Ableton AG
Ableton AG is a Berlin-based German music technology company that develops and distributes music production and live performance software, including the Ableton Live digital audio workstation. It also produces related hardware and software such as the Push hardware controller, and the Note and Move music-making tools.www.ableton.com
365
MENTIONS
133
EPISODES
116
PODCASTS
Search complete. 365 mentions across 133 episodes found for "Ableton AG".
Sep 11, 2026
#345 - Eli Atkins: How Solo.to Is Changing the Link-in-Bio Game for Musicians
E
29:03Eli AtkinsGUEST
I do it every now and then around here in Vegas for like, you know, certain things.
E
29:07Eli AtkinsGUEST
But anyway, as far as like AI goes in the music space, I it's, it's really tough because like, I think that like democratizing the ability to be creative is a very like good pursuit because I think that there's a lot of creativity out there, but then some people just don't have like the skillset to really dive into like, how do I work pro tools or Ableton or, you know, produce music at this scale.
E
29:30Eli AtkinsGUEST
But I have all these ideas in my head that I want to get out.
E
29:32Eli AtkinsGUEST
So on that hand, I think it's really valuable and cool.
Waxlimbs, Behind the Masks and the Art of Music Creation
T
16:57Tom RayHOST
Um, what is-- First of all, what, what DAW are you guys using or what are you using to record, uh, the tracks?
P
17:06PaulGUEST
We are Ableton Live die-hards.
T
17:08Tom RayHOST
Okay.
P
17:09PaulGUEST
Yeah.
O
17:25OliviaGUEST
DAW is a lot better for doing batches of audio files really quickly.
O
17:30OliviaGUEST
Um, it's, it's a much better like editing tool.
O
17:32OliviaGUEST
But when it comes to writing music in the box, I think Ableton has been extremely, extremely good for us.
O
17:41OliviaGUEST
So for the moment, I don't see that changing, but it would be nice to kind of be a little less bound to it.
Special Bonus Episode: An Interview with Nate Amos of This Is Lorelei
S
47:26Steven HydenHOST
Right
N
47:26Nate AmosGUEST
... like, your, your average person is way more likely to have access to, like, Fruity Loops or Ableton than they are to have, like, a playable acoustic guitar sitting around.
N
47:39Nate AmosGUEST
Um, but I also think that having this, this kind of, like, wide open expanse of possibilities that you don't really have to work for, it's just things you can do immediately, I think, uh, for me, I find that I, uh, I like what I come up with from a production standpoint more when I apply, like, very, like, uh, very hard limitations to the production-
S
48:10Steven HydenHOST
Right
The Non-Negotiables of Writing Production Music
J
26:45Jeff LaplanteHOST
I know all the other ones do.
J
26:47Jeff LaplanteHOST
When you look at Ableton, I think it's called Simpler or something like that.
J
26:50Jeff LaplanteHOST
I'm sure Fender Studio has one, but I just use Serato for that kind of thing.
J
26:54Jeff LaplanteHOST
Gotcha.
D
26:55Dave KropfHOST
Yeah.
D
26:56Dave KropfHOST
Simpler for Ableton is like a one sound, whereas they have a sampler, which is a multi-sample.
D
27:01Dave KropfHOST
So you can apply each individual sample onto an individual key.
D
27:06Dave KropfHOST
Does the Serato allow you to do that? I know it'll take one sample and stretch it across the keyboard, but does it allow you to create like C1 is this sample, D flat is this sample, D is this sample?
MARKET UPDATE: Hunter Biden Scams Us, $INTC Rips, Commodities Onchain, Anthropic's Skynet Risk
J
49:33Jonah Van BourgHOST
And I'm going to bring this all the way back in with the weave here.
J
49:37Jonah Van BourgHOST
It used to take me 24 to 48 hours to throw together a great track of concentrated music making in Ableton.
J
49:45Jonah Van BourgHOST
Astra can coordinate in Ableton in the actual digital audio workstation.
