Jun 3, 2026 · 33 min · 12 segments
Every era of Detroit music has been shaped by women, even when history tried to leave them out of the story. In Episode 4 of Living for the City, host Hanif Abdurraqib explores the women who pushed…
WaajeedGuestLADYMONIXGuest
Brenda Franklin CorbettGuestI had faced so many difficulties being a woman DJ.
[upbeat music]
There's not enough Minxes to sit in the same conversations as a Carl Craigs, as a Kevin Saunderson's, as the Mike Banks, as the mes.
[upbeat music] This is like healing work, you know? You're in service to people.
You know, you're trying to deliver something that is a release, is an escape.
I never accepted disrespect.
It's hard to be an artist in any city that literally and figuratively closes doors for art making, but what that does also is it affords artists opportunities for innovation and imagination to try to find new doors to open.
And when that happens, I think there's a blueprint that gets made that other people can follow.
So a closed door is open, and then with some luck, that door is held open for a while so that others can get through.
In this episode, we're exploring the theme of women on the decks, talking about women who propelled and upheld Detroit's music scenes and who built scenes where there were none before.
We're gonna be talking to the legendary DJ Minx, Brenda Franklin, who toured as a background singer with Aretha Franklin and was close to her family, Don Was, talking about working with women like Bonnie Raitt, Wajide talking about inclusion and why it matters in these scenes, and the DJ Lady Monix, who has run a night at Motor City Wine for over a year that brings all kinds of people out from all kinds of walks of the city.
These are women who built scenes and built rooms and mentored next generations and demanded respect in spaces that were not entirely always built with them in mind, from church choirs to dance floors, from backstage with Aretha Franklin to underground clubs.
A lot of these women were doing work that changed what Detroit music could look like, what it could sound like, who it could belong to.
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