coding is that's not where i'm at it's not where i want to go spend my time and learn

exactly yeah exactly

so yeah the the possibility for having like extensions kind of brewed up for you if you can just think of the idea and

then

have it happen is it's that's very exciting i'm And it's kind of cool that they're doing it that way because it'll avoid feature bloat, I guess.

Because if they put in all of these ideas that people are coming up with, like it's like, I'm going to right click on a clip and it's going to be this menu that- Yeah, exactly.

Like a CVS receipt or something.

Exactly.

It goes on forever.

It's kind of just giving you the power.

It's like- That's kind of always been the thing with me with Ableton because I started in Reason when I first started producing.

And then I eventually moved over.

I knew I was going to Ableton just because like you can't really argue with the numbers of like some of the producers who are using it.

But the flexibility to like really make it your own has always been like kind of my draw to Ableton of like you can take this and you can.

build chains and racks and groups and templates has always been like, this is perfect because everybody's workflow is like a little bit different.

And if you've ever used someone else's template thinking it would be better for you, you know what I'm talking about? Where you're like, I do stuff so different and that's what makes me like unique as an artist.

So that's like for me, for Ableton and all the extensions and whatnot is so exciting about it.

Hmm.

You've been coding in Max for Live for a while now?

Actually, no.

I kind of started to get my feet wet with Max for Live probably about a year ago.