From and Beyond Design: Conversations with Master of Design Students at Emily Carr University, 2024
Oct 6, 2026 · 28 min · 8 segments
*Corners and Intersections: Conversations with Master of Design Students at Emily Carr University, 2025: Collection + Materiality* with Pritam Paul, Qianxuan Chen, Morgan Martino, and Yahan Xing…
Um, for me, uh, collections and collecting are really central to how I, uh, not only understand, uh, the research that I did in this project, but also more broadly in my design practice, as well as just how I, I tend to learn about and understand the world.
I think that as, uh, designers and creatives, um, a lot of us are, are really attuned to paying attention to the world in ways that, um, other folks might not always, uh, pay attention to those really small, mundane, everyday things.
And I think that collecting is one way of, uh, being able to do that, of, uh, being able to pay attention to our surroundings, to gather up things that are of interest to us, and then with that collection of, of objects, experiences, relationships, ideas, we begin to notice patterns, themes, stories.
And I think that that's, uh, one way for, uh... that I see collecting, uh, as part of, uh, uh, the, the design field is, is that it's, it's something that allows us to discover, to learn, and to, um, be in, in connection with the world that we inhabit.
Right.
Okay.
Anybody else? How does collecting feel to you?
I feel like for me it's happened in the beginning of my project and also the end of the project, but like not exactly in the process.
Mm-hmm
That's how I get things together to like build out some sculptures and like all the pieces that I hold for my exhibition.
Mm-hmm.
Okay
... and perspective that I got from the participants that I... like being participant to my exhibition, and their response and their reflection to my exhibition.
It's like how I collect them, bring them together, and move on to the, like next step, I think.
Mm-hmm.
Right.
That's what you're collecting in those later stages.
It's more collecting, but it's a different... collection of different things.
Um, for me, uh, collections and collecting are really central to how I, uh, not only understand, uh, the research that I did in this project, but also more broadly in my design practice, as well as just how I, I tend to learn about and understand the world.
I think that as, uh, designers and creatives, um, a lot of us are, are really attuned to paying attention to the world in ways that, um, other folks might not always, uh, pay attention to those really small, mundane, everyday things.
And I think that collecting is one way of, uh, being able to do that, of, uh, being able to pay attention to our surroundings, to gather up things that are of interest to us, and then with that collection of, of objects, experiences, relationships, ideas, we begin to notice patterns, themes, stories.
And I think that that's, uh, one way for, uh... that I see collecting, uh, as part of, uh, uh, the, the design field is, is that it's, it's something that allows us to discover, to learn, and to, um, be in, in connection with the world that we inhabit.
Right.
Okay.
Anybody else? How does collecting feel to you?
I feel like for me it's happened in the beginning of my project and also the end of the project, but like not exactly in the process.
Mm-hmm
That's how I get things together to like build out some sculptures and like all the pieces that I hold for my exhibition.
Mm-hmm.
Okay
... and perspective that I got from the participants that I... like being participant to my exhibition, and their response and their reflection to my exhibition.
It's like how I collect them, bring them together, and move on to the, like next step, I think.
Mm-hmm.
Right.
That's what you're collecting in those later stages.
It's more collecting, but it's a different... collection of different things.
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