Oct 5, 2026 · 21 min · 9 segments
In this episode of The First Day from The Fund Raising School, Bill Stanczykiewicz, Ed.D., is joined by Carla Knorowski, Ph.D., a veteran fundraiser and advancement leader whose work has included…
Carla KnorowskiGuestBill StankiewiczHostAnd Carla, I love how you translated that for all nonprofits who don't have one of the world's most well-known landmarks and historical sites.
You know, one might be religious faith, one might be history, one might be architecture, one might be art, all the different things.
And that is so huge, right? That we have the protagonist and the antagonist.
And then thirdly, helping donors see their impact, whether you're making a five, six, seven figure gift or a five dollar, five euro gift, you can have an impact on this.
One thing I'm curious about, Carla, is how would you know if a donor is motivated because of their religious faith or their interest in history or their interest in architecture or some of those other factors? Or did you just kind of send all the stories to everyone and then I would know which one resonated most with me if I were a prospective donor?

Sometimes it's what you just said, is we'll have a lot of different stories that hit on different things.

But really what we do, and I would suggest to all my fellow fundraisers out there, that you infuse these stories in all types of your fundraising.

And and when you when you start to do that, what we also do is infuse our stories, all of them like, oh, what is a sentence in this story that will appeal to those who are spiritual? What is a sentence in this story that will appeal to someone who is looking at it as spiritual? Gothic architecture that may be lost? You know, what is the story that's going to appeal to the person who went there on vacation and sat in one of those chairs that burned up and sat in a mass in one of those chairs, you know? So in every story, there's a taxonomy where you're adding in each piece that might appeal to everyone.

You know, it's kind of like if you are planning a vacation with your family members, you don't just say, well, I want to go see what I want to see.

You're like, well, so-and-so likes, you know, history, but this one likes fun and this one likes, you know, and you put that, you put whatever you're doing together to appeal to everyone.

We appeal to everyone, even if it's only a sentence, so that they understand how it all fits together.
And Carla, I love how you translated that for all nonprofits who don't have one of the world's most well-known landmarks and historical sites.
You know, one might be religious faith, one might be history, one might be architecture, one might be art, all the different things.
And that is so huge, right? That we have the protagonist and the antagonist.
And then thirdly, helping donors see their impact, whether you're making a five, six, seven figure gift or a five dollar, five euro gift, you can have an impact on this.
One thing I'm curious about, Carla, is how would you know if a donor is motivated because of their religious faith or their interest in history or their interest in architecture or some of those other factors? Or did you just kind of send all the stories to everyone and then I would know which one resonated most with me if I were a prospective donor?

Sometimes it's what you just said, is we'll have a lot of different stories that hit on different things.

But really what we do, and I would suggest to all my fellow fundraisers out there, that you infuse these stories in all types of your fundraising.

And and when you when you start to do that, what we also do is infuse our stories, all of them like, oh, what is a sentence in this story that will appeal to those who are spiritual? What is a sentence in this story that will appeal to someone who is looking at it as spiritual? Gothic architecture that may be lost? You know, what is the story that's going to appeal to the person who went there on vacation and sat in one of those chairs that burned up and sat in a mass in one of those chairs, you know? So in every story, there's a taxonomy where you're adding in each piece that might appeal to everyone.

You know, it's kind of like if you are planning a vacation with your family members, you don't just say, well, I want to go see what I want to see.

You're like, well, so-and-so likes, you know, history, but this one likes fun and this one likes, you know, and you put that, you put whatever you're doing together to appeal to everyone.

We appeal to everyone, even if it's only a sentence, so that they understand how it all fits together.
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