Oct 15, 2026 · 1 hr 20 min · 15 segments
Welcome to our second ever Classics episode, a deep dive into the career and discography of Liz Phair. Alex names Phair as one of his most influential artists…
Alexander DaoustHost
Jana PochopHost
So Liz Phair's first album, uh, which is Exile in Guyville, was hailed as a third wave feminist landmark.

Uh, it sort of shows off her unique style of guitar playing and her signature thin, deadpan vocals for the first time.

For Phair, you know, she was an, a, not a... well, kind of a nobody when she kind of came onto the scene, right? She was hanging out in bars in Chicago, uh, after moving back in with her parents.

She had b- she had gone to college for fine art and, and decided, you know, like, "I wanna try this music thing.

I wanna see if I can make it work, because everybody seems to think that I can't even though I'm adjacent to the scene," right?


It was promoted as such in that like this is a lot and salacious or like hardcore, like all the things that I was like, "I don't think that's for me," when I was like a wee 15-year-old or whatever.

Sure, and it was, it was salacious, although I wish we had time to listen to all of Exile in Guyville because like, and, and Phair talks about this in interviews.

... which is from this album, and it's, it's a beautiful love song, you know? But a lot of the album is very sensational.

So Liz Phair's first album, uh, which is Exile in Guyville, was hailed as a third wave feminist landmark.

Uh, it sort of shows off her unique style of guitar playing and her signature thin, deadpan vocals for the first time.

For Phair, you know, she was an, a, not a... well, kind of a nobody when she kind of came onto the scene, right? She was hanging out in bars in Chicago, uh, after moving back in with her parents.

She had b- she had gone to college for fine art and, and decided, you know, like, "I wanna try this music thing.

I wanna see if I can make it work, because everybody seems to think that I can't even though I'm adjacent to the scene," right?


It was promoted as such in that like this is a lot and salacious or like hardcore, like all the things that I was like, "I don't think that's for me," when I was like a wee 15-year-old or whatever.

Sure, and it was, it was salacious, although I wish we had time to listen to all of Exile in Guyville because like, and, and Phair talks about this in interviews.

... which is from this album, and it's, it's a beautiful love song, you know? But a lot of the album is very sensational.
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