J
49:55Jonah Van BourgHOST
And you could probably craft there's obviously like make a track with a prompt that happens in three seconds.
J
50:01Jonah Van BourgHOST
But like I'm talking if you actually want to build a track and have control over the knobs, you can probably squelch that.
Lucy Guo
A
55:46Andrea BotezHOST
I was like, damn.
L
55:47Lucy GuoGUEST
I have so many friends that produce, right? So I just go in their studio and they're like, this is Ableton.
L
55:52Lucy GuoGUEST
This is how we do this, this and this.
L
55:54Lucy GuoGUEST
And I'm like, oh, OK, cool.
A
58:57Andrea BotezHOST
But I don't know.
A
58:58Andrea BotezHOST
Do you have any like words of
L
59:00Lucy GuoGUEST
advice? I guess I think the best thing you can do is send it out to every single person, you know, maybe create like remix competitions from your fans who like pick up Ableton Produce.
L
59:09Lucy GuoGUEST
So there's more remixes of your songs.
Matt Huber on Mixing Julia Michaels, Valley & Why Editing Is Half the Job
J
52:52Justin GammellaHOST
And it's cause like, I'm, I'm like, I'm not producing into it, but I'm definitely mixing into it.
J
52:58Justin GammellaHOST
Like basically like once I kind of my workflows, I start in Ableton and I kind of like get my skeleton there.
J
53:03Justin GammellaHOST
And then once I'm doing vocals, I'm in Pro Tools and I'm kind of running, I'm making all my decisions through my mix bus at that point.
J
53:11Justin GammellaHOST
And yeah, I love that workflow.
In Defence of the Studio Upgrade
E
12:03Eon LakeHOST
I didn't even mix on it.
E
12:04Eon LakeHOST
I'm mixing inside Ableton.
E
12:07Eon LakeHOST
Which is fine, I think.
E
12:10Eon LakeHOST
Unless you really are...
22 MINS LATER
C
34:34CurtisHOST
And to put it bluntly, and I'm, I think there's a lot of credence in that.
C
34:38CurtisHOST
I think the, especially I can see the benefits of my own workflow when I moved to a push too.
C
34:46CurtisHOST
And when I moved away from the screen, Ableton is there, it's on the screen, but I'm mainly using a Push 2, which, okay, admittedly is some form of a screen, but I'm hearing the mix and I'm mixing with my ears as opposed to using the screen.
C
35:03CurtisHOST
You've got a launch
Jazztronica, Dream Melodies, and The Big Machine with Aaron Burnett
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7:14Lindsay BjorklundHOST
Is there any kind of technology, whether it's some kind of AI tool or some kind of even new hardware that you've incorporated into the group recently that's got you really excited to explore new territory?
A
7:27Aaron BurnettGUEST
Actually, yeah, I've created a digital format through Ableton for the saxophone.
A
7:31Aaron BurnettGUEST
It's like almost like a digital pedal board.
A
7:33Aaron BurnettGUEST
Nice.
L
8:33Lindsay BjorklundHOST
That's so cool.
L
8:34Lindsay BjorklundHOST
And is that stuff you can do live on the fly or do you have to kind of prepare? Yeah.
L
8:39Lindsay BjorklundHOST
So what triggers, you mentioned the Ableton kind of like having pedals for your sax.
L
8:44Lindsay BjorklundHOST
What do you use as a trigger? Like, obviously, it's not a physical pedal, I'm assuming.
195: Adam's Second Chances
A
35:18AdamGUEST
I want to be a DJ.
A
35:18AdamGUEST
I don't want to, do I want to make the music? And I just, I got, I got a system called Ableton and, which is one of the, what's called the dot digital audio workspace.
A
35:27AdamGUEST
I started working from there.
A
35:29AdamGUEST
And then I realized that, you know, I wanted to like volunteer at festivals, which I'm still trying to do.
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