Skip to main content
Ableton AG

Ableton AG

Ableton AG is a Berlin-based German music technology company that develops and distributes music production and live performance software, including the Ableton Live digital audio workstation. It also produces related hardware and software such as the Push hardware controller, and the Note and Move music-making tools.www.ableton.com

Search complete. 365 mentions across 133 episodes found for "Ableton AG".

Sep 11, 2026

Eli AtkinsGUEST
29:03
I do it every now and then around here in Vegas for like, you know, certain things.
Eli AtkinsGUEST
29:07
But anyway, as far as like AI goes in the music space, I it's, it's really tough because like, I think that like democratizing the ability to be creative is a very like good pursuit because I think that there's a lot of creativity out there, but then some people just don't have like the skillset to really dive into like, how do I work pro tools or Ableton or, you know, produce music at this scale.
Eli AtkinsGUEST
29:30
But I have all these ideas in my head that I want to get out.
Eli AtkinsGUEST
29:32
So on that hand, I think it's really valuable and cool.
Tom RayHOST
16:57
Um, what is-- First of all, what, what DAW are you guys using or what are you using to record, uh, the tracks?
PaulGUEST
17:06
We are Ableton Live die-hards.
Tom RayHOST
17:08
Okay.
PaulGUEST
17:09
Yeah.
OliviaGUEST
17:25
DAW is a lot better for doing batches of audio files really quickly.
OliviaGUEST
17:30
Um, it's, it's a much better like editing tool.
OliviaGUEST
17:32
But when it comes to writing music in the box, I think Ableton has been extremely, extremely good for us.
OliviaGUEST
17:41
So for the moment, I don't see that changing, but it would be nice to kind of be a little less bound to it.
Steven HydenHOST
47:26
Right
Nate AmosGUEST
47:26
... like, your, your average person is way more likely to have access to, like, Fruity Loops or Ableton than they are to have, like, a playable acoustic guitar sitting around.
Nate AmosGUEST
47:39
Um, but I also think that having this, this kind of, like, wide open expanse of possibilities that you don't really have to work for, it's just things you can do immediately, I think, uh, for me, I find that I, uh, I like what I come up with from a production standpoint more when I apply, like, very, like, uh, very hard limitations to the production-
Steven HydenHOST
48:10
Right
Jeff LaplanteHOST
26:45
I know all the other ones do.
Jeff LaplanteHOST
26:47
When you look at Ableton, I think it's called Simpler or something like that.
Jeff LaplanteHOST
26:50
I'm sure Fender Studio has one, but I just use Serato for that kind of thing.
Jeff LaplanteHOST
26:54
Gotcha.
Dave KropfHOST
26:55
Yeah.
Dave KropfHOST
26:56
Simpler for Ableton is like a one sound, whereas they have a sampler, which is a multi-sample.
Dave KropfHOST
27:01
So you can apply each individual sample onto an individual key.
Dave KropfHOST
27:06
Does the Serato allow you to do that? I know it'll take one sample and stretch it across the keyboard, but does it allow you to create like C1 is this sample, D flat is this sample, D is this sample?
Jonah Van BourgHOST
49:33
And I'm going to bring this all the way back in with the weave here.
Jonah Van BourgHOST
49:37
It used to take me 24 to 48 hours to throw together a great track of concentrated music making in Ableton.
Jonah Van BourgHOST
49:45
Astra can coordinate in Ableton in the actual digital audio workstation.
Jonah Van BourgHOST
49:55
And you could probably craft there's obviously like make a track with a prompt that happens in three seconds.
Jonah Van BourgHOST
50:01
But like I'm talking if you actually want to build a track and have control over the knobs, you can probably squelch that.
Andrea BotezHOST
55:46
I was like, damn.
Lucy GuoGUEST
55:47
I have so many friends that produce, right? So I just go in their studio and they're like, this is Ableton.
Lucy GuoGUEST
55:52
This is how we do this, this and this.
Lucy GuoGUEST
55:54
And I'm like, oh, OK, cool.
Andrea BotezHOST
58:57
But I don't know.
Andrea BotezHOST
58:58
Do you have any like words of
Lucy GuoGUEST
59:00
advice? I guess I think the best thing you can do is send it out to every single person, you know, maybe create like remix competitions from your fans who like pick up Ableton Produce.
Lucy GuoGUEST
59:09
So there's more remixes of your songs.
Justin GammellaHOST
52:52
And it's cause like, I'm, I'm like, I'm not producing into it, but I'm definitely mixing into it.
Justin GammellaHOST
52:58
Like basically like once I kind of my workflows, I start in Ableton and I kind of like get my skeleton there.
Justin GammellaHOST
53:03
And then once I'm doing vocals, I'm in Pro Tools and I'm kind of running, I'm making all my decisions through my mix bus at that point.
Justin GammellaHOST
53:11
And yeah, I love that workflow.
Eon LakeHOST
12:03
I didn't even mix on it.
Eon LakeHOST
12:04
I'm mixing inside Ableton.
Eon LakeHOST
12:07
Which is fine, I think.
Eon LakeHOST
12:10
Unless you really are...

22 MINS LATER

CurtisHOST
34:34
And to put it bluntly, and I'm, I think there's a lot of credence in that.
CurtisHOST
34:38
I think the, especially I can see the benefits of my own workflow when I moved to a push too.
CurtisHOST
34:46
And when I moved away from the screen, Ableton is there, it's on the screen, but I'm mainly using a Push 2, which, okay, admittedly is some form of a screen, but I'm hearing the mix and I'm mixing with my ears as opposed to using the screen.
CurtisHOST
35:03
You've got a launch
Lindsay BjorklundHOST
7:14
Is there any kind of technology, whether it's some kind of AI tool or some kind of even new hardware that you've incorporated into the group recently that's got you really excited to explore new territory?
Aaron BurnettGUEST
7:27
Actually, yeah, I've created a digital format through Ableton for the saxophone.
Aaron BurnettGUEST
7:31
It's like almost like a digital pedal board.
Aaron BurnettGUEST
7:33
Nice.
Lindsay BjorklundHOST
8:33
That's so cool.
Lindsay BjorklundHOST
8:34
And is that stuff you can do live on the fly or do you have to kind of prepare? Yeah.
Lindsay BjorklundHOST
8:39
So what triggers, you mentioned the Ableton kind of like having pedals for your sax.
Lindsay BjorklundHOST
8:44
What do you use as a trigger? Like, obviously, it's not a physical pedal, I'm assuming.
AdamGUEST
35:18
I want to be a DJ.
AdamGUEST
35:18
I don't want to, do I want to make the music? And I just, I got, I got a system called Ableton and, which is one of the, what's called the dot digital audio workspace.
AdamGUEST
35:27
I started working from there.
AdamGUEST
35:29
And then I realized that, you know, I wanted to like volunteer at festivals, which I'm still trying to do.

123 more episodes mention Ableton AG.

Create an account to see the whole feed, search across every transcript, and follow the entities you care about.

We value your privacy

We use cookies to understand how you use our platform and to improve your experience. Click “Accept All” to consent, or “Decline non-essential” to opt out of non-essential cookies. Read our Privacy Policy